Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Paulo Paulelli
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Paulo Paulelli
  • City/Place: São Paulo
  • Country: Brazil

Life & Work

  • Bio: Paulo Paulelli is a bass player from São Paulo, Brazil. He's worked with Chico Buarque, João Gilberto, Ivan Lins, Toninho Horta, João Donato, Hermeto Pascoal, Joyce, Leila Pinheiro, Maria Rita, Roberto Menescal, Fátima Guedes, and many others.

    For many years he's accompanied singer Rosa Passos on tours throughout Brazil and the world.

    Paulo plays with Trio Corrente and is a member of the BRS (Brazilian Rhythm Section) Quartet, featured on Peter Erskine's Brazilian music learning app.

Media | Markets

  • ▶ Website: http://petererskine.com/app/brs-quartet-brazil-play-along-app/
  • ▶ Spotify: http://open.spotify.com/album/4rBxmJoQll87nJTqlfQ7OL
  • ▶ Spotify 2: http://open.spotify.com/album/3aYetIwXRFgdGrQeATKPhg
  • ▶ Spotify 3: http://open.spotify.com/album/4cm772FbpRn7QtLme3BQeV
  • ▶ Spotify 4: http://open.spotify.com/album/4q5MaEui6KeiWvcIv1aKcN

Clips (more may be added)

  • Trio Corrente | Programa Instrumental Sesc Brasil
    By Paulo Paulelli
    310 views
  • Antonio Carlos Jobim - Só Danço Samba (Rosa Passos and Paulo Paulelli)
    By Paulo Paulelli
    346 views
  • Jobim passeando em Rivera (Paulo Paulelli)
    By Paulo Paulelli
    243 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Paulo Paulelli:

  • 2 Bass
  • 2 Brazil
  • 2 Brazilian Jazz
  • 2 MPB
  • 2 São Paulo

Nodes below are randomly generated. Reload for a different stack.

  • Michael Janisch Record Producer
  • Brett Orrison Record Label Owner
  • Christian McBride Bass
  • Fred Dantas Big Band Leader
  • Bernardo Aguiar Pandeiro
  • Geraldine Inoa Writer
  • Thiago Amud Singer-Songwriter
  • Celsinho Silva Rio de Janeiro
  • Dave Douglas Multi-Cultural
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  • Gilmar Gomes Guitar
  • Pedro Martins Brasília
  • Lula Galvão Guitar
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  • Paquito D'Rivera Composer
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  • Dan Moretti Berklee College of Music Faculty
  • Neo Muyanga South Africa
  • Eric Galm Hartford, Connecticut
  • Jason Reynolds Young People's Literature
  • Antônio Queiroz Repente
  • Joshue Ashby Violin Instruction
  • Fernando César Composer
  • Gerson Silva Music Director
  • Tony Kofi London
  • Thomas Àdes London
  • Eli Degibri אלי דג'יברי Composer
  • Adriano Giffoni Composer
  • Marcel Camargo Guitar
  • Duane Benjamin Bass
  • Jon Faddis Jazz
  • Archie Shepp Paris, France
  • Tom Zé Singer-Songwriter
  • Philip Watson Journalist
  • Kiko Freitas Educator
  • Dafnis Prieto Jazz
  • Gevorg Dabaghyan Armenian Folk Music
  • Carlos Blanco Brasil, Brazil
  • Kiya Tabassian كيا طبسيان Iran
  • Lina Lapelytė Contemporary Classical Music
  • June Yamagishi New Orleans
  • Hamilton de Holanda Choro
  • Daymé Arocena Singer
  • Elif Şafak Turkey
  • Aloísio Menezes Salvador
  • Vivien Schweitzer Opera
  • Ronald Bruner Jr. Los Angeles
  • Anat Cohen Israel
  • Pururu Mão no Couro Chula
  • Mart'nália Singer-Songwriter
  • Ivan Bastos Salvador
  • Greg Osby Composer
  • Dave Douglas Jazz
  • Roy Nathanson Classical Music
  • Mestrinho Forró
  • Arto Tunçboyacıyan Multi-Instrumentalist
  • Filhos de Nagô Bahia
  • Manuel Alejandro Rangel Venezuela
  • Ayrson Heráclito Federal University of the Recôncavo of Bahia Faculty
  • Capitão Corisco Pife
  • Jon Faddis Jazz
  • Barlavento Salvador
  • Warren Wolf Drums
  • Oded Lev-Ari Piano
  • José Antonio Escobar Spain
  • Fábio Peron Samba
  • Arturo Sandoval Trumpet
  • João Callado Brazil
  • Marcus Miller Multi-Instrumentalist
  • Estrela Brilhante do Recife Maracatu
  • Shanequa Gay Storyteller
  • Melvin Gibbs Composer
  • Joel Guzmán Accordion
  • John McWhorter Linguist
  • Doug Adair TechBeat
  • Endea Owens New York City
  • André Mehmari Brazil
  • Anders Osborne New Orleans
  • Carlos Aguirre Singer
  • Stuart Duncan Fiddle
  • Roosevelt Collier Songwriter
  • Hugues Mbenda Marseille
  • Yosvany Terry Composer
  • Cyro Baptista Brazil
  • Marvin Dunn Documentary Filmmaker
  • Steve Cropper Recording Studio Owner
  • Daniel Jobim Brazil
  • Tony Allen Nigeria
  • Gino Sorcinelli Educator
  • Darren Barrett Jazz
  • Alita Moses Singer-Songwriter
  • Abhijith P. S. Nair India
  • Eric Harland Composer
  • The Assad Brothers Brazil
  • Caterina Lichtenberg Author
  • Gian Correa Brazil
  • Afel Bocoum Guitar
  • Will Holshouser Accordion
  • Mestre Barachinha Maracatu
  • Papa Mali Louisiana
  • Jess Gillam Concert Promoter
  • Marcelo Caldi Choro
  • Anat Cohen Clarinet
  • Nicolas Krassik Rio de Janeiro
  • Gilson Peranzzetta Accordion
  • Larry McCray Blues
  • Teresa Cristina Rio de Janeiro
  • Lakecia Benjamin Ropeadope
  • Paulo Costa Lima Salvador
  • Samba de Nicinha Samba de Roda
  • Mavis Staples Soul
  • Victor Wooten Bass
  • Nara Couto Bahia
  • Tomo Fujita Blues
  • Rodrigo Amarante MPB
  • Nicholas Payton New Orleans
  • Anna Webber Composer
  • Jim Hoke Saxophone
  • Alexia Arthurs Short Stories
  • Lizz Wright Gospel
  • Sheryl Bailey Jazz
  • Jorge Pita Brazil
  • Myron Walden Recorder
  • Yvette Holzwarth Film, Television Recording
  • Sabine Hossenfelder Physicist
  • Tyler Gordon Painter
  • Márcio Bahia Drums
  • David Castillo Opera
  • Vijay Iyer Jazz
  • Dale Barlow New York City
  • Peter Evans Composer
  • Yotam Silberstein Israel
  • Cristiano Nogueira Rio de Janeiro
  • Catherine Bent Choro
  • Rodrigo Caçapa Guitar
  • Lucinda Williams Nashville, Tennessee
  • Michael Olatuja Jazz
  • Stephen Kurczy Writer
  • Ben Monder New York City
  • Margareth Menezes Brazil
  • Maria Rita Singer
  • Garvia Bailey Arts Journalist
  • Guillermo Klein Composer
  • Nara Couto Afropop
  • Guto Wirtti Samba
  • Hugo Linns Composer
  • Jack Talty Ireland
  • Negra Jhô Bahia
  • Lilli Lewis New Orleans
  • Colm Tóibín Columbia University Faculty
  • Maciel Salú Côco
  • Dave Smith Alternative, Improv
  • Sebastian Notini Percussão, Percussion
  • Deborah Colker Dancer
  • Eli Teplin Piano
  • Bebê Kramer Rio Grande do Sul
  • Conrad Herwig Trombone
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  • Rita Batista Brasil, Brazil
  • Bob Reynolds Jazz
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  • Fred Dantas Trombone
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  • Onisajé Dramaturga, Playwright
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  • Meshell Ndegeocello Rapper
  • Elif Şafak Women's Rights Activist
  • Diedrich Diederichsen Music Journalist
  • John Patrick Murphy Sanfona
  • Ronell Johnson Tuba
  • Nath Rodrigues Violin
  • Lucinda Williams Singer-Songwriter
  • Sebastian Notini Brasil, Brazil
  • Nancy Viégas Brasil, Brazil
  • Corey Henry New Orleans
  • Monk Boudreaux Funk
  • Ariel Reich New York City
  • Kamasi Washington Saxophone
  • Alana Gabriela Brasil, Brazil
  • Chris Dingman Vibraphone Instruction
  • Lula Moreira Samba de Coco
  • Chris Dingman New York City
  • Jamel Brinkley Novelist
  • Aubrey Johnson Composer
  • Anthony Coleman Piano
  • Anoushka Shankar Indian Classical Music
  • Lenny Kravitz Singer
  • John Schaefer New York City
  • Sarah Jarosz Texas
  • Nicholas Daniel Oboe Master Classes
  • Tonynho dos Santos Brasil, Brazil
  • Giba Conceição Percussion
  • Towa Tei テイ・トウワ Record Producer
  • Frank Beacham Storyteller
  • Marcelo Caldi Samba
  • Jane Ira Bloom New York City
  • Cut Worms Singer-Songwriter
  • Rebeca Omordia London
  • Yazz Ahmed Arabic Jazz
  • Vanessa Moreno Brazilian Jazz
  • Samba de Nicinha Bahia
  • Márcio Valverde Singer-Songwriter
  • Amy K. Bormet Washington, D.C.
  • Shuya Okino Kyoto
  • Rosa Cedrón Spain
  • Jorge Ben Sambalanço
  • James Brandon Lewis Composer
  • Corey Ledet Creole Music
  • Mika Mutti DJ
  • Andrew Gilbert Berkeley, California
  • Marilda Santanna Cantora, Singer
  • Tito Jackson R&B
  • Diedrich Diederichsen Writer
  • Thomas Àdes Composer
  • João Parahyba Drums
  • Alexandre Vieira Salvador
  • Joachim Cooder Multi-Cultural
  • Errollyn Wallen Royal Conservatoire of Scotland
  • Frank London Jewish Music
  • Rick Beato YouTuber
  • Raymundo Sodré Salvador
  • Wilson Simoninha MPB
  • Demond Melancon Black Masker
  • Gel Barbosa Brasil, Brazil
  • Marcus Strickland Record Producer
  • Lucio Yanel Guitar Courses
  • Jon Batiste Melodica
  • Mateus Aleluia Brazil
  • Miguel Atwood-Ferguson Multi-Instrumentalist
  • Keita Ogawa Drums
  • Alicia Hall Moran New York City
  • Munir Hossn Multi-Instrumentalist
  • Garth Cartwright DJ
  • Flavio Sala Italy
  • Romero Lubambo Brazil
  • Stormzy Singer-Songwriter
  • Anouar Brahem Multi-Cultural
  • Jaques Morelenbaum Rio de Janeiro
  • Eli Degibri אלי דג'יברי Composer
  • Joey Alexander New York City
  • Luques Curtis Double Bass
  • Susana Baca Peru
  • Alessandro Penezzi São Paulo
  • Celsinho Silva Pandeiro Instruction
  • Deesha Philyaw Public Speaker
  • Kirk Whalum Saxophone
  • Philip Sherburne DJ
  • David Castillo Voiceovers
  • Anthony Hervey Singer
  • Kenyon Dixon Soul
  • Andrew Finn Magill Fiddle
  • Toumani Diabaté Malian Traditional Music
  • Raymundo Sodré Chula
  • Michael Peha Keyboards
  • Júlio Caldas Bandolim, Mandolin
  • Sam Wasson Author
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  • Hot Dougie's Local de Música ao Vivo
  • Marcel Camargo Guitar
  • Melissa Aldana Composer
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  • John Doyle Singer-Songwriter
  • Cécile Fromont Yale Faculty
  • Jonathan Griffin BBC
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  • Arthur Jafa Cinematographer
  • Mingo Araújo Percussion
  • Ed Roth Songwriter
  • Grant Rindner Writer
  • Brett Orrison Austin, Texas
  • Igor Osypov Germany
  • Joe Newberry Folk & Traditional
  • Fatoumata Diawara Mali
  • Mohini Dey Indian Fusion
  • Danilo Pérez Panama
  • Jean Rondeau Piano
  • Ned Sublette Singer-Songwriter
  • Ryuichi Sakamoto Record Producer
  • Walter Pinheiro Frevo
  • Benoit Fader Keita Electro Music
  • Bodek Janke Multi-Cultural
  • Arifan Junior Cantor-Compositor, Singer-Songwriter
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  • Liron Meyuhas Israel
  • Sarah Jarosz Mandolin
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  • Ivan Neville Funk
  • Evgeny Kissin Piano
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  • Rayendra Sunito Songwriter
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  • Ceumar Coelho Singer-Songwriter
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  • Lazzo Matumbi Bahia
  • Cleber Augusto Samba
  • Alessandro Penezzi Samba
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  • MicroTrio de Ivan Huol Trio Elétrico
  • Jerry Douglas Dobro
  • Garvia Bailey Writer
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  • Nicholas Daniel Oboe
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  • Mark Bingham Guitar
  • Arthur L.A. Buckner Gospel
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  • Lucian Ban New York City
  • Stephan Crump Composer
  • Léo Rodrigues Côco
  • Oteil Burbridge Southern Rock
  • Ivo Perelman Brazilian Jazz
  • Donald Harrison New Orleans
  • Chau do Pife Brazil
  • Luis Paez-Pumar Journalist
  • JD Allen Composer
  • Darren Barrett Trumpet
  • Rosa Passos Bahia
  • Shaun Martin Gospel
  • Bebel Gilberto Rio de Janeiro
  • Lucian Ban Jazz
  • Karim Ziad Percussion
  • Taylor Ashton Vancouver
  • Ken Coleman Writer
  • Will Holshouser Composer
  • Duncan Chisholm Traditional Scottish Music
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • Kurt Andersen Journalist
  • Lenny Kravitz Record Producer
  • John Donohue Writer
  • Roy Ayers Composer
  • Monarco Rio de Janeiro
  • Airto Moreira Singer
  • Jan Ramsey Cajun Music
  • Greg Kot Music Critic
  • Wouter Kellerman Bass Flute
  • Jonga Cunha Author
  • Mark Stryker Author

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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