• Sign in
  • Be a Node
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • AFROBIZ Salvador
  • Questions?
  • IMPORTANT STUFF →
  • Recommendations In(7)
  • What's Up
  • Why a "Matrix"?
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • From Harlem to Bahia

IMPORTANT STUFF →

Recommendations In


Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Liron Meyuhas:

  • 0 Composer
  • 0 Israel
  • 0 Multi-Cultural
  • 0 Percussion
  • 0 Percussion Instruction
  • 0 Singer
  • 0 Tel Aviv

What's Up

The post was not added to the feed. Please check your privacy settings.
  • Liron Meyuhas
    A category was added to Liron Meyuhas:
    Percussion Instruction
    • August 23, 2020
  • Liron Meyuhas
    A category was added to Liron Meyuhas:
    Composer
    • August 23, 2020
  • Liron Meyuhas
    A category was added to Liron Meyuhas:
    Multi-Cultural
    • August 23, 2020
  • Liron Meyuhas
    A category was added to Liron Meyuhas:
    Singer
    • August 23, 2020
  • Liron Meyuhas
    A category was added to Liron Meyuhas:
    Israel
    • August 23, 2020
  • Liron Meyuhas
    A category was added to Liron Meyuhas:
    Tel Aviv
    • August 23, 2020
  • Liron Meyuhas
    A category was added to Liron Meyuhas:
    Percussion
    • August 23, 2020
  • Liron Meyuhas
    A video was posted re Liron Meyuhas:
    Liron Meyuhas LIVE לירון מיוחס - Ana Pana Dodech אנה פנה דודך
    מתוך יערות מנשה יוני 2019 Live concert at Yearot Menashe Festival June 2019 Israel לירון מיוחס - כלי הקשה ושירה דרור שמעוני - גיטרה חשמלית טל אברהם - חצוצרה שחר קאופמן - בס איתי רזניק - תופים צילום ועריכת וידאו - אביעד פוקס הקלטת ערוצים לייב - א...
    • August 23, 2020
  • Liron Meyuhas
    A video was posted re Liron Meyuhas:
    לירון מיוחס Liron Meyuhas - A kiss From Marrakesh נשיקה ממרקש
    יש רגעים שרוצים ללכוד במכונת הזמן, ולשחרר אותם החוצה בשביל להרגיש, שוב. למזלי יצרתי וידאו ממספר רגעים כאלו, בדיוק לפני שנתיים נכנסתי לאולפן עם חבורת אנשים מוכשרים ואהובים עליי מאוד, יצרנו מוזיקה, הקלטנו אלבום ועשינו המון אהבה. הנה התוצאה לפניכם - נשיקה ...
    • August 23, 2020
  • Liron Meyuhas
    A video was posted re Liron Meyuhas:
    Liron Meyuhas - Desert Winds רוחות מדבר LIVE
    Desert winds Live fromthe album LA GITANA realise concert july 2018. Liron Meyuhas - vocal, lyrics, Hang & Riq Tal Avraham - trompet dror shimoni - oud shahar kaufman-bass einat harel - drums & vocals Mor datner- dance Benjamin Lidskey - Video & e...
    • August 23, 2020
  • Liron Meyuhas
    Liron Meyuhas is matrixed!
    • August 23, 2020
View More
Loading ...

Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Liron Meyuhas
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Liron Meyuhas
  • City/Place: Tel Aviv
  • Country: Israel
  • Hometown: Jerusalem

Life & Work

  • Bio: Liron was born in 1985 in Jerusalem. As a child she studied guitar and piano, and after encountering Egyptian music and rhythm on vacations in the Sinai desert, she started taking private lessons for darbuka and djembe. At twenty she began pursuing Eastern music studies in Jerusalem, where she delved into the rich tradition of ancient Jewish hymns, and broadened her repertoire with the frame drum, the Riq, and other percussion instruments.

    In 2007 Liron travelled to Europe for a year to volunteer in agricultural projects, where she discovered old traditions of Flamenco singing (southern Spain), and Tarantella music in southern Italy. She worked on a farm, learning different agricultural skills such as cheesemaking, shepherding, picking. During this time she first picked up the Swiss Hang drum. In this atmosphere of nature and seclusion, inspiration was abundant and Liron wrote, sang and performed, meeting local people, drifters and musicians on the nomadic circuit. These experiences were an important stepping stone in the evolution of Liron’s global musical identity.

    The year 2008 saw Liron travelling to West Africa (Senegal, Gambia, Guinea Conakry) for humanitarian projects with the Spanish NGO Pasos Positivos. In Guinea Conakry she spent two months studying traditional West African drumming and dance, she played weddings and other traditional ceremonies with a groupe of Guinean musicians.

