Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Catherine Bent
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Catherine Bent
  • City/Place: Boston
  • Country: United States

Life & Work

  • Bio: Constantly challenging and redrawing boundaries, cellist Catherine Bent has never fit easily into any category. Classically trained on cello and piano, conservatory trained in jazz, and professionally experienced in countless genres, Catherine built a career on the margins while patiently uncovering her unique artistic voice.

    In graduate school Catherine started playing choro, the infectious Brazilian hybrid of European dance music and African rhythms. Following the initial interest, she dove deep into the tradition and went on to spend many months in Rio de Janeiro—building her repertoire in jam sessions and alongside masters—and took the choro scene by storm with her virtuosity on the cello and fluency in the style.

    Of infinite interest to Catherine is the relationship of phrase—music carried on the breath—and groove—music felt in the body—which she explores in her musical projects and international collaborations. In Macayú Trio, Quebra Tudo, Trio Caxangá and the duo Elis & Catherine, she and her colleagues mix elements of jazz and Latin music with dynamic ensemble interplay and tight arrangements. When the music calls for it, the playing is highly refined; at other times exploratory and free.

    In her newest—and first solo—album release, she presents ten original compositions, each paying tribute to a distinct Brazilian musical tradition. While choro is at the heart of the album, you will hear samba, forró, frevo, maracatú and xote, all enriched by the unique sonority of Catherine's cello and through the prism of her imagination.

Contact Information

  • Contact by Webpage: http://catherinebent.com/contact

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://catherinebent.com/store
  • ▶ Twitter: cellorinha
  • ▶ Instagram: catherinebentmusic
  • ▶ Website: http://catherinebent.com
  • ▶ YouTube Channel: http://www.youtube.com/user/cellorinha
  • ▶ YouTube Music: http://music.youtube.com/channel/UCpw-hWDCWlbfwUe4arsaA-Q
  • ▶ Spotify: http://open.spotify.com/album/2ywe4v1LmBMTSklZVuNgUR
  • ▶ Spotify 2: http://open.spotify.com/album/3GhVS16L08dyCSQq3noMar

My Instruction

  • Lessons/Workshops: Private Instruction in Cello

    Besides her teaching at Berklee College of Music, in Ear Training, Harmony, Arranging, and Strings, Catherine teaches individual lessons, in person and by Zoom/Skype/Facetime. Catherine teaches foundational classical cello technique and extended techniques in diverse applications from classical repertoire to groove playing and improvisation.

Clips (more may be added)

  • Época de Ouro
    By Catherine Bent
    499 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Catherine Bent:

  • 1 Berklee College of Music Faculty
  • 1 Boston
  • 1 Cello
  • 1 Cello Instruction
  • 1 Choro
  • 1 Classical Music
  • 1 Composer
  • 1 Jazz

Nodes below are randomly generated. Reload for a different stack.

