Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Aloísio Menezes
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Aloísio Menezes
  • City/Place: Salvador, Bahia
  • Country: Brazil

Life & Work

  • Bio: Aloísio Menezes sings the cânticos (sacred songs) of candomblé, music based in candomblé, and sambas.

Media | Markets

  • ▶ Twitter: amenezesb
  • ▶ Instagram: aloisiomenezesoficial
  • ▶ YouTube Music: http://music.youtube.com/channel/UCE0-k-l0mnbBKDRHpxBkg3A
  • ▶ Spotify: http://open.spotify.com/album/0vv6ooKTEx97eg1eDo2YbE

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      Ramunha (Todos os Orixás) - Aloísio Menezes (1,267 plays)
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      Opanijé (Obaluaê) - Aloísio Menezes (885 plays)
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      Ilu (Iansã) - Aloísio Menezes (788 plays)
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      Ibi Alujá (Xangô) - Aloísio Menezes (739 plays)
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      Batá (Oxalá) - Aloísio Menezes (684 plays)
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      Avaninha (Todos os Orixás) - Aloísio Menezes (657 plays)
    Ramunha (Todos os Orixás) - Aloísio Menezes
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Aloísio Menezes:

  • 3 Bahia
  • 3 Brazil
  • 3 Candomblé
  • 3 Salvador
  • 3 Samba

Nodes below are randomly generated. Reload for a different stack.