    Liron applied and got accepted to Siena Jazz Academy in Italy, specializing in world percussion with an emphasis on Jazz. She played ensembles and studied piano and trumpet. During her studies she discovered Afro Jazz and played with musicians from Griotte Dembele’, a family of musicians from Ivory Coast. As well in Italy she worked for a musical circus troupe (Cantiere Ikrea), performing Italy, Russia and Poland. Years of successive travelling and living in different location were continually shaping Liron’s identity as a nomad.

    Liron returned to Israel where she received a scholarship for Outstanding Musician from the ministry of immigration, and began performing with her own music. Liron has participated in exciting collaborations with dance groups such as Bat Sheva , acclaimed Israeli musician Kutiman’s project “Through Tel Aviv”, Cafe GIbraltar , Etti Ankri, Maurice Almadiuni and others. As well, Liron has been active in peace and coexistence projects, performing as a duo with Palestinian female Oud player Helen Sabila from Bethlehem. As well, Liron has hosted workshops for Arab and Jewish children and participated in the Women Wage Peace marches ( 2016-2018).

    In 2013 Liron toured the Czech Republic, taking part in a project called ‘’Gathering of Drummers”, as the only female performer. As well she represented Israel in “Women in Jazz” in Rome. In 2014 she launched “La Gitana” project, performing as trio all over Israel. In she 2016 toured Poland, Czech Republic, Slovakia and Hungary, garnering a warm reception from the East European crowd. She performed solo in Italy - Rome and Florence, established female percussion trio “Malaika Trio” (Angel Trio in Swahili) and performed all over Israel and Switzerland, recording an album in 2016. Over the last three years she played and sang in Portugal, Spain,Italy, France and Croatia with the international project “Sois 7 Luas”, A Portuguese initiative uniting musicians from around the Mediterranean.

    Liron recorded her first full length LP “La Gitana” in 2018. The album was produced by Yael Deckelbaum and includes influences from Jewish texts, African rhythm, Italian folklore and many more. The album was supported by a successful crowdfunding campaign and was followed by a tour of Italy and currently Israel. As well, over the last two years Liron has collaborated and recorded for Spanish guitar maestro Estas Tonne (for his “Mother of Souls” album) and celebrated Ecuadorian electronic artist Nicola Cruz.

    In 2017 Liron finished her B.ed musical education studies in Tel Aviv university, with the specialist with disable people.

    From 2018 till now Liron is touring Israel & Europe with her project as solo artist or trio.

    In the summer of 2019 Liron toured Europe, the USA & Canada with the American singer Peia, as her percussionist.

    Liron is the first Israeli percussionist to be endorsed by Meinl Percussion in Germany.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Instagram: liron_meyuhas
  • ▶ Website: http://www.lironmeyuhas.com
  • ▶ YouTube Channel: http://www.youtube.com/user/lironchik
  • ▶ YouTube Music: http://music.youtube.com/channel/UC9HGBFf5Vp1qnYble4xT_Lw
  • ▶ Spotify: http://open.spotify.com/album/7yc8nuHlTAJIwe9Qh5uum1
  • ▶ Spotify 2: http://open.spotify.com/album/1TDw5AnEGSUbXdXtR60OZd
  • ▶ Spotify 3: http://open.spotify.com/album/05EYNvGBduyDIQ9tCN0Y4a

My Instruction

  • Lessons/Workshops: Oriental Beats:
    A Percussion Workshop by Liron Meyuhas

    Goals:
    Introducing percussion techniques from North Africa, the Middle East and Turkey. Participants will become acquainted with different percussion instruments from the Mediterranean basin.

    Method:
    Introduction to different instruments, technical practice, percussion ensemble

    Equipment Requirements:
    Each participant brings his own drum. Recommended drums: Darbuka / Djembe / Frame drum

    Instruments brought by Liron:
    Hang drum, kalabash, Riq.

