Devin Naar, steps away
Devin Naar and most of humanity are within 6 degrees of each other. This matrix combines the small-world principle behind this seemingly magical fact with inter-artist recommendations-in-series in order to make all artists potential curators and discoverable within a handful of steps from everywhere on the planet. It works like this:
I RECOMMEND people (do you?)Devin Naar & degrees of proximity
Why again is Devin Naar mere steps away from other artists in here, and by extension, most everybody on the planet???
WHO CURATES "I RECOMMEND" ABOVE?
- Vertex/Edges Out by: The Matrix via ↴
Artist & Where
- Name: Devin Naar
- City/Place: Seattle, Washington
- Country: United States
Life & Work
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Bio:
Devin E. Naar is the Marsha and Jay Glazer Endowed Chair in Jewish Studies, Assistant Professor of History, and Chair of the Sephardic Studies Program at the University of Washington. Born and raised in New Jersey, Dr. Naar graduated summa cum laude from Washington University in St. Louis, where he wrote an award-winning senior thesis. Following a year in Greece as a Fulbright Scholar, Dr. Naar began his PhD in History at Stanford University, where he won an award for excellence in teaching. Dr. Naar’s dissertation, “Jewish Salonica and the ‘Making of the Jerusalem of the Balkans,’ 1890-1943,” received the Elizabeth Spillman Rosenfeld Prize for best written dissertation in Stanford’s Department of History in 2011.
Since joining the UW faculty in 2011, Dr. Naar has been working on a book manuscript, based on his dissertation, entitled,Jewish Salonica, which explores the multiple ways in which Jews in Salonica grappled with the end of the Ottoman Empire and their new-found position within the context of the Greek state during the early twentieth century. Drawing on a wide range of previously unstudied primary sources, such as archives and newspapers primarily written in Judeo-Spanish (Ladino), Jewish Salonica is the first book to tell the story of the tumultuous transition from empire to nation-state through the voices and perspectives of Salonican Jews themselves. The book traces key questions that Jews in Salonica asked during this period of readjustment: What willhappen to our Community? Who will serve as our leader? Who will tell our story? What will become of our dead? Ultimately, the answers Salonican Jews gave to these questions demonstrate that they hoped to bridge the chasm between empire and nation-state by reaffirming their connection to their city and by claiming the city as their own–even on the eve of the Holocaust.
Currently a fellow in the Society of Scholars at the Simpson Center for the Humanities at the University of Washington, Dr. Naar has also begun a second book project, Reimagining the Sephardic Diaspora. This book explores the dispersal of Sephardic Jews from the dissolving Ottoman Empire during the early twentieth century and the creation of new Sephardic communal hubs in Europe and the Americas—including Seattle. By focusing on the multiple directions of transnational migration, the links Sephardic Jews retained with their native communities, and the relationships they developed with other Jews and migrants from the Mediterranean, this project compels us to reconceptualize the geographic and theoretical lines between the “old world” and the “new.”
At the UW, Dr. Naar teaches courses linked to his areas of research, including modern Jewish history; Jewish culture from antiquity until today; Sephardic history and culture; the history and memory of the Holocaust; relations between Jews, Christians and Muslims in lands of the former Ottoman Empire; migrations from the Mediterranean world to the Americas in the twentieth century; and a graduate seminar on Jews, Cities and Empires. He also supervises MA and PhD students in fields such as modern Jewish history and culture, Sephardic Studies, and transnational studies.
As the chair of the new Sephardic Studies Program of the Stroum Center for Jewish Studies housed within the Jackson School of International Studies, Dr. Naar has begun a pilot project entitled, “Seattle Sephardic Treasures,” which seeks to collect, preserve and disseminate the rich Sephardic and Ladino historical, literary and cultural heritage. The first major Sephardic Studies Digital Library and Archive–an online Sephardic Museum–is in the works based on the more than 700 artifacts, books and letters collected so far from residents of the Seattle area. In addition to the digital initiative, the Sephardic Studies Program also hosts a wide range of student, scholarly and public programs that each draw hundreds of participants. The Sephardic Studies Program has already received extensive local, national and international media attention.
In recognition of the contributions he has already made to the study of Sephardic history, Dr. Naar was recently elected to the Academic Advisory Council of the Center for Jewish History in New York. He is the only assistant professor to receive this prestigious post, where he will represent the American Sephardic Federation. Dr. Naar was also elected to the Academic Council of the American Jewish Historical Society.
He conducts research in Ladino (Judeo-Spanish/Judezmo), Greek, Hebrew and French.
Contact Information
- Email: denaar@uw.edu
- Telephone: +1 (206) 616-6202
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Address:
University of Washington
Thomson Hall 226
Seattle, WA 98195
Media & Markets
- ▶ Book Purchases: http://www.sup.org/books/title/?id=25672
- ▶ Website: http://devinenaar.com
- ▶ Website 2: http://jewishstudies.washington.edu/sephardic-studies/sephardic-studies-digital-library-museum/
- ▶ Articles: http://devinenaar.com/publications
My Writing
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Publications:
JEWISH SALONICA: Between the Ottoman Empire and Modern Greece
Touted as the "Jerusalem of the Balkans," the Mediterranean port city of Salonica (Thessaloniki) was once home to the largest Sephardic Jewish community in the world. The collapse of the Ottoman Empire and the city's incorporation into Greece in 1912 provoked a major upheaval that compelled Salonica's Jews to reimagine their community and status as citizens of a nation-state. Jewish Salonica is the first book to tell the story of this tumultuous transition through the voices and perspectives of Salonican Jews as they forged a new place for themselves in Greek society.
Devin E. Naar traveled the globe, from New York to Salonica, Jerusalem, and Moscow, to excavate archives once confiscated by the Nazis. Written in Ladino, Greek, French, and Hebrew, these archives, combined with local newspapers, reveal how Salonica's Jews fashioned a new hybrid identity as Hellenic Jews during a period marked by rising nationalism and economic crisis as well as unprecedented Jewish cultural and political vibrancy. Salonica's Jews—Zionists, assimilationists, and socialists—reinvigorated their connection to the city and claimed it as their own until the Holocaust. Through the case of Salonica's Jews, Naar recovers the diverse experiences of a lost religious, linguistic, and national minority at the crossroads of Europe and the Middle East.
Clips (more may be added)
ABOUT THE MATRIX
This matrix is dedicated to creative artists and non-algorithmic discovery.
It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):
www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world
While the Brazilian musicians I work with now you may not know, I formerly worked (chasing unpaid royalties!) on behalf of Aretha Franklin, Barbra Streisand, Led Zeppelin, Jim Hall, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Wah Wah Watson (Melvin Ragin), Philip Glass, The Cadillacs (Earl Carroll), The Flamingos (Zeke and Jake Carey), and others, including Oscar-winning world-class great-guy Robb Royer. I was interviewed by David Dye for broadcast on U.S. National Public Radio several years ago ... about the Brazilians:
- Randy "Pardal/Sparrow" Roberts
All is more connected than we know.
w/ David Dye for U.S. National Public Radio
The matrix was inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone...
Our logo, per the "spirit" above, is a cortador de cana, a cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.