  • Lionel Loueke African Music
  • Andrew Gilbert Journalist
  • Milton Nascimento Minas Gerais
  • Stacy Dillard R&B
  • Sergio Krakowski New York City
  • Yazhi Guo 郭雅志 Boston, Massachusetts
  • Roque Ferreira Samba
  • Booker T. Jones Songwriter
  • Alessandro Penezzi São Paulo
  • Barlavento Bahia
  • Tarus Mateen New York City
  • Paulo Aragão Samba
  • Andrew Huang Toronto
  • Arthur L.A. Buckner Drum Instruction
  • Lolis Eric Elie Screenwriter
  • Chubby Carrier Louisiana
  • THE ROOM Shibuya Dance Club
  • Tom Green Scotland
  • Pat Metheny Composer
  • Welson Tremura Choro
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Shuya Okino Composer
  • Sarz Multi-Instrumentalist
  • Júlio Lemos Brazilian Jazz
  • Robb Royer Country
  • Alex Clark Columbia Journalism School Faculty
  • Niwel Tsumbu Ireland
  • Brandee Younger Classical Music
  • Arthur L.A. Buckner Gospel
  • John Harle Film Scores
  • Terrace Martin Rapper
  • John Zorn Composer
  • Tomoko Omura Composer
  • Mauro Refosco Percussão, Percussion
  • Marisa Monte Singer-Songwriter
  • Derrick Hodge Composer
  • Geovanna Costa Violão, Guitar
  • Ricky (Dirty Red) Gordon Zydeco
  • Tony Austin Jazz
  • Ceumar Coelho MPB
  • Charlie Bolden New Orleans
  • Itamar Borochov Multi-Cultural
  • Nath Rodrigues Multi-Instrumentalist
  • Nardis Jazz Club Jazz Club
  • Justin Stanton Composer
  • Mateus Aleluia Bahia
  • Henrique Araújo Composer
  • Gilad Hekselman Jazz
  • Frank Negrão Jazz
  • William Parker Composer
  • Oscar Peñas Jazz
  • Monty's Good Burger Vegan Restaurant
  • Mike Marshall Bluegrass
  • Carlos Henriquez Jazz
  • Mahsa Vahdat Iran
  • Regina Carter Classical Music
  • Amaro Freitas Jazz
  • Renato Braz Drums
  • Dorian Concept Synthesizer
  • Nicolas Krassik Choro
  • Carlos Aguirre Piano
  • Deesha Philyaw Public Speaker
  • Lucio Yanel Guitar
  • Richard Bona Jazz
  • Arto Tunçboyacıyan Armenian Folk Music
  • Giba Gonçalves Candomblé
  • Omer Avital Jazz
  • Jeremy Pelt Composer
  • Jamie Dupuis Guitar
  • Makaya McCraven Record Producer
  • Chris Thile Folk & Traditional
  • André Becker Jazz
  • Gab Ferruz Bahia
  • John Archibald Journalist
  • Chief Xian aTunde Adjuah Record Producer
  • John McLaughlin Jazz Fusion
  • Rowney Scott Compositor, Composer
  • Bule Bule Samba Rural
  • Oswaldinho do Acordeon Forró
  • William Parker Essayist
  • Jared Jackson Columbia Faculty
  • Fábio Luna Cantor-Compositor, Singer-Songwriter
  • Capinam Salvador
  • Barry Harris Piano
  • Walter Blanding New York City
  • Jorge Aragão Singer-Songwriter
  • Carlos Malta Rio de Janeiro
  • Geraldo Azevedo Forró
  • Michael Olatuja Jazz
  • David Chesky Jazz
  • Ambrose Akinmusire New York City
  • Fábio Luna Violão, Guitar
  • Jim Lauderdale Bluegrass
  • Eric Harland Drums
  • Questlove Clive Davis Institute of Recorded Music Faculty
  • Adonis Rose Jazz
  • Luiz Brasil Bahia
  • Dafnis Prieto Jazz
  • MARO Singer-Songwriter
  • Beeple Concert Visuals
  • Philip Ó Ceallaigh Ireland
  • Geraldo Azevedo Guitar
  • Magary Lord Salvador
  • Ali Jackson Jazz
  • Azadeh Moussavi Film Director
  • Sam Wasson Cultural Historian
  • Questlove Rapper
  • Victor Wooten Berklee College of Music Faculty
  • Antônio Queiroz Brazil
  • NIcholas Casey International Correspondent
  • Arto Lindsay Brazil
  • Eric Bogle Australia
  • Richie Stearns Composer
  • Priscila Castro Pará
  • Carlos Lyra Bossa Nova
  • Michael League Record Producer
  • Yosvany Terry New York City
  • Gaby Moreno Guatemala
