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  • Corey Henry

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Corey Henry
  • City/Place: New Orleans, Louisiana
  • Country: United States

CURATION

  • from this node by: Matrix

Current News

  • What's Up? “Lapeitah,” n. (la-pee-TAH) – A second line dance among many, e.g. crisscross, alligator, half spin, hold spin, buck jump, march, one leg kick, running wild, lapeitah.

    Co-produced by Corey Henry and Pimps of Joytime’s Brian J, “Lapeitah” places Henry on the national stage, revealing the signature playing style developed in the heart of the Treme.

    The Brooklyn-meets-New Orleans collaboration is a mixed genre tour de force, representing the best that funk, soul, rock, and jam-based music have to offer. Among the many special guests you’ll find are Living Color’s Corey Glover, Greg Thomas of George Clinton & Parliament/Funkadelic, and Maurice “Mobetta” Brown.

Life & Work

  • Bio: Trombonist COREY HENRY has what many musicians would consider the ideal upbringing: Raised in the neighborhood of Treme, the birthplace of jazz and a stone’s throw away from Congo Square, surrounded and nurtured by some of the most important musicians in New Orleans history.

    TREME: THE BIGGEST INSPIRATION
    Born in July 1975, Henry grew up on Barracks Street just down from Little People’s Club, once a popular spot for second line parade stops in the Treme. Henry was the third child in a family of five boys and two girls. His grandfather Chester Jones played bass drum in a traditional jazz band at Preservation Hall. His uncle is Benny Jones of the world-renowned Treme Brass Band. “Being in Treme was my biggest inspiration, being around all that music at once. We always had brass bands playing – the Pinstripes, Olympia, the Dirty Dozen. I’d go outside and they’d be playing a party or doing a second line. I got inspired by that and of course it’s in my family, my uncle and grandfather.”

    As a result of this musical environment, Henry didn’t learn his craft in the school band the way many other brass band musicians in New Orleans do. Treme was his music classroom; family members and neighbors on every block were his teachers. “I always had people like Tuba Fats giving me tips on what I needed to do during gigs; Freddie Kemp, sax player with Fats Domino; also Stackman, Frederick Shepard, Roderick Lewis. They all lived in the neighborhood and played with the Treme Brass Band.”

    Henry started on the snare drum but switched over to the trombone at the age of 10. When he turned 16, his uncle Benny hired him to play with the Treme Brass Band. “He just threw me in the mix with all those bad musicians, said ‘This is how you gon’ learn. Just go for it.’ So I learned doing it live, not during rehearsals. It was like learning on the job.” Showing him the ropes along with his uncle was trumpeter Kermit Ruffins. “They put me with a lot of musicians who were phenomenal, taught me a lot about stage presence, how to conduct yourself, coming to gigs on time.” He counts legendary trombonists Keith ‘Wolf’ Anderson and Revert Andrews as mentors who helped him develop his unique sound. “It was these two different musicians showing me things and me listening and practicing and just researching, being hungry and eager to learn.”

    With “Lapeitah,” his national debut from Louisiana Red Hot Records, Henry reveals a signature playing style and the ability to lead a band with his own muscular voice and his trombone blasting through the room like a fast-coming train, fueled further by the crowd’s energy that he inspires.

    AWARDS AND ACCOLADES

    Henry was the trombonist on Rebirth Brass Band’s “Rebirth of New Orleans” that won the Grammy for Best Regional Roots Album in 2012.

    Henry’s talents as a musician have been recognized by his peers and the public, winning these Offbeat Magazine Best of the Beat Awards:

    Best Emerging Artist, 2013
    Best Trombonist, 2016

    In 2019, Corey Henry & the Treme Funktet won Gambit Magazine’s Best of the Big Easy Award for Best Funk Band.

    The New York Times listed Corey Henry & the Treme Funktet as one of 13 standout sets at the 2019 New Orleans Jazz Fest.

    Most recently, Corey Henry won the 2019 Spirit of Satchmo Music Award sponsored by French Quarter Festivals, Inc. for his commitment to preserving and honoring Louis Armstrong’s legacy through his performance.

