• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • John Harle

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: John Harle
  • City/Place: London
  • Country: United Kingdom
  • Hometown: Newcastle upon Tyne

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: John Harle is an Ivor Novello award-winning composer, record producer, and saxophonist whose work spans across musical genres from classical to contemporary pop.

    John is the composer of operas, musical theatre shows, around fifty concert works and over 100 film and TV scores including the theme to BBC1's Silent Witness and the epic score to Simon Schama’s A History of Britain. He is the recipient of an Ivor Novello award and two Royal Television Society awards for Best Music.

    Starting at the National Theatre in the late 1970's, John was an actor/musician, composer, musical director and instrumentalist for many years, including acting parts in plays by Edward Bond and Isaak Babel, musical directorships for Harrison Birtwistle and playing in the celebrated Guys and Dolls band for director Richard Eyre. John's own shows, A Quick Deco and To Those Born Later were featured at the National Theatre Platforms, The King's Head Islington, Hampstead New End Theatre and The Arts Theatre with actors Caroline Quentin, Jim Carter and John Golder. John's show Berlin Nights ran at The London Symphony Orchestra Pops series at The Barbican, featuring actors Ute Lemper and Albert Finney.

    He was artistic advisor and producer to Sir Paul McCartney for six years, and other major collaborations have included albums and tours with Elvis Costello and Marc Almond.

    A prominent media figure, he is a regular contributor to Radio 4 Front Row, and was a castaway on Desert Island Discs. He also contributes written articles to major publications.

    John’s tribute album to Duke Ellington, The Shadow of the Duke was followed with collaborations with jazz artists such as Herbie Hancock and Andy Sheppard.

    John was solo and lead saxophonist with the Michael Nyman Band for fifteen years, and was Musical Director of the band on tours in the US, UK and Japan.

    He has been musical director and producer for Moondog, Herbie Hancock, Sir Harrison Birtwistle, Elmer Bernstein, Imelda Staunton, Ute Lemper, Lesley Garrett, Albert Finney, Kathryn Tickell, Michael Nyman, Sir John Dankworth, Dame Cleo Laine and Marc Almond. He is the founder and producer of Sospiro Records.

    As a saxophonist, his early work gained public acclaim with his Saxophone Concertos album on EMI Classics which is widely seen as the definitive recording of the major classical works, and his playing has been the catalyst for an outpouring of new concertos by composers including Sir Harrison Birtwistle, Sir Richard Rodney Bennett, Marc Anthony Turnage, Sir John Tavener, Sally Beamish, Michael Nyman and Gavin Bryars.
    John’s performance of Birtwistle's saxophone concerto Panic at the Last Night of the BBC Proms in 1995 was cited by many critics as the most controversial premiere of a new musical work since Stravinsky's The Rite of Spring in 1913.
    He has performed with countless orchestras and conductors worldwide and has sold over half a million CDs in the classical field alone.

    John was appointed the youngest ever Professor at the Guildhall School of Music and Drama, starting the saxophone department at the age of 26, and his teaching has produced many of the leading players of today. He is now Professor of Saxophone and Composition at The Guildhall School, where he leads his own Master of Music course, as well as teaching academic modules in Musical and Cultural History.

    He is the author of The Saxophone (Faber Music), the definitive reference work on saxophone playing and performance.

    John is currently songwriting with Marc Almond (Soft Cell) for an album of pop torch songs for Sony/BMG, and writing a musical theatre piece, Mr Punch, with writer/director Patrick Marber. He is also arranger/producer for the new saxophone star Jess Gillam in a five album collaboration with Decca Classics.

    He is the father of writer and curator Dr. Matthew Harle and Columbia Records composer/producer Danny L Harle.

Contact Information

  • Contact by Webpage: http://www.johnharle.com/contact.htm
  • Telephone: Jane Ward Office: (+44) 151 513 2716 Cell: (+44) 7710 495999

Media | Markets

  • ▶ Charts/Scores: http://www.fabermusic.com/we-represent/harle-john
  • ▶ Website: http://www.johnharle.com
  • ▶ YouTube Channel: http://www.youtube.com/user/johnharle
  • ▶ YouTube Music: http://music.youtube.com/channel/UC8pYRJ__nGg9PPqRnCdR28Q
  • ▶ Spotify: http://open.spotify.com/album/3zgRzjZ520PZPhVAVCnpA9
  • ▶ Spotify 2: http://open.spotify.com/album/2GJN0DItN4sQUkYPlpGNrb
  • ▶ Spotify 3: http://open.spotify.com/album/2tzW6n8niui7ObKEX9zOW2
  • ▶ Spotify 4: http://open.spotify.com/album/0dirT2bncWgzSksQijF1ls
  • ▶ Spotify 5: http://open.spotify.com/album/2PR8A7XQ7ASnj6nUlKtQLJ
  • ▶ Spotify 6: http://open.spotify.com/album/4AbTrHRfmcQoKJ7n8dJar4

