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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Mauro Refosco
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Mauro Refosco
  • City/Place: Brooklyn, NY
  • Country: United States
  • Hometown: Joaçaba, Santa Catarina

Current News

  • What's Up? Mauro’s studio, SuperLegal (pron. “Super-leh-GOW”), located in Bushwick, Brooklyn houses his vast arsenal of instruments and is fully equipped with the latest versions of Pro Tools, Live, and an array of high-end mics and pre-amps. Artists and producers that have worked at SuperLegal include David Byrne, Bebel Gilberto, They Might Be Giants, Blonde Redhead, Martha Wainwright, Cibo Matto, Madeline Peyroux, Pat Dillet, Mario Caldato Jr, Andres Levin, Kassin, Craig Street and many others.

Life & Work

  • Bio: Mauro Refosco is a professional percussionist and noisemaker who performs and records with artists such as David Byrne, The Red Hot Chili Peppers and Thom Yorke’s Atoms for Peace. After beginning his touring career in 1994 as Byrne’s percussionist, he returned to NYC and joined cult creative ensemble The Lounge Lizards, playing experimental punk jazz and more with bandleader John Lurie. In between stints with Byrne and several other in demand projects he formed his band, Forro in the Dark, which has recorded four full-length albums and performed at major domestic and international festivals.

    Mauro’s studio, SuperLegal (pron. “Super-leh-GOW”), located in Bushwick, Brooklyn houses his vast arsenal of instruments and is fully equipped with the latest versions of Pro Tools, Live, and an array of high-end mics and pre-amps. Artists and producers that have worked at SuperLegal include David Byrne, Bebel Gilberto, They Might Be Giants, Blonde Redhead, Martha Wainwright, Cibo Matto, Madeline Peyroux, Pat Dillet, Mario Caldato Jr, Andres Levin, Kassin, Craig Street and many others.

    He has also composed music and soundtracks for movies, television, fashion shows and Off-Broadway plays.

Contact Information

  • Telephone: +1 (512) 628-0171
  • Management/Booking: [email protected]

Media | Markets

  • ▶ Twitter: mrefosco
  • ▶ Instagram: maurorefosco
  • ▶ Website: http://www.maurorefosco.com
  • ▶ Spotify: http://open.spotify.com/artist/2W9dlk8bbPOvp01nmoLfWo

Clips (more may be added)

  • 3:55
    JOMORO - Nest (Official Video) ft. Sharon Van Etten
    By Mauro Refosco
    12 views
  • Meet Mauro Refosco | David Byrne's American Utopia
    By Mauro Refosco
    4 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Mauro Refosco:

  • 3 Brasil, Brazil
  • 3 Brooklyn, NY
  • 3 Compositor de Filmes, Film Scores
  • 3 Compositor de Shows da Moda, Fashion Show Music
  • 3 Compositor de Teatro, Theater Scores
  • 3 Compositor de Televisão, Television Scores
  • 3 Experimental, Eletrônica, Electronic
  • 3 Forró
  • 3 Marimba
  • 3 Percussão, Percussion
  • Victor Wooten Bass
  • Paul Mahern Mastering Engineer
  • Jack Talty County Clare
  • Luiz Santos New York City
  • Justin Stanton Multi-Cultural
  • Alita Moses New York City
  • Marcel Camargo Jazz
  • Mateus Asato Los Angeles
  • Paulinho da Viola Rio de Janeiro
  • John Patitucci Berklee College of Music Faculty
  • Bonerama New Orleans
  • Muireann Nic Amhlaoibh Radio Presenter
  • Dave Eggers Writer
  • Danilo Pérez Piano
  • Antonio García Arranger
  • Makaya McCraven Record Producer
  • Liz Dany Choreographer
  • Eamonn Flynn R&B
  • Meklit Hadero Singer-Songwriter
  • Luis Paez-Pumar Editor
  • Richie Stearns Appalachian Music
  • Gino Sorcinelli DJ Culture
  • Reena Esmail Piano
  • 小野リサ Lisa Ono Brazil
  • Dhafer Youssef ظافر يوسف Multi-Cultural
  • Luiz Brasil Samba
  • Lynn Nottage Columbia University Faculty
  • Paulo Aragão Composer
  • Alessandro Penezzi Choro
  • Mono/Poly Los Angeles
  • Louis Michot Western Swingbilly Cajun Punk
  • Geraldo Azevedo Forró
  • Guillermo Klein Tango
  • Vanessa Moreno Samba
  • Neymar Dias Composer
  • Michael Peha Guitar
  • Joshue Ashby Composer
  • Hank Roberts Cello
  • Ben Okri Poet
  • Yunior Terry Bass
  • Neymar Dias Multi-Instrumentalist
  • Mayra Andrade Lisbon
  • Justin Brown Jazz
  • Oscar Bolão Photographer
  • Tony Trischka Old-Time Music
  • Michael Pipoquinha Bass
  • Gab Ferruz MPB
  • Michael Pipoquinha Brazil
  • Nublu Turkish Music
  • James Grime University of Cambridge Faculty
  • Ana Tijoux Chile
  • Muireann Nic Amhlaoibh Piano
  • Maciel Salú Maracatu
  • PATRICKTOR4 Tropical Hardcore
  • Linda Sikhakhane Johannesburg
  • Carwyn Ellis Samba
  • Munyungo Jackson Percussion
  • Philip Ó Ceallaigh Ireland
  • Lucian Ban Piano
  • Fred Dantas Brazil
  • Sam Yahel Organ Instruction
  • Urânia Munzanzu Jornalista, Journalist
  • Ry Cooder Multi-Cultural
  • Fabian Almazan Cuba
  • Caroline Shaw Composer
  • Bobby Fouther Educator
  • Edil Pacheco Bahia
  • Zebrinha Cineasta Documentarista, Documentary Filmmaker
  • Paul Mahern Audio Preservation
  • Sérgio Pererê MPB
  • Márcio Valverde MPB
  • John Doyle Guitar
  • Matthew Guerrieri Music Journalist
  • Huey Morgan DJ
  • Tom Bergeron Ethnomusicologist
  • Leo Genovese New York City
  • Michel Camilo Dominican Republic
  • Daniel Jobim Samba
  • Barry Harris Jazz
  • Shirazee Singer-Songwriter
  • Kris Davis New York City
  • The Assad Brothers San Francisco
  • Yola Americana
  • Áurea Martins MPB
  • Plínio Fernandes Classical Guitar
  • Laércio de Freitas Brazil
  • Robb Royer Record Producer
  • Manassés de Souza Ceará
  • Stomu Takeishi Bass
  • Nigel Hall Funk
  • Yasushi Nakamura Bass
  • Afrocidade Dub
  • Nação Zumbi Brazil
  • Molly Tuttle Americana
  • Berta Rojas Berklee College of Music Faculty
  • Milton Nascimento Brazil
  • Gian Correa Composer
  • Welson Tremura University of Florida Faculty
  • Antônio Pereira Singer-Songwriter
  • Isaak Bransah Singer-Songwriter
  • Geraldo Azevedo Música Nordestina
  • Barney McAll Bulbul Tarang
  • Ken Dossar Educator
  • Peter Erskine Author
  • Scotty Barnhart Trumpet
  • Rolando Herts Mississippi
  • John Harle Composer
  • Gary Lutz Poet
  • The Weeknd Toronto
  • Rick Beato YouTuber
  • Ivan Bastos Brasil, Brazil