Clips (more may be added)

  • 4:53
    Liron Meyuhas LIVE לירון מיוחס - Ana Pana Dodech אנה פנה דודך
    By Liron Meyuhas
    155 views
  • 4:02
    לירון מיוחס Liron Meyuhas - A kiss From Marrakesh נשיקה ממרקש
    By Liron Meyuhas
    154 views
  • 4:00
    Liron Meyuhas - Desert Winds רוחות מדבר LIVE
    By Liron Meyuhas
    162 views
Previous
Next
  • João do Boi Samba de Roda
  • Bob Mintzer USC Thornton School of Music Faculty
  • Kareem Abdul-Jabbar Writer
  • Kurt Rosenwinkel Guitar
  • Magary Lord AFROBIZ Salvador
  • Hermeto Pascoal Multi-Instrumentalist
  • Herbie Hancock Jazz
  • Mestre Nenel AFROBIZ Salvador
  • Luedji Luna Salvador
  • Armandinho Macêdo Salvador
  • Vijay Iyer Harvard University Faculty
  • Louis Marks Ropeadope
  • Darius Mans Economist
  • Margareth Menezes Salvador
  • Pedrito Martinez Congas
  • Nduduzo Makhathini South Africa
  • Gilberto Gil Salvador
  • Julian Lloyd Webber Cello
  • Ilê Aiyê Salvador
  • Gabi Guedes Salvador
  • Chief Xian aTunde Adjuah New Orleans
  • Lauranne Bourrachot Movie Producer
  • Simon Brook Filmmaker
  • Jay Mazza Journalist
  • Kamasi Washington Saxophone
  • Airto Moreira Brazil
  • Alicia Svigals Klezmer Fiddle
  • Juliana Ribeiro Salvador
  • Robert Glasper Hip-Hop
  • Yosvany Terry Harvard University Faculty
  • Taj Mahal Blues
  • Bobby Sanabria Manhattan School of Music Faculty
  • Toby Gough Musical Theater
  • Christopher Wilkinson Screenwriter
  • Mateus Aleluia Candomblé
  • Caetano Veloso Salvador
  • Jorge Washington AFROBIZ Salvador
  • Jau Salvador
  • Paulinho da Viola Samba
  • Gal Costa Salvador
  • Mário Pam AFROBIZ Salvador
  • Raymundo Sodré Bahia
  • Lazzo Matumbi Salvador
  • Iuri Passos AFROBIZ Salvador
  • Mark Stryker Arts Critic
  • Jau Salvador
  • Dwandalyn Reece Washington, D.C.
  • Alyn Shipton Bass
  • Martin Fondse Amsterdam
  • Jakub Knera Writer
  • Kevin Hays Piano
  • Pururu Mão no Couro Salvador
  • Trilok Gurtu Drums
  • Mona Lisa Saloy Dillard University Faculty
  • Jill Scott Hip-Hop
  • Gevorg Dabaghyan Yerevan
  • Dave Smith England
  • Linda May Han Oh Film Scores
  • Forrest Hylton Ethnohistorian: Latin America & the Caribbean
  • Ibrahim Maalouf Trumpet
  • Brandon Coleman Jazz/Funk/R&B/Soul
  • Thundercat Singer
  • Peter Erskine Jazz
  • Marcus J. Moore Writer
  • Jovino Santos Neto Composer
  • Alex Conde Flamenco
  • Alê Siqueira Salvador
  • Michael Kiwanuka London
  • Andrew Finn Magill Violin
  • Cale Glendening Cinematographer
  • Hugues Mbenda Congo
  • Pretinho da Serrinha Singer
  • Oteil Burbridge Funk
  • Kirk Whalum Memphis, Tennessee
  • Lilli Lewis Folk Rock
  • China Moses Actor
  • Darol Anger Record Producer
  • Cara Stacey Johannesburg
  • John McLaughlin Guitar
  • Ben Okri London
  • Celino dos Santos Chula
  • Joanna Majoko Jazz
  • Avishai Cohen אבישי כה Folk Jazz
  • Tyshawn Sorey Wesleyan University Faculty
  • Leon Bridges Fort Worth, Texas
  • Lucio Yanel Singer
  • Colm Tóibín Playwright
  • MARO Singer-Songwriter
  • Liz Pelly Writer
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Gringo Cardia Architect
  • Bob Lanzetti Guitar
  • Bobby Fouther Painter
  • Chris Potter New York City
  • João Bosco MPB
  • Ron Miles Composer
  • Zoran Orlić Photographer
  • Stefano Bollani Italy
  • Larissa Luz Actor
  • Weedie Braimah Drums
  • Dadi Carvalho MPB
  • Eric Alexander Jazz
  • Ore Ogunbiyi UK
  • Towa Tei テイ・トウワ Electronica
  • Shuya Okino Japan
  • Ivo Perelman Composer
  • John Medeski Composer
  • Albin Zak Americana