More

  • Quotes, Notes & Etc. “Harle gallops across his musical terrain with the attitude of Axl Rose. Terrifyingly extreme and magnificently audacious, Harle is a powerful force in British Jazz and Pop, and has the integrity, passion and vision to challenge listeners”
    ESQUIRE USA

    “John Harle's music is complex, darkly humorous and full of ear-catching quirkiness. You're bowled over by the variety, energy and sheer size of his music. It merits every ounce of the effort put into it”
    THE WASHINGTON SUNDAY TIMES

    “The music of John Harle is very fast moving, urgently collaborative, often witty, sinewy, ironic and urban”
    THE GUARDIAN

    “Three gorgeous songs by John Harle sung by a totally credible Elvis Costello are only the most conspicuous highlights of saxophonist Harle's genre scramble 'Terror and Magnificence'. Harle’s own commanding musicianship and audacious composing act as this record's solid cement”
    ENTERTAINMENT WEEKLY USA

    “He's an omnivorous enthusiast, a truly unfashionable state of mind in a self-conscious age of irony, but something which links him with the late American master, Leonard Bernstein”
    THE INDEPENDENT

    “Terror and Magnificence is very probably one of the finest suites to have come from the pen of a British composer in recent years. Harle is a virtuosic saxophonist but his writing talent is clearly as significant. A triumph all round”
    THE HERALD

    “It was like sitting down for dinner in a reliable restaurant and being presented with an hors d'oeuvre of cold sick. Among others I would have been happy to have chained Harle and Birtwistle, whose work has been called 'sonic sewage', naked to the railings outside as punishment”
    NIGEL DEMPSTER - DAILY MAIL

    “We all know that Marc Almond can sing but it still comes as a shock to hear his thrillingly drawn-out climax to Harle's "The Arrival of Spring", emoting words adapted from William Blake with operatic oomph”
    THE INDEPENDENT (on 'Art Music') ****

    “Harle is a renaissance man that defies categorization; there are moments of unearthly beauty - eerie, magical and oddly timeless”
    JAZZWISE - USA

    “Harle's style has an integrity all of its own”
    THE GUARDIAN

    "The composer John Harle and his librettist David Pountney have made an opera of the proper sort, and one which almost breaks the rules of the genre by appearing to work as drama as well as music. Spells are cast, angels are summoned, and the characters exchange views on the music of the spheres and other recondite matters, but as singers and actors in a theatrical space they succeed in holding your attention. Angel Magick proved to be a resounding success."
    THE INDEPENDENT

    “Harle's compositions are testament to the extraordinary versatility of this brilliant saxophonist”
    THE INDEPENDENT

    “This masterful album - wonderfully scary stuff”
    THE SUN***** (on 'The Tyburn Tree')

    “Beautiful and dramatic music”
    INDEPENDENT ON SUNDAY (on 'The Tyburn Tree')

    “A treat for the ears - epic, sweeping”
    MUSIC OMH (on 'The Tyburn Tree')

    “Lushly harmonised and ecstatically passionate”
    THE TIMES

    “Harle's rich, extravagant settings could have been written for the late 1960's Scott Walker”
    THE ARTS DESK **** (on 'Art Music')

    “John Harle's lurid The Little Death Machine, premiered in the late-night Prom, was full of spark as the saxophonist composer's solo soared, blasted and panted over ghoulish riffs, swooping samples and a manic orchestral dance groove. This now formidable creative figure often functions best in mixing genres”
    THE INDEPENDENT

    “This is a fascinating and beguiling album. Harle shows no sign soon of losing his magical powers of communication”
    JAZZ VIEWS (on 'Art Music')

    “Marvelously vigorous, ironic and atmospheric”
    THE TIMES **** (on 'The Tyburn Tree')

    “A stunning contemporary production”
    PROG MAGAZINE **** (on 'The Tyburn Tree')