  • Marquis Hill Composer
  • Rahim AlHaj Baghdad
  • Elizabeth LaPrelle Folk & Traditional
  • Giovanni Russonello Jazz
  • Run the Jewels Hip-Hop
  • Walter Blanding Jazz
  • Martin Hayes County Clare
  • Léo Rugero Brazil
  • Eric Galm Percussion
  • Derrick Hodge Composer
  • Hilton Schilder Cape Jazz
  • Inon Barnatan Piano
  • Weedie Braimah Hip-Hop
  • Dwandalyn Reece Singer
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Gilsons Bahia
  • Ivan Bastos MPB
  • Wayne Krantz Guitar
  • Tonynho dos Santos Flugelhorn
  • Thundercat Singer
  • Tessa Hadley Short Stories
  • Alegre Corrêa Berimbau
  • Sabine Hossenfelder Physicist
  • Joan Chamorro Spain
  • Marcos Sacramento Brazil
  • Gord Sheard Ethnomusicologist
  • James Gavin Writer
  • Inaicyra Falcão Candomblé
  • Cláudio Badega Percussão, Percussion
  • Caridad De La Luz Playwright
  • Chick Corea Jazz
  • Pururu Mão no Couro Chula
  • Chico César Paraíba
  • Adam Neely Composer
  • James Carter Composer
  • Christopher James Piano
  • Chief Xian aTunde Adjuah Record Producer
  • Jerry Douglas Nashville, Tennessee
  • Giorgi Mikadze გიორგი მიქაძე Microtonal
  • Hendrik Meurkens Harmonica
  • Gabriel Grossi MPB
  • Greg Kot Music Critic
  • Román Díaz Santeria
  • Banning Eyre African Guitar
  • Katuka Africanidades Brasil, Brazil
  • Martin Hayes Fiddle
  • Seckou Keita Multi-Cultural
  • Joe Newberry Old-Time Music
  • Ivan Bastos Salvador
  • William Skeen Early Music
  • Andrew Huang Guitar
  • Barlavento Brazil
  • Ben Williams New York City
  • Siphiwe Mhlambi Photographer
  • Celso Fonseca Guitar
  • Bebê Kramer Samba
  • John Schaefer New York City
  • Garvia Bailey Radio Producer
  • Ben Street Bass
  • Rumaan Alam Essayist
  • Ballaké Sissoko Kora
  • Nardis Jazz Club Jazz Club
  • Alex Hargreaves Bluegrass
  • Marc Cary Multi-Cultural
  • Daedelus Record Producer
  • Ivan Sacerdote Classical Music
  • Hot Dougie's Bar Restaurante
  • Hot Dougie's Bahia
  • Weedie Braimah Ghana
  • Alexandre Leão Compositor de Televisão, Television Scores
  • Walter Pinheiro São Paulo
  • Alessandro Penezzi São Paulo
  • Alain Mabanckou Writer
  • D.D. Jackson Opera
  • Avner Dorman Gettysburg College Faculty
  • Nelson Cerqueira Escritor, Writer
  • Brian Jackson Jazz
  • Alyn Shipton Double Bass
  • Martin Koenig Čalgija
  • Osvaldo Golijov College of the Holy Cross Faculty
  • Tedy Santana Drums
  • Ilê Aiyê Bahia
  • Ricardo Herz Forró
  • Kiko Loureiro Rio de Janeiro
  • Dan Tyminski Nashville, Tennessee
  • VJ Gabiru Fotógrafo, Photographer
  • Amilton Godoy Piano Course Online
  • Jess Gillam Contemporary Classical Music
  • Shez Raja Tabla
  • Carlos Lyra Singer-Songwriter
  • Gary Clark Jr. Guitar
  • Mingus Big Band Big Band
  • Leela James Jazz
  • Gabrielzinho do Irajá Cavaquinho
  • Isaiah J. Thompson Artistic Director
  • Yvette Holzwarth Film Scores
  • Stefano Bollani Composer
  • Dee Spencer Composer
  • Gord Sheard Jazz
  • Leigh Alexander Short Stories
  • Tero Saarinen Dancer
  • Bejun Mehta Opera
  • Marco Pereira Author
  • Aurino de Jesus Brazil
  • Colm Tóibín Novelist
  • Albin Zak Author
  • Lalah Hathaway Piano
  • Alan Bishop Cairo
  • Mulatu Astatke Ethio-Jazz
  • Denzel Curry Rapper
  • Deesha Philyaw Public Speaker
  • Siba Veloso Maracatu
  • Paulo Costa Lima Escritor, Writer
  • Armandinho Macêdo Brazil
  • Nara Couto Salvador
  • Joshua Abrams Bass
  • Jaimie Branch Composer
  • Miguel Atwood-Ferguson Film Scores
  • Flora Purim Brazilian Jazz
  • Ann Hallenberg Sweden
  • Andrés Beeuwsaert Argentina
  • Billy O'Shea Denmark
