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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Mohamed Diab
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Mohamed Diab
  • City/Place: Cairo
  • Country: Egypt
  • Hometown: Ismailia, Egypt

Life & Work

  • Bio: Mohamed Diab is an award-winning writer and director whose work is often centered on pressing issues concerning Egyptian society.

    He's known for his directorial debut film Cairo 678 (Les Femmes du bus 678), which was released a month before the Egyptian revolution and was deemed by the New York Times "unmistakably a harbinger of that revolution."

    Diab wrote the blockbuster Egyptian franchise El Gezira (The Island) films which are considered the highest grossing Egyptian and Arabic films of all times. These films revolve around a tyrannical drug lord on an island in Upper Egypt. El Gezira is often quoted and referenced in Egyptian pop culture and was also the 2007 Egyptian nomination for the Academy Awards.

    After being heavily involved in the 2011 Egyptian revolution, Diab wanted to make a film about it. It took 4 years to develop Eshtebak (Clash) which initially was a film about the rise of the revolution but which ended up being a film that captures the fall of the revolution. The film is set in the violent aftermath of the ouster of president Morsi of the Muslim Brotherhood party. Violent clashes had erupted all over Egypt between Muslim Brotherhood supporters and military supporters.

    The entire film was shot from within the confines of a police riot truck. Thematically, the film explores the human condition and the roots of terrorism.

    The film is a recipient of grants and funding from the San Francisco Film Society, CNC l'aide au Cinémas du Monde and Arte France.

    Eshtebak (Clash) was officially selected for the Un Certain Regard category of the Cannes Film Festival 2016.

    Besides filmmaking, Diab is known for his vocal participation in the 2011 Egyptian revolution, which earned him a Webby Award. His role in the revolution is chronicled in the Amazon best-selling book "Rising From Tahrir."

Media | Markets

  • ▶ Watch my Films: http://www.amazon.com/prime-video/actor/Mohamed-Diab/nm2559996/
  • ▶ Article: http://filmint.nu/stereotypes-interview-director/

Clips (more may be added)

  • 0:17:39
    Clash director Mohamed Diab: "Shooting action scenes in Cairo was suicidal"
    By Mohamed Diab
    169 views
  • 1:57
    Clash Trailer #1 (2017) | Movieclips Indie
    By Mohamed Diab
    161 views
  • 4:14
    Mohamed Diab raconte "Clash" au micro de Sophie Torlotin
    By Mohamed Diab
    197 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Mohamed Diab:

  • 1 Cairo
  • 1 Director
  • 1 Egypt
  • 1 Filmmaker
  • 1 Screenwriter
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  • Luis Perdomo Composer
  • Larnell Lewis Toronto
  • Diedrich Diederichsen Academy of Fine Arts Vienna Faculty
  • Roots Manuva Hip-Hop
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  • Kim André Arnesen Composer
  • Betsayda Machado Venezuela
  • Ferenc Nemeth App Developer
  • Wilson Simoninha São Paulo
  • Nikki Yeoh Composer
  • Tomoko Omura Jazz
  • Massimo Biolcati Composer
  • Terri Hinte Music Writer
  • Chris Dingman New York City
  • Jorge Glem Venezuela
  • Jason Marsalis New Orleans
  • Dan Weiss Composer
  • Lalah Hathaway Piano
  • Angelique Kidjo Multi-Cultural
  • Larissa Fulana de Tal Roteirista, Screenwriter
  • Dezron Douglas Jazz
  • Ali Jackson Jazz
  • Caroline Shaw Singer
  • Mary Halvorson Avant-Garde Jazz
  • MARO Multi-Instrumentalist
  • Larry Grenadier Bass
  • Sharita Towne Video Artist
  • Clint Smith Black American Culture & History
  • Marc Ribot Experimental Music
  • Marc Ribot Writer
  • Adam Rogers Classical Guitar
  • King Britt Composer
  • Bright Red Dog Jazz, Electronica, Hip-Hop, Psychedelia, Noise
  • Courtney Pine Flute
  • Rez Abbasi New York City
  • Joe Newberry Old-Time Music
  • Luciano Calazans MPB
  • Mona Lisa Saloy Dillard University Faculty
  • Yasushi Nakamura Tokyo
  • Duncan Chisholm Fiddle
  • Orquestra Afrosinfônica Música Clássica Contemporânia, Contemporary Classical Music
  • Makaya McCraven Chicago, Illinois
  • Andrew Dickson Journalist
  • Walter Blanding New York City
  • Armen Donelian Piano
  • Adriano Souza Brazil
  • Eric Bogle Singer-Songwriter
  • Jack Talty University College Cork Faculty
  • Jean Rondeau Classical Music
  • Dona Dalva Cachoeira
  • Camille Thurman New York City
  • John McLaughlin Jazz
  • Cássio Nobre Guitar
  • Marc Johnson Composer
  • Alexia Arthurs New York City
  • Colson Whitehead Novelist
  • Barney McAll New York City
  • David Ngwerume Sculptor
  • Manolo Badrena Composer
  • Yazhi Guo 郭雅志 Boston, Massachusetts
  • John Patitucci Bass Instruction
  • Nação Zumbi Rock
  • David Binney Los Angeles
  • Capitão Corisco Forró
  • Stephanie Foden Brazil
  • Sebastian Notini Produtor Musical, Music Producer
  • Jeremy Danneman New York City
  • Alana Gabriela Cantora, Singer
  • Fábio Peron Brasil, Brazil
  • Caetano Veloso Brazil
  • Ben Okri Writer
  • Marc Johnson MPB
  • Beth Bahia Cohen Kabak Kemane
  • Dee Spencer Singer
  • Molly Tuttle Nashville, Tennessee
  • Galactic Funk
  • David Sedaris Essayist
  • Simon Singh YouTuber
  • Babau Santana Partido Alto
  • Rez Abbasi Pakistani Music
  • Tony Austin Composer
  • Justin Kauflin Composer
  • Sierra Hull Singer-Songwriter
  • Gustavo Di Dalva Singer
  • Caterina Lichtenberg Soprano Lute
  • Nelson Latif São Paulo
  • Cássio Nobre Salvador
  • Malin Fezehai Africa
  • Andra Day Jazz
  • Gerald Clayton Blue Note Records
  • Gringo Cardia Graphic Design
  • Cécile McLorin Salvant Singer
  • John Francis Flynn Irish Traditional Music
  • Daniel Jobim Brazil
  • Las Cafeteras Chicano Music
  • Karla Vasquez Los Angeles
  • Horace Bray Funk
  • Steve Coleman Saxophone
  • Nêgah Santos Jazz
  • Daru Jones Jazz
  • Elio Villafranca Caribbean Music
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Paulo Martelli Violão Clássico, Classical Guitar
  • Carol Soares Brazil
  • Isaias Rabelo Piano
  • Lionel Loueke Guitar
  • Gel Barbosa Brasil, Brazil
  • Calypso Rose Singer-Songwriter
  • Gabi Guedes Salvador
  • Bebê Kramer Tango
  • J. Pierre Muralist
  • H.L. Thompson Festival Producer
  • Tito Jackson Pop
  • Bodek Janke Contemporary Classical Music
  • Rudy Royston Composer
  • Geovanna Costa Bahia
  • Mateus Aleluia Filho Flugelhorn
  • Oded Lev-Ari Music Producer
  • Itamar Vieira Júnior Journalist
  • Rolando Herts Delta State University Faculty
  • Carlos Malta Bass Clarinet
  • Marc Ribot Experimental Music
  • Nicholas Daniel England
  • Jahi Sundance Hip-Hop
  • Mariene de Castro Samba de Roda
  • Bruce Williams Saxophone
  • Júlio Caldas Bandolim, Mandolin
  • Sam Wasson Los Angeles
  • Dermot Hussey Reggae
  • Ofer Mizrahi Jazz, Folk, Eastern Music
  • Jussara Silveira Brazil
  • Forrest Hylton Brazil
  • Julia Alvarez Writer
  • André Mehmari São Paulo
  • Paulo Dáfilin São Paulo
  • Ken Avis Documentary Filmmaker
  • Philip Sherburne Essayist
  • Gerald Cleaver Brooklyn, NY
  • 小野リサ Lisa Ono Guitar
  • Ivan Huol Drums
  • James Brandon Lewis Poet
  • Guinha Ramires Brazil
  • Andra Day Pop
  • Welson Tremura Ethnomusicologist
  • Ari Hoenig Drum Instruction
  • Alexandre Vieira Compositor, Composer
  • Nora Fischer Singer
  • Chief Xian aTunde Adjuah Trumpet
  • Clarice Assad Singer
  • Plamen Karadonev Accordion
  • Manassés de Souza Composer
  • McCoy Mrubata Composer
  • Alex Mesquita Guitar
  • João Luiz Composer
  • Neo Muyanga Contemporary Classical Music
  • Gilmar Gomes Bahia
  • Christopher James Record Producer
  • Elio Villafranca Jazz
  • Joe Lovano Berklee College of Music Faculty