  • Oscar Peñas New York City
  • Cláudio Badega Bahia
  • Negrizu Ator, Actor
  • Steve Bailey Multi-Instrumentalist
  • Scotty Apex Rapper
  • Ann Hallenberg Opera Singer
  • MonoNeon Gospel
  • Brett Kern Ceramic Artist
  • Eli Teplin Los Angeles
  • César Orozco Violin
  • Jared Sims Clarinet
  • Patrice Quinn Jazz
  • Sérgio Pererê Percussion
  • Dadá do Trombone Jazz Brasileiro, Brazilian Jazz
  • H.L. Thompson Apparel & Fashion
  • Ranky Tanky South Carolina
  • Terell Stafford Composer
  • Miroslav Tadić Balkan Music
  • Dhafer Youssef ظافر يوسف Tunisia
  • The Umoza Music Project Senga Bay
  • Lydia R. Diamond Playwright
  • Manolo Badrena Jazz
  • Dadá do Trombone Bahia
  • Nicholas Barber Arts Journalist
  • Clint Mansell Singer-Songwriter
  • Mono/Poly Music Producer
  • Derrick Hodge Jazz
  • Teddy Swims Soul
  • Ivan Bastos Jazz Brasileiro, Brazilian Jazz
  • Walter Pinheiro Brazilian Jazz
  • Eddie Kadi Actor
  • Etan Thomas Basketball
  • Taylor McFerrin Beatboxer
  • Logan Richardson Saxophone
  • Shez Raja Bass
  • Gregory Tardy Jazz
  • Carlos Malta Saxophone
  • Márcio Bahia Brazil
  • Kendrick Scott Composer
  • Scotty Barnhart Trumpet
  • Giovanni Russonello Journalist
  • Courtney Pine Flute
  • Mateus Alves Film Scores
  • Mischa Maisky Classical Music
  • Shez Raja London
  • Marcus Teixeira MPB
  • Alex Mesquita Bahia
  • Mestre Nelito Salvador
  • Natan Drubi Salvador
  • Tito Jackson Soul
  • Dr. Lonnie Smith Composer
  • Michael Formanek Composer
  • Marcus J. Moore DJ
  • Scotty Apex Record Producer
  • Ken Dossar Bahia
  • Toumani Diabaté Bamako
  • Nettrice R. Gaskins Lesley University Faculty
  • Marisa Monte Samba
  • Kim André Arnesen Classical Music
  • Adam Cruz Composer
  • Anthony Hamilton Los Angeles
  • Antonio Sánchez Film Scores
  • Mauro Diniz Violão de Sete
  • Grégoire Maret Composer
  • Terrace Martin Record Producer
  • Aaron Parks Composer
  • Tonynho dos Santos Jazz
  • Mary Stallings Singer
  • Little Simz Singer-Songwriter
  • Roots Manuva Singer-Songwriter
  • James Andrews Funk
  • Toninho Ferragutti Brazil
  • Ben Allison Music Writer
  • Simon Singh Physics
  • Fábio Peron São Paulo
  • Ben Hazleton Composer
  • Danilo Caymmi Singer-Songwriter
  • Craig Ross Recording Engineer
  • Anoushka Shankar Composer
  • Nubya Garcia England
  • Cory Henry Jazz
  • Chucho Valdés Cuba
  • Hélio Delmiro Jazz
  • Thana Alexa Music Producer
  • Paulinho Fagundes Porto Alegre
  • Rahim AlHaj Oud
  • Richard Galliano Author
  • Sheryl Bailey Composer
  • Justin Stanton Trumpet
  • George Porter Jr. Bass
  • Gearóid Ó hAllmhuráin County Clare
  • Catherine Russell New York City
  • Ivan Sacerdote Choro
  • Zachary Richard Cajun Music
  • Christone 'Kingfish' Ingram Singer
  • Justin Stanton Brooklyn, NY
  • Emmet Cohen Piano
  • Lalah Hathaway R&B
  • Jorge Aragão Multi-Instrumentalist
  • Lakecia Benjamin Jazz
  • Oteil Burbridge Multi-Instrumentalist
  • Muireann Nic Amhlaoibh Celtic
  • Imanuel Marcus Journalist
  • Marcelo Caldi Música Nordestina
  • Gêge Nagô Brazil
  • Stan Douglas Vancouver
  • Yamandu Costa Composer
  • Leci Brandão Surdo
  • Dan Nimmer Piano
  • Melanie Charles Actress
  • Scotty Barnhart Author
  • PATRICKTOR4 Recife
  • Manolo Badrena Berimbau
  • Cainã Cavalcante MPB
  • Joshue Ashby Violin Instruction
  • Tal Wilkenfeld Los Angeles
  • Terence Blanchard Trumpet
  • Daru Jones Record Producer
  • Courtney Pine Podcaster
  • Ruven Afanador Fashion Photographer