    “Equally at home in all genres as composer and player, he is one of the most accomplished of that new generation of musicians that has successfully breached music's artificial and still too strictly observed boundaries”
    THE DAILY TELEGRAPH

    "This summer's Proms presents its first operatic commission in the shape of an innovative piece by saxophonist and composer John Harle. To a libretto by David Pountney, and using a flamboyant cast of singers, an actor, dancer and 22-piece orchestra incorporating the viol consort Fretwork, Harle's Angel Magick, subtitled A Scientific Ritual in Seven Parts, explores the strange world of Elizabethan astrologer and alchemist John Dee.
    Already premiered in a preview to considerable acclaim at the Salisbury Festival, Angel Magick seems to be just the right sort of forward-thinking new piece the Proms needs."
    THE INDEPENDENT

    “Harle is a saxophone legend”
    BILD-ZEITUNG

    “He must be the most sought-after saxophonist in the world now.”
    THE AUSTRALIAN

    "I could listen to John Harle play almost anything for hours"
    THE FINANCIAL TIMES

    “You MUST see the virtuosity and charisma of Harle as a musician - exciting, edgy performances from the hottest saxophonist around today. Seeing is believing”
    Q MAGAZINE

    “Hearing Harle, you can understand why composers are surprised and delighted by his artistry. His keenly imaginative playing directly echoes the inflections of the human voice, and his fine control of tone eliminates the sloppy wailing of some saxophonists that is such a pain”
    THE GUARDIAN

    “This is the most beautiful alto-playing since Johnny Hodges; and the most beautiful soprano-playing ever”
    THE GRAMOPHONE

    “British-born Harle is one of the most outstanding saxophonists today - a leading classical exponent of the saxophone in Europe and a formidable jazz composer and soloist - he gives the sax new credibility”
    THE AUSTRALIAN

    “It hit the audience between the eyes - it reached the soul of the saxophone”
    THE DAILY TELEGRAPH

    “Mr Harle has become an eminent modern musician. He's a dazzling player, with an immense range of tones, and a magnetic musician”
    THE NEW YORKER

    "No-one else creates a sound quite like this: apparently floating weightlessly, yet robust”
    THE OBSERVER

    “A dazzling workout. Technical and emotional mastery - all of which were as child's play for John Harle”
    THE NEW YORK TIMES (at Carnegie Hall)

    “Thanks to Harle, the saxophone has grown in status in the twentieth century. It may yet emerge as the paragon of wind instruments - their finest singer”
    THE OBSERVER

    “John Harle adapts to any musical style that comes his way. He plays with originality, intelligence and fire”
    THE NEW YORK TIMES

My Instruction

  • Lessons/Workshops: John’s private tuition and mentoring programme has assisted many of the leading saxophonists of today to achieve their aims, and is for classical, jazz and multi-genre players. The programme exists to further the instrumental, musical and creative development of saxophonists.
  • Instruction: http://www.johnharle.com/private-tuition-and-mentoring.htm

Clips (more may be added)

  • 1:06:11
    THE BALLAD OF JAMIE ALLAN - A Ballad Opera. Music by John Harle. Words by Tom Pickard
    By John Harle
    216 views
  • 4:40
    BACK TO BIRDLAND - Played by Guildhall Saxophones. July 2020.
    By John Harle
    256 views
Previous
Next

John Harle Curated (bridges in)

  • 0 Author
  • 0 Composer
  • 0 Film Scores
  • 0 Guildhall School of Music & Drama Faculty
  • 0 Record Producer
  • 0 Saxophone
  • 0 Television Scores

