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  • Anat Cohen

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Anat Cohen
  • City/Place: New York City
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Ever charismatic, prolific and inspired, Grammy-nominated clarinetist-saxophonist Anat Cohen has won hearts and minds the world over with her expressive virtuosity and delightful stage presence. The New York Times writes, “Ms. Cohen on the clarinet was a revelation. Using the clarinet’s upper register, she could evoke infectious joy. In the lower register, her playing could conjure a deep, soulful melancholy. On up-tempo numbers, her improvisations weren’t just bebop fast; they had a clarity and deep intelligence that is really quite rare. She made it look effortless, even as she was playing the most technically difficult of all the reed instruments… she took my breath away.”

    Anat has been declared Clarinetist of the Year by the Jazz Journalists Association every year since 2007 and has also been named the top clarinetist in both the readers and critics polls in DownBeat for multiple years running. That’s not to mention years of being named Rising Star in the soprano and tenor saxophone categories in DownBeat, as well as Jazz Artist of the Year. In 2009, ASCAP awarded Anat a Wall of Fame prize for composition and musicianship, among other honors. As The Chicago Tribune has said about Anat, “The lyric beauty of her tone, easy fluidity of her technique and extroverted manner of her delivery make this music accessible to all.”

    Since 2005, Anat’s series of releases via her Anzic Records label have seen the clarinetist-saxophonist range from infectious swingers to lilting balladry, from small groups to larger ensembles and back again, exploring a universe of music along the way. Anat’s most recent release came in March 2018 as a debut duo recording with the acclaimed pianist Fred Hersch - Live in Healdsburg of which Nate Chinen (WBGO) proclaimed “a beautiful document of mutual exchange, rooted in melody but alert to every possibility.”

    Anat’s newest album as a band leader – Happy Song, released by Anzic in October 2017 – found her drawing on diverse musical loves, from Brazilian music to African grooves, from vintage swing to touching ballads. The new vehicle for these explorations is the Anat Cohen Tentet, a large format ensemble of ace New York musicians that made its debut at the Jazz Standard in Manhattan and the famed Newport Jazz Festival. Above all, Happy Song is another synergistic collaboration between Anat and co-producer/co-arranger Oded Lev-Ari, who is also her partner in Anzic as well as a kindred spirit since their high-school days in Israel. In many ways, Happy Song carries on from an initial highpoint of her discography, 2007’s sumptuous Noir, which saw Anat weave her various horns through the all-star Anzic Orchestra, arranged and conducted by Lev-Ari. Billboard magazine marveled over the “cinematic feel” of Noir, with The Washington Post praising Lev-Ari’s arrangements as “wonderfully textured and evocative.” The Tentet of Happy Song boasts a different sort of richness, one that’s full but also fleet and fizzing, with an open, jazzy energy. The beautiful arrangements are by both Anat and Lev-Ari, with the latter directing the band.

    Earlier in her especially fertile 2017, Anat continued her love affair with Brazilian sounds by releasing two albums simultaneously via Anzic: Outra Coisa: The Music of Moacir Santos (with 7-String guitarist Marcello Gonçalves) and Rosa Dos Ventos (with Trio Brasileiro: percussionist Alexandre Lora, 7-String guitarist Douglas Lora and mandolinist Dudu Maia). Both recordings were made in Rio de Janeiro and Brasilia and went on to receive Grammy Award nominations in Best World Music and Best Latin Jazz albums. All About Jazz praised both records at length, saying that together they made for “one brilliant bonanza of Brazilian music from one of the greatest clarinetists of our time… Cohen’s magnetism and musicality, married with the accents of Brazil and the skills of her accomplished colleagues, makes for something incredibly special on these dates. Add both of these albums to the glowing list of recordings in her discography.” The praise didn’t only come from the jazz world, with Brazilian Press saying: “Anat is an Israeli who seems like a Brazilian when she plays samba.”

    Anat was born in Tel Aviv, Israel, and raised into a musical family. She attended the Tel Aviv School for the Arts, the "Thelma Yellin" High School for the Arts and the Jaffa Music Conservatory. Anat began clarinet studies at age 12 and played jazz on clarinet for the first time in the Jaffa Conservatory’s Dixieland band. At 16, she joined the school’s big band and learned to play the tenor saxophone; it was this same year that Anat entered the prestigious Thelma Yellin school, where she majored in jazz. After graduation, she discharged her mandatory Israeli military service duty from 1993-95, playing tenor saxophone in the Israeli Air Force band.

