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  • Flavio Sala

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Flavio Sala
  • City/Place: Bojano
  • Country: Italy

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Born in Bojano, a small town in the region of Molise, in 1983, Flavio Sala comes from a family with over 100 years of musical tradition. "I was sure I could not play, because I'm left-handed. One day my father put a guitar into my arms and showed me some chords. As soon as I touched the strings, I immediately realized I had found my way. I was just 7."

    Winner of prizes in the most prestigious guitar competitions (Gargnano 2001, Michele Pittaluga 2003, San Francisco 2004, Alirio Diaz 2006, Alexander Tansman 2008), Flavio Sala has appeared with the Jury Bashmet New Russia Orchestra, the Turin and Moscow Philharmonic Orchestra, the Orquesta Sinfonica de Venezuela, with the Vladimir Spivakov's "Virtuosi di Mosca's" String Quartet, has played repeatedly at the Tchaikovsky Concert Hall in Moscow (replacing once the flamenco guitarist Gerardo Núñez), at the Hermitage Theater in St. Petersburg, at the Teatro Coliseo in Buenos Aires, at the Grand Teatro das Artes in Belo Horizonte, at the Politeama Theater of Palermo, giving concerts in:

    Italy, Spain, Austria, Croatia, Romania, Bulgaria, Poland, Russia, Argentine, Uruguay, Brazil, Venezuela, Cuba, United Arab Emirates and United States of America...

    Pupil of Oscar Ghiglia at the "Accademia Chigiana" of Siena, Flavio Sala dreams of a new dimension for his instrument, today mistreated and with no public. "When I was a teenager, Andres Segovia was my God. Then I listened to Paco de Lucia and I realized that the classical guitar could be much more than what it was: incorporating the flamenco and acoustic guitarists’ technique I could widen my vocabulary. I do not stop being a classical guitarist just because of this, but while the purists are concerned with defending the trophies won by someone else and closed in the 'Museum of Tradition', our instrument languishes in the ghetto of guitar festivals. Guitar needs a new audience."

    "Flavio Sala Plays Pop", a solo recording album, and "De La Buena Onda", which includes Marcus Miller, Toninho Horta, Jorge Pardo, Mango, Cliff Almond, Otmaro Ruiz, Carles Benavent, Rubem Dantas, Giovanni Baglioni, Rome String Quartet, Alain Perez, Israel "El Piraña", Peppino D'Agostino, Alex Acuña, Daniel Binelli, Huascar Barradas and his brother Simone Sala, have opened a new path for the classical guitar. "After playing 1000 times the same pieces written for classical guitar, I felt in a prison. These albums gave me a new air to breathe and working with these great musicians was an extraordinary experience."

    Between 2006 and 2012 he lived for 5 years in Venezuela. After winning in Venezuela the "XIV Concurso Internacional de Guitarra Clásica Alirio Díaz" of Carora and the "Special Award to the best performance of music from Venezuela" by the "Fundacion Vicente Emilio Sojo" of Caracas, Flavio has become one of the most authentic voices of Venezuelan music for guitar, "considered a third category, but it is precisely the popular roots that make people fall in love with our Giuliani and Rodrigo and not the other way round!" In Venezuela, Flavio ​​had the opportunity to meet some personalities, such as José Antonio Abreu, Gustavo Dudamel, Claudio Baglioni, Steve Howe, Rafael "Pollo" Brito, Guillermo Moron as well as playing in Venezuela, Cuba, Italy and Greece as a soloist with the "Orquesta Sinfonica de Venezuela".

    In 2014 he moved to the United States of America, with an "O-1 Visa for Artist", giving 90 concerts in two years. "There I studied and understood the Music Business, starting to work on my plan". He has published "Mi Guitarra y Mis Amores" (2016), a new album where his guitar duets with Steve Howe (YES, Asia), Fabrizio Bosso, Cesar Orozco, Antonio Serrano and Rafael "Pollo" Brito: an album that closes the circle.

    He plays classical instruments and flamenco handmade by Camillo Perrella. "I am lucky to know a luthier who meets all the needs of the guitarist of the XXI Century and who puts his creativity always at the service of the guitarist, innovating and never copying. Camillo Perrella is a genius, but I'm still the only one who knows that."