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • John Harle
    Jess Gillam → Saxophone has been recommended via John Harle.
    • August 21, 2020
  • John Harle
    Jess Gillam → Radio Presenter has been recommended via John Harle.
    • August 21, 2020
  • John Harle
    Jess Gillam → London has been recommended via John Harle.
    • August 21, 2020
  • John Harle
    Jess Gillam → Contemporary Classical Music has been recommended via John Harle.
    • August 21, 2020
  • John Harle
    Jess Gillam → Concert Promoter has been recommended via John Harle.
    • August 21, 2020
  • John Harle
    Jess Gillam → Classical Music has been recommended via John Harle.
    • August 21, 2020
  • John Harle
    A video was posted re John Harle:
    THE BALLAD OF JAMIE ALLAN - A Ballad Opera. Music by John Harle. Words by Tom Pickard
    THE BALLAD OF JAMIE ALLAN Video by Tom Pickard and Chris Sutciffe Video and Photographic footage by Tom Pickard VIDEO NAVIGATION 1. The Gypsy Piper 00.00 2. Durham Gaol 03.17 3. Jamie’s Lament 04.45 4. Hey Up and Away 08.27 5. Cumcleugh Gyll 11....
    • August 21, 2020
  • John Harle
    A category was added to John Harle:
    Guildhall School of Music & Drama Faculty
    • August 21, 2020
  • John Harle
    A category was added to John Harle:
    Author
    • August 21, 2020
  • John Harle
    A video was posted re John Harle:
    BACK TO BIRDLAND - Played by Guildhall Saxophones. July 2020.
    BACK TO BIRDLAND - a new Zoom Video from some of my students at the Guildhall School in London. Bach (Bist du bei mir) to Birdland (Joe Zawinul).
    • August 21, 2020
  • John Harle
    A category was added to John Harle:
    Television Scores
    • August 21, 2020
  • John Harle
    A category was added to John Harle:
    Film Scores
    • August 21, 2020
  • John Harle
    A category was added to John Harle:
    Record Producer
    • August 21, 2020
  • John Harle
    A category was added to John Harle:
    Composer
    • August 21, 2020
  • John Harle
    A category was added to John Harle:
    Saxophone
    • August 21, 2020
  • John Harle
    John Harle is matrixed!
    • August 21, 2020
View More
Loading ...
  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX

Quincy Jones pode indicar Gilberto Gil. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone abaixo. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Frank London Trumpet
  • Monk Boudreaux Singer
  • Mary Halvorson Guitar
  • Ibrahim Maalouf Multi-Cultural
  • Damon Krukowski Journalist
  • Dan Weiss Drumming Instruction
  • Cayenna Ponchione-Bailey Percussion
  • Victoria Sur Singer-Songwriter
  • Mary Halvorson Avant-Garde Jazz
  • Peter Slevin Journalist
  • Pedro Martins Jazz
  • Lauren Martin Music Journalist
  • Nikki Yeoh London
  • Beats Antique World Fusion
  • Gamelan Sekar Jaya Gamelan
  • Aubrey Johnson Queens College Faculty
  • Alan Bishop Singer-Songwriter
  • Michael League Record Label Owner
  • Cláudio Jorge Rio de Janeiro
  • Eder Muniz Bahia
  • Ben Hazleton Double Bass
  • Pururu Mão no Couro Brasil, Brazil
  • Adam Rogers New York City
  • Etienne Charles Jazz
  • Mauro Diniz Violão de Sete
  • Cinho Damatta MPB
  • Aneesa Strings Los Angeles
  • Matt Dievendorf Composer
  • Isaias Rabelo Piano
  • Stacy Dillard New York City
  • Quincy Jones Arranger
  • Anoushka Shankar Film Scores
  • Kamasi Washington Multi-Cultural
  • Yoron Israel R&B
  • Gearóid Ó hAllmhuráin Author
  • Fantastic Negrito Oakland, California
  • Brian Q. Torff Writer
  • Munir Hossn Guitar
  • Meshell Ndegeocello Multi-Instrumentalist
  • Jon Madof New York City
  • Ronaldo do Bandolim Samba
  • John Waters Writer
  • Béco Dranoff Cultural Producer
  • Clint Smith Writer
  • Nathan Amaral Rio de Janeiro
  • Marília Sodré Bahia
  • Terreon Gully Composer
  • Ana Luisa Barral Salvador
  • Gerald Albright Saxophone
  • Stormzy Singer-Songwriter
  • Jeremy Pelt Trumpet
  • Marta Sánchez Piano
  • Alex Hargreaves Violin
  • Léo Rugero Multi-Instrumentalist
  • Scotty Barnhart Author
  • Giorgi Mikadze გიორგი მიქაძე Contemporary Classical Music
  • Celino dos Santos Samba de Roda
  • Alexandre Gismonti Brazil
  • Branford Marsalis Theater Composer
  • Melanie Charles Actress
  • Walter Mariano Bahia
  • Julian Lloyd Webber Classical Music
  • Maria Marighella Bahia
  • Ubiratan Marques Bahia
  • Yunior Terry NYU Faculty
  • Seu Regi de Itapuã Cantor, Singer
  • Antonio García Film Scores
  • Anderson Lacerda Samba
  • Djamila Ribeiro YouTuber
  • Kendrick Scott New York City
  • Mário Pam Salvador
  • Marilda Santanna Brasil, Brazil
  • Matthew Guerrieri Composer
  • Zara McFarlane Vocal Coach
  • Soweto Kinch Radio Presenter
  • Stuart Duncan Guitar
  • Jimmy Greene Saxophone
  • Kenyon Dixon R&B
  • Peter Dasent Composer
  • Jerry Douglas Guitar
  • María Grand Composer
  • Adonis Rose Drums
  • Paul Mahern Audio Preservation
  • Jurandir Santana Viola Caipira
  • Yotam Silberstein Israel
  • Samba de Nicinha Samba de Roda
  • Ayrson Heráclito Candomblé
  • Celso de Almeida Brazil
  • Gilad Hekselman Photographer
  • Toninho Nascimento Belém do Pará
  • Egberto Gismonti Rio de Janeiro
  • Mika Mutti Bahia
  • Mestrinho Accordion
  • Jon Batiste R&B
  • Casey Benjamin Saxophone
  • Mika Mutti Record Producer
  • Mona Lisa Saloy Storyteller
  • Mônica Salmaso MPB
  • Melanie Charles Brooklyn, NY
  • John Doyle Singer-Songwriter
  • Nêgah Santos New York City
  • Ronaldo Bastos Composer
  • Gian Correa Choro
  • Luizinho Assis Produtor Musical, Music Producer
  • Dan Tyminski Singer-Songwriter
  • Scott Kettner Pandeiro
  • Shannon Ali Cultural Critic
  • Arany Santana Bahia
  • Corey Harris Blues
  • Kiya Tabassian كيا طبسيان Setar
  • Greg Spero Composer
  • Kiko Freitas MPB
  • Nath Rodrigues Singer-Songwriter
  • Shabaka Hutchings Jazz
  • Turíbio Santos Guitar
  • Savoy Family Cajun Band Cajun Music
  • Lilli Lewis Singer-Songwriter
  • Felipe Guedes Salvador
  • Sérgio Mendes Brazil
  • Dr. Lonnie Smith Hammond B-3
  • Stephanie Foden Bahia
  • Paulão 7 Cordas Music Director
  • Negrizu Bahia