Contact Information

  • Email: [email protected]
  • Telephone: +1 504.919.7252
  • Record Company: Louisiana Red Hot Records
    2117 Veterans Blvd. #336
    Metairie, LA 70002

    ABOUT LOUISIANA RED HOT RECORDS
    Offbeat Magazine’s 2015 and 2018 Record Label of the Year and home to Louisiana super groups like Ivan Neville’s Dumpstaphunk and Honey Island Swamp Band, Louisiana Red Hot Records is a leader among Southern independent labels in marketing and worldwide distribution. Louisiana Red Hot has emerged from the near-total destruction of its facilities by Hurricane Katrina to become the only label in the Deep South partnered with Entertainment One, the world’s #1 independent distributor of music and video. For over 20 years, Louisiana Red Hot Records has specialized in providing the world with a richly varied catalog of more than 200 albums by a brilliant array of Pelican State blues, jazz, rock, R&B, Cajun and zydeco artists. The company continues to represent the best of the past and future of music made in and inspired by the profound and incomparable Louisiana musical heritage.

Media | Markets

  • ▶ Twitter: boemoney6
  • ▶ Instagram: boemoney6
  • ▶ Website: http://www.coreyhenry.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCyNqqfyr4E6d1fmckwcfCiA
  • ▶ YouTube Music: http://music.youtube.com/channel/UCiw5Pnbp8EpI0uSgr01OTRA
  • ▶ Spotify: http://open.spotify.com/album/0HMC2zq21Syq3GHfUJA6IB

Clips (more may be added)

  • 0:22:28
    Corey Henry - Full Set - Live from WWOZ (2019)
    By Corey Henry
    154 views
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Corey Henry Curated

  • 1 Funk
  • 1 Jazz
  • 1 New Orleans
  • 1 Second Line
  • 1 Songwriter
  • 1 Tremé
  • 1 Trombone

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  • Corey Henry
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    Corey Henry is matrixed!
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX

Quincy Jones pode indicar Gilberto Gil. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone abaixo. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Keyon Harrold R&B
  • Kengo Kuma Japan
  • Siba Veloso Brazil
  • Marcus Teixeira Guitar Instruction
  • Adriano Giffoni MPB
  • Paulinho do Reco Samba
  • Gabriel Policarpo Brazil
  • Ry Cooder Writer
  • Sônia Guajajara Terra Indígena Arariboia
  • Allen Morrison Press Releases
  • Alan Bishop Egypt
  • Shanequa Gay Southern Black Tradition
  • Utar Artun Microtonal
  • Leo Genovese Composer
  • Luizinho Assis Jazz
  • Dorothy Berry Museum Curator
  • Martin Koenig Balkan Dance
  • PATRICKTOR4 Recife
  • Tatiana Eva-Marie Gypsy Jazz
  • Ben Paris Bahia
  • Luciano Matos Bahia
  • Ammar Kalia Poet
  • Gilad Hekselman Composer
  • Robertinho Silva Jazz
  • Gabi Guedes Brazil
  • Ilya Kaminsky Ukraine
  • Ricky (Dirty Red) Gordon Louisiana
  • Dudu Reis Cavaquinho
  • Nonesuch Records Record Label
  • Fabiana Cozza MPB
  • Chelsea Kwakye Writer
  • Marcelo Caldi Rio de Janeiro
  • Şener Özmen Kurdish Culture
  • Sharay Reed Composer
  • Ibrahim Maalouf Composer
  • Fábio Peron Multi-Cultural
  • Imani Winds Contemporary Classical Music
  • Júlio Lemos Brazil
  • Marko Djordjevic Balkan Music
  • Dhafer Youssef ظافر يوسف Oud
  • Corey Henry Funk
  • Missy Mazolli Piano
  • Felipe Guedes Guitar
  • Raymundo Sodré Brazil
  • Sharay Reed Gospel
  • Darrell Green Jazz
  • Cássio Nobre Bahia
  • Léo Rugero São Paulo
  • David Sedaris Writer
  • Jon Batiste Piano
  • Jaques Morelenbaum MPB
  • Philipp Meyer Novelist
  • Ricardo Herz Composer
  • Mario Ulloa Federal University of Bahia Faculty
  • Steve Abbott Artist Manager
  • Yilian Cañizares Singer-Songwriter
  • Teddy Swims Singer-Songwriter
  • Nettrice R. Gaskins Afro-Futurist
  • Anoushka Shankar Journalist
  • Carl Allen Record Producer
  • Léo Rodrigues Choro
  • Buck Jones Música Afro-Baiana, Afro-Bahian Music
  • Jeff Preiss Producer
  • Speech Singer-Songwriter
  • Bebê Kramer Brazil
  • Tony Austin Jazz
  • Marcus Rediker Art Curator
  • Henrique Araújo São Paulo
  • Benoit Fader Keita Afrohouse
  • Tomo Fujita Author
  • Yoron Israel Jazz
  • David Sacks Trombone
  • Sam Eastmond Trumpet
  • Márcio Valverde Guitar
  • Fabiana Cozza Samba
  • Mauro Senise Brazil
  • David Castillo Moorpark College Faculty
  • Stephen Guerra Brazil
  • Alan Bishop Cairo
  • Patrice Quinn Jazz
  • Dale Farmer Film Director
  • Judith Hill Jazz
  • Beats Antique Oakland, California
  • Khruangbin Alt-World Music
  • Daniil Trifonov Piano
  • Greg Ruby Gypsy Jazz
  • Carlos Paiva Salvador
  • Kazemde George Beatmaker
  • Júlio Caldas Violão, Guitar
  • Astrig Akseralian Mixed Media Art
  • Melanie Charles Jazz
  • Chick Corea Composer
  • Vik Sohonie Writer
  • John Morrison DJ
  • Turíbio Santos Classical Music
  • Pat Metheny Jazz
  • Margareth Menezes Gestor Público, Public Servant
  • Lorna Simpson Photographer
  • Adam Cruz Drums
  • Tony Austin Recording Engineer
  • Aruán Ortiz Jazz
  • Stefano Bollani Brazilian Music
  • Clarice Assad Composer
  • Mary Norris Writer
  • Greg Osby Record Label Owner
  • Ivan Lins Rio de Janeiro
  • Mônica Salmaso Singer
  • Issac Delgado Singer
  • Lauranne Bourrachot Movie Producer
  • Nora Fischer Singer
  • Doug Wamble New York City
  • Dale Barlow New York City
  • Marcel Camargo Guitar
  • Stanton Moore Funk
  • Moreno Veloso Cello
  • Savoy Family Cajun Band Cajun Music
  • Rudy Royston Jazz
  • Corey Henry Jazz
  • Barry Harris Educator
  • Walter Pinheiro Frevo
  • Sierra Hull Singer-Songwriter
  • Nate Smith Composer
  • Nailor Proveta Jazz
  • Richie Pena Programmer
  • Capinam Bahia
  • Nic Adler Live Music Venue Owner
  • Rosa Passos Guitar
  • Helder Barbosa Consultor Organizacional, Organizational Consultant
  • Kermit Ruffins New Orleans
  • Carlos Prazeres Salvador
  • Bobby Vega R&B
  • Joe Newberry Bluegrass
  • Marilda Santanna Faculdade da UFBA, Federal University of Bahia Faculty
  • Pharoah Sanders Saxophone