    Definitively back to Italy, in his native Bojano, Flavio Sala is also a Guitar Professor at the "Lorenzo Perosi” of Campobasso, the same where he studied for 9 years, inheriting the position of his teacher, Pasqualino Garzia.

    Always attracted by technology, Flavio gives Online Skype Guitar Lessons to students from all over the world and of all levels, creating a sort of an Underground Guitar School.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Charts/Scores: http://www.flaviosala.com/store
  • ▶ Twitter: flaviosala1
  • ▶ Instagram: flaviosalaguitar
  • ▶ Website: http://flaviosala.com
  • ▶ YouTube Channel: http://www.youtube.com/user/guitargurugu
  • ▶ Spotify: http://open.spotify.com/album/2g0zR2QyAVw1s1mrR1QNk3

More

  • Quotes, Notes & Etc. “I love to see a 30 year-old guitarist knock my socks off!”
    — Steve Howe

    "Flavio Sala is the new Paganini of the guitar."
    - Alirio Diaz

My Instruction

  • Lessons/Workshops: Flavio gives Online Skype Guitar Lessons to students from all over the world and of all levels, creating a sort of an Underground Guitar School.

Clips (more may be added)

  • 3:52
    CINEMA PARADISO - Flavio Sala, guitar
    By Flavio Sala
    172 views
  • 3:06
    "Europa" - Carlos Santana - Flavio Sala, guitar
    By Flavio Sala
    205 views
  • 2:39
    ALMA LLANERA - Flavio Sala, guitar (Music from Venezuela)
    By Flavio Sala
    184 views
  • 1:08:23
    FLAVIO SALA - I Colori Dei Suoni Di Picasso (GUITAR CONCERT Full HD)
    By Flavio Sala
    200 views
  • 4:13
    BACH - Gavotte I&II (FLAVIO SALA, guitar)
    By Flavio Sala
    217 views
  • 0:07:24
    FLAVIO SALA - MALLORCA (Albéniz)
    By Flavio Sala
    181 views
  • 2:02
    FLAVIO SALA - El Tragalocha (Isaias Alvarado)
    By Flavio Sala
    291 views
  • 2:42
    FLAVIO SALA - Maria Carolina (Antonio Lauro)
    By Flavio Sala
    205 views
  • 1:37
    FLAVIO SALA - Valse Venezolano NATALIA (Antonio Lauro)
    By Flavio Sala
    156 views
  • 3:02
    FLAVIO SALA - Como Llora Una Estrella, guitar
    By Flavio Sala
    194 views
Previous
Next

Flavio Sala Curated

  • 1 Classical Guitar
  • 1 Guitar Instruction, Master Classes
  • 1 Italy

What's Been Happening?

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  • Flavio Sala
    Toninho Horta → Singer has been recommended via Flavio Sala.
    • June 18, 2021
  • Flavio Sala
    Toninho Horta → Minas Gerais has been recommended via Flavio Sala.
    • June 18, 2021
  • Flavio Sala
    Toninho Horta → Guitar has been recommended via Flavio Sala.
    • June 18, 2021
  • Flavio Sala
    Toninho Horta → Composer has been recommended via Flavio Sala.
    • June 18, 2021
  • Flavio Sala
    Toninho Horta → Brazil has been recommended via Flavio Sala.
    • June 18, 2021
  • Flavio Sala
    Toninho Horta → Belo Horizonte has been recommended via Flavio Sala.
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    CINEMA PARADISO - Flavio Sala, guitar
    FLAVIO SALA plays CINEMA PARADISO by Ennio MORRICONE.
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    "Europa" - Carlos Santana - Flavio Sala, guitar
    EUROPA by Carlos SANTANA played by Flavio Sala.
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    ALMA LLANERA - Flavio Sala, guitar (Music from Venezuela)
    Flavio Sala plays ALMA LLANERA by Pedro Elias Gutierrez.
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    FLAVIO SALA - I Colori Dei Suoni Di Picasso (GUITAR CONCERT Full HD)
    Guitar Concert by FLAVIO SALA in Campobasso, Molise, Italy. Audio by Francesco Santoro. I COLORI DEI SUONI DI PICASSO - Bach: Prelude from Cello Suite nr 1 (Transcr. by Flavio Sala) - Tarrega: Capricho Arabe - Granados: La Maja de Goya - Albéniz: S...
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    BACH - Gavotte I&II (FLAVIO SALA, guitar)
    Flavio Sala plays GAVOTTE I&II by J. S. BACH.
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    FLAVIO SALA - MALLORCA (Albéniz)
    Flavio Sala plays MALLORCA by Isaac Albéniz. Transcr. Segovia.
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    FLAVIO SALA - El Tragalocha (Isaias Alvarado)
    Flavio Sala plays EL TRAGALOCHA by Isaias Alvarado (Musica Venezolana).
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    FLAVIO SALA - Maria Carolina (Antonio Lauro)
    Flavio Sala plays MARIA CAROLINA Valse Venezolano by Antonio Lauro.
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    FLAVIO SALA - Valse Venezolano NATALIA (Antonio Lauro)
    Flavio Sala plays NATALIA Valse Venezolano nr. 3 by Antonio Lauro.
    • June 18, 2021
  • Flavio Sala
    A video was posted re Flavio Sala:
    FLAVIO SALA - Como Llora Una Estrella, guitar
    Flavio Sala plays COMO LLORA UNA ESTRELLA by Antonio Carrillo. Arrangement by Alirio Diaz.
    • June 18, 2021
  • Flavio Sala
    A category was added to Flavio Sala:
    Guitar Instruction, Master Classes
    • June 18, 2021
  • Flavio Sala
    A category was added to Flavio Sala:
    Italy
    • June 18, 2021
  • Flavio Sala
    A category was added to Flavio Sala:
    Classical Guitar
    • June 18, 2021
  • Flavio Sala
    Flavio Sala is matrixed!
    • June 18, 2021
View More
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