  • Robert Glasper Songwriter
  • Martin Koenig Ethnomusicologist
  • Ajurinã Zwarg Rio de Janeiro
  • Guinha Ramires Guitar
  • James Carter Composer
  • Mauro Diniz Singer-Songwriter
  • Wouter Kellerman Bansuri
  • Snigdha Poonam Writer
  • Caterina Lichtenberg Mandolin
  • Danilo Caymmi Film Scores
  • Jerry Douglas Lap Steel Guitar
  • Marcel Powell Guitar
  • Ben Williams Composer
  • Christopher Silver McGill University Faculty
  • Robertinho Silva Choro
  • Laura Beaubrun Lausanne, Switzerland
  • Christopher Seneca New York City
  • Orrin Evans Composer
  • McCoy Mrubata Composer
  • Lalah Hathaway Singer-Songwriter
  • Asma Khalid Journalist
  • Leonard Pitts, Jr Writer
  • Dorian Concept Composer
  • Alexandre Vieira Brasil, Brazil
  • Aaron Diehl New York City
  • Linda Sikhakhane South Africa
  • Victor Gama Composer
  • Zulu Araújo Produtor Cultural, Cultural Producer
  • Barney McAll New York City
  • Aaron Parks Piano
  • Nora Fischer Contemporary Classical Music
  • Tomoko Omura Multi-Cultural
  • Jon Batiste New Orleans
  • Rogério Caetano Choro
  • Toninho Horta Minas Gerais
  • Dorothy Berry Museum Curator
  • Marcus Strickland Brooklyn, NY
  • André Vasconcellos Baixo, Bass
  • Rodrigo Caçapa Guitar
  • Christopher Silver Montreal
  • Vânia Oliveira Salvador
  • Nelson Cerqueira Romancista, Novelist
  • Philip Sherburne Essayist
  • Joshua Redman Saxophone
  • Jamael Dean Composer
  • Tal Wilkenfeld Los Angeles
  • Mart'nália Samba
  • Sam Eastmond London
  • Mateus Aleluia Filho Música Pan-Africana, Pan-African Music
  • Ben Allison Music Writer
  • Jean Rondeau Composer
  • Siba Veloso Rabeca
  • Papa Mali Blues
  • Kaveh Rastegar Bass
  • Zeca Baleiro Violão, Guitar
  • Leci Brandão Surdo
  • Stormzy UK
  • Gabriel Geszti Brasil, Brazil
  • Kurt Andersen Radio Presenter
  • César Orozco Violin
  • Nana Nkweti Writer
  • Jared Sims Clarinet
  • Lalá Evangelista Pandeiro
  • Marcos Suzano Brazil
  • Kenyon Dixon Soul
  • Oswaldinho do Acordeon Accordion
  • Paulinho Fagundes Guitar
  • Kurt Rosenwinkel Guitar
  • Robertinho Silva Rio de Janeiro
  • Rogério Caetano Composer
  • Lalah Hathaway R&B
  • Vinson Cunningham New York City
  • Kiko Horta Rio de Janeiro
  • J. Period Record Producer
  • Rick Beato Multi-Instrumentalist
  • Judy Bady Patterson, New Jersey
  • Luis Perdomo Piano
  • Alyn Shipton Music Critic
  • Jan Ramsey Louisiana
  • Paquito D'Rivera Afro-Cuban Jazz
  • Milton Nascimento Singer-Songwriter
  • Jeremy Pelt Jazz
  • Charles Munka Hong Kong
  • Bombino Multi-Cultural
  • Roque Ferreira Samba
  • Jared Jackson Writer
  • Congahead Video Producer
  • Rez Abbasi Indian Classical Music
  • Marvin Dunn Miami, Florida
  • Ricardo Herz Composer
  • Bukassa Kabengele Singer-Songwriter
  • Aurino de Jesus Samba
  • Marc Ribot Composer
  • Mário Pam Percussion
  • Bobby Sanabria Composer
  • Seckou Keita Senegal
  • Jean-Paul Bourelly Record Producer
  • Rodrigo Caçapa São Paulo
  • Léo Brasileiro Violão Clássico, Classical Guitar
  • Yunior Terry Afro-Cuban Jazz
  • David Bragger Mandolin
  • Mickalene Thomas Painter
  • Janine Jansen Netherlands
  • John Patrick Murphy Accordion
  • PATRICKTOR4 Recife
  • Casey Benjamin R&B
  • Áurea Martins Brasil, Brazil
  • Flying Lotus Record Producer
  • Geraldo Azevedo Música Nordestina
  • Curly Strings Folk & Traditional
  • Molly Tuttle Bluegrass
  • Anthony Wilson Composer
  • Yazhi Guo 郭雅志 Suona
  • César Camargo Mariano Samba
  • Brian Jackson Composer
  • Renee Rosnes Piano
  • James Martins Jornalista, Journalist
  • Jonny Geller CEO
  • Judith Hill R&B
  • Alberto Pitta Bahia
  • Jocelyn Ramirez Online Cooking Classes
  • Carla Visi Bahia
  • Gavin Marwick Edinburgh
  • James Andrews Singer
  • Orrin Evans Record Label Owner
  • Stefano Bollani Brazilian Music
  • Hilton Schilder Cape Jazz
  • Jake Webster Sculptor
