Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Armandinho Macêdo
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Armandinho Macêdo
  • City/Place: Salvador, Bahia
  • Country: Brazil

Life & Work

  • Bio: Armandinho Macêdo is the son of Osmar Macêdo, one of the two inventors of the trio elétrico, the giant soundtrucks/moving stages that ply the streets of Salvador da Bahia, Brazil during Carnival.

    Osmar also invented an instrument which he played in his early versions of the trio elétrico, the pau elétrico (electric stick), a cavaquinho (ukelele) neck tuned like a mandolin, mounted with homemade pickups. Over the years this instrument has been developed into what is now called the "guitarra baiana" (Bahian guitar), and Armandinho is its master.

    Armandinho is also schooled in the classics of choro: Pixinguinha, Jacob do Bandolim, Waldir Azevedo, et al.

Contact Information

  • Email: [email protected]
  • Telephone: +55 (71) 99975-5480
  • Management/Booking: Agent
    João Neto
    (71) 99126-9676
    [email protected]

    Press
    Surama Albuquerque
    (71) 99975-5480
    [email protected]

Media | Markets

  • ▶ Twitter: armandinhoba
  • ▶ Instagram: armandinhomacedo
  • ▶ Website: http://www.armandinhomacedo.com
  • ▶ YouTube Channel: http://www.youtube.com/user/armandinhoba50
  • ▶ YouTube Music: http://music.youtube.com/channel/UC-ZeypCt7opCMfueZEaQh8A
  • ▶ Spotify: http://open.spotify.com/artist/79MbiFMvb4LIQZVtgWaAke

Clips (more may be added)

  • O Chorinho de Armandinho. O Choro mais alegre do Brasil.
    By Armandinho Macêdo
    260 views
  • Armandinho Macedo "O Ouro e a Madeira"
    By Armandinho Macêdo
    281 views
  • Armandinho, "Brasileirinho", Hamilton de Holanda, Yamandu Costa e Baby Consuelo - "Brasileirinho"
    By Armandinho Macêdo
    432 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Armandinho Macêdo:

  • 6 Bahia
  • 6 Bandolim
  • 6 Brazil
  • 6 Choro
  • 6 Frevo
  • 6 Guitarra Baiana
  • 6 Mandolin
  • 6 Salvador

Nodes below are randomly generated. Reload for a different stack.

