Fred Hersch via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Fred Hersch:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Fred Hersch
- City: New York City
- Country: United States
- Hometown: Cincinnati, Ohio
My Life & Work
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Bio:
A select member of jazz’s piano pantheon, Fred Hersch is a pervasively influential creative force who has shaped the music’s course over more than three decades as an improviser, composer, educator, bandleader, collaborator and recording artist. He has been proclaimed “the most arrestingly innovative pianist in jazz over the last decade” by Vanity Fair, “an elegant force of musical invention” by The L.A. Times, and “a living legend” byThe New Yorker.
A fifteen-time Grammy nominee, Hersch has regularly garnered jazz’s most prestigious awards, including recent distinctions as a 2016 Doris Duke Artist, 2016 and 2018 Jazz Pianist of the Year from the Jazz Journalists Association, and the 2017 Prix Honorem de Jazz from L’Acádemie Charles Cros for the totality of his career.
If good things happen slowly, as the title of Hersch’s 2017 memoir attests, such good fortune has nonetheless accrued to the point where the pianist can enjoy the accolades and adulation of peers, critics and audiences alike. He has long set the standard for expressive interpretation and inventive creativity in a stunning variety of settings, whether through his exquisite solo performances, as the leader of one of jazz’s era-defining trios, or in eloquent dialogue with his deeply attuned duo partners.
With more than three-dozen albums to his credit as a leader or co-leader, Hersch consistently receives lavish critical praise and numerous international awards for each highly anticipated new release. His latest album with his long-standing trio, 2018’s Live In Europe(Palmetto), documents one remarkable evening in Brussels and has been hailed as its best to date – considerable praise for an ensemble that consistently plays at such a staggeringly high level.
The trio, in which Hersch has been joined by bassist John Hébert and drummer Eric McPherson for the last decade, was voted the #2 Jazz Group in the 2018 DownBeat Critics Poll, recognizing its unique ability to traverse a wide range of styles and approaches while maintaining profound depths of emotion and the exhilarating spark of invention. Its previous two Palmetto releases, 2016’s Sunday Night at the Vanguardand 2014’s Floating, were both nominated for Grammy Awards in the categories of Best Jazz Solo and Best Jazz Album.
Also in 2014, Hersch garnered his sixth Grammy nomination for his solo on “Duet” from Free Flying, a duo album with guitarist Julian Lage that received a rare 5-star rating from DownBeat. An exceptionally responsive and intuitive collaborator, Hersch has engaged in duo partnerships with a number of spirited artists, including Anat Cohen, Bill Frisell, Esperanza Spalding, Julian Lage and Miguel Zenon; and vocalists Kurt Elling, Kate McGarry and Renée Fleming.
As versatile and exploratory as his trio and duo excursions can be, nowhere is the boundless range and emotional diversity of Hersch’s artistry as evident as in his breathtaking solo performances. JazzTimes has hailed his unaccompanied playing as “a complete, self-sufficient, uniquely pure art form,” while All About Jazzhas remarked that “when it comes to the art of solo piano in jazz, there are two classes of performers: Fred Hersch and everybody else.”
In 2006, Hersch became the first artist in the 75-year history of New York’s legendary Village Vanguard to play a weeklong engagement as a solo pianist. His second solo run there was documented on the Grammy-nominated Alone at the Vanguard, one of five recordings he’s made at the iconic New York City club. His 2017 Palmetto album Open Book was, as the title implies, his most revealing and intimate solo outing, and was nominated for two 2018 Grammy Awards.
The album’s release coincided with the publication of his acclaimed memoir, Good Things Happen Slowly(Crown Archetype Books/Random House). The book compellingly reveals the story of his life in music along with a frank recounting of his struggles and triumphs as the first openly gay, HIV-positive jazz musician. It was featured in the Sunday New York Timesand on NPR’s “Fresh Air,” named one of 2017’s Five Best Memoirs by the Washington Postand The New York Times, and acclaimed as 2018’s Book on Jazz of the Year by the Jazz Journalists Association. His story has also been told via the feature documentary The Ballad of Fred Hersch, which premiered to a sold-out house at the prestigious Full Frame Film Festival in March 2016 and is now streaming on Vimeo.
While widely renowned for his playing, Hersch has earned similar distinction with his writing, garnering a 2003 Guggenheim Fellowship in Composition among other awards. The same year he created Leaves of Grass, a large-scale setting of Walt Whitman’s poetry for two voices (Kurt Elling and Kate McGarry) and an instrumental octet. Leaves of Grasswas selected to open the 2017 Jazz at Lincoln Center season at the Appel Room.