  • Mickalene Thomas Video Artist
  • Patty Kiss Brasil, Brazil
  • Pedrito Martinez Singer
  • Ronald Angelo Jackson Historian
  • Bobby Vega Funk
  • Simon McKerrell Writer
  • Irma Thomas R&B
  • Woz Kaly Africa
  • Andrew Gilbert Journalist
  • Bertram Drum Set Performance
  • Paddy Groenland World Music
  • Cassie Kinoshi London
  • Steve Cropper Record Producer
  • Lucio Yanel Singer
  • China Moses Singer
  • Fernando Brandão Samba
  • Victor Gama Luanda
  • Plinio Oyò Camaçari
  • Mickalene Thomas Installation Artist
  • Psoy Korolenko Псой Короленко Russia
  • Diedrich Diederichsen Cultural Critic
  • Moacyr Luz Songwriter
  • Kris Davis Composer
  • Swizz Beatz Rapper
  • Sebastião Salgado Brasil, Brazil
  • Sunna Gunnlaugs Jazz
  • David Ngwerume Sculptor
  • Maladitso Band Lilongwe
  • Tony Trischka Country
  • Cláudio Badega Salvador
  • Kurt Andersen Playwright
  • Ferenc Nemeth Drums
  • Romero Lubambo Brazil
  • Mônica Salmaso Brazil
  • Andrew Dickson Essayist
  • Steve Cropper Recording Studio Owner
  • André Becker Música Clássica, Classical Music
  • Vânia Oliveira Educadora, Educator
  • Ali Jackson Drums
  • Chris Thile Folk & Traditional
  • Gerald Clayton Blue Note Records
  • The Rheingans Sisters Sheffield
  • Darren Barrett Flugelhorn
  • Marisa Monte MPB
  • Dr. Lonnie Smith Composer
  • Guga Stroeter Candomblé
  • Beth Bahia Cohen Kabak Kemane
  • Ricardo Bacelar Brasil, Brazil
  • Dani Deahl Record Producer
  • Musa Okwonga Uganda
  • Anthony Coleman Composer
  • Marcello Gonçalves Violão de Sete
  • Dave Jordan Singer-Songwriter
  • Willy Schwarz Multi-Instrumentalist
  • Marc Cary Keyboards
  • Alegre Corrêa Violin
  • Isaac Butler Brooklyn, NY
  • Hot Dougie's Bahia
  • THE ROOM Shibuya Music Venue
  • Victor Gama Multimedia Opera
  • Mario Caldato Jr. Keyboards
  • David Sánchez Afro-Caribbean Music
  • Lokua Kanza Congo
  • Jeff 'Tain' Watts Actor
  • Angelique Kidjo Africa
  • Richard Rothstein Author
  • MonoNeon Funk
  • Denzel Curry Rapper
  • Gregory Hutchinson Soul
  • Les Thompson Leesburg, Virginia
  • Taj Mahal Multi-Cultural
  • Iuri Passos Ethnomusicologist
  • Itamar Vieira Júnior Bahia
  • Nelson Faria Guitar Instruction, Master Classes
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Christone 'Kingfish' Ingram Blues
  • Alex Rawls Arts Journalist
  • Keb' Mo' Singer-Songwriter
  • Michelle Burford Collaborative Memoirist
  • Asa Branca Guitar
  • Alex Hargreaves Bluegrass
  • Mehdi Rajabian Record Producer
  • Ravi Coltrane Brooklyn, NY
  • Phakama Mbonambi South Africa
  • Vik Sohonie DJ
  • Tom Green Guitar
  • Azadeh Moussavi Iran
  • Larissa Luz MPB
  • Nancy Ruth Jazz
  • Marcus Strickland Composer
  • Tambay Obenson Cultural Critic
  • Tiganá Santana Brasil, Brazil
  • Zulu Araújo Arquiteto, Architect
  • Susheela Raman Singer-Songwriter
  • Fred Hersch Piano
  • Amy K. Bormet Singer
  • Ari Hoenig Drum Instruction
  • Brandon Coleman Composer
  • Laura Marling Singer-Songwriter
  • Anat Cohen Tel Aviv
  • Rudy Royston Photographer
  • Steve McKeever Entertainment Lawyer
  • Benoit Fader Keita Bedik
  • Jonathon Grasse Ethnomusicologist
  • Frank London Composer
  • Yosvany Terry Harvard University Faculty
  • McCoy Mrubata South Africa
  • Nelson Cerqueira Salvador
  • Walter Ribeiro, Jr. Bahia
  • Gel Barbosa Sanfona
  • John Santos Puerto Rico
  • Harish Raghavan Educator
  • Tshepiso Ledwaba Steinway Piano Technician
  • Kimmo Pohjonen Accordion
  • Iara Rennó São Paulo
  • Irmandade da Boa Morte Cachoeira
  • Luques Curtis Latin Jazz
  • Cashmere Cat Norway
  • Ben Azar Guitar
  • Ronell Johnson Singer
  • Imanuel Marcus War Correspondent
  • Horace Bray Guitar
  • Oleg Fateev Moldavia
  • Eduardo Kobra São Paulo
  • Nilze Carvalho Bandolim
  • David Hepworth Writer
  • Daniel Bennett New York City
  • Soweto Kinch Saxophone