  • Shankar Mahadevan Singer
  • Igor Osypov Germany
  • Lina Lapelytė Installation Artist
  • Giba Gonçalves Candomblé
  • Marcel Camargo Cavaquinho
  • Caterina Lichtenberg Soprano Lute
  • Jorge Pita Bahia
  • Donald Harrison Composer
  • Yazz Ahmed Audio Manipulation
  • Harish Raghavan Educator
  • Keita Ogawa Drums
  • Sam Eastmond Record Producer
  • Amaro Freitas Piano
  • Hank Roberts Jazz
  • Sharita Towne Pacific Northwest College of Art Faculty
  • Marcus Printup New York City
  • Hélio Delmiro Brazilian Jazz
  • Pedrito Martinez Percussion
  • Cristiano Nogueira Travel Writer
  • John Francis Flynn Irish Traditional Music
  • John Santos Cape Verde
  • Paul Mahern Bloomington, Indiana
  • Eduardo Kobra Ativista da Paz, Peace Activist
  • Mateus Aleluia Filho Música Pan-Africana, Pan-African Music
  • Alan Bishop Bass
  • Miguel Atwood-Ferguson Multi-Instrumentalist
  • Collins Omondi Okello Kenya
  • Shaun Martin Keyboards
  • Anthony Hervey Composer
  • Carlinhos Brown Salvador
  • Moses Boyd Record Label Owner
  • Ben Hazleton Double Bass
  • Vânia Oliveira Bahia
  • Ajurinã Zwarg Samba
  • Alyn Shipton Music Critic
  • Chris Potter Multi-Instrumentalist
  • Djuena Tikuna São Luís, Maranhão
  • Dan Nimmer Composer
  • Yasmin Williams Harp-Guitar
  • Yotam Silberstein New School for Jazz and Contemporary Music Faculty
  • Sebastian Notini Salvador
  • Amilton Godoy Composer
  • Marquis Hill African-American Music
  • Pedro Abib Samba
  • George Garzone Saxophone
  • Jorge Washington Bahia
  • Edil Pacheco Songwriter
  • Donald Harrison Mardi Gras Indian
  • Tal Wilkenfeld Jazz
  • Chubby Carrier Accordion
  • John McLaughlin Jazz Fusion
  • Corey Harris Guitar
  • Adam Cruz Composer
  • OVANA Cunene
  • Jim Hoke Nashville, TN
  • Gilad Hekselman Brooklyn, NY
  • Hilton Schilder South Africa
  • Brenda Navarrete Cuba
  • Robert Glasper R&B
  • Giba Gonçalves Salvador
  • Shannon Alvis Choreographer
  • Harvey G. Cohen Political Historian
  • Ben Allison Bass
  • Mika Mutti Composer
  • Marco Pereira Samba
  • Seth Rogovoy Jewish Music
  • Yelaine Rodriguez African Diaspora Culture
  • Jonathan Griffin BBC
  • Olga Mieleszczuk Accordion
  • Lula Galvão MPB
  • Milford Graves Multi-Cultural
  • Andrés Beeuwsaert Piano
  • Orquestra Afrosinfônica Música Clássica Contemporânia, Contemporary Classical Music
  • Edivaldo Bolagi Salvador
  • James Grime University of Cambridge Faculty
  • Jorge Alfredo Roteirista, Screenwriter
  • Sierra Hull Singer-Songwriter
  • Geraldo Azevedo Guitar
  • Rebeca Omordia Romania
  • Geraldo Azevedo Pernambuco
  • John Waters Public Speaker
  • Leon Parker Percussion
  • Cédric Villani Paris
  • Hua Hsu Writer
  • Corey Ledet Accordion
  • Caroline Shaw Singer
  • George Porter Jr. Bass
  • Marcelo Caldi Composer
  • JD Allen New York City
  • Martin Fondse Jazz
  • Carlinhos Brown Record Producer
  • Nei Lopes Singer-Songwriter
  • Dan Nimmer Composer
  • Peter Evans Composer
  • Bodek Janke Berlin
  • Bob Mintzer Jazz
  • Jon Cowherd Composer
  • Paulo Aragão Brazil
  • Rudy Royston Photographer
  • Giba Conceição Candomblé
  • Mike Moreno Jazz
  • Kenyon Dixon R&B
  • Larry Grenadier Bass
  • Daniel Jobim Rio de Janeiro
  • Geraldo Azevedo Música Nordestina
  • Luis Paez-Pumar Writer
  • Nelson Latif Choro
  • Casa PretaHub Cachoeira Espaço de Coworking, Coworking Space
  • Guillermo Klein Argentina
  • Wayne Escoffery Saxophone
  • Mestre Barachinha Brazil
  • Walmir Lima Singer
  • Leci Brandão Samba
  • Andrés Prado Guitar
  • Darol Anger Composer
  • Ry Cooder Writer
