Salvador Bahia Brazil Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Peter Mulvey
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Peter Mulvey
  • City/Place: Milwaukee, Wisconsin
  • Country: United States

Life & Work

  • Bio: Peter Mulvey has been a songwriter, road-dog, raconteur and almost-poet since before he can remember. Raised working-class Catholic on the Northwest side of Milwaukee, he took a semester in Ireland, and immediately began cutting classes to busk on Grafton Street in Dublin and hitchhike through the country, finding whatever gigs he could. Back stateside, he spent a couple years gigging in the Midwest before lighting out for Boston, where he returned to busking (this time in the subway) and coffeehouses. Small shows led to larger shows, which eventually led to regional and then national and international touring. The wheels have not stopped since.

    Nineteen records, an illustrated book, thousands of live performances, a TEDx talk, a decades-long association with the National Youth Science Camp, opening for luminaries such as Ani DiFranco, Emmylou Harris, and Chuck Prophet, appearances on NPR, an annual autumn tour by bicycle, emceeing festivals, hosting his own boutique festival (the Lamplighter Sessions, in Boston and Wisconsin)… Mulvey never stops. He has built his life’s work on collaboration and an instinct for the eclectic and the vital. He folds everything he encounters into his work: poetry, social justice, scientific literacy, & a deeply abiding humanism are all on plain display in his art.

    In late January 2019, Mulvey and his band, SistaStrings (Chauntee & Monique Ross) with Nathan Kilen on drums, decamped to their home turf, the Cafe Carpe, in Fort Atkinson, WI where they spent just five days making two records in the tiny back room. The live record, “Peter Mulvey with SistaStrings Live at the Cafe Carpe” is out now on Righteous Babe Records. It’s a celebration of a world that is temporarily on hold: a small folk club, packed with listeners, and a band shoulder-to-shoulder, playing and singing with intimacy and abandon.

    The other shoe, “Shenandoah” a studio album about love and family in the midst of a dying empire, will drop in early 2021, provided there is still a republic within which to drop it.

Contact Information

  • Email: [email protected]
  • Management/Booking: Steven Foxbury, Yellow Couch Management
    412.728.2916
    [email protected]

    Booking - USA
    Susie Giang, Ground Control Touring
    734.262.3454
    [email protected]
    Assistant: George Potter, Ground Control Touring
    [email protected]

    Booking – Continental Europe
    Joanna Serraris
    Musemix (NL)
    +31 (0)70 338 8708
    [email protected]
  • Record Company: Righteous Babe Records
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.petermulvey.com/store
  • ▶ Buy My Vinyl: http://www.petermulvey.com/store
  • ▶ Buy My Merch: http://www.petermulvey.com/store
  • ▶ Book Purchases: http://www.petermulvey.com/store
  • ▶ Twitter: PeterMulvey43
  • ▶ Instagram: petermulvey43
  • ▶ Website: http://www.petermulvey.com
  • ▶ YouTube Channel: http://www.youtube.com/user/petermulvey43/videos
  • ▶ YouTube Music: http://music.youtube.com/channel/UC6iY_OAka3HNLB8n5b2XLgA
  • ▶ Spotify: http://open.spotify.com/album/6PxVagudUXGBHXN7KEp2Dv
  • ▶ Spotify 2: http://open.spotify.com/album/4gZWiYn7UNmIwsUVaR0DVT
  • ▶ Spotify 3: http://open.spotify.com/album/1WM2fUMYyGrAEuutfJiCwE
  • ▶ Spotify 4: http://open.spotify.com/album/0xbqCY7xk2LePcowJHEj36
  • ▶ Spotify 5: http://open.spotify.com/album/4ujP2U18bvRfAUa5wrSKyX
  • ▶ Spotify 6: http://open.spotify.com/album/7AjkcBiPZ4AAvhzU25MFNw

Clips (more may be added)

  • 5:31
    Shenandoah
    By Peter Mulvey
    28 views
  • 4:12
    Peter Mulvey & SistaStrings: Are You Listening?
    By Peter Mulvey
    15 views
  • 0:18:43
    Peter Mulvey - Full Session - 3/24/2017 - Paste Studios - New York, NY
    By Peter Mulvey
    16 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Peter Mulvey:

  • 0 Americana
  • 0 Folk & Traditional
  • 0 Guitar
  • 0 Milwaukee, Wisconsin
  • 0 Singer-Songwriter
  • Jorge Pita Candomblé
  • David Castillo New Orleans
  • Chico Buarque Rio de Janeiro
  • Chris Cheek Composer
  • Peter Dasent Television Scores
  • J. Velloso Songwriter
  • Amit Chatterjee Multi-Cultural
  • Tab Benoit Record Label Owner
  • Armen Donelian Composer
  • Oscar Peñas New York City
  • Jurandir Santana Bahia
  • Otto Brazil
  • Mavis Staples Gospel
  • Roots Manuva Singer-Songwriter
  • Larissa Luz MPB
  • Ajurinã Zwarg Drums
  • Leo Nocentelli Songwriter
  • Susana Baca Ethnomusicologist
  • Igor Osypov Ukraine
  • Calida Rawles Los Angeles
  • Garth Cartwright Music Critic
  • Fantastic Negrito Singer-Songwriter
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Ron Blake New York City
  • Welson Tremura Guitar
  • Marcel Powell MPB
  • Rachael Price Tin Pan Alley
  • D.D. Jackson Composer
  • Cory Henry Organ
  • Rudy Royston Composer
  • Dave Smith Alternative, Improv
  • Luciana Souza Brazilian Jazz
  • Alex de Mora Photographer
  • Oteil Burbridge Jazz
  • Endea Owens Bass
  • Arthur Jafa Cinematographer
  • Ry Cooder Singer-Songwriter
  • Christopher James Musicologist
  • Riley Baugus Singer
  • Bright Red Dog Improvising Collective
  • Pallett Tehran
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • Alexandre Gismonti Belo Horizonte
  • Guto Wirtti Rio de Janeiro
  • Armandinho Macêdo Brazil
  • Vincent Valdez Printmaker
  • Shuya Okino Radio Presenter
  • Roy Ayers Composer
  • Michael Kiwanuka London
  • Júlio Caldas Compositor, Songwriter
  • Oded Lev-Ari Composer
  • Curtis Hasselbring Guitar
  • Tigran Hamasyan Armenian Folk Music
  • James Sullivan Journalist
  • MicroTrio de Ivan Huol Carnaval, Carnival
  • Teodor Currentzis Classical Music
  • María Grand R&B
  • Miguel Atwood-Ferguson Multi-Instrumentalist
  • Yilian Cañizares Ecole de Jazz et de Musique Actuelle Faculty
  • Congahead Video Producer
  • Lula Galvão MPB
  • Orlando Costa Percussion
  • Alicia Keys Author
  • Lívia Mattos Salvador
  • Edgar Meyer Classical Music
  • Issac Delgado Timba
  • Mauro Senise Brazil
  • Immanuel Wilkins Composer
  • Deesha Philyaw Columnist
  • Mateus Aleluia Filho Brasil, Brazil
  • Julia Alvarez Dominican Republic
  • William Parker Poet
  • Milford Graves Composer
  • Jason Reynolds Poet
  • Kermit Ruffins Singer
  • Jau Bahia
  • Sombrinha Samba
  • Elif Şafak Novelist
  • Brigit Katz Writer
  • Wouter Kellerman Flute
  • Hermeto Pascoal Composer
  • Celso Fonseca Songwriter
  • Richie Stearns Banjo
  • Taj Mahal Singer-Songwriter
  • Liron Meyuhas Tel Aviv
  • Abderrahmane Sissako Film Director
  • Swami Jr. Violão de Sete
  • Arthur L.A. Buckner YouTuber
  • Run the Jewels Hip-Hop
  • Wynton Marsalis Jazz
  • Tom Bergeron Bossa Nova
  • Muireann Nic Amhlaoibh Piano
  • Anat Cohen Brazilian Music
  • Evgeny Kissin Piano
  • Greg Kot Writer
  • Lucinda Williams Country
  • Jill Scott Actor
  • Edu Lobo Rio de Janeiro
  • Yasushi Nakamura New York City
  • Warren Wolf Drums
  • Paulo Dáfilin Arranger
  • Colson Whitehead Essayist
  • Colson Whitehead Short Stories
  • Mahsa Vahdat Tehran
  • Chris Boardman University of Miami Frost School of Music Faculty
  • Zachary Richard Singer-Songwriter
  • Stephen Guerra Brazilian Classical Guitar
  • Kris Davis Jazz
  • Angelique Kidjo Multi-Cultural
  • John Zorn Record Label Owner
  • Lucio Yanel Composer
  • Nancy Ruth Multi-Cultural
  • Mou Brasil Música Afro-Baiana, Afro-Bahian Music
  • Shannon Ali New York City
  • Jorge Pita Brazil
  • Little Simz Rapper