    Through the World Scholarship Tour, Anat was able to attend the Berklee College of Music, where she not only honed her jazz chops but also expanded her musical horizons, developing a deep love and facility for various Latin music styles. During her Berklee years, Anat visited New York City during semester breaks, making a beeline for the West Village club Smalls to soak up a melting pot of jazz, contemporary grooves and world music in a scene that included such future collaborators as Jason Lindner, Omer Avital and Daniel Freedman. Moving to New York in 1999 after graduating from Berklee, Anat spent a decade touring with Sherrie Maricle’s all-woman big band, The Diva Jazz Orchestra; she also worked in such Brazilian groups as the Choro Ensemble and Duduka Da Fonseca’s Samba Jazz Quintet, along with performing the music of Louis Armstrong with David Ostwald’s “Gully Low Jazz Band.” Anat soon began to bend ears and turn heads; whether playing clarinet, soprano saxophone or tenor saxophone, she won over the most knowing of jazz sages: Nat Hentoff praised her “bursting sound and infectious beat,” Dan Morgenstern her “gutsy, swinging” style, Ira Gitler her “liquid dexterity and authentic feeling,” and Gary Giddins her musicality “that bristles with invention.”

    In 2009, Anat became the first Israeli to headline at the Village Vanguard, the setting for perhaps the most celebrated live recordings in jazz history; the occasion yielded the 2010 release Clarinetwork: Live at the Village Vanguard, which captured the leader paying tribute to Benny Goodman and leading a hard-swinging combo with all-stars Benny Green, Peter Washington and Lewis Nash. Calling Anat “one to watch,” NPR underscored the contemporary approach the group took to the Goodman book: “Cohen and company treat 1920s and ’30s material with a relatively free hand; when they get rolling in ‘Sweet Georgia Brown,’ her rhythm section echoes the thunder of John Coltrane’s quartet.”

    Anat has also recorded four acclaimed albums as part of the 3 Cohens Sextet with her brothers, saxophonist Yuval and trumpeter Avishai: 2003’s One, 2007’s Braid, 2011’s Family and 2013’s Tightrope (with the last three released by Anzic). The three siblings – with Anat the middle child to the elder Yuval and younger Avishai – graced the cover of the January 2012 issue of DownBeat, and among the international acclaim for the recent Tightrope had the Financial Times marveling over its “emotional sweep.” The album features the 3 Cohens improvising as an a cappella horn choir as well as teaming with such special guests as Fred Hersch and Christian McBride.

    Anat has collaborated regularly with one of her heroes, Cuban-American clarinetist-saxophonist Paquito D’Rivera, who introduced her onstage at Dizzy’s Club Coca-Cola in the Jazz at Lincoln Center complex as “one of the greatest players ever of the clarinet.” Having first appeared at the Newport Jazz Festival in 2007, she had the honor of being the music director for the Newport Jazz Festival Now 60! all-star band that toured the U.S. on the occasion of the festival’s 60th anniversary in 2014. In 2017, Anat played all the major European festivals as part of the all-star, all-female band called ARTEMIS alongside the likes of Renée Rosnes and Cécile McLorin Salvant. She has also toured in a duo with acclaimed pianist Fred Hersch, as well as with iconic Cuban singer Omara Portuondo.

    However easy Anat makes it seem onstage, the mastery of any great art is a long, elusive challenge, and she teaches the fine points of jazz and the music of Brazil to budding students across North America, including recent residencies at Stanford, Oberlin, Michigan State University, University of California-San Diego, the Centrum Choro Workshop and California Brazil Camp. About her experiences onstage, in the classroom or just engaging with her listeners, Anat says: “Any day when I get to share music with people – other musicians, an audience – feels like a celebration to me.”

    - Bradley Bambarger

Contact Information

  • Management/Booking: MANAGEMENT
    International Music Network
    Manager: Tom Korkidis
    Email: [email protected] / Tel: 978-283-2883
    www.imnworld.com

    WORLDWIDE BOOKING
    International Music Network
    Email: [email protected] / Tel: 978-283-2883
    www.imnworld.com

    PUBLICITY
    Red Cat Publicity
    Publicist: Jason Byrne
    Email: [email protected] / Tel: 646-259-2105