  • Dezron Douglas Bass
  • Gord Sheard Toronto
  • Larnell Lewis Composer
  • Saileog Ní Cheannabháin Raelach Records
  • Danilo Caymmi Rio de Janeiro
  • Jimmy Dludlu Cape Town
  • Luizinho do Jêje Bahia
  • Amilton Godoy Composer
  • Curtis Hasselbring Jazz
  • Tim Hittle Filmmaker
  • Geovanna Costa Pandeiro
  • James Gadson Jazz
  • Yilian Cañizares Classical Music
  • Munyungo Jackson Author
  • David Braid Guitar
  • Tomo Fujita Berklee College of Music Faculty
  • Aindrias de Staic Fiddle
  • Garth Cartwright London
  • Ricardo Herz Violin
  • Renato Braz MPB
  • Rosângela Silvestre Bahia
  • Turíbio Santos Classical Music
  • Nubya Garcia Saxophone
  • Logan Richardson Flute
  • Ana Tijoux Chile
  • Luizinho do Jêje Percussion
  • Roy Nathanson Classical Music
  • Musa Okwonga Podcaster
  • Imani Winds Chamber Music
  • Mingus Big Band New York City
  • Adriano Giffoni MPB
  • Dadá do Trombone Samba
  • Léo Rugero Accordion
  • Anoushka Shankar Multi-Cultural
  • Anna Mieke Singer-Songwriter
  • Dermot Hussey Broadcaster
  • Paul McKenna Scottish Traditional Music
  • Colson Whitehead Writer
  • Eric Alexander Saxophone Instruction
  • Marco Pereira Rio de Janeiro
  • Rema Namakula Uganda
  • Igor Osypov Berlin
  • Parker Ighile Contemporary R&B
  • Ben Allison Film Scores
  • Eddie Palmieri Bandleader
  • Andrew Finn Magill Ropeadope
  • Jon Batiste Funk
  • Eliane Elias Piano
  • Stomu Takeishi Bass
  • Rudy Royston Educator
  • Michael Janisch Soul
  • Marc-André Hamelin Piano
  • Neymar Dias Composer
  • Nêgah Santos Percussion
  • Adenor Gondim Photographer
  • Mauro Diniz Singer-Songwriter
  • Mazz Swift Singer
  • Jared Sims Jazz
  • André Becker Música Clássica, Classical Music
  • Fernando Brandão Composer
  • Ryuichi Sakamoto Multi-Cultural
  • Gilmar Gomes Bahia
  • Antonio García Latin Music
  • Gel Barbosa Acordeon, Accordion
  • Eduardo Kobra Ativista da Paz, Peace Activist
  • Samuel Organ Keyboards
  • Tobias Meinhart Saxophone
  • Grant Rindner New York City
  • Jacob Collier Multi-Instrumentalist
  • Cássio Nobre Guitarra Baiana
  • Welson Tremura Bossa Nova
  • Aperio Texas
  • Fidelis Melo Brasil, Brazil
  • Alexandre Vieira Salvador
  • Paul Cebar Singer-Songwriter
  • Merima Ključo Klezmer
  • Gary Clark Jr. Austin, Texas
  • Wayne Shorter Composer
  • Seckou Keita Africa
  • Caroline Keane County Kerry
  • Saileog Ní Cheannabháin Theater Composer
  • Msaki South Africa
  • Kurt Andersen Radio Presenter
  • Dorian Concept Composer
  • David Sánchez Ropeadope
  • Antônio Pereira Amazonas
  • Jakub Knera Musical Event Producer
  • Karim Ziad Algeria
  • Bob Lanzetti Brooklyn, NY
  • MicroTrio de Ivan Huol Salvador
  • Mateus Aleluia Filho Trompete, Trumpet
  • Dadi Carvalho Rio de Janeiro
  • Laura Beaubrun Interior Architect
  • Angelique Kidjo Multi-Cultural
  • Melanie Charles R&B
  • Lenny Kravitz Record Producer
  • Avner Dorman Contemporary Classical Music
  • Eivør Pálsdóttir Singer-Songwriter
  • Lizz Wright Chicago, Illinois
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • Greg Osby Record Label Owner
  • Maria Drell Brasil, Brazil
  • Jeremy Pelt Jazz
  • Casey Driessen Fiddle
  • Oteil Burbridge Jazz
  • Bobby Vega Bass Instruction
  • Nguyên Lê Record Producer
  • Dudu Reis Cavaquinho
  • Fred Hersch Composer
  • Michael Peha Keyboards
  • Guto Wirtti Bass
  • G. Thomas Allen Singer-Songwriter

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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