  • Terence Blanchard Educator
  • João Bosco Singer-Songwriter
  • Gel Barbosa Brasil, Brazil
  • Guga Stroeter Record Producer
  • Stomu Takeishi Jazz
  • BIGYUKI Keyboards
  • Greg Ruby Composer
  • Michael League Bandleader
  • Howard Levy Harmonica
  • John Patrick Murphy Ethnomusicologist
  • Morten Lauridsen Contemporary Classical Music
  • Nublu Jazz
  • Immanuel Wilkins Saxophone
  • Christian Sands Piano
  • Thomas Àdes Conductor
  • Antônio Pereira Amazonas
  • Bukassa Kabengele Singer-Songwriter
  • Chris Potter New York City
  • Leo Genovese Piano
  • Márcio Valverde Santo Amaro
  • Marc-André Hamelin Boston
  • Jason Reynolds Young People's Literature
  • Cuong Vu Jazz
  • Tatiana Eva-Marie Singer
  • Kyle Poole Composer
  • Moses Sumney Soul
  • Ethan Iverson Writer
  • Guillermo Klein Piano
  • Toby Gough Director
  • Leigh Alexander Public Speaker
  • Jimmy Duck Holmes Guitar
  • James Andrews Singer
  • Hercules Gomes São Paulo
  • Alessandro Penezzi Choro
  • Jaques Morelenbaum Cello
  • Ênio Bernardes Brasil, Brazil
  • Richie Pena Programmer
  • Paulinho do Reco Brazil
  • Nana Nkweti Africa
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Wolfgang Muthspiel Jazz
  • Keita Ogawa Pandeiro
  • David Hepworth Podcaster
  • Colm Tóibín Literary Critic
  • Glória Bomfim Bahia
  • Jack Talty Concertina
  • Joshua Redman Composer
  • Jan Ramsey Culture Journalist
  • Chris Dingman Jazz
  • Karim Ziad Drums
  • Duane Benjamin Arranger
  • John Patitucci Bass Instruction
  • César Camargo Mariano MPB
  • Mauro Senise Choro
  • Musa Okwonga Poet
  • Itamar Vieira Júnior Journalist
  • Jimmy Dludlu Composer
  • Fábio Zanon São Paulo
  • Cécile Fromont Martinique
  • Dave Holland Composer
  • James Andrews Second Line
  • Eric Galm Trinity College Faculty
  • Parker Ighile Africa
  • MonoNeon Bass
  • Linda Sikhakhane South Africa
  • Zakir Hussain Indian Classical Music
  • Helado Negro Sound Installations
  • Ricardo Herz Brazilian Jazz
  • Liberty Ellman Composer
  • Imani Winds Classical Music
  • Horacio Hernández Percussion
  • Mohamed Diab Filmmaker
  • Thiago Trad Bateria, Drums
  • Super Chikan Blues
  • Otmaro Ruiz Los Angeles
  • Rogê Singer-Songwriter
  • Dee Spencer San Francisco State University Faculty
  • Bai Kamara Jr. Singer-Songwriter
  • Gonzalo Rubalcaba Cuba
  • Miles Mosley Los Angeles
  • Yosvany Terry Percussion
  • Stephen Guerra Arranger
  • Luíz Paixão Ciranda
  • Fred Dantas Samba
  • Luíz Paixão Pernambuco
  • Kyle Poole Jazz
  • Jeffrey Boakye England
  • Echezonachukwu Nduka Classical Music
  • Catherine Bent Jazz
  • Logan Richardson Composer
  • Iuri Passos Percussion
  • Karla Vasquez Los Angeles
  • Alisa Weilerstein Classical Music
  • Dafnis Prieto Afro-Latin Music
  • Tony Allen Composer
  • Léo Rodrigues Côco
  • Jonathan Richter Classical Guitar
  • Joachim Cooder Americana
  • Hendrik Meurkens New York City
  • Joshua White San Diego, California
  • Carlos Henriquez Latin Jazz
  • Gilson Peranzzetta Accordion
  • Jeff Tang Brooklyn, NY
  • Marisa Monte Brazil
  • Carol Soares Brazil
  • Arismar do Espírito Santo Composer
  • Derrick Adams Sculptor
  • Christian McBride Jazz
  • Joel Guzmán Accordion
  • Elodie Bouny Composer
  • Papa Mali Singer-Songwriter
  • Avishai Cohen אבישי כה Singer
  • Saileog Ní Cheannabháin Raelach Records
  • Luis Delgado Qualtrough San Francisco
  • Ry Cooder Writer
  • Bobby Sanabria New School for Jazz and Contemporary Music Faculty