Pathways from Brazil

THROUGH THE INTEGRATED GLOBAL CREATIVE ECONOMY

(all is closer than we imagine)

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among magisterial colleagues for whom this matrix was originally built, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Created because in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. And Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers...Luê Soares of Belém do Pará behind the mic above. You get to Quincy, you can get to Luê. Direct line.

And by the mathematics of the small world phenomenon, everybody in the matrix will tend to proximity to everybody else, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties for Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer), and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

Caminhos do Brasil

ATRAVÉS DA ECONOMIA CRIATIVA GLOBAL INTEGRADA

(tudo está mais perto do que imaginamos)

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Criado porque em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar de fora de regiões circunscritas, incluido o próprio Brasil...

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos...Luê Soares de Belém do Pará atrás do microfone acima. Você chega em Quincy, pode chegar em Luê. Linha direta.

E pela matemática do fenômeno de mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley), e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente abertom pois há mais no Céu e na Terra...

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • George Garzone Jazz
  • Melanie Charles Flute
  • Alexia Arthurs New York City
  • Leon Parker Drums
  • Keith Jarrett Classical Music
  • Arthur Jafa Cinematographer
  • Dr. Lonnie Smith Hammond B-3
  • Itiberê Zwarg Brazil
  • Benny Benack III Piano
  • Philip Ó Ceallaigh Bucharest
  • Wolfgang Muthspiel Record Label Owner
  • Gary Clark Jr. Austin, Texas
  • Larry McCray Singer-Songwriter
  • Yasushi Nakamura Jazz
  • Benny Benack III Singer-Songwriter
  • Cainã Cavalcante Composer
  • Brad Ogbonna Photographer
  • Daniel Jobim Bossa Nova
  • Thalma de Freitas Produtora de Vídeo, Video Producer
  • Chris Dingman Vibraphone
  • Rosa Passos Salvador
  • Luiz Antônio Simas Professor
  • Lionel Loueke Singer
  • Plínio Fernandes Choro
  • Arthur L.A. Buckner Drums
  • Antônio Pereira Manaus
  • Courtney Pine Bass Clarinet
  • Jonny Geller Literary Agent
  • James Poyser Television Scores
  • Charlie Bolden Jazz
  • Antonio García Singer
  • Restaurante Axego Afro-Bahian Cuisine
  • Lauren Martin Television Presenter
  • Pallett Tehran
  • Myron Walden New York City
  • Larissa Luz Salvador
  • Mônica Salmaso MPB
  • Kaveh Rastegar Los Angeles
  • The Weeknd Hip-Hop
  • Bill Pearis Writer
  • Victor Wooten Record Label Owner
  • NIcholas Casey Writer
  • Cleber Augusto Rio de Janeiro
  • Fabrício Mota Bahia
  • Alex Clark Digital Media Producer
  • Karim Ziad Composer
  • Johnny Vidacovich Jazz
  • Mauro Senise Brazil
  • Benny Benack III Jazz
  • Joshua Redman Saxophone
  • Bruce Molsky Fiddle Instruction
