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  • Isaac Julien

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Isaac Julien
  • City/Place: London
  • Country: United Kingdom

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Isaac Julien is one of Britain's most important and influential installation artists and filmmakers. Julien was born in London in 1960 and studied at St Martins' School of Art from 1980 to 1984. His work draws from and comments on a range of disciplines and practices (film, dance, photography, music, theater, painting, and sculpture) and unites them in dramatic audiovisual film installations, photographic works, and documentary films.

    His 1991 film Young Soul Rebels won the Semaine de la Critique Prize at the Cannes Film Festival. His 1996 film Frantz Fanon: Black Skin, White Mask, made with curator Mark Nash, won the Pratt and Whitney Canada Grand Prize. Julien has also been the recipient of the McDermott Award from MIT and The Golden Gate Persistence of Vision Award (2014) from the San Francisco Film Festival. In 2015 Isaac Julien was the recipient for the Kaino Award for Artistic Excellence. Julien was nominated for the Turner Prize in 2001 for his works The Long Road to Mazatlán (1999), and Vagabondia (2000) and has received wide acclaim for works including Western Union (Small Boats) (2007), Fantôme Afrique (2005), True North (2004) and many others. In 2008 Julien collaborated with Tilda Swinton on a biopic, Derek, about Derek Jarman, which premiered at the Sundance Film Festival the same year.

    Julien's work has been included in Documenta 11 (2002), the 7th Gwangju Biennial (2008), and the Paris Triennial (2012). In addition, Julien has had various solo exhibitions at institutions such as the Art Institute of Chicago (2013), the MCA San Diego (2012), the Bass Museum, Miami (2010), and the Centre Pompidou (2005) among others. In the winter of 2013-2014 his 2010 installation Ten Thousand Waves was on view at the Museum of Modern Art, New York, projected onto nine double-sided screens in a dynamic arrangement specially conceived for The Donald B. and Catherine C. Marron Atrium.

    Isaac Julien's most recent exhibition at the De Pont Museum was a survey show entitled Riot, which spanned thirty years of his career. For the 56th Venice Biennale, Isaac Julien has collaborated with curator Okwui Enwezor and is directing a series of performances, readings and screenings of Marx's Das Kapital, along with an installation of his homonymous work, KAPITAL (2013). Isaac Julien's latest installation piece, Stones Against Diamonds, will also be premiered during the Biennale in the Rolls Royce Art Programme.

    Julien's work is included in the collections of institutions around the globe. In 2013, a monographic survey of his career to date, Riot, was published by MoMA, NY.

Contact Information

  • Email: [email protected]
  • Management/Booking: Isaac Julien is represented by:

    Victoria Miro, London
    www.victoria-miro.com/artists/22-isaac-julien/

    Nara Roesler, Sao Paulo and Rio de Janeiro
    www.nararoesler.art/artists/41-isaac-julien/

    Metro Pictures, New York
    www.metropictures.com/artists/isaac-julien

    Roslyn Oxley9 Gallery, Sydney
    www.roslynoxley9.com.au/artists/216/Isaac_Julien/

    Jessica Silverman, San Francisco
    www.jessicasilvermangallery.com/isaac-julien/

    Ron Mandos Galerie, Amsterdam
    www.ronmandos.nl/artists/isaac-julien

Media | Markets

  • ▶ Twitter: isaacjulien
  • ▶ Instagram: isaacjulien
  • ▶ Website: http://www.isaacjulien.com
  • ▶ Article: http://www.theguardian.com/culture/2019/mar/15/isaac-julien-frederick-douglass-lessons-of-the-hour

Clips (more may be added)