Hersch’s visionary 2010 theatrical project, My Coma Dreams,prompted the New York Times Sunday Magazine to describe the composer as “singular among the trailblazers of their art, a largely unsung innovator of this borderless, individualistic jazz—a jazz for the 21st century.” Based on visions Hersch experienced during a two-month coma in 2008, the evening-length multimedia collaboration with writer/director Herschel Garfein for 11 instrumentalists and an actor/singer was captured on video at Columbia University and released by Palmetto on a 2014 DVD.
For two decades Hersch has been a passionate spokesman and fund-raiser for AIDS services and education agencies. He has produced and performed on four benefit recordings and in numerous concerts for charities including Classical Action: Performing Arts Against AIDS and Broadway Cares/Equity Fights AIDS. To date, his efforts have raised more than $300,000. He has also been a keynote speaker and performer at international medical conferences in the U.S. and Europe.
A committed educator, Hersch has taught at New England Conservatory, The Juilliard School, The New School and The Manhattan School of Music. He is currently a Visiting Artist at Rutgers University. He holds honorary doctorate degrees from Grinnell College and Northern Kentucky University. Hersch’s influence has been widely felt on a new generation of jazz pianists, from former students Brad Mehldau and Ethan Iverson to his colleague Jason Moran, who has said, “Fred at the piano is like LeBron James on the basketball court. He’s perfection.”
Contact Information
- Email: info@fredhersch.com
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Management/Booking:
For bookings worldwide except Europe:
Epstein and Co.
email: booking@epsteinco.com
phone: 256-344-SHOW
www.epsteinco.com
For bookings in Europe:
Rob Leurentop
mobile: +32 477 890 056
email: leurentop@icloud.com
For Publishing Information:
Angela Riddles
email: ar@heightsmusicinternational.com
Publicity Inquiries:
Ann Braithwaite
Braithwaite & Katz Communications
781-259-9600
email: ann@bkmusicpr.com
Record Label:
Palmetto Records
www.palmetto-records.com
My Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://fredhersch.com/discography/
- ▶ Book Purchases: http://fredhersch.com/books/good-things-happen-slowly/
- ▶ Twitter: fredherschmusic
- ▶ Instagram: fredherschmusic
- ▶ Website: http://fredhersch.com
- ▶ YouTube Channel: http://www.youtube.com/channel/UCn7Uh2qpex0fczcTeJVMhgA
- ▶ YouTube Music: http://music.youtube.com/channel/UCqGUM2i-Gg80VY5Ezt2vnBA
- ▶ Spotify: http://open.spotify.com/album/1xf8Ny57YgeCJxNKm2oVDd
- ▶ Spotify 2: http://open.spotify.com/album/5eeSHIlJkI0bcgn2DdOnZa
- ▶ Spotify 3: http://open.spotify.com/album/5hydRdnOK8shwMuksd0yMQ
- ▶ Spotify 4: http://open.spotify.com/album/04MDIVbs4OXk2qwW328ahS
- ▶ Spotify 5: http://open.spotify.com/album/1SQwrLQmmwb9sDt8W8fhpM
- ▶ Spotify 6: http://open.spotify.com/album/3oUTSZR19WHXHPdxwyFkXk
- ▶ Articles: http://fredhersch.com/press/articles/
My Writing
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Publications:
Good Things Happen Slowly
Five Best Memoirs of 2017
- The Washington Post
- The New York Times
Best Book on Jazz 2017
- Jazz Journalists Association
“Raw honesty and immediacy is probably why so many of us find his music co compelling. By the same token, that’s why this book earns a place as one of the great contemporary jazz memoirs.”
- Ted Gioia, The Wall Street Journal
Jazz could not contain Fred Hersch. His meteoric rise as a in-demand sideman–one who played with the giants of the 20th century in the autumn of their careers, including Art Farmer, Joe Henderson, and more– blossomed further in the nineties and beyond into a compositional genius that defied the boundaries of bop, sweeping in elements of pop, classical, and folk to create a wholly new music.
Good Things Happen Slowly is a memoir, but it is also more than that. It’s the story of the first openly gay, HIV-positive jazz player, and a deep look into the cloistered, largely African-American jazz culture that made such a status both transgressive and groundbreaking. It is a remarkable, at times lyrical evocation of New York in the twilight days of post-Stonewall hedonism, and a powerfully brave narrative of the illness that led to Hersch’s two-month-long medically induced coma in 2007, from which he would emerge to create some of the finest, most direct and emotionally compelling music of his career.
Clips (more may be added)
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