  • Natan Drubi Violão, Guitar
  • Keola Beamer Slack Key Guitar
  • MicroTrio de Ivan Huol Trio Elétrico
  • Ferenc Nemeth App Developer
  • Flavio Sala Classical Guitar
  • Giveton Gelin New York City
  • Andrés Prado Universidad Católica del Perú Faculty
  • Casa PretaHub Cachoeira Espaço de Coworking, Coworking Space
  • Tatiana Eva-Marie Manouche
  • Tatiana Campêlo Afro-Brazilian Dance Instruction
  • Bombino Multi-Cultural
  • Yoruba Andabo Cuba
  • Mike Moreno New York City
  • Gerald Albright Session Musician
  • Martín Sued Accordion
  • Jonga Lima Salvador
  • Henrique Araújo Mandolin
  • Mateus Aleluia Filho Bahia
  • Ronell Johnson Second Line
  • Awadagin Pratt University of Cincinnati College-Conservatory of Music Faculty
  • Ricky (Dirty Red) Gordon Louisiana
  • Luíz Paixão Brazil
  • Tom Wilcox London
  • Ballaké Sissoko Bamako
  • Léo Brasileiro Produtor Musical, Music Producer
  • Pedrito Martinez Singer
  • Kevin Hays Woodstock, NY
  • Virgínia Rodrigues Bahia
  • Camille Thurman Bass Clarinet
  • Lynn Nottage Film Producer
  • Tony Trischka Banjo
  • Keola Beamer Hawaiian Music
  • Wajahat Ali Essayist
  • Manassés de Souza Ceará
  • Nikki Yeoh Piano
  • Chubby Carrier Louisiana
  • Guto Wirtti Brazil
  • Branford Marsalis Saxophone
  • Ari Hoenig Jazz
  • Vivien Schweitzer Piano
  • Nettrice R. Gaskins Afro-Futurist
  • Romero Lubambo Brazilian Jazz
  • Vijay Iyer Jazz
  • Alfredo Rodriguez Piano
  • Kiko Loureiro Helsinki
  • Bongo Joe Records Geneva, Switzerland
  • Inaicyra Falcão Cantora, Singer
  • Mateus Aleluia Candomblé
  • Rebeca Tárique Salvador
  • Hanif Abdurraqib Writer
  • Riley Baugus Folk & Traditional
  • Thana Alexa Music Producer
  • Craig Ross Guitar
  • Meshell Ndegeocello Rapper
  • Joe Newberry Bluegrass
  • John McLaughlin Composer
  • John McLaughlin Guitar
  • Loli Molina Guitar
  • Gilberto Gil Salvador
  • Lula Moreira Arcoverde
  • Ari Rosenschein Writer
  • Pierre Onassis Samba Reggae
  • Jeff Spitzer-Resnick WORLD music radio host
  • Kevin Hays Jazz
  • Bill Summers Congas
  • George Porter Jr. Bass
  • Warren Wolf Jazz
  • Scott Devine YouTuber
  • Michael Sarian Buenos Aires
  • Daniil Trifonov Piano
  • Lynne Arriale Composer
  • Afel Bocoum Guitar
  • Judith Hill Singer-Songwriter
  • Nancy Viégas Cantora-Compositora, Singer-Songwriter
  • Darren Barrett Trumpet
  • Francisco Mela Jazz
  • Daphne A. Brooks Yale Faculty
  • Tom Moon MPB
  • Jurandir Santana Brazil
  • Questlove Clive Davis Institute of Recorded Music Faculty
  • Steve Earle Poet
  • Jerry Douglas Bluegrass
  • Lolis Eric Elie New Orleans
  • Munyungo Jackson Percussion
  • Kendrick Scott Jazz
  • Hélio Delmiro Rio de Janeiro
  • Max ZT Composer
  • Zeca Pagodinho Samba
  • Horácio Reis Violão Clássico Brasileiro, Brazilian Classical Guitar
  • James Martins Crítico Cultural, Cultural Critic
  • Keb' Mo' Nashville, Tennessee
  • Steve Cropper Songwriter
  • Gringo Cardia Graphic Design
  • Jorge Washington Brazil
  • Nação Zumbi Manguebeat
  • David Binney Composer