    LABEL INFO
    Anzic Records
    Email: [email protected]
    www.anzicstore.com

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.anatcohen.com/recordings
  • ▶ Twitter: Anat_Cohen
  • ▶ Instagram: anatcohenmusic
  • ▶ Website: http://www.anatcohen.com
  • ▶ YouTube Channel: http://www.youtube.com/user/AnatCohenMusic
  • ▶ YouTube Music: http://music.youtube.com/channel/UCY6f8on5_9-MOIcYxlL5R6A
  • ▶ Spotify: http://open.spotify.com/album/3vFHhwrL7YrFpHiJTeSSpK
  • ▶ Spotify 2: http://open.spotify.com/album/0uwJh6TPoaQjNQzsCgfCZD
  • ▶ Spotify 3: http://open.spotify.com/album/0DKN5cxAnZkWwGP9DWtP4b
  • ▶ Spotify 4: http://open.spotify.com/album/3B2q9VG5v8eWnBqrFK01pd
  • ▶ Spotify 5: http://open.spotify.com/album/15yfwIukY8pMWNfjxBtKEC
  • ▶ Spotify 6: http://open.spotify.com/album/4yiAzpN1ZWwVbJs6EeAxy2

More

  • Quotes, Notes & Etc. "Anat does what all authentic musicians do: She tells stories from her own experiences that are so deeply felt that they are very likely to connect listeners to their own dreams, desires and longings." — Nat Hentoff

Clips (more may be added)

  • Anat Cohen And Choro Aventuroso
    By Anat Cohen
    560 views
Previous
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Anat Cohen Curated

  • 6 Brazilian Music
  • 6 Choro
  • 6 Clarinet
  • 6 Israel
  • 6 Jazz
  • 6 New York City
  • 6 Tel Aviv

What's Been Happening?

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  • Anat Cohen
    Oded Lev-Ari → Piano has been recommended via Anat Cohen.
    • April 9, 2022
  • Anat Cohen
    Oded Lev-Ari → New York City has been recommended via Anat Cohen.
    • April 9, 2022
  • Anat Cohen
    Oded Lev-Ari → Music Producer has been recommended via Anat Cohen.
    • April 9, 2022
  • Anat Cohen
    Oded Lev-Ari → Composer has been recommended via Anat Cohen.
    • April 9, 2022
  • Anat Cohen
    Oded Lev-Ari → Arranger has been recommended via Anat Cohen.
    • April 9, 2022
  • Anat Cohen
    Gabriel Grossi → Samba has been recommended via Anat Cohen.
    • June 29, 2021
  • Anat Cohen
    Gabriel Grossi → Rio de Janeiro has been recommended via Anat Cohen.
    • June 29, 2021
  • Anat Cohen
    Gabriel Grossi → MPB has been recommended via Anat Cohen.
    • June 29, 2021
  • Anat Cohen
    Gabriel Grossi → Harmonica has been recommended via Anat Cohen.
    • June 29, 2021
  • Anat Cohen
    Gabriel Grossi → Forró has been recommended via Anat Cohen.
    • June 29, 2021
  • Anat Cohen
    Gabriel Grossi → Composer has been recommended via Anat Cohen.
    • June 29, 2021
  • Anat Cohen
    Gabriel Grossi → Choro has been recommended via Anat Cohen.
    • June 29, 2021
  • Anat Cohen
    Gabriel Grossi → Brazilian Jazz has been recommended via Anat Cohen.
    • June 29, 2021
  • Anat Cohen
    Gabriel Grossi → Brazil has been recommended via Anat Cohen.
    • June 29, 2021
  • Anat Cohen
    Francisco Mela → Percussion has been recommended via Anat Cohen.
    • March 21, 2021
  • Anat Cohen
    Francisco Mela → New York City has been recommended via Anat Cohen.
    • March 21, 2021
  • Anat Cohen
    Francisco Mela → Jazz has been recommended via Anat Cohen.
    • March 21, 2021
  • Anat Cohen
    Francisco Mela → Drums has been recommended via Anat Cohen.
    • March 21, 2021
  • Anat Cohen
    Francisco Mela → Cuba has been recommended via Anat Cohen.
    • March 21, 2021
  • Anat Cohen
    Francisco Mela → Composer has been recommended via Anat Cohen.
    • March 21, 2021
View More
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

Pathways from Brazil

THROUGH THE INTEGRATED GLOBAL CREATIVE ECONOMY

(all is closer than we imagine)

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among magisterial colleagues for whom this matrix was originally built, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Created because in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. And Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers...Luê Soares of Belém do Pará behind the mic above. You get to Quincy, you can get to Luê. Direct line.

And by the mathematics of the small world phenomenon, everybody in the matrix will tend to proximity to everybody else, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties for Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer), and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

Caminhos do Brasil

ATRAVÉS DA ECONOMIA CRIATIVA GLOBAL INTEGRADA

(tudo está mais perto do que imaginamos)

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Criado porque em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar de fora de regiões circunscritas, incluido o próprio Brasil...