  • Oscar Bolão Rio de Janeiro
  • Joana Choumali Multimedia Artist
  • Colson Whitehead Novelist
  • Beats Antique World Fusion
  • Rosa Passos Bossa Nova
  • Ken Coleman Writer
  • Tonynho dos Santos Bahia
  • Muireann Nic Amhlaoibh Television Presenter
  • Raymundo Sodré Bahia
  • Stanton Moore Funk
  • Ivan Neville Singer-Songwriter
  • Billy O'Shea Ireland
  • Luques Curtis Bass
  • Mateus Asato Songwriter
  • Marcus Teixeira Brazil
  • Roque Ferreira Samba
  • Sam Yahel Hammond B-3
  • Allen Morrison Music Journalist
  • Etienne Charles Composer
  • Robb Royer Country
  • Lívia Mattos Bahia
  • Carl Joe Williams Sculptor
  • Christopher James Musicologist
  • Amaro Freitas Jazz
  • Herbie Hancock Keyboards
  • Biréli Lagrène Manouche
  • Mavis Staples R&B
  • H.L. Thompson Hip-Hop
  • Zara McFarlane Jazz
  • Ajurinã Zwarg Brazil
  • Orrin Evans Record Label Owner
  • Tommaso Zillio Metal
  • Jon Batiste Classical Music
  • Colson Whitehead New York City
  • Dan Tepfer Composer
  • Simon Shaheen Arabic Music
  • Liz Pelly Writer
  • Dan Trueman New Instrument Creator
  • Mateus Aleluia Filho Trompete, Trumpet
  • Alita Moses Singer-Songwriter
  • Cassandra Osei University of Illinois PhD Candidate
  • Matt Ulery Multi-Cultural
  • Chief Xian aTunde Adjuah Trumpet
  • Stephen Guerra Choro
  • Caroline Shaw Record Producer
  • Alex Clark Director
  • Ken Coleman Black American Culture & History
  • Turíbio Santos Rio de Janeiro
  • Kalani Pe'a Singer-Songwriter
  • Paulinho do Reco Samba
  • Peter Evans Experimental Music
  • Jonga Cunha Record Producer
  • Babau Santana Samba
  • Taylor Ashton Brooklyn, NY
  • Anoushka Shankar Film Scores
  • Bebê Kramer Composer
  • Gevorg Dabaghyan Armenian Folk Music
  • D.D. Jackson Conservatory of Music at Brooklyn College Faculty
  • Paquito D'Rivera Author
  • Colson Whitehead Literary Critic
  • Dan Weiss Avant-Garde Jazz
  • Vanessa Moreno Brazilian Jazz
  • Chelsea Kwakye UK
  • Rogério Caetano Brazil
  • Ray Angry Songwriter
  • Isaiah J. Thompson Composer
  • Los Muñequitos de Matanzas Rumba
  • Marcus Miller Composer
  • Tom Schnabel Radio Presenter
  • Raymundo Sodré Salvador
  • Júlio Caldas Viola Machete
  • Carlos Henriquez Northwestern University Faculty
  • Camille Thurman New York City
  • Taylor McFerrin Record Producer
  • Siba Veloso Maracatu
  • Cashmere Cat Record Producer
  • Nicolas Krassik Rio de Janeiro
  • Thiago Espírito Santo Educador, Educator
  • Christone 'Kingfish' Ingram Singer
  • Sarz Hip-Hop
  • Ênio Bernardes Brasil, Brazil
  • Meshell Ndegeocello Jazz, Funk, R&B, Soul, Hip-Hop, Reggae
  • David Fiuczynski Composer
  • Nettrice R. Gaskins Lesley University Faculty
  • Steve Coleman Composer
  • Alegre Corrêa Composer
  • Serginho Meriti Composer
  • Thundercat Multi-Instrumentalist
  • Imanuel Marcus War Correspondent
  • Teresa Cristina Singer
  • Guillermo Klein Piano
  • Jack Talty Raelach Records
  • Masao Fukuda Yokahama
  • Maria Rita Singer
  • Carla Visi Bahia
  • Ben Allison Radio Program Scores
  • Renee Rosnes Composer
  • Anna Webber Saxophone
  • Terell Stafford Trumpet
  • Darren Barrett Composer
  • Ronell Johnson Brass Band
  • Las Cafeteras Afro-Mexican Music
  • Bertram Educator
  • Spider Stacy Singer-Songwriter
  • Louis Marks Writer
  • David Greely Louisiana
  • Magda Giannikou Composer
  • Lizz Wright Blues
  • Magary Lord Semba
  • David Kirby Non-Fiction
  • Dezron Douglas New York City
  • Awadagin Pratt University of Cincinnati College-Conservatory of Music Faculty
  • Igor Osypov Composer
  • Carol Soares Singer
  • James Gavin Writer
  • Seth Swingle Folk & Traditional