  • Geraldo Azevedo Singer-Songwriter
  • Stuart Duncan Americana
  • Jelly Green England
  • Nego Álvaro Singer-Songwriter
  • Snigdha Poonam Delhi
  • Myles Weinstein Agent
  • Alfredo Rodriguez New York City
  • Dan Moretti Berklee College of Music Faculty
  • Ben Okri Writer
  • Sunna Gunnlaugs Jazz
  • McClenney Multi-Instrumentalist
  • Miroslav Tadić CalArts Music Faculty
  • MARO Multi-Instrumentalist
  • Yazz Ahmed Trumpet
  • Spok Frevo Orquestra Pernambuco
  • Courtney Pine Jazz
  • Oteil Burbridge Multi-Instrumentalist
  • Spider Stacy Singer-Songwriter
  • Nana Nkweti Fiction
  • Cory Henry R&B
  • Alex Mesquita Bahia
  • Ron Mader Professional Speaker
  • Mariene de Castro Brazil
  • Joe Chambers Jazz
  • Justin Kauflin Jazz
  • Ajurinã Zwarg Choro
  • Lakecia Benjamin Ropeadope
  • Nardis Jazz Club Istanbul
  • Ben Hazleton Bass
  • Tommaso Zillio Canada
  • Papa Mali Reggae
  • Gilberto Gil Bahia
  • David Castillo Voiceovers
  • Vanessa Moreno São Paulo
  • Astrig Akseralian Ceramic Artist
  • Luizinho do Jêje Salvador
  • Samuca do Acordeon Brazil
  • Ron Carter Cello
  • MonoNeon Singer-Songwriter
  • Gabriel Policarpo Rio de Janeiro
  • Toninho Ferragutti Accordion
  • Steve Earle Writer
  • Sierra Hull Americana
  • Casey Driessen Fiddle
  • David Mattingly Artist
  • Daru Jones Drums
  • Meshell Ndegeocello Bass
  • Robertinho Silva MPB
  • Mariana Zwarg Brazil
  • Grégoire Maret Harmonica
  • Kareem Abdul-Jabbar Journalist
  • Carlos Lyra Guitar
  • Otto Percussion
  • Quatuor Ebène Classical Music
  • Olga Mieleszczuk Singer
  • Wouter Kellerman World Music
  • Kermit Ruffins Singer
  • Dan Tepfer Jazz
  • Charlie Bolden Trumpet
  • Léo Rugero São Paulo
  • John Morrison Sample-Flipper
  • Joe Lovano Jazz
  • Gabriel Policarpo Brazil
  • Scott Devine Bass Instruction
  • Asa Branca Federal University of Bahia Faculty
  • Joshua Redman Composer
  • Neymar Dias Multi-Instrumentalist
  • Tito Jackson R&B
  • Terence Blanchard New Orleans
  • David Sánchez Georgia State University School of Music Faculty
  • Raelis Vasquez Painter
  • Shalom Adonai Brazil
  • Eivør Pálsdóttir Singer-Songwriter
  • Jack Talty University College Cork Faculty
  • Rudy Royston Jazz
  • Fábio Zanon Author
  • Asali Solomon Writer
  • Fernando César Violão de Sete
  • Sharita Towne Pacific Northwest College of Art Faculty
  • Avishai Cohen New York City
  • Antônio Pereira Manaus
  • Paquito D'Rivera Havana
  • Asa Branca Chula
  • Alex Hargreaves Fiddle
  • Danilo Pérez Composer
  • Steve McKeever Hidden Beach Recordings
  • Derek Sivers Writer
  • Julia Alvarez Middlebury College Faculty
  • Manolo Badrena Afro-Latin Music
  • Quincy Jones Arranger
  • Ayrson Heráclito Cachoeira
  • Fatoumata Diawara African Music
  • Jim Hoke Composer
  • Roy Ayers Composer
  • Gui Duvignau Brazilian Jazz
  • Richie Barshay Jazz
  • Joachim Cooder Drums
  • Johnny Vidacovich Second Line
  • Branford Marsalis Theater Composer
  • Chick Corea Piano
  • Will Vinson New York City
  • Lívia Mattos Accordion
  • Rebeca Omordia Romania
  • Adam Cruz Composer
  • Jamie Dupuis Harp Guitar
  • Jason Reynolds Young People's Literature
  • Zara McFarlane Jazz
  • Dan Nimmer Piano
  • Greg Ruby Author
  • Mohamed Diab Cairo
  • Ajeum da Diáspora Restaurant
  • Cassie Kinoshi Bandleader
  • Joan Chamorro Double Bass
  • Márcio Valverde Guitar
  • Adenor Gondim Bahia
  • Jill Scott R&B
  • Pedro Martins Choro
  • John Donohue Artist
  • Jonathan Scales Ropeadope
  • Dwandalyn Reece Singer