  • Paulo Martelli Alto Guitar
  • Djuena Tikuna Indigenous Brazilian Music
  • Yvette Holzwarth Singer
  • Paul Mahern Singer-Songwriter
  • Lokua Kanza Paris
  • Lucía Fumero Singer
  • Tessa Hadley Novelist
  • Kamasi Washington Multi-Cultural
  • Asanda Mqiki South Africa
  • Manolo Badrena Jazz
  • Rosa Passos Salvador
  • McCoy Mrubata Saxophone
  • Vincent Herring Flute
  • Wayne Krantz Guitar
  • Nelson Sargento Brazil
  • Michael Pipoquinha Composer
  • Giorgi Mikadze გიორგი მიქაძე Jazz
  • Tito Jackson Guitar
  • Martin Fondse Amsterdam
  • Terri Lyne Carrington Jazz
  • Oteil Burbridge Multi-Instrumentalist
  • Jared Sims Composer
  • Marcos Portinari Brasil, Brazil
  • António Zambujo Lisbon
  • John Waters Ireland
  • Lizz Wright Singer
  • Guga Stroeter Brazil
  • Tony Trischka Americana
  • Harish Raghavan Brooklyn, NY
  • Swami Jr. Violão de Sete
  • Edsel Gomez Piano
  • Moses Boyd Record Label Owner
  • Lalah Hathaway Record Producer
  • Melanie Charles Soul
  • Dan Moretti Composer
  • Danilo Brito Mandolin
  • Joey Alexander Piano
  • Don Byron Blue Note Records
  • Nara Couto Salvador
  • Larissa Luz Music Producer
  • Michael Olatuja Composer
  • Thomas Àdes Contemporary Classical Music
  • Chris Thile Bluegrass
  • Walter Ribeiro, Jr. Samba
  • Gian Correa Choro
  • Zigaboo Modeliste Drums
  • Melanie Charles Flute
  • Luiz Brasil MPB
  • Fernando Brandão Pífano
  • Ivan Neville Singer-Songwriter
  • Peter Evans Composer
  • Tia Surica Rio de Janeiro
  • Júlio Lemos Composer
  • Ellie Kurttz Photographer
  • Luciano Calazans Bahia
  • Stephen Guerra Composer
  • Jorge Aragão Samba
  • Vincent Valdez Painter
  • Ronell Johnson Second Line
  • Keola Beamer Hawaiian Music
  • Papa Mali Blues
  • Gerônimo Santana Salvador
  • Júlio Caldas Salvador
  • Jerry Douglas Record Producer
  • Danilo Pérez Composer
  • Sarah Jarosz Banjo
  • David Bragger Banjo
  • Gary Clark Jr. Austin, Texas
  • Scott Yanow Jazz Journalist
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  • Tutwiler Quilters Quilts
  • Jeremy Danneman Clarinet
  • Carlinhos 7 Cordas Violão de Sete
  • Jason Reynolds Lesley University Faculty
  • Bonerama Funk
  • Varijashree Venugopal Composer
  • Aubrey Johnson Composer
  • Gabi Guedes Bahia
  • The Bayou Mosquitos Cajun Music
  • Roberta Sá Singer
  • David Fiuczynski Berklee College of Music Faculty
  • Marcus Teixeira Guitar
  • Marcello Gonçalves Violão de Sete
  • Missy Mazolli New York City
  • Deesha Philyaw Columnist
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  • Oleg Fateev Amsterdam
  • Fred Dantas Euphonium
  • Gord Sheard Accordion
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  • Tommaso Zillio Author
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  • Ronell Johnson Jazz
  • Gringo Cardia Video Director
  • Eric Galm Ethnomusicologist
  • Roy Nathanson Film Scores
  • Carwyn Ellis Rio de Janeiro
  • Marta Sánchez New York City
  • Etienne Charles Michigan State University Faculty
  • Samuca do Acordeon Brazil
  • Towa Tei テイ・トウワ Keyboards
  • Alex Conde Spain
  • Victor Gama Experimental Music
  • Ricardo Herz São Paulo
  • Alfredo Del-Penho Brazil
  • Toumani Diabaté Bamako
  • Burhan Öçal Divan-Saz
  • Jeff Tweedy Country
  • Wayne Shorter Jazz
  • Léo Rugero Film Scores
  • Jon Cowherd Piano
  • Robin Eubanks Trombone
  • Gilberto Gil Salvador
  • Larry Grenadier Bass Instruction
  • Philip Ó Ceallaigh Translator
  • Marco Pereira Classical Guitar
  • Osvaldo Golijov Argentina
  • Gamelan Sekar Jaya Indonesia
  • Fidelis Melo Bahia
  • Christopher James New York City
  • Bill T. Jones Theater Director
  • Justin Brown Drums
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  • Chris Acquavella Mandolin Instruction
  • César Camargo Mariano Brazilian Jazz
  • Mandla Buthelezi South Africa
  • Jimmy Dludlu Highlife
  • Nelson Cerqueira Brasil, Brazil
  • Thundercat Los Angeles
  • Sarah Jarosz New York City
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  • Tom Bergeron Choro
  • George Cables Composer
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  • Andrew Huang Canada
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  • Gustavo Di Dalva New York City
  • Isaias Rabelo Jazz
  • Andy Romanoff Photographer
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  • Liz Pelly Journalist
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  • Tomoko Omura Japan
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  • Rayendra Sunito Record Producer
  • Alicia Hall Moran Jazz
  • Caroline Keane Educator
  • Yvette Holzwarth Contemporary Classical Music
  • Lívia Mattos Brazil
  • Cinho Damatta Bahia
  • Bodek Janke Percussion
  • Sebastian Notini Brasil, Brazil
  • Jason Moran Composer
  • Nancy Viégas Indie Experimental
  • Adam Rogers Guitar
  • Dave Douglas New York City
  • H.L. Thompson Rio de Janeiro
  • Marcel Powell Brazil
  • Chris Cheek Brooklyn, NY

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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