  • Jeremy Danneman Saxophone
  • Walmir Lima Samba
  • Marilda Santanna Escritora, Writer
  • Abhijith P. S. Nair India
  • Nana Nkweti Writer
  • Luciano Calazans Bahia
  • Tomoko Omura Violin
  • Sara Gazarek Singer
  • Parker Ighile Contemporary R&B
  • Bob Lanzetti Educator
  • Edil Pacheco Singer
  • Beeple Short Films
  • Issa Malluf Udu
  • Cássio Nobre Viola Brasileira
  • Jason Parham Publisher
  • André Mehmari MPB
  • Michael Doucet Accordion
  • James Strauss Classical Music
  • H.L. Thompson Apparel & Fashion
  • Natalia Contesse Chilean Folk Music
  • Malin Fezehai Brooklyn, NY
  • Sabine Hossenfelder Frankfurt Institute for Advanced Studies
  • Gringo Cardia Architect
  • Joel Best 3D Artist
  • Anat Cohen Choro
  • Restaurante Axego Pelourinho
  • Grant Rindner Writer
  • Lizz Wright Singer
  • Garth Cartwright Journalist
  • Eduardo Kobra São Paulo
  • Gino Sorcinelli Journalist
  • Jill Scott Jazz
  • Magda Giannikou New York City
  • Larry McCray Blues
  • Adriene Cruz Tapestry Crochet
  • Congahead Jazz
  • Emily Elbert Folk Funk Jazz Blues
  • Varijashree Venugopal Singer
  • Orlando 'Maraca' Valle Flute
  • Gabriel Policarpo Percussion
  • Adriano Souza Samba
  • Jeff Coffin Vanderbilt University Blair School of Music Faculty
  • Mário Pam Bahia
  • Andrew Huang YouTuber
  • Kenny Garrett Multi-Cultural
  • Fábio Luna Samba
  • Thana Alexa Jazz
  • Bright Red Dog Ropeadope
  • Alexa Tarantino Jazz
  • Demond Melancon Black Masker
  • Masao Fukuda Guitar
  • Orrin Evans Piano
  • Vincent Herring Composer
  • Miguel Atwood-Ferguson DJ
  • Goran Krivokapić Montenegro
  • Luis Paez-Pumar Editor
  • Aaron Parks Composer
  • Diosmar Filho Salvador
  • Hank Roberts Vocalist
  • Lizz Wright Chicago, Illinois
  • Kevin Hays Singer-Songwriter
  • Cédric Villani Mathematics
  • Cassie Kinoshi Composer
  • David Binney Record Producer
  • Nilze Carvalho Rio de Janeiro
  • Nilze Carvalho Cavaquinho
  • Angel Deradoorian Music Producer
  • Doug Adair Country
  • The Umoza Music Project African Music
  • Cédric Villani France
  • Jared Sims Funk
  • David Castillo Opera
  • Martin Fondse Amsterdam
  • Marcelinho Oliveira Brazil
  • Tom Green Contemporary Classical Music
  • David Greely Cajun Fiddle
  • Frank Beacham Storyteller
  • Andrew Finn Magill Forró
  • Ben Allison Music Writer
  • Tom Bergeron Brazilian Jazz
  • Arto Lindsay Brazil
  • Monk Boudreaux Louisiana
  • Lina Lapelytė Composer
  • Jerry Douglas Nashville, Tennessee
  • Michael League Bandleader
  • Jane Ira Bloom Jazz
  • Larisa Wiegant Utrecht
  • Stephanie Jones Classical Guitar
  • Edsel Gomez Jazz
  • Nara Couto MPB
  • Gringo Cardia Rio de Janeiro
  • Caoimhín Ó Raghallaigh Irish Traditional Music
  • Juliana Ribeiro Brazil
  • Monk Boudreaux Mardi Gras Indian
  • Jan Ramsey Jazz
  • Ivan Bastos Salvador
  • Mauro Senise Flute
  • Justin Brown Jazz
  • Yelaine Rodriguez Wearable Art
  • VJ Gabiru Videógrafo, Videographer
  • Arismar do Espírito Santo Multi-Instrumentalist
  • Shanequa Gay Southern Black Tradition
  • Jazzmeia Horn Singer-Songwriter
  • Babau Santana Pandeiro
  • Gabrielzinho do Irajá Rio de Janeiro
  • Filhos da Pitangueira Samba
  • Alyn Shipton Jazz Historian
  • Gabriel Grossi Composer
  • Roberto Fonseca Havana
  • Vivien Schweitzer Music Critic
  • Taylor McFerrin Multi-Instrumentalist
  • Anoushka Shankar Piano
  • Harish Raghavan Bass
  • Jane Ira Bloom Multi-Cultural
  • Mário Santana Candomblé
  • Yuja Wang Piano
  • Capinam Poeta, Poet