  • I’m Interested in Poetry | TateShots
    By Isaac Julien
    548 views
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    Isaac Julien, CBE, is an award winning filmmaker and installation artist. He rose to prominence with the 1989 film Looking for Langston, a poetic documentary...
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Ryan Keberle Trombone
  • Márcio Bahia Drums
  • Mestrinho Brazil
  • Mauro Senise Composer
  • Ben Monder Composer
  • Quatuor Ebène String Quartet
  • Sara Gazarek Jazz
  • Teresa Cristina Singer
  • Olga Mieleszczuk Jewish Music
  • Saul Williams Singer-Songwriter
  • Terrace Martin Hip-Hop
  • Ronell Johnson Second Line
  • Yayá Massemba Bahia
  • Simon Shaheen Oud
  • María Grand Jazz
  • Branford Marsalis Composer
  • Esperanza Spalding Bass
  • Guillermo Klein Argentina
  • Horace Bray Jazz
  • MicroTrio de Ivan Huol Bahia
  • Jared Sims Clarinet
  • Dan Tyminski Nashville, Tennessee
  • Eder Muniz Grafiteiro, Graffiti Artist
  • Afel Bocoum Mali
  • Wayne Shorter Saxophone
  • Shankar Mahadevan Bollywood
  • Renata Flores Rapper
  • Ashley Pezzotti New York City
  • Ben Azar Composer
  • Burhan Öçal Turkey
  • Martin Hayes County Clare
  • Jimmy Cliff Reggae
  • Brian Lynch Latin Jazz
  • Fernando Brandão Choro
  • Horácio Reis Choro
  • Zara McFarlane Soul
  • Nabihah Iqbal Music Producer
  • Jamberê Cerqueira Bahia
  • Paulo Dáfilin São Paulo
  • Jamel Brinkley Novelist
  • Woz Kaly Singer-Songwriter
  • Dani Deahl Public Speaker
  • Raphael Saadiq Singer-Songwriter
  • Devin Naar Writer
  • Nate Chinen Music Critic
  • Diosmar Filho Salvador
  • Steve Lehman Saxophone Instructor
  • Joachim Cooder Singer-Songwriter
  • Kurt Andersen Radio Presenter
  • Joatan Nascimento Brazilian Jazz
  • Mateus Aleluia Filho Música Pan-Africana, Pan-African Music
  • Lula Moreira Sculptor
  • Paulo Paulelli São Paulo
  • Ari Rosenschein Writer
  • Kurt Andersen Playwright
  • Deesha Philyaw University of Pittsburgh Faculty
  • Willy Schwarz Songwriter
  • Gabi Guedes Salvador
  • Negrizu Salvador
  • Johnny Lorenz Literary Critic
  • Michael Garnice Mento
  • Juca Ferreira Brasil, Brazil
  • Dale Farmer Film Director
  • Cacá Diegues Cineasta, Filmmaker
  • Tonho Matéria Capoeira
  • Cleber Augusto Poet
  • Aaron Parks Ropeadope
  • Avishai Cohen אבישי כה Israel
  • Sophia Deboick Writer
  • Luizinho Assis Compositor, Composer
  • Nate Smith Ropeadope
  • Intisar Abioto Photographer
  • Grégoire Maret New York City
  • Lula Moreira Pernambuco
  • Babau Santana Partido Alto
  • Rodrigo Amarante Brazil
  • Hua Hsu Vassar College Faculty
  • Ivan Lins MPB
  • Patty Kiss Guitarra Baiana
  • Cassie Osei Historian of Latin America & African Diaspora
  • Alex Conde Arranger
  • Alegre Corrêa Violin
  • André Muato 8 String Guitar
  • Cashmere Cat Record Producer
  • Stephan Crump Composer
  • Tom Bergeron Jazz
  • Nei Lopes Writer
  • Mohamed Diab Filmmaker
  • Ricardo Bacelar Direitos Autorais, Royalties
  • Dani Deahl Writer
  • Brian Cox Scotland
  • Terell Stafford Composer
  • Robert Everest Singer-Songwriter
  • César Orozco Cuba
  • Nathan Amaral Rio de Janeiro
  • Omari Jazz Portland, Oregon
  • Di Freitas Rabeca
  • Dadi Carvalho Rio de Janeiro
  • Tigran Hamasyan Singer
  • Di Freitas Brazil
  • Philip Watson Writer
  • Gustavo Caribé Brasil, Brazil
  • Vivien Schweitzer Photographer
  • Jaques Morelenbaum Brazil
  • Yvette Holzwarth Multi-Cultural
  • Marco Pereira Rio de Janeiro
  • Helen Shaw Theater Critic
  • Scott Yanow Music Critic
  • Susan Rogers Record Producer
  • Reena Esmail Contemporary Classical Music