  • Joel Ross Composer
  • Grégoire Maret Jazz
  • Susana Baca Ethnomusicologist
  • Rob Garland Jazz/Funk
  • Filhos da Pitangueira Chula
  • Shabaka Hutchings Jazz
  • Aderbal Duarte Bossa Nova
  • Caoimhín Ó Raghallaigh Uilleann Pipes
  • Jorge Aragão Multi-Instrumentalist
  • The Brain Cloud New York City
  • Chris Boardman Film Scores
  • Luques Curtis Latin Jazz
  • Azi Schwartz החזן עזי שוורץ Jewish Liturgical Music
  • Celso Fonseca MPB
  • Carl Allen Jazz Workshops
  • RAM Haiti
  • Melanie Charles Brooklyn, NY
  • Sam Dagher Journalist
  • Charles Munka Painter
  • Hélio Delmiro Rio de Janeiro
  • Marc Johnson MPB
  • Loli Molina Argentina
  • Ajeum da Diáspora Brazil
  • Cut Worms Brooklyn, NY
  • Jeremy Pelt Trumpet Instruction
  • Martin Koenig Photographer
  • Fernando César Choro
  • Andra Day Los Angeles
  • Luciano Salvador Bahia Brazil
  • Miles Okazaki Guitar
  • Frank Beacham New York City
  • Elza Soares Brazil
  • Gêge Nagô Samba
  • Turíbio Santos Classical Music
  • Theo Bleckmann Composer
  • Alex Mesquita Salvador
  • Arto Lindsay Composer
  • Nicholas Payton Record Label Owner
  • Nancy Viégas Cantora-Compositora/Singer-Songwriter
  • Shez Raja Bass
  • Tobias Meinhart Composer
  • Cedric Watson Singer-Songwriter
  • Arthur Verocai Rio de Janeiro
  • Shalom Adonai Samba de Roda
  • Taylor McFerrin Beatboxer
  • Serwah Attafuah NFTs
  • Isaias Rabelo Composer
  • Steve Cropper Songwriter
  • Teddy Swims Singer-Songwriter
  • G. Thomas Allen Columbia College Chicago Faculty
  • Kendrick Scott Composer
  • Derrick Hodge Bass
  • Ramita Navai Tehran
  • Marcus Miller Record Producer
  • Henrique Araújo Composer
  • Colson Whitehead Writer
  • Mika Mutti Salvador
  • Daru Jones Record Label Owner
  • Scott Kettner Maracatu
  • Stephanie Foden Toronto
  • Jeff 'Tain' Watts Drums
  • George Cables Jazz
  • H.L. Thompson Festival Producer
  • Pedrito Martinez Santeria
  • Stuart Duncan Banjo
  • Owen Williams Software Engineer
  • Richard Galliano Accordion
  • Jean Rondeau Piano
  • Lizz Wright Blues
  • Miguel Atwood-Ferguson DJ
  • Vinson Cunningham Sarah Lawrence College Faculty
  • Maciel Salú Composer
  • Beth Bahia Cohen Tanbur
  • Sameer Gupta Percussion
  • George Porter Jr. Funk
  • Lula Moreira Brazil
  • Ari Rosenschein Writer
  • Hot Dougie's Porto da Barra
  • Tigran Hamasyan Singer
  • Julien Libeer Brussels
  • Nikki Yeoh Piano
  • Bebel Gilberto MPB
  • Tatiana Campêlo Afro-Brazilian Dance Instruction
  • François Zalacain New York City
  • Flor Jorge Rio de Janeiro
  • Jared Sims Ropeadope
  • Andrew Dickson Radio Presenter
  • Marcel Powell MPB
  • Isaac Julien Installation Artist
  • Jussara Silveira Singer
  • Yvette Holzwarth Composer
  • Casey Benjamin Funk
  • Zakir Hussain Indian Classical Music
  • Anna Webber Composer
  • Zé Katimba Cavaquinho
  • David Ritz Los Angeles
  • Léo Rugero Forró
  • Little Simz Rapper
  • Catherine Bent Berklee College of Music Faculty
  • Reggie Ugwu Writer
  • Olivia Trummer Singer
  • Sandro Albert Record Producer
  • The Umoza Music Project Multi-Cultural
  • Amaro Freitas Composer
  • Carwyn Ellis Experimental Music
  • Greg Ruby Gypsy Jazz
  • Nomcebo Zikode House Music
  • Neo Muyanga African Music
  • Shanequa Gay Multimedia Artist
  • Dave Smith Percussion
  • Bernardo Aguiar Percussion
  • Joatan Nascimento Choro
  • Mykia Jovan Blues
  • Leci Brandão Samba
  • Toninho Ferragutti Composer
  • Wadada Leo Smith Multi-Instrumentalist

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share