  • Rob Garland Guitar
  • Tarus Mateen New York City
  • Arto Tunçboyacıyan Armenian Folk Music
  • Nelson Cerqueira Bahia
  • J. Cunha Cenógrafo, Scenographer
  • Henrique Cazes Tenor Guitar
  • Daedelus DJ
  • James Sullivan Music Critic
  • Dwayne Dopsie New Orleans
  • Jill Scott Poet
  • Stormzy Rapper
  • Demond Melancon New Orleans
  • Joanna Majoko Singer-Songwriter
  • Third Coast Percussion Chicago, Illinois
  • Alexa Tarantino Jazz at Lincoln Center Faculty
  • Mickalene Thomas Painter
  • Academia de Música do Sertão Brasil, Brazil
  • Brett Orrison Record Label Owner
  • Leela James Blues
  • Sharita Towne Multidisciplinary Artist
  • Joshua Abrams Bass
  • Alana Gabriela Bahia
  • LaTasha Lee R&B
  • Kehinde Wiley Portrait Painter
  • Ron Carter Educator
  • James Poyser Record Producer
  • Romero Lubambo Brazil
  • Dónal Lunny Bouzouki
  • Donnchadh Gough Uilleann Pipes
  • Charles Munka Painter
  • André Becker Orquestra Sinfônica da Bahia
  • Tonynho dos Santos Música Afro-Baiana, Afro-Bahian Music
  • Sérgio Pererê Actor
  • Ivan Lins Singer-Songwriter
  • Jaques Morelenbaum Brazil
  • Derek Sivers Writer
  • Adonis Rose New Orleans
  • Mika Mutti MPB
  • Jocelyn Ramirez Author
  • Rodrigo Caçapa Percussion
  • Alain Mabanckou UCLA Faculty
  • Congahead Photographer
  • Gonzalo Rubalcaba Havana
  • Lucinda Williams Singer-Songwriter
  • H.L. Thompson Brazil
  • Marcus Gilmore Drums
  • Yvette Holzwarth Violin
  • Paulinho da Viola Singer-Songwriter
  • Adam Rogers New York City
  • Renell Medrano New York City
  • Betão Aguiar Rio de Janeiro
  • David Hoffman YouTuber
  • María Grand R&B
  • Rudresh Mahanthappa Saxophone
  • Carla Visi Singer
  • Jared Sims Flute
  • Alan Bishop Bass
  • Betão Aguiar Bass
  • Nathan Amaral Violin
  • Amitava Kumar Screenwriter
  • Lakecia Benjamin Saxophone
  • Walter Blanding Clarinet
  • Mariana Zwarg Saxophone
  • Spider Stacy New Orleans
  • Paulo Costa Lima Compositor, Composer
  • Luizinho do Jêje Candomblé
  • Daru Jones Drums
  • Pat Metheny Jazz
  • Bill Callahan Austin, Texas
  • Jay Blakesberg Photographer
  • Béco Dranoff DJ
  • Ajurinã Zwarg Rio de Janeiro
  • David Chesky Jazz
  • Mariana Zwarg Flute
  • Jean-Paul Bourelly Guitar
  • Ajurinã Zwarg Choro
  • Del McCoury Old-Time Music
  • Nelson Latif Choro
  • Caridad De La Luz Playwright
  • MonoNeon Experimental Music
  • Michael League Bass
  • João Parahyba Brazil
  • George Garzone Saxophone
  • Martyn House
  • Lucian Ban Jazz
  • Cláudio Badega Salvador
  • Marko Djordjevic Jazz
  • Brian Jackson Flute
  • Seckou Keita Kora
  • Jorge Washington Brazil
  • Leo Genovese Argentina
  • Miles Mosley Singer
  • Wilson Simoninha Brazil
  • Ivan Bastos Baixo, Bass
  • Lakecia Benjamin Ropeadope
  • John McLaughlin Jazz Fusion
  • Dale Farmer Screenwriter
  • Rogê MPB
  • Margareth Menezes Guitar
  • Daymé Arocena Havana
  • Luis Perdomo New York City
  • Alessandro Penezzi Brazil
  • Fábio Zanon Royal Academy of Music Visiting Professor
  • Thiago Amud Brazil
  • Danilo Caymmi Record Producer
  • Musa Okwonga Podcaster
  • Carlos Malta Brazil
  • Trilok Gurtu Percussion
  • David Virelles Piano
  • Nath Rodrigues Multi-Instrumentalist
  • Paulo César Figueiredo Jornalista, Journalist
  • Molly Tuttle Nashville, Tennessee
  • Ron Mader Writer
  • Seu Jorge Singer-Songwriter
  • Etan Thomas Basketball
  • Johnny Vidacovich Jazz
  • Donna Leon Writer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share