  • Fabiana Cozza Samba
  • Michelle Mercer Music Critic
  • John Doyle Singer-Songwriter
  • Brian Lynch Composer
  • Simon Shaheen Arabic Music
  • Kiko Horta Accordion
  • Elizabeth LaPrelle Singer-Songwriter
  • Gel Barbosa Acordeon, Accordion
  • Andy Kershaw Journalist
  • Al Kooper Record Producer
  • Frank Negrão Blues
  • Elif Şafak Turkey
  • Joel Guzmán Conjunto
  • Stuart Duncan Americana
  • Asma Khalid White House Correspondent
  • D.D. Jackson Piano
  • Bruce Molsky Fiddle
  • Pedro Abib Bahia
  • João Bosco Rio de Janeiro
  • Nelson Cerqueira Faculdade da UFBA, Federal University of Bahia Faculty
  • Angel Deradoorian Music Producer
  • Fred P Techno
  • Natan Drubi Violão, Guitar
  • Arifan Junior Percussão, Percussion
  • Immanuel Wilkins NYU Faculty
  • Sandro Albert Guitar
  • Omari Jazz Music Producer
  • Ajurinã Zwarg Percussion
  • Brandee Younger New School College of Performing Arts Faculty
  • Art Rosenbaum Muralist
  • Nahre Sol Classical Music
  • Avishai Cohen אבישי כה Singer
  • Chief Xian aTunde Adjuah Mardi Gras Indian
  • Ana Tijoux Chile
  • Luciana Souza Singer
  • Nelson Faria Composer
  • Yazz Ahmed Composer
  • Tyler Gordon San Jose, California
  • Miles Mosley Double Bass
  • Lucian Ban Composer
  • James Brandon Lewis Poet
  • Eamonn Flynn Irish Traditional Music
  • Matt Parker Comedian
  • Nardis Jazz Club Istanbul
  • Jonathan Scales Ropeadope
  • Ken Avis Singer-Songwriter
  • Mary Halvorson Avant-Garde Jazz
  • Yola R&B
  • Quatuor Ebène Classical Music
  • Toninho Nascimento Brazil
  • MonoNeon Funk
  • Stephan Crump Bass
  • Marcos Portinari Compositor, Composer
  • Daedelus Los Angeles
  • Toninho Ferragutti Composer
  • Caroline Shaw Violin
  • Harish Raghavan Jazz
  • Jerry Douglas Country
  • Bisa Butler Quilts
  • Zé Katimba Rio de Janeiro
  • Nate Chinen Radio Director
  • Bukassa Kabengele Actor
  • Derrick Hodge R&B
  • Bruce Molsky Berklee College of Music Faculty
  • Nublu East Village
  • Marilda Santanna Salvador
  • Sharay Reed Composer
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Inaicyra Falcão Bahia
  • Celso Fonseca Singer
  • Paulo César Pinheiro Rio de Janeiro
  • Joan Chamorro Saxophone
  • Shankar Mahadevan Film Scores
  • Oded Lev-Ari New York City
  • Woz Kaly Senegal
  • Chau do Pife Alagoas
  • Tyshawn Sorey Wesleyan University Faculty
  • Igor Osypov Guitar
  • Yazhi Guo 郭雅志 Chinese Traditional Music
  • Issa Malluf Middle Eastern Percussion
  • Sarah Jarosz Texas
  • Elio Villafranca Manhattan School of Music Faculty
  • Siba Veloso Singer
  • Guga Stroeter Samba
  • Eric Galm Ethnomusicologist
  • Márcio Valverde Samba de Roda
  • Rema Namakula Uganda
  • José James Singer-Songwriter
  • Tonynho dos Santos Brasil, Brazil
  • Marcus Strickland Jazz
  • Max ZT Brooklyn, NY
  • Matt Garrison App Developer
  • Robb Royer Record Producer
  • Olivia Trummer Singer
  • Lucio Yanel Singer
  • Yacouba Sissoko New York City
  • Onisajé Diretora Teatral, Theater Director
  • Daymé Arocena Cuba
  • Thundercat Singer
  • Darren Barrett R&B
  • Lenny Kravitz Record Producer
  • Şener Özmen Turkey
  • Jeff Coffin Author
  • Nduduzo Makhathini Jazz
  • Martin Koenig Ethnomusicologist
  • Muireann Nic Amhlaoibh Television Presenter
  • Alex Conde Madrid
  • Edivaldo Bolagi Candomblé
  • Joana Choumali Côte d’Ivoire
  • Rudy Royston Classical Music
  • Stacy Dillard New York City
  • Ravi Coltrane Record Label Owner
  • Oswaldinho do Acordeon Composer
  • Paulão 7 Cordas Music Director
  • Lakecia Benjamin Composer
  • Mingus Big Band New York City