  • Scott Kettner Jazz
  • Alex Clark Journalist
  • Yasmin Williams Singer-Songwriter
  • Pedrão Abib Brasil, Brazil
  • Aindrias de Staic Ireland
  • Shalom Adonai Samba de Roda
  • Ibram X. Kendi Essayist
  • Nabih Bulos Classical Music
  • Nicolas Krassik Samba
  • Tia Fuller Saxophone
  • Jura Margulis Musik und Kunst Privatuniversität der Stadt Wien Faculty
  • Mark Stryker Jazz
  • Frank Negrão Composer
  • Ryuichi Sakamoto New York City
  • Ivan Neville Singer-Songwriter
  • Arthur L.A. Buckner Drum Instruction
  • Harish Raghavan Brooklyn, NY
  • Obed Calvaire Jazz
  • Gian Correa Violão de Sete
  • Ilê Aiyê Salvador
  • Cláudia Leitão Consultora em Economia Criativa, Creative Economy Consultant
  • Thiago Trad Bateria, Drums
  • Terrace Martin Multi-Instrumentalist
  • Fábio Luna Multi-Instrumentista, Multi-Instrumentalist
  • PATRICKTOR4 Global Bass
  • Bobby Sanabria Manhattan School of Music Faculty
  • Lívia Mattos Accordion
  • Rayendra Sunito Drums
  • Martin Fondse Amsterdam
  • Yoron Israel Multi-Cultural
  • Celino dos Santos Chula
  • Jean-Paul Bourelly Jazz
  • Robertinho Silva Drums
  • Billy O'Shea Denmark
  • Shaun Martin Ropeadope
  • Moacyr Luz Rio de Janeiro
  • Robert Everest Multi-Instrumentalist
  • Amitava Kumar Writer
  • Rebeca Omordia Classical Music
  • Nancy Ruth Jazz
  • Gel Barbosa Luthier
  • James Martins Poeta, Poet
  • Bebel Gilberto MPB
  • Maria Drell Produção Cultural, Cultural Production
  • Vijay Gupta Classical Music
  • João Callado Painter
  • Patricia Janečková Soprano
  • Amilton Godoy Piano
  • Nação Zumbi Pernambuco
  • Matt Glaser Author
  • Ronald Angelo Jackson Writer
  • Yazhi Guo 郭雅志 Multi-Instrumentalist
  • Frank London Klezmer
  • Guinha Ramires Guitar
  • Djamila Ribeiro Colunista, Columnist
  • Shamarr Allen Funk
  • Mingus Big Band Big Band
  • Ricardo Bacelar Piano
  • Leo Genovese New York City
  • Miles Mosley Double Bass
  • Trombone Shorty Second Line
  • Mavis Staples Chicago
  • Dudu Reis Cavaquinho
  • Curtis Hasselbring Trombone
  • Larissa Fulana de Tal Cineasta, Filmmaker
  • Guilherme Kastrup São Paulo
  • Plinio Oyò Brasil, Brazil
  • Eli Teplin Los Angeles
  • Thiago Espírito Santo Jazz
  • Giba Conceição Salvador
  • Ana Luisa Barral Bandolim
  • Tank and the Bangas R&B
  • Lucian Ban Romania
  • Elie Afif Dubai
  • Teddy Swims Singer-Songwriter
  • The Assad Brothers San Francisco
  • João Jorge Rodrigues Gestor Público, Public Servant
  • Riley Baugus Singer
  • Chief Xian aTunde Adjuah Trumpet
  • Demond Melancon Young Seminole Hunters
  • Rosângela Silvestre Candomblé
  • Jim Farber Music Critic
  • David Chesky Multi-Cultural
  • Huey Morgan Songwriter
  • Mestrinho MPB
  • Tommy Peoples Irish Traditional Music
  • The Umoza Music Project Rap
  • Miles Okazaki Author
  • Corey Henry Songwriter
  • Antonio García University of KwaZulu-Natal Faculty
  • Joan Chamorro Barcelona
  • Phineas Harper Mobile Maker
  • Tom Bergeron Brazilian Jazz
  • Ariel Reich Director
  • Jurandir Santana Composer
  • Jurandir Santana Brazil
  • Lalah Hathaway Soul
  • Ben Okri London
  • Brian Jackson Piano
  • Elizabeth LaPrelle Folk & Traditional
  • Michael Peha Guitar
  • Choronas Choro
  • Ayrson Heráclito Cachoeira
  • Heriberto Araujo Public Speaker
  • Larry Achiampong London
  • Buck Jones Salvador
  • Gui Duvignau Brazilian Jazz
  • Joachim Cooder Record Producer
  • Zeca Pagodinho Samba
  • Frank Beacham Writer
  • Filhos da Pitangueira Samba
  • Lynne Arriale University of North Florida Faculty
  • Cécile Fromont Writer
  • Alan Bishop Singer-Songwriter
