Bio:
Mike Marshall made his Carnegie Hall debut at the age of 20 with jazz violin legend Stephane Grappelli as a member of the David Grisman Quartet. In 1985 he would perform in that famed hall with his own classical ensemble The Modern Mandolin Quartet in 1985.
Mike has been at the forefront of New Acoustic music for over 40 years having been the founding member of many groups including the Montreux Band, Psychograss, Choro Famoso and The Anger Marshall Band. He is indeed a living compendium of musical styles and has the ability to seamlessly blend his American roots background with a deep understanding of European classical music, Brazilian choro and other world music. Mike is a fluid Jazz improviser and a master on mandolin, guitar, mandocello and violin.
Between 1999 and 2003 Mike collaborated with Joshua Bell, Edgar Meyer, Bela Fleck and Sam Bush on two separate projects. These groups toured the U.S.A. extensively and performed at the Aspen Music Festival, San Francisco Performances and Chamber Music at Lincoln Center, NY. Both ensembles were nominated for Grammy Awards for their Sony Classical releases.
In 2014 Mike was nominated for his third Grammy Award for his recording with the Turtle Island Quartet.
Currently Mike is touring with German mandolin virtuoso Caterina Lichtenberg. The two have released two cds on the Adventure Music label and have performed at the Carmel Bach Festival, The Savannah Music Festival, the Bach Haus Liepzig, Germany and the Rockygrass Bluegrass Festival in Colorado and have been soloists with the New Century Orchestra under Nadja Salerno-Sonnenberg, and Orchester l’arte del mondo from Cologne, Germany.
Their most recent recording is a CD of Johann Sebastian Bach duets performed on mandocello and mandolin.
Mike’s past duet projects have included tours and Cds with mandolinists Chris Thile, violinist Darol Anger, bassist Edgar Meyer, Brazilian Mandolinist Hamilton de Holanda and pianists Jovino Santos Neto and Andy Narell. His recordings can be found on the Windham Hill, Sony Classical, Rounder, Sugar Hill and Compass labels as well his own Adventure Music label.
As a music educator Mike is committed to passing on his knowledge through a variety of channels. He currently directs the Mike Marshall School of Mandolin through the ArtistWorks on-line educational company where he is teaching hundreds of mandolinists from around the world. He has published six books on mandolin technique and has produced three video instruction DVDs.
Since 2012 Mike has been the director of the Acoustic Music Seminar at the Savannah Music Festival where he hand-selects fifteen of the brightest young acoustic music virtuosos from around the world (ages 15 – 22) for a week of intensive study and musical inspiration.
Between 2003 and 2015 Mike directed the Mandolin Symposium at the University of California in Santa Cruz with partner David Grisman and in 2017 he will be launching the Global Mandolin Retreats project, which will be a mandolin educational experience located in various inspiring locations around the world.
Mike splits his time currently between his home in San Francisco, CA and Wuppertal, Germany where his wife, Caterina Lichtenberg holds the position of mandolin professor at the Cologne Music Conservatory.
Contact Information
Management/Booking:
BOOKING
tg2artists
Trish Galfano
205 Lloyd St. Suite 201
Carrboro, NC 27510
919-967-8655
www.tg2artists.com
fax 919-869-2410
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).