  • Ivan Neville Funk
  • Hisham Mayet Photographer
  • Omar Sosa Multi-Cultural
  • Aaron Parks Composer
  • Vivien Schweitzer Opera
  • J. Cunha Figurinista, Costume Designer
  • Thiago Amud Rio de Janeiro
  • Yasushi Nakamura Composer
  • Endea Owens Double Bass
  • Iroko Trio São Paulo
  • Robby Krieger Rock 'n' Roll
  • Andy Romanoff Storyteller
  • Derrick Adams Installation Artist
  • Rodrigo Amarante Multi-Instrumentalist
  • Nancy Ruth Jazz
  • George Cables Jazz
  • Steve Earle Writer
  • Byron Thomas Piano
  • Kenny Garrett Flute
  • Moses Sumney Singer-Songwriter
  • Germán Garmendia Singer
  • Chris Thile New York City
  • Omari Jazz Composer
  • Hugues Mbenda Congo
  • Negra Jhô Bahia
  • Muhsinah Singer-Songwriter
  • Jess Gillam London
  • Zara McFarlane Jazz
  • Ben Harper Multi-Instrumentalist
  • Shamarr Allen R&B
  • Isaiah Sharkey Chicago
  • Nilze Carvalho Singer
  • Imani Winds New York City
  • Michel Camilo Latin Music
  • Carwyn Ellis Samba
  • Lina Lapelytė Contemporary Classical Music
  • Carlos Blanco Salvador
  • David Castillo Opera
  • Rayendra Sunito Jazz
  • Jason Moran Piano
  • Monty's Good Burger Vegan Chicken Sandwiches
  • Yilian Cañizares Classical Music
  • Shamarr Allen Singer-Songwriter
  • Mika Mutti Multi-Instrumentalist
  • Amy K. Bormet Composer
  • Stacy Dillard Composer
  • Gonzalo Rubalcaba Piano
  • Sarz Sample Creator
  • Michael Pipoquinha MPB
  • Seth Rogovoy Klezmer
  • Léo Rugero Ethnomusicologist
  • Ari Hoenig Author
  • Paulo César Pinheiro Lyricist
  • Asanda Mqiki Jazz
  • Scott Yanow Jazz Journalist
  • Adriano Giffoni Rio de Janeiro
  • Gary Clark Jr. Austin, Texas
  • Jessie Reyez Canada
  • Keshav Batish Jazz
  • Miroslav Tadić Guitar
  • Mestre Nelito Samba
  • Jeff Tweedy Poet
  • Ray Angry Songwriter
  • Daniil Trifonov Composer
  • Alma Deutscher Violin
  • Edsel Gomez Piano
  • Psoy Korolenko Псой Короленко Jewish Music
  • Marcel Camargo Los Angeles
  • Ruven Afanador Portrait Photographer
  • Vânia Oliveira Educadora, Educator
  • Dafnis Prieto Afro-Cuban Jazz
  • Serwah Attafuah Australia
  • Jam no MAM Jazz
  • Baiba Skride Violin
  • Eric Galm Berimbau
  • Marcus Teixeira Guitar
  • Ari Rosenschein Singer-Songwriter
  • Alana Gabriela Percussão, Percussion
  • Fábio Peron Compositor, Composer
  • Anthony Hamilton Record Producer
  • Orquestra Afrosinfônica Bahia
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Dermot Hussey Washington, D.C.
  • Richie Stearns Composer
  • Laércio de Freitas Brazilian Jazz
  • Guga Stroeter Brazil
  • Hercules Gomes Piano
  • The Bayou Mosquitos Cajun Music
  • Júlio Lemos Choro
  • Henry Cole Jazz
  • Eli Degibri אלי דג'יברי Tel Aviv
  • Nettrice R. Gaskins Digital Artist
  • Maria Rita Brazil
  • Ivan Bastos Compositor, Composer
  • Ronell Johnson Second Line
  • Léo Rodrigues Pandeiro
  • Vijay Iyer Harvard University Faculty
  • Ken Avis Guitar
  • Askia Davis Sr. Writer
  • Jeff Ballard Percussion
  • Cécile McLorin Salvant Illustrator
  • Chano Domínguez Flamenco
  • Lalah Hathaway Record Producer
  • Lazzo Matumbi Samba
  • Yoko Miwa Boston
  • Joey Alexander Jazz
  • Gustavo Di Dalva New York City
  • Renata Flores Quechua
  • Steve Cropper Soul
  • Peter Evans Avant-Garde Jazz
  • Tank and the Bangas Soul
  • Catherine Bent Boston
  • Pallett Persian Music
  • Maria Bethânia Bahia
  • Jane Ira Bloom Saxophone
  • Stephen Guerra Composer
  • Rogério Caetano Brazil
  • Celso Fonseca Brazil

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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