  • Marcelo Caldi Choro
  • Silas Farley Ballet
  • Cláudio Badega Bahia
  • Jill Scott R&B
  • Linda Sikhakhane Saxophone
  • Wayne Escoffery Yale Faculty
  • Yasushi Nakamura Japan
  • Tommy Peoples Ireland
  • John Patitucci Jazz
  • Vivien Schweitzer Writer
  • Marc-André Hamelin Piano
  • Muhsinah Singer-Songwriter
  • Shankar Mahadevan Composer
  • Zara McFarlane Guitar
  • Joshua Abrams Guimbri
  • Zachary Richard Zydeco
  • Jill Scott Singer-Songwriter
  • Devin Naar Jewish Studies
  • Musa Okwonga Writer
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Marc-André Hamelin Classical Music
  • David Bragger Banjo
  • Jane Ira Bloom Composer
  • Eamonn Flynn R&B
  • Leonardo Mendes São Paulo
  • Armen Donelian Piano
  • Juliana Ribeiro Brazil
  • Lianne La Havas Singer-Songwriter
  • Pururu Mão no Couro Brasil, Brazil
  • Brian Blade Jazz
  • Rob Garland Jazz, Funk
  • Musa Okwonga Podcaster
  • Arthur Verocai Rio de Janeiro
  • Yacouba Sissoko Kora
  • Emicida Singer-Songwriter
  • Michelle Mercer Writer
  • Itamar Vieira Júnior Brazil
  • Rosângela Silvestre Bahia
  • Rogério Caetano Guitar
  • Jorge Ben Sambalanço
  • Stan Douglas Installation Artist
  • Ned Sublette Musicologist
  • Richard Rothstein Historian
  • Marc Ribot Free Jazz
  • Joanna Majoko Zimbabwe
  • Julien Libeer Belgium
  • Paulo Costa Lima Bahia
  • Thiago Espírito Santo MPB
  • Antibalas Afrobeat
  • Carwyn Ellis Samba
  • Gerald Clayton Los Angeles
  • Robertinho Silva MPB
  • Robby Krieger Singer-Songwriter
  • Shuya Okino Radio Presenter
  • Geraldine Inoa Television Writer
  • Şener Özmen Poet
  • James Brandon Lewis Jazz
  • Mika Mutti Multi-Instrumentalist
  • Caterina Lichtenberg Hochschule für Musik und Tanz Köln
  • Yuja Wang Piano
  • Ryan Keberle Hunter College Faculty
  • Mariana Zwarg Brazil
  • Mokhtar Samba Drums
  • Gui Duvignau Brazilian Jazz
  • Saul Williams Singer-Songwriter
  • Guilherme Kastrup Brazil
  • Rosa Passos Samba
  • MonoNeon Funk
  • Makaya McCraven Jazz
  • Regina Carter Multi-Cultural
  • Sunna Gunnlaugs Jazz
  • Michael Doucet Cajun Music
  • Zakir Hussain Multi-Cultural
  • Michael Olatuja New York City
  • Yo La Tengo Hoboken, New Jersey
  • John Boutté Singer
  • Sebastian Notini Brasil, Brazil
  • Rosa Cedrón Singer
  • Lalah Hathaway Soul
  • Zebrinha Diretor Artístico, Artistic Director
  • Martin Hayes Ireland
  • Francisco Mela Percussion
  • Shirazee New York City
  • Vanessa Moreno Guitar
  • Bobby Sanabria Afro-Cuban Jazz
  • Marco Pereira Brazil
  • Marcus Miller Record Producer
  • Ron Carter Author
  • Scotty Apex Rapper
  • Keola Beamer Slack Key Guitar
  • Arto Tunçboyacıyan Multi-Cultural
  • Lauranne Bourrachot Paris
  • Casa Preta Local de Música ao Vivo, Live Music Venue
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Babau Santana Percussão, Percussion
  • Amilton Godoy Brazil
  • Daedelus Berklee College of Music Faculty
  • Rahim AlHaj Baghdad
  • Alexandre Vieira Brasil, Brazil
  • H.L. Thompson Music Consultant
  • Mário Pam Bahia
  • Rita Batista Brasil, Brazil
  • Linda May Han Oh Double Bass
  • Juliana Ribeiro MPB
  • David Sánchez Saxophone
  • Mark Bingham New Orleans
  • Xenia França São Paulo
  • Nate Smith Drums
  • Bobby Sanabria New York City
  • Emily Elbert Folk Funk Jazz Blues
  • Domingos Preto Chula
  • Bruce Williams Jazz
  • Savoy Family Cajun Band Louisiana
  • Kermit Ruffins Jazz
  • Marcus Gilmore Drums
  • Flavio Sala Guitar Instruction, Master Classes
  • Daniel Jobim Brazilian Jazz
  • Ariane Astrid Atodji Africa

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share