  • Lizz Wright Gospel
  • Flor Jorge Rio de Janeiro
  • John Waters Songwriter
  • Herlin Riley Second Line
  • Miroslav Tadić Guitar
  • Derrick Hodge Hip-Hop
  • Stuart Duncan Nashville, Tennessee
  • Janine Jansen Classical Music
  • Ben Cox Director of Photography
  • Ed O'Brien London
  • Wayne Shorter Jazz
  • Ron Blake Composer
  • Robb Royer Multi-Instrumentalist
  • Derrick Hodge Jazz
  • Greg Osby Jazz
  • Philip Sherburne Electronic, Experimental, Underground Music
  • Isaac Julien Filmmaker
  • Edgar Meyer Bluegrass
  • Benny Benack III New York City
  • Julia Alvarez Dominican Republic
  • Cimafunk Cuba
  • Casuarina Choro
  • Horácio Reis Bahia
  • Dave Smith Drums
  • Jill Scott R&B
  • Jim Beard Record Producer
  • Julie Fowlis Singer
  • Nara Couto Afropop
  • Chris Cheek Brooklyn, NY
  • Tony Kofi Saxophone
  • Guto Wirtti MPB
  • Trilok Gurtu Percussion
  • McCoy Mrubata South Africa
  • Marilda Santanna Atriz, Actor
  • Michael Formanek Composer
  • Ryan Keberle Composer
  • Mikki Kunttu Finland
  • Egberto Gismonti Brazil
  • Eamonn Flynn Irish Traditional Music
  • Nilze Carvalho Bandolim
  • Hercules Gomes Piano
  • Stephan Crump Bass Instruction
  • Léo Brasileiro MPB
  • Luques Curtis New York City
  • Richard Galliano Jazz
  • Ofer Mizrahi Tel Aviv
  • Mohini Dey India
  • Cedric Watson Fiddle
  • Gamelan Sekar Jaya Indonesia
  • Simon Shaheen Composer
  • Negra Jhô Turbantes, Turbans
  • Antonio García Film Scores
  • Berkun Oya Istanbul
  • Laura Marling London
  • Román Díaz Santeria
  • Christopher Seneca Writer
  • Nels Cline New York City
  • Marcelinho Oliveira Music Producer
  • Joe Lovano Composer
  • PATRICKTOR4 Pernambuco
  • Thomas Àdes Contemporary Classical Music
  • Jakub Knera Music & Culture Journalist
  • Anne Gisleson Writer
  • Rita Batista Bahia
  • Jim Beard Piano
  • Celino dos Santos Terra Nova
  • Eliane Elias Bossa Nova
  • Irmandade da Boa Morte Bahia
  • James Brady Trumpet
  • John McLaughlin Jazz Fusion
  • Varijashree Venugopal Carnatic Music
  • Laura Beaubrun Choreographer
  • Nabil Ayers Cultural Critic
  • Adriano Souza Choro
  • Raelis Vasquez Drawings
  • Jill Scott Poet
  • Tom Green Guitar
  • Moreno Veloso Singer-Songwriter
  • Stephen Guerra Brazilian Classical Guitar
  • Peter Serkin Contemporary Classical Music
  • Nic Hard New York City
  • Ricardo Herz Forró
  • Spok Frevo Orquestra Frevo
  • Patty Kiss Guitarra Baiana
  • Matt Garrison Jazz
  • Bill Pearis Journalist
  • Nancy Ruth Composer
  • María Grand Saxophone
  • Gustavo Caribé Compositor, Composer
  • Mokhtar Samba Author
  • David Byrne Multi-Instrumentalist
  • Dónal Lunny Bodhrán
  • Arthur Verocai Rio de Janeiro
  • Chris Cheek Saxophone
  • Teddy Swims Soul
  • Iroko Trio Brazil
  • Vincent Herring Flute
  • Parker Ighile London
  • Don Byron New York City
  • Stephan Crump Brooklyn, NY
  • Kyle Poole Drums
  • Bruce Molsky Banjo Instruction
  • Gerson Silva Brazil
  • Brooklyn Rider Contemporary Classical Music
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