CURATION
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from this page:
by Matrix
Network Node
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Name:
Rissi Palmer
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City/Place:
Durham, North Carolina
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Country:
United States
Life & Work
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Bio:
Rissi Palmer's gift lies in reaching across all musical boundaries. While she made her mark in Country Music, she is equally at home in R&B music, bringing the entire spectrum of popular music to bear on music she calls “Southern Soul.”
The daughter of Georgia natives, Rissi was born near Pittsburgh, PA and spent her adolescent years in St. Louis, Missouri. Raised in a musical family that loved both country and R&B, Rissi was a part of a singing and dancing troupe sponsored by a local television station at age 16, and by the time she was 19 years old, she had already been offered her first publishing and label deal.
In 2007, she released her debut album Rissi Palmer, charting singles, “Country Girl,” “Hold On To Me,” and “No Air.” Since then, Rissi has independently released a Christmas single, her first children’s album, Best Day Ever and an EP titled The Back Porch Sessions. Her most recent album, Revival, was released in 2019 and has been critically hailed as her most personal and uplifting work to date.
A few highlights throughout her musical career include performances at The White House, New York's Lincoln Center and multiple appearances on the Grand Ole Opry. She has toured extensively across the country, sharing stages with Taylor Swift, The Eagles, Chris Young, Charley Crockett and many more. Rissi has also made numerous national appearances on Oprah & Friends, CMT Insider, CNN, CBS This Morning, GMA, Entertainment Tonight, and FOX Soul's "The Book of Sean and has been featured in Associated Press, Ebony, Essence, Huffington Post, New York Times, Newsweek, NPR's "All Things Considered," PEOPLE, Rolling Stone, The Wall Street Journal and Washington Post, to name a few.
As a passionate voice for country artists of color and those who have been marginalized in mainstream country music, Rissi launched her own radio show Color Me Country with Rissi Palmer on Apple Music Country. Since making its debut in August 2020, listeners have been treated to in-depth and riveting, often funny, yet very necessary conversations with Brittney Spencer, Cam, Chapel Hart, Crystal Shawanda, Maren Morris, Miko Marks The War and Treaty, Darius Rucker and Mickey Guyton and author/journalist Andrea Williams. Fans can tune-in live to Color Me Country with Rissi Palmer every other Sunday on Apple Music Country at 4pP/7pE.
In conjunction with her radio show, Rissi created the Color Me Country Artist Grant Fund designed to support new country artists of color who are just beginning to build their music careers.
Rissi is also a Special Correspondent for CMT's Hot 20 Countdown. The weekly series airs Saturdays and Sundays on CMT at 9a/8c and features chart-topping music videos, news stories, live performances and candid interviews from country’s biggest stars.
My Instruction
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Lessons/Workshops:
Vocal Performance Workshop:
Having studied voice for 18 years under industry veterans Louis Valenzi (Broadway and television actor) and Robin Brown (accomplished vocalist, vocal coach to Destiny’s Child, Solange, Usher, etc.), Rissi Palmer has partnered what she has learned from her esteemed instructors and her years of touring and recording to create a voice curriculum for students who are interested in performing as well as singing. She is passionate about helping her students find and develop their own unique sound by tailoring her lessons to the student’s age and experience level. In addition to using traditional vocal warm ups, exercises, and breathing techniques in her curriculum, students are encouraged to choose the music they are interested in. While she doesn’t believe in traditional voice lessons for any child under the age of 13, Ms. Palmer believes that it’s never to early for a student to develop ear training and learn to sing tunefully.
Songwriting Workshop:
Since writing her first song at 6 and receiving her first publishing deal at the age of 19, Rissi has taken her years of songwriting in Nashville and New York City and created a curriculum for students who are interested in lyric and music composition. She is passionate about helping her students find and develop their own unique voice and style by teaching the differences and similarities of various genres (i.e. Country, R&B, Pop, Rock, Indie, etc), encouraging students keep a journal, and using various exercises to dissect and learn the techniques of great songwriters of yesterday and today.
Rissi offers workshops in both songwriting or vocal performance and is available to travel to elementary schools, high schools, music schools and programs throughout the USA and abroad.
Workshop includes:
Acoustic Duo (Rissi on vocal & guitar and another guitarist) or full band short performance
Q&A
one on one work sessions in a classroom setting (at least 8 minutes of one on one)
tackling trouble spots vocally
how to emotionally connect to a song
stage presence and microphone technique
song critique (for songwriting)
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Instruction:
http://rissipalmermusic.com/teaching-artist
Clips (more may be added)
Uncoiling from an Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix...
EX TERRA BRASILIS
Millions of short-path connections uniting creators worldwide by means of the extraordinary mathematics of:
The Small World Phenomenon
The Integrated Global Creative Economy
Take an artist... from Salvador, Havana, Brooklyn, Cape Town...
Writer, musician, filmmaker, painter, choreographer, architect, academic, fashion designer, chef...
Integrate that artist into a network of other artists around the world.
In the manner that most human beings are within some six degrees of most others, our artist will tend to within a small number of steps of all others in the network.
The creative universe becomes a creative village in which all have access to all.
Inspired in the sensorial immanence of Borges' transfinites-inspired Alephs.
The Aleph / O Aleph
O God! I could be bounded in a nutshell, and count myself a king of infinite space...
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
Linking to the Matrix from your media (to the Matrix in general / to your Matrix Page from your Instagram) plugs your people in.
https://linktr.ee
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; recorded "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): World's premier klezmer violinist
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
Conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Thus A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until Sodré was silenced, threatened with death and forced into exile...
And thus a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (seat of the Integrated Global Creative Economy* and where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
*Darius Mans holds a Ph.D. in Economics from MIT, and lives between Washington D.C. and Salvador da Bahia.
Between 2000 and 2004 he served as the World Bank’s Country Director for Mozambique and Angola. In that capacity, Darius led a team which generated $150 million in annual lending to Mozambique, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment.
Darius was an economist with the Board of Governors of the Federal Reserve System, where he worked closely with the U.S. Treasury and the IMF to establish a framework to avoid debt repudiation and to restructure private commercial debt in Brazil and Chile.
He taught Economics at the University of Maryland and was a consultant to KPMG on infrastructure projects in Latin America.
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
This list is random, and incomplete. Reload the page for another list.