  • Sharita Towne Stereo Photography
  • Nelson Latif Viola Caipira
  • Grant Rindner Journalist
  • Taylor Ashton Vancouver
  • Brigit Katz Writer
  • Terry Hunter House Music
  • Ray Angry Brooklyn, NY
  • Gabriel Geszti Compositor, Composer
  • BaianaSystem Salvador
  • Nicholas Gill Photographer
  • Adanya Dunn Canada
  • Susana Baca Peru
  • Ferenc Nemeth App Developer
  • Nádia Taquary Artista Plástico, Artist
  • Aaron Parks Piano
  • Marcus Strickland Record Producer
  • Sônia Guajajara Servidor Público, Public Servant
  • Mariene de Castro Singer
  • The Bayou Mosquitos Amsterdam
  • Al Kooper Record Producer
  • Fábio Zanon Author
  • Stacy Dillard Jazz
  • Sérgio Mendes MPB
  • Peter Dasent Film Scores
  • Roberta Sá Samba
  • Sombrinha Singer-Songwriter
  • Kiya Tabassian كيا طبسيان Composer
  • Will Vinson New York City
  • Itiberê Zwarg Composer
  • Nooriyah نوريّة Filmmaker
  • Ivan Bastos Brasil, Brazil
  • Max ZT Dulcimer Instruction
  • Bruce Molsky Guitar
  • Yasmin Williams Alexandria, Virginia
  • Sam Eastmond Jazz, Klezmer, Jewish, World, Downtown
  • Dhafer Youssef ظافر يوسف Singer
  • Celso Fonseca MPB
  • Arthur Verocai Singer-Songwriter
  • Chris Dave Composer
  • Mestre Nenel Salvador
  • Ana Tijoux Rapper
  • Igor Levit Berlin
  • Moreno Veloso Brazil
  • Chris Dingman New York City
  • Stefano Bollani Composer
  • Armandinho Macêdo Choro
  • Nelson Faria Guitar
  • Nicholas Daniel Conductor
  • Luizinho Assis Compositor, Composer
  • Jurandir Santana Barcelona
  • Malin Fezehai Photographer
  • John Patrick Murphy Forró
  • Cale Glendening Film Director
  • Yazz Ahmed Trumpet
  • Catherine Bent Choro
  • Steve Coleman Composer
  • Bill Hinchberger Educator
  • Ben Allison Music Writer
  • Roberto Mendes Brazil
  • Marc Ribot Writer
  • Robert Glasper Record Producer
  • James Poyser Songwriter
  • Zachary Richard Poet
  • Marcus Printup Jazz
  • John Edward Hasse Music Historian
  • Edward P. Jones Short Stories
  • Lula Moreira Documentary Filmmaker
  • Richard Bona Bass
  • Frank Negrão Blues
  • Daymé Arocena Jazz
  • Steve Abbott Music Producer
  • Muireann Nic Amhlaoibh Singer
  • Capinam Diretor de Museu, Museum Director
  • Chris McQueen Austin, Texas
  • Otto Brazil
  • David Kirby Novelist
  • Tonho Matéria Bahia
  • Brandon Coleman Jazz, Funk, R&B, Soul
  • Raynald Colom Spain
  • Kiko Loureiro Rio de Janeiro
  • Bombino Guitar
  • Armandinho Macêdo Salvador
  • Timothy Jones Witchita State University Faculty
  • Marilda Santanna Cantora, Singer
  • Guto Wirtti Rio de Janeiro
  • Manolo Badrena Puerto Rico
  • Esteban Sinisterra Paz Cali
  • Rowney Scott Jazz
  • Nelson Latif Violão de Sete
  • Igor Osypov Germany
  • Guinga Guitar
  • PATRICKTOR4 Global Bass
  • Shemekia Copeland Gospel
  • Oleg Fateev Accordion
  • Rogê MPB
  • Amitava Kumar Literary Critic
  • Cacá Diegues Brasil, Brazil
  • Jack Talty Concertina
  • Adriano Souza Choro
  • Jason Marsalis Drums
  • Ken Dossar Philadelphia
  • Gian Correa Violão de Sete
  • Jimmy Greene Jazz
  • Rez Abbasi Pakistani Music
  • Little Simz Photographer
  • Kiko Horta Brazil
  • Chano Domínguez Cádiz
  • Mauro Diniz Brazil
  • Hilton Schilder Cape Jazz
  • The Assad Brothers Brazil
  • Robin Eubanks Trombone
  • Nabih Bulos Journalist
  • McClenney Singer-Songwriter
  • Mike Moreno Manhattan School of Music Faculty
  • Dan Tyminski Bluegrass
  • Trombone Shorty Trumpet
  • Derrick Hodge R&B
  • Ivan Bastos Música Afro-Baiana, Afro-Bahian Music
  • Leandro Afonso Bahia
  • Lizz Wright Singer
  • Ronaldo do Bandolim Bandolim
  • Jeff Parker Chicago, Illinois
  • Ajeum da Diáspora Restaurant
  • Cláudio Badega Brasil, Brazil
  • Mavis Staples Gospel
  • Mark Markham Jazz
  • Barlavento Brazil
  • Cécile McLorin Salvant Jazz
  • Germán Garmendia YouTuber
  • Taylor McFerrin Brooklyn, NY
  • Donald Harrison Composer
  • Lucian Ban Transylvania
  • Milford Graves Composer
  • Nana Nkweti Fiction
  • Zeca Pagodinho Singer-Songwriter
  • Roque Ferreira Salvador
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