  • Ben Wolfe Jazz
  • Chico César Singer-Songwriter
  • Amitava Kumar Poet
  • Georgia Anne Muldrow Record Producer
  • Sérgio Pererê Belo Horizonte
  • John Patrick Murphy Brazilian Music
  • Fabian Almazan Composer
  • Omari Jazz Music Producer
  • Errollyn Wallen Piano
  • Tatiana Eva-Marie Swing
  • Bernardo Aguiar Rio de Janeiro
  • Antonio García University of KwaZulu-Natal Faculty
  • James Brandon Lewis Jazz
  • César Orozco Violin
  • Paulo Paulelli MPB
  • Stan Douglas Filmmaker
  • Dona Dalva Samba
  • Third Coast Percussion Contemporary Classical Music
  • Guinga Guitar
  • Ricky (Dirty Red) Gordon Washboard
  • Moses Sumney Soul
  • Stan Douglas Vancouver
  • Otto Brazil
  • David Castillo Moorpark College Faculty
  • Bebel Gilberto Singer-Songwriter
  • Guinha Ramires Rio Grande do Sul
  • João Camarero Rio de Janeiro
  • Omari Jazz Visual Artist
  • Kirk Whalum Contemporary R&B
  • Patty Kiss Frevo
  • Eric R. Danton Writer
  • Gabriel Geszti MPB
  • James Andrews Trumpet
  • Igor Osypov Guitar
  • Kotringo Singer-Songwriter
  • Serwah Attafuah Graphic Designer
  • Rick Beato Songwriter
  • Mark Bingham Singer-Songwriter
  • Dr. Lonnie Smith Hammond B-3
  • Marcelo Caldi Tango
  • Derek Sivers Entrepreneur
  • Natan Drubi Violão, Guitar
  • Irmandade da Boa Morte Brasil, Brazil
  • Nduduzo Makhathini Fort Hare University Faculty
  • James Gavin Journalist
  • Wilson Simoninha Music Producer
  • William Parker Poet
  • Donna Leon Writer
  • Jamie Dupuis Harp Guitar
  • Sharay Reed Chicago
  • Ben Harper R&B
  • Ben Williams Jazz
  • Jen Shyu Composer
  • Jared Jackson Literary Critic
  • Marc-André Hamelin Classical Music
  • Los Muñequitos de Matanzas Rumba
  • Jeremy Pelt Jazz
  • Lula Galvão Arranger
  • Egberto Gismonti Piano
  • Isaias Rabelo Brazilian Jazz
  • Wouter Kellerman African Music
  • Stefano Bollani Piano
  • Tele Novella Austin, Texas
  • Hendrik Meurkens Jazz
  • Jon Batiste Multi-Instrumentalist
  • Billy Strings Singer
  • Chris Thile Folk & Traditional
  • Laura Beaubrun Haiti
  • Omar Hakim Drums
  • Wouter Kellerman Fife
  • 小野リサ Lisa Ono Japan
  • Jeff Coffin Saxophone
  • Giorgi Mikadze გიორგი მიქაძე Piano
  • Caroline Keane County Kerry
  • Mou Brasil Jazz
  • Dadi Carvalho Rio de Janeiro
  • Jubu Smith Guitar
  • Monty's Good Burger Fries, Tots & Shakes
  • Miles Okazaki Author
  • Colson Whitehead Novelist
  • Eddie Palmieri Piano
  • Sunna Gunnlaugs Reykjavik
  • Beth Bahia Cohen Lyras
  • Tray Chaney Author
  • Ivo Perelman Painter
  • Aindrias de Staic Actor
  • Arturo O'Farrill Afro-Cuban Jazz
  • Ben Hazleton Tabla
  • Larissa Fulana de Tal Salvador
  • Gabi Guedes Salvador
  • Ben Allison Multi-Cultural
  • Ayrson Heráclito Candomblé
  • John Harle Television Scores
  • Stan Douglas Installation Artist
  • Bertram Ethnomusicologist
  • Gustavo Di Dalva Brazil
  • Mika Mutti Los Angeles
  • Seth Rogovoy Journalist
  • Dan Auerbach Nashville, Tennessee
  • Julian Lloyd Webber London
  • Robert Glasper R&B
  • Joel Ross Vibraphone
  • Obed Calvaire New York City
  • Lô Borges Brasil, Brazil
  • Bob Bernotas Writer
  • Tshepiso Ledwaba Johannesburg
  • Stephanie Foden Montreal
  • Adenor Gondim Bahia
  • Brenda Navarrete Singer
  • Sarah Hanahan Saxophone
  • Michael Cleveland Fiddle
  • Varijashree Venugopal Singer
  • Joey Baron Jazz
  • Perumal Murugan Poet
  • Alphonso Johnson CalArts Music Faculty
  • Alana Gabriela Educadora, Educator
  • Pedro Aznar Singer-Songwriter

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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