CURATION
-
from this page:
by Augmented Matrix
Network Node
-
Name:
Ibram X. Kendi
-
City/Place:
Boston, Massachussetts
-
Country:
United States
-
Hometown:
Jamaica, Queens, NYC
Life
-
Bio:
IBRAM X. KENDI is one of America’s foremost historians and leading antiracist voices. He is a National Book Award-winning and #1 New York Times bestselling author. Kendi is the Andrew W. Mellon Professor in the Humanities and the Founding Director of the Boston University Center for Antiracist Research. Kendi is a contributor writer at The Atlantic and a CBS News correspondent. He will become the 2020-2021 Frances B. Cashin Fellow at the Radcliffe Institute for the Advanced Study at Harvard University.
Kendi is the author of THE BLACK CAMPUS MOVEMENT, which won the W.E.B. Du Bois Book Prize, and STAMPED FROM THE BEGINNING: THE DEFINITIVE HISTORY OF RACIST IDEAS IN AMERICA, which won the National Book Award for Nonfiction in 2016. At 34 years old, Kendi was the youngest ever winner of the NBA for Nonfiction. He grew up dreaming about playing in the NBA (National Basketball Association), and ironically he ended up joining the other NBA.
Kendi is also the author of three #1 New York Times bestsellers, HOW TO BE AN ANTIRACIST, an international bestseller that has been translated in several languages; STAMPED: RACISM, ANTIRACISM, AND YOU, co-authored with Jason Reynolds; and ANTIRACIST BABY, illustrated by Ashley Lukashevsky. HOW TO BE AN ANTIRACIST made several Best Books of 2019 lists and was described the New York Times as “the most courageous book to date on the problem of race in the Western mind.”
Kendi has published fourteen academic essays in books and academic journals, including The Journal of African American History, Journal of Social History, Journal of Black Studies, Journal of African American Studies, and The Sixties: A Journal of History, Politics and Culture. He has published op-eds in numerous periodicals, including The New York Times, The Guardian, Washington Post, London Review, Time, Salon, Diverse: Issues in Higher Education, Paris Review, Black Perspectives, and The Chronicle of Higher Education. He commented on a series of international, national, and local media outlets, such as CNN, MSNBC, NPR, Al Jazeerah, PBS, BBC, Democracy Now, OWN, and Sirius XM. A sought after public speaker, Kendi has delivered hundreds of addresses over the years at colleges and universities, bookstores, festivals, conferences, libraries, churches, and other institutions in the United States and abroad.
Kendi strives to be a hardcore antiracist and softcore vegan. He enjoys joking it up with friends and family, partaking in African American culture, weight-lifting, reading provocative books, discussing the issues of the day with open-minded people, and hoping and pressing for the day the New York Knicks will win an NBA championship and for the day this nation and world will be ruled by the best of humanity.
In 2013, he changed his middle name from Henry to Xolani (meaning "Peace" in Zulu) and surname from Rogers to Kendi when he wed Sadiqa Kendi, a pediatric emergency physician from Albany, Georgia. They chose their new name together and unveiled “Kendi,” meaning "loved one" in Meru, to their family and friends at their wedding. Their wedding photos, including Sadiqa's beautiful gold dress, were featured in Essence Magazine.
Kendi was born in 1982 to parents who came of age during the Black power movement in New York City. They were student activists and Christians inspired by Black liberation theology. While Kendi was in high school, his family moved from Jamaica, Queens, to Manassas, Virginia. He traveled further south and attended Florida A&M University, where he majored in journalism. He initially aspired for a career in sports journalism, freelancing for several Florida newspapers, and interning at USA Today Sports Weekly, as well as in the sports sections of the Mobile Register and Atlanta Journal-Constitution. By the end of his tenure at FAMU, he had become alienated from sports journalism and increasingly interested in engaging in racial justice work. He picked up a second major in African American Studies and graduated in 2004.
After working for a time as a journalist at The Virginian Pilot, Kendi pursued his graduate studies. At 27 years old, he earned his doctoral degree in African American Studies from Temple University in 2010. Kendi has taught at SUNY Oneonta, SUNY Albany, the University of Florida, and American University. In 2017, he became a full professor, the highest professorial rank, at 34 years old.
Kendi has been visiting professor at Brown University, a 2013 National Academy of Education/Spencer Postdoctoral Fellow, and postdoctoral fellow at the Rutgers Center for Historical Analysis. He has also resided at The John W. Kluge Center at the Library of Congress as the American Historical Association’s 2010-2011 J. Franklin Jameson Fellow in American History. In the summer of 2011, he lived in Chicago as a short-term fellow in African American Studies through the Black Metropolis Research Consortium. He has received research fellowships, grants, and visiting appointments from a variety of other universities, foundations, professional associations, and libraries, including the Lyndon B. Johnson Library & Museum, University of Chicago, Wayne State University, Emory University, Duke University, Princeton University, UCLA, Washington University, Wake Forest University, and the historical societies of Kentucky and Southern California. In 2019, The Root 100 listed him as the 15th most influential African American between the ages of 25 and 45 and the most influential college professor. Kendi was awarded the prestigious Guggenheim Fellowship in 2019.
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
From Salvador, Bahia, Brazil, the unprecedented integration of the creative economy. Creators planet-wide positioned within reach of each other and the entire world by means of technology + small-world theory (see Wolfram above). Bahia was final port-of-call for more enslaved human beings than any other place on earth throughout all of human history. It was refuge for Sephardim fleeing the Inquisition. It is Indigenous both apart and subsumed into a sociocultural matrix which is all of these: a small-world matrix. Neural structures for human memory are small-world. This technological matrix is small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX