Salvador Bahia Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Lula Galvão
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Lula Galvão
  • City/Place: Brasília
  • Country: Brazil

Life & Work

  • Bio: Lula Galvão is a Brazilian guitarist and arranger, working on his own and with and for a wide variety of Brazil's finest musicians including Rosa Passos, Guinga, Joyce, Ivan Lins, Chico Buarque, Jaques Morelenbaum, Caetano Veloso and others.

    He's also worked with Kenny Barron, Kenny Rankin, Paquito D'Rivera and others.

Contact Information

  • Email: [email protected]
  • Telephone: (61) 99201-2240

Media | Markets

  • ▶ YouTube Channel: http://www.youtube.com/channel/UCAWqGb17xwTuh4446E7PNCA
  • ▶ YouTube Music: http://music.youtube.com/channel/UCNl3y5M_MbxQb3hRq4za48w
  • ▶ Spotify: http://open.spotify.com/album/24mfpDgch1Xr8qzJuqUi1Q
  • ▶ Spotify 2: http://open.spotify.com/album/4kkyRV7fi4tp5WfOOwUuGU
  • ▶ Spotify 3: http://open.spotify.com/album/2Ly8YTrl5S4IQP9QlEInrv

Clips (more may be added)

  • 0:06:14
    AQUIDISTANTES 6 - Toninho Horta e Lula Galvão - Aquelas Coisas Todas.
    By Lula Galvão
    195 views
  • 0:08:09
    Lula Galvão - solo na música - A Prata e o Ouro
    By Lula Galvão
    191 views
  • 0:57:59
    Cristovão Bastos e Lula Galvão - duo instrumental | 36ª Oficina de Música de Curitiba (PR)
    By Lula Galvão
    419 views
  • 0:06:17
    Lula Galvão e Nelson Faria | Brigas Nunca Mais
    By Lula Galvão
    181 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Lula Galvão:

  • 4 Arranger
  • 4 Bossa Nova
  • 4 Brasília
  • 4 Brazil
  • 4 Brazilian Jazz
  • 4 Choro
  • 4 Classical Guitar
  • 4 Guitar
  • 4 MPB
  • 4 Samba
  • Bruce Molsky Banjo
  • Irmandade da Boa Morte Brasil, Brazil
  • Nath Rodrigues Minas Gerais
  • Moreno Veloso Guitar
  • Virgínia Rodrigues Singer
  • Beth Bahia Cohen Lyras
  • Phakama Mbonambi Journalist
  • Nubya Garcia England
  • Mingus Big Band Jazz
  • Hank Roberts Avant-Garde, Folk, Classical
  • Mohamed Diab Filmmaker
  • Johnny Lorenz Poet
  • James Gadson Funk
  • Maciel Salú Pernambuco
  • Jamz Supernova Radio Presenter
  • Taylor McFerrin Record Producer
  • Chief Xian aTunde Adjuah Composer
  • Alana Gabriela Educadora, Educator
  • Ed O'Brien London
  • Rumaan Alam Essayist
  • Obed Calvaire New York City
  • Daniel Owoseni Ajala Dance Instructor
  • Rolando Herts Singer
  • Nora Fischer Singer
  • Plamen Karadonev Composer
  • Leci Brandão Pandeiro
  • Nicholas Daniel Music Director
  • Serginho Meriti Composer
  • Lula Moreira Composer
  • Mykia Jovan Blues
  • Mestre Barachinha Caboclo de Lança
  • Tal Wilkenfeld Guitar
  • Jeff Tweedy Multi-Instrumentalist
  • Seth Rogovoy Klezmer
  • Casa da Mãe Restaurante-Bar, Restaurant-Bar
  • Nettrice R. Gaskins STEAM Advocate
  • Celso de Almeida Brazil
  • Ben Okri Essayist
  • Ilê Aiyê Bloco Afro
  • Jonathon Grasse Minas Gerais
  • Yo La Tengo Hoboken, New Jersey
  • Robi Botos Film Scores
  • Jorge Aragão Multi-Instrumentalist
  • Celino dos Santos Chula
  • Robert Randolph Gospel
  • Ofer Mizrahi Guitar
  • Super Chikan Blues
  • Tiganá Santana Produtor Musical, Music Producer
  • Joe Chambers New York City
  • Derrick Hodge Record Producer
  • Brandee Younger Harp
  • Kenny Garrett Multi-Cultural
  • Mehdi Rajabian Composer
  • Bob Lanzetti Educator
  • Carwyn Ellis Multi-Instrumentalist
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • Karla Vasquez Los Angeles
  • Mika Mutti Brazil
  • Jaques Morelenbaum Film Scores
  • Carlinhos 7 Cordas Rio de Janeiro
  • John Santos Writer
  • Chico César Brazil
  • Mário Santana São Braz
  • Jeff Preiss Cinematographer
  • Sarah Jarosz Banjo
  • Gabrielzinho do Irajá Brazil
  • Ed Roth Keyboards
  • Herlin Riley Second Line
  • Andrew Dickson Journalist
  • Stephanie Foden Documentary Photographer
  • Alex Cuadros Journalist
  • Tam-Ky Asian-African Foods
  • Keshav Batish North Indian Classical Music
  • Burhan Öçal Bendir
  • Júlio Caldas Brasil, Brazil
  • Mariana Zwarg Rio de Janeiro
  • Onisajé Brasil, Brazil
  • Milford Graves Drums
  • Benjamin Grosvenor Classical Music
  • David Sacks Washington, D.C.
  • Louis Marks Music Producer
  • Bruce Molsky Appalachian Music
  • Leo Genovese Piano
  • Henrique Cazes Composer
  • Paul Mahern Punk Rock
  • Mazz Swift Singer
  • Mauro Refosco Forró
  • Lucio Yanel Brazil
  • Jakub Knera Gdańsk
  • Yoruba Andabo Havana
  • Sunna Gunnlaugs Composer
  • Raelis Vasquez Painter
  • Ana Luisa Barral Bandolim
  • Morgan Page House
  • Jazzmeia Horn Writer
  • Asali Solomon Short Stories
  • Simon Singh Mathematics
  • Gabriel Geszti Multi-Cultural
  • Spider Stacy Singer-Songwriter
  • Tyler Gordon Painter
  • Isaiah J. Thompson Piano
  • Dhafer Youssef ظافر يوسف Oud
  • Bright Red Dog Improvising Collective
  • Lô Borges Belo Horizonte
  • Joel Best London
  • Guilherme Kastrup Record Producer
  • Geraldo Azevedo Pernambuco
  • Stefano Bollani Composer
  • Andrew Huang Video Producer
  • Kaveh Rastegar Songwriter
  • Jorge Washington Brazil
  • Asa Branca Samba
  • Giovanni Russonello Journalist
  • Miguel Atwood-Ferguson Violin
  • Larnell Lewis Jazz, Funk, R&B, Soul
  • Anna Mieke Multi-Instrumentalist
  • Estrela Brilhante do Recife Pernambuco
  • Yilian Cañizares Classical Music
  • Jamie Dupuis Guitar
  • Jorge Ben Sambalanço
  • Ivo Perelman Composer
  • Flora Purim Percussion
  • Ron Carter Jazz
  • Marcos Suzano Rio de Janeiro
  • Niwel Tsumbu Africa
  • Yilian Cañizares Ecole de Jazz et de Musique Actuelle Faculty
  • Peter Mulvey Americana
  • Casey Driessen Fiddle
  • Alicia Svigals Composer
  • Julia Alvarez Latin American Literature
  • Ilê Aiyê Bloco Afro
  • Django Bates Vocalist
  • Manassés de Souza Viola de Doze
  • McClenney Multi-Instrumentalist
  • Mateus Aleluia Filho Brasil, Brazil
  • David Wax Museum Folk Roots Rock
  • Maciel Salú Rabeca
  • James Elkington Guitar
  • Siobhán Peoples County Clare
  • Fabiana Cozza São Paulo
  • Virgínia Rodrigues Salvador
  • André Mehmari MPB
  • Gabi Guedes Candomblé
  • Raelis Vasquez Sculptor
  • Lolis Eric Elie Writer
  • André Mehmari Brazil
  • MonoNeon Microtonal
  • Ricky (Dirty Red) Gordon Second Line
  • Dafnis Prieto University of Miami Frost School of Music Faculty
  • David Castillo Moorpark College Faculty
  • Abderrahmane Sissako Mali
  • Bukassa Kabengele Cultural Producer
  • David Castillo Singer
  • Rudresh Mahanthappa Jazz
  • Corey Henry Second Line
  • Mário Pam Brazil
  • Kevin Hays Piano Instruction
  • Flavio Sala Classical Guitar
  • Ricardo Bacelar Direitos Autorais, Royalties
  • Walmir Lima Salvador
  • Victor Wooten Singer
  • François Zalacain Record Producer
  • Branford Marsalis New Orleans
  • Manassés de Souza Ceará
  • Yuja Wang New York City
  • China Moses Jazz
  • Urânia Munzanzu Cultura Afro-Baiana, Afro-Bahian Culture
  • Juliana Ribeiro MPB
  • Philip Sherburne Music & Culture Writer
  • Marc Johnson Double Bass
  • Kirk Whalum Memphis, Tennessee
  • Jon Otis Drums
  • Marcelinho Oliveira Music Producer
  • Isaias Rabelo Salvador
  • Oscar Bolão Choro
  • Sarah Jarosz Folk & Traditional
  • Daedelus Hip-Hop
  • Rolando Herts Delta State University Faculty
  • Paulinho Fagundes Rio Grande do Sul
  • Psoy Korolenko Псой Короленко Moscow
  • Joey Alexander Composer
  • Margareth Menezes Singer-Songwriter
  • Sam Yahel Piano
  • Maria Rita Singer
  • Urânia Munzanzu Salvador
  • Jorge Pita Salvador
  • John Doyle Guitar
  • Tomo Fujita Blues
  • Ben Wolfe Composer
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Alan Bishop Cairo
  • Mestre Nenel Bahia
  • Samuca do Acordeon Bossa Nova
  • Márcio Bahia MPB
  • Guillermo Klein Jazz
  • Ivan Bastos Bahia
  • Mestre Barachinha Caboclo de Lança
  • Gord Sheard Piano
  • Jerry Douglas Guitar
  • John Francis Flynn Rough Trade, River Lea
  • Oswaldinho do Acordeon Forró
  • Tommy Peoples Donegal Fiddle
  • Alphonso Johnson Jazz
  • Owen Williams Marketer
  • Chris Dave Composer
  • Roy Nathanson Brooklyn, NY
  • Nublu New York City
  • Dee Spencer Piano
  • Alessandro Penezzi Violão de Sete
  • Priscila Castro Cantora-Compositora, Singer-Songwriter
  • J. Cunha Salvador
  • Ajeum da Diáspora Brazil
  • Léo Rugero Accordion
  • Meshell Ndegeocello Singer-Songwriter
  • Dermot Hussey Author
  • Aneesa Strings Jazz
  • Rudy Royston Composer
  • Roots Manuva Dub
  • Paulo Martelli Violão Clássico, Classical Guitar
  • Rick Beato Author
  • Rahim AlHaj Baghdad
  • Manolo Badrena Composer
  • Raymundo Sodré Brazil
  • Hugo Rivas Guitar
  • Andrew Dickson London
  • A-KILL Building Art
  • Bebê Kramer Tango
  • Henrique Araújo Mandolin
  • Dale Barlow Composer
  • Arthur Jafa Multidisciplinary Artist
  • Jeff Coffin Saxophone
  • Andrew Finn Magill Choro
  • Stephen Guerra Brazilian Classical Guitar
  • Paulo Aragão Samba
  • Abel Selaocoe Classical Music
  • Monk Boudreaux Singer
  • Jerry Douglas Dobro
  • Abel Selaocoe Manchester
  • Mykia Jovan Singer-Songwriter
  • Tia Fuller Berklee College of Music Faculty
  • Asali Solomon Essayist
  • João Luiz Hunter College Faculty
  • Celsinho Silva Pandeiro
  • Alexandre Vieira Jazz
  • Imanuel Marcus War Correspondent
  • Tonynho dos Santos Salvador
  • Michael Peha Record Producer
  • Dan Weiss Avant-Garde Jazz
  • Sahba Aminikia San Francisco
  • Cara Stacey Mbabane
  • Isaac Julien London
  • Nego Álvaro Singer-Songwriter
  • Bebê Kramer Accordion
  • Chris Boardman Composer
  • Ta-Nehisi Coates Journalist
  • Rodrigo Caçapa Record Producer
  • Magda Giannikou Singer
  • Berkun Oya Turkey
  • Mark Stryker Author
  • Leandro Afonso Film Editor
  • Gavin Marwick Multi-Cultural
  • Gregory Hutchinson New York City
  • Márcia Short Bahia
  • Cory Wong Jazz
  • Alex Mesquita Composer
  • Trombone Shorty Songwriter
  • João Callado Music Producer
  • Caoimhín Ó Raghallaigh Fiddle
  • Michael Olatuja Afrobeat
  • Donald Vega Piano Instruction
  • Iroko Trio Brazil
  • Joe Newberry North Carolina
  • Jamz Supernova DJ
  • Gabriel Geszti Jazz Brasileiro, Brazilian Jazz
  • Nardis Jazz Club Istanbul
  • Silas Farley Choreographer
  • Martin Hayes Ireland
  • Nicolas Krassik Composer
  • Branford Marsalis Jazz
  • Armen Donelian Multi-Cultural
  • Michel Camilo Composer
  • Nação Zumbi Pernambuco
  • Errollyn Wallen Singer-Songwriter
  • Joe Lovano Composer
  • Bodek Janke Berlin
  • Nicholas Payton Writer
  • Capitão Corisco Brazil
  • Oswaldinho do Acordeon Accordion
  • Tyshawn Sorey Wesleyan University Faculty
  • Giovanni Russonello Washington, D.C.
  • Gustavo Caribé Baixo, Bass
  • Alê Siqueira Brazil
  • Carwyn Ellis Experimental Music
  • Ibram X. Kendi Writer
  • Safy-Hallan Farah Writer
  • Adam Cruz Drums
  • Cory Henry R&B
  • Mokhtar Samba Author
  • Marc Ribot Soul
  • Jam no MAM Jazz Brasileiro, Brazilian Jazz
  • Johnny Lorenz Translator
  • Michael Olatuja Bass
  • Thiago Espírito Santo Compositor, Composer
  • Al Kooper Singer-Songwriter
  • Zakir Hussain Percussion
  • Yosvany Terry Saxophone
  • Angelique Kidjo Africa
  • Mona Lisa Saloy New Orleans
  • Neo Muyanga Piano
  • June Yamagishi Funk
  • Ofer Mizrahi Singer-Songwriter
  • Robertinho Silva Choro
  • Jimmy Dludlu Composer
  • Orlando 'Maraca' Valle Flute
  • Abel Selaocoe Singer
  • Kermit Ruffins Trumpet
  • Paulinho da Viola Choro
  • Elie Afif Beirut
  • Christopher James Musicologist
  • Mino Cinélu New York City
  • Nara Couto Coreógrafa, Choreographer
  • Aurino de Jesus Samba de Viola
  • Samuel Organ Electronic Music
  • Rebeca Omordia London
  • Catherine Bent Classical Music
  • Tedy Santana Drums
  • Pedro Aznar Argentina
  • Miguel Zenón New York City
  • Orlando Costa Bahia
  • Anthony Coleman Jewish Music
  • Jeremy Danneman New York City
  • Deesha Philyaw University of Pittsburgh Faculty
  • Cathal McNaughton Photojournalist
  • David Bragger Mandolin Instruction
  • Hilton Schilder Piano
  • Hermeto Pascoal Brazil
  • Matt Garrison Record Producer
  • Perumal Murugan Writer
  • Jon Batiste R&B
  • Atlantic Brass Quintet Brass Ensemble
  • Sierra Hull Mandolin
  • Nigel Hall R&B
  • Mauro Diniz Brazil
  • Chris Boardman University of Miami Frost School of Music Faculty
  • Ana Luisa Barral Bahia
  • Richard Bona Singer
  • Geovanna Costa Pandeiro
  • Ivan Huol Brazil
  • Serginho Meriti Rio de Janeiro
  • John Doyle Ireland

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share