  • Nubya Garcia Jazz
  • João Rabello Choro
  • Barry Harris New York City
  • Gab Ferruz MPB
  • Neo Muyanga Cape Town
  • Sarah Jarosz Singer-Songwriter
  • Pedrito Martinez Santeria
  • Fantastic Negrito Singer-Songwriter
  • Casa PretaHub Cachoeira Espaço de Coworking, Coworking Space
  • Adonis Rose Percussion
  • G. Thomas Allen Gospel
  • Beeple Concert Visuals
  • Bobby Vega R&B
  • Scott Kettner Drums
  • Questlove Music Journalist
  • Omar Sosa Vibraphone
  • Brian Blade Louisiana
  • Yoron Israel Berklee College of Music Faculty
  • Tab Benoit Guitar
  • Dudu Reis Salvador
  • Jonny Geller Literary Agent
  • Manu Chao Singer-Songwriter
  • Allen Morrison Jazz
  • Luciano Calazans MPB
  • Lavinia Meijer Harp
  • Jonga Cunha Author
  • Russell Malone Jazz
  • Alê Siqueira Brazil
  • Manolo Badrena Afro-Latin Music
  • Kirk Whalum Saxophone
  • Cuong Vu Jazz
  • Brian Lynch University of Miami Frost School of Music Faculty
  • Les Thompson Recording Studio Owner
  • Ben Wendel New School Faculty
  • Juca Ferreira Ambientalista, Environmentalist
  • Sandro Albert New York City
  • Wilson Simoninha Singer-Songwriter
  • Sergio Krakowski Brazil
  • Dwandalyn Reece Writer
  • Benoit Fader Keita Singer-Songwriter
  • Spider Stacy Singer-Songwriter
  • Ben Azar Israel
  • Wajahat Ali Pakistan
  • Ron Carter Bass
  • Leo Nocentelli R&B
  • Joatan Nascimento Trumpet
  • Aruán Ortiz Afro-Cuban Jazz
  • Little Simz Photographer
  • Vânia Oliveira Dança Afro
  • Maria Drell Higher Education Professional
  • Daedelus Berklee College of Music Faculty
  • George Cables Composer
  • Gabriel Policarpo Percussion
  • Omar Hakim Drums
  • Cayenna Ponchione-Bailey Contemporary Classical Music
  • Marc Johnson Double Bass
  • Fatoumata Diawara Mali
  • Alma Deutscher Violin
  • Serginho Meriti Singer
  • Tero Saarinen Choreographer
  • Jorge Washington Cultural Producer
  • Gearóid Ó hAllmhuráin Uilleann Pipes
  • Ballaké Sissoko Bamako
  • Molly Jong-Fast Political Commentator
  • Fernando César Composer
  • Welson Tremura Latin American Classical Guitar
  • Márcio Bahia Rio de Janeiro
  • MARO Portugal
  • Hank Roberts Composer
  • Victor Wooten Singer
  • Arson Fahim Composer
  • Itamar Borochov New York City
  • Garth Cartwright Poet
  • Leo Nocentelli Songwriter
  • David Sacks Bossa Nova
  • Musa Okwonga Football Journalist
  • Marcelo Caldi Tango
  • Guinha Ramires Rio Grande do Sul
  • Ari Hoenig Composer
  • Alexa Tarantino Jazz
  • Simon Brook Paris
  • Sérgio Mendes Singer-Songwriter
  • Menelaw Sete Escultor, Sculptor
  • Fernando César Educator
  • Kareem Abdul-Jabbar Basketball
  • Ayrson Heráclito Set Designer
  • Dermot Hussey Washington, D.C.
  • Vanessa Moreno MPB
  • Maria Struduth Cachoeira
  • David Hoffman Documentary Filmmaker
  • Meddy Gerville Jazz
  • Emmet Cohen Piano
  • Jakub Knera Writer
  • Orquestra Afrosinfônica Música Clássica Contemporânia, Contemporary Classical Music
  • Billy O'Shea Steampunk
  • Diego Figueiredo Compositor, Composer
  • Jared Jackson Columbia Faculty
  • Wouter Kellerman African Music
  • Horace Bray Singer-Songwriter
  • Brian Cross aka B+ Hip-Hop
  • Mokhtar Samba Morocco
  • Hilary Hahn Contemporary Classical Music
  • Júlio Caldas Guitarra Baiana
  • Sarz Nigeria
  • Donnchadh Gough Irish Traditional Music
  • Herlin Riley New Orleans
  • Thana Alexa Music Producer
  • Germán Garmendia Comedian
  • Flora Purim Guitar
  • Linda May Han Oh New York City
  • Jon Madof Multi-Cultural
  • Musa Okwonga Podcaster
  • Dan Moretti Berklee College of Music Faculty
  • Jamberê Cerqueira Brasil, Brazil
  • Barlavento Samba
  • Manassés de Souza Viola de Doze
  • Louis Marks Music Producer
  • Lula Moreira Samba de Coco
  • Lalah Hathaway Soul
  • Tony Austin Film Scores
  • Miho Hazama New York City

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share