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos...Luê Soares de Belém do Pará atrás do microfone acima. Você chega em Quincy, pode chegar em Luê. Linha direta.

E pela matemática do fenômeno de mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley), e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente abertom pois há mais no Céu e na Terra...

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Antonio García Trombone
  • Jim Hoke Arranger
  • Theo Bleckmann Jazz
  • Bruce Williams Jazz
  • Luciano Matos Brasil, Brazil
  • Tommaso Zillio Guitar Instruction
  • João Teoria Cantor, Singer
  • Jaleel Shaw Manhattan School of Music Faculty
  • Tom Wilcox Record Producer
  • The Rheingans Sisters England
  • H.L. Thompson New York City
  • Las Cafeteras Son Jarocho
  • Vincent Herring Jazz
  • Mateus Aleluia Bahia
  • Milford Graves Vocals
  • Dermot Hussey Reggae
  • Les Thompson Cinema Engineer
  • Jane Cornwell Music Critic
  • Cara Stacey North-West University Faculty
  • Shannon Sims Rio de Janeiro
  • Mika Mutti Brazil
  • Bob Bernotas Writer
  • Goran Krivokapić Classical Guitar
  • Bonerama New Orleans
  • Jon Madof Educator
  • Ilya Kaminsky Georgia Institute of Technology Faculty
  • Cássio Nobre Guitar
  • Gabriel Policarpo Repique
  • Vânia Oliveira Coreógrafa, Choreographer
  • Jay Mazza Journalist
  • Katuka Africanidades Livraria, Bookshop
  • Gerald Albright Bass
  • Philip Sherburne DJ
  • John Santos Afro-Latin Music
  • Tal Wilkenfeld Guitar
  • John Patrick Murphy Sanfona
  • Olivia Trummer Piano
  • Gunter Axt Escritor, Writer
  • Kevin Hays Composer
  • Lauren Martin Editor
  • Antonio García Singer
  • Fábio Peron Compositor, Composer
  • Alain Mabanckou Africa
  • Sierra Hull Bluegrass
  • Ken Avis Guitar
  • Albin Zak Americana
  • Philip Glass Composer
  • Ben Allison Multi-Cultural
  • Dan Tyminski Mandolin
  • Georgia Anne Muldrow Singer-Songwriter
  • Michael Kiwanuka Singer-Songwriter
  • Alma Deutscher Piano
  • Michael League Multi-Instrumentalist
  • Joshua Abrams Theater Scores
  • Ilya Kaminsky Translator
  • Elizabeth LaPrelle Banjo
  • Pedrito Martinez Singer
  • Aindrias de Staic Ireland
  • Raynald Colom Composer
  • Jean-Paul Bourelly Avant-Blues-Rock
  • James Brady Jazz
  • Utar Artun Jazz
  • Weedie Braimah Ropeadope
  • Hamilton de Holanda Bandolim
  • Shaun Martin Jazz
  • Antônio Queiroz Samba Rural
  • Parker Ighile Africa
  • Chris Thile Americana
  • Nancy Viégas Salvador
  • Hugo Linns Brazil
  • Rissi Palmer Country
  • Yola R&B
  • Tony Allen Drums
  • Congahead Latin Jazz
  • Fernando Brandão Berklee College of Music Faculty
  • Margareth Menezes Samba-Reggae
  • Tommaso Zillio Prog Rock
  • Seth Rogovoy Klezmer
  • Aindrias de Staic Storyteller
  • Sátyra Carvalho Bahia
  • Sergio Krakowski Choro
  • Donald Vega Composer
  • Leela James Soul
  • Caroline Shaw Singer
  • Carlos Henriquez Latin Jazz
  • Lenna Bahule São Paulo
  • César Camargo Mariano Brazilian Jazz
  • David Castillo Los Angeles
  • Wayne Escoffery New York City
  • Ammar Kalia Poet
  • Alicia Hall Moran Singer
  • Seth Rogovoy Journalist
  • Michael Olatuja Composer
  • Kalani Pe'a Hawaii
  • Hilton Schilder Composer
  • Paulo Costa Lima Escritor, Writer
  • Orlando 'Maraca' Valle Composer
  • Eli Degibri אלי דג'יברי Tel Aviv
  • James Brandon Lewis Saxophone
  • Otto Brazil
  • Walter Blanding Composer
  • Liron Meyuhas Singer
  • Tom Green Scotland
  • Tigran Hamasyan Composer