  • Célestin Monga Economist
  • Joel Best 3D Artist
  • Larry Grenadier Composer
  • Bob Telson Film Scores
  • Jonathan Scales Composer
  • Roots Manuva Rapper
  • Simon Singh Physics
  • Celino dos Santos Brazil
  • Laércio de Freitas Choro
  • Harish Raghavan Multi-Cultural
  • Fernando Brandão Samba
  • Bongo Joe Records Record Label
  • Tommy Orange Writer
  • Hamilton de Holanda Mandolin
  • Tab Benoit Louisiana
  • Kengo Kuma Architect
  • Clarice Assad Brazil
  • Anouar Brahem Tunis
  • Nath Rodrigues Violin
  • Bombino Guitar
  • Jay Mazza Journalist
  • Adriano Giffoni Brazil
  • Itamar Vieira Júnior Journalist
  • Caetano Veloso Bahia
  • Dadá do Trombone Salvador
  • Sátyra Carvalho AfroPop Baiana, Bahian AfroPop
  • Jocelyn Ramirez Los Angeles
  • Bertram Writer
  • Geraldo Azevedo Singer-Songwriter
  • Forrest Hylton Ethnohistorian: Latin America & the Caribbean
  • Bruce Williams Juilliard Faculty
  • Phineas Harper Writer
  • Peter Dasent Australia
  • Joana Choumali Multimedia Artist
  • Jeff Parker Los Angeles, California
  • James Strauss Brazil
  • Tia Surica Singer
  • Ben Hazleton Indian Classical Music
  • Sérgio Pererê MPB
  • Aaron Goldberg Jazz
  • Alegre Corrêa Florianópolis
  • Susan Rogers Cognitive Neuroscience
  • Nêgah Santos MPB
  • Dónal Lunny Record Producer
  • Marcus Rediker Playwright
  • Olivia Trummer Germany
  • Gustavo Di Dalva Salvador
  • Jessie Montgomery Educator
  • Tatiana Eva-Marie Brooklyn, NY
  • Aurino de Jesus Bahia
  • McCoy Mrubata Cape Town
  • Sameer Gupta Brooklyn, NY
  • Xenia França Brazil
  • Zara McFarlane Jazz
  • Martin Fondse Contemporary Music
  • Amilton Godoy Composer
  • Daniil Trifonov Classical Music
  • Papa Mali New Orleans
  • Issac Delgado Timba
  • Joel Ross Jazz
  • Jaques Morelenbaum Classical Music
  • Anton Fig New York City
  • Rudy Royston Jazz
  • Ahmad Sarmast Music School Director
  • 9th Wonder Raleigh, North Carolina
  • Kiko Loureiro Helsinki
  • Jason Treuting Princeton University Faculty
  • Philip Cashian Composer
  • Hugo Rivas Buenos Aires
  • John Patrick Murphy Jazz
  • Myron Walden Piccolo
  • André Mehmari Composer
  • James Poyser New York City
  • Fernanda Bezerra Bahia
  • Camille Thurman Saxophone
  • Ken Avis Washington, D.C.
  • Kenny Barron Jazz
  • Nailor Proveta Compositor, Composer
  • Luciano Salvador Bahia Brazil
  • Felipe Guedes Guitar
  • Leon Parker Multi-Cultural
  • Dani Deahl Journalist
  • Simon Brook Paris
  • Nara Couto Cantora, Singer
  • Archie Shepp Composer
  • Caoimhín Ó Raghallaigh Fiddle
  • Darius Mans Economist
  • Oleg Fateev Composer
  • Cathal McNaughton Photojournalist
  • Max ZT Hammered Dulcimer
  • Léo Rodrigues Forró
  • Anderson Lacerda Bahia
  • Lauranne Bourrachot Paris
  • Siba Veloso Recife
  • Marco Pereira Classical Guitar
  • Fred Hersch Piano
  • Joe Fiedler Composer
  • Maria Drell Chicago, Illinois
  • Şener Özmen Kurdish Culture
  • Lenny Kravitz Designer
  • Alisa Weilerstein Berlin
  • Amitava Kumar Screenwriter
  • Collins Omondi Okello Kenya
  • Milton Primo Singer-Songwriter
  • Hugo Linns Composer
  • Colm Tóibín Ireland
  • Owen Williams Developer
  • Ronell Johnson Sousaphone
  • Christopher Seneca New York City
  • Olga Mieleszczuk Warsaw
  • Shana Redmond Singer
  • Pedrito Martinez Composer
  • Gerald Albright R&B
  • Rudresh Mahanthappa New York City
  • Joyce Moreno Brasil, Brazil
  • Stephen Guerra Guitar
  • Leyla McCalla Singer-Songwriter
  • Nelson Latif Brazil
  • Edgar Meyer Composer
  • Donald Vega Nicaragua
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