  • Cláudio Jorge Rio de Janeiro
  • Michael Olatuja New York City
  • Merima Ključo Sephardic Music
  • Jussara Silveira Samba
  • Jorge Alfredo Cineasta, Filmmaker
  • Jess Gillam Radio Presenter
  • Angelique Kidjo Benin
  • Luê Soares Violino, Violin
  • Alexandre Vieira Bahia
  • Lorna Simpson Sculptor
  • Katuka Africanidades Salvador
  • Matt Glaser Fiddle
  • Marcel Camargo Jazz
  • Art Rosenbaum Muralist
  • Seth Swingle Multi-Cultural
  • Paul Cebar Multi-Cultural
  • Margaret Renkl Writer
  • Carlos Aguirre Singer
  • Amitava Kumar Literary Critic
  • Norah Jones New York City
  • Beth Bahia Cohen Berklee College of Music Faculty
  • Ken Coleman Black American Culture & History
  • Sam Yahel Hammond B-3
  • Horace Bray Record Producer
  • Ricardo Markis Choro
  • Ivan Sacerdote Brazil
  • John Santos Cape Verde
  • Dave Douglas Trumpet
  • Ajurinã Zwarg Drums
  • Armen Donelian Record Producer
  • Zé Luíz Nascimento Salvador
  • Duncan Chisholm Scotland
  • Kazemde George Biologist
  • Zé Katimba Brazil
  • Yo La Tengo Experimental Rock
  • Richard Bona Bass
  • Mike Moreno Guitar
  • Jonathon Grasse Minas Gerais
  • James Elkington Record Producer
  • Christian McBride Composer
  • Walmir Lima Bahia
  • Daru Jones Brooklyn, NY
  • Varijashree Venugopal Brazilian Music
  • Jaleel Shaw Saxophone
  • Trombone Shorty Second Line
  • Nguyên Lê Paris
  • Gian Correa Brazil
  • Darol Anger Record Producer
  • Guilherme Varella São Paulo
  • Zeca Baleiro Violão, Guitar
  • Thiago Espírito Santo MPB
  • Carla Visi Singer
  • Zé Katimba Samba
  • Gustavo Di Dalva Percussion Instruction Online
  • Rick Beato Educator
  • Kimmo Pohjonen Film Scores
  • Damon Krukowski Writer
  • Scott Yanow Jazz Journalist
  • Wayne Escoffery Saxophone
  • Cara Stacey Johannesburg
  • Joshua Abrams Composer
  • Jake Oleson Brooklyn, NY
  • Tedy Santana Bahia
  • William Parker Essayist
  • Lalah Hathaway Soul
  • Greg Spero Recording Studio Owner
  • Nooriyah نوريّة North African Music
  • Benny Benack III Piano
  • John Medeski Keyboards
  • Alicia Keys R&B
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Ronald Bruner Jr. Los Angeles
  • Mariana Zwarg Saxophone
  • John Francis Flynn Singer-Songwriter
  • Oswaldo Amorim Composer
  • Mario Caldato Jr. Keyboards
  • Alex Conde Piano
  • André Muato Brazil
  • Morgan Page House
  • Reggie Ugwu New York City
  • Şener Özmen Video Artist
  • Edil Pacheco Record Producer
  • Olivia Trummer Berlin
  • Omari Jazz Portland, Oregon
  • John Medeski Funk
  • Terrace Martin Multi-Instrumentalist
  • Henry Cole Drums
  • Evgeny Kissin Poet
  • Rez Abbasi Pakistani Music
  • Tommy Orange Native American Literature
  • Dieu-Nalio Chery Photojournalist
  • Edsel Gomez Jazz
  • André Becker Flauta, Flute
  • Sarz Hip-Hop
  • Marcos Suzano Composer
  • Tedy Santana Brazil
  • Ron McCurdy USC Thornton School of Music Faculty
  • Maladitso Band Africa
  • Garth Cartwright DJ
  • Robert Everest Multi-Instrumentalist
  • Rick Beato Record Producer
  • William Parker New York City
  • James Martin Jazz
  • Jon Batiste Piano
  • Alex Mesquita Federal University of Bahia Faculty
  • Steve Lehman Jazz
  • Chau do Pife Maceió
  • Chris Thile Composer
  • Ben Paris New York City
  • Azi Schwartz החזן עזי שוורץ New York City
  • Dan Trueman Software Designer
  • Eric Roberson Keyboards
  • Doug Adair Singer-Songwriter
  • Brandee Younger Pop Music
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