Ivo Perelman - MATRIX

Ivo Perelman
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Name: Ivo Perelman
City/Place: Brooklyn, NY
Country: United States
Hometown: São Paulo, Brazil

Life & Work

Bio: Born in 1961 in São Paulo, Brazil, Perelman was a classical guitar prodigy who tried his hand at many other instruments – including cello, clarinet, and trombone – before gravitating to the tenor saxophone. His initial heroes were the cool jazz saxophonists Stan Getz and Paul Desmond. But although these artists’ romantic bent still shapes Perelman’s voluptuous improvisations, it would be hard to find their direct influence in the fiery, galvanic, iconoclastic solos that have become his trademark.

Moving to Boston in 1981, to attend Berklee College of Music, Perelman continued to focus on mainstream masters of the tenor sax, to the exclusion of such pioneering avant-gardists as Albert Ayler, Peter Brötzmann, and John Coltrane (all of whom would later be cited as precedents for Perelman’s own work). He left Berklee after a year or so and moved to Los Angeles, where he studied with vibraphonist Charlie Shoemake, at whose monthly jam sessions Perelman discovered his penchant for post-structure improvisation: “I would go berserk, just playing my own thing,” he has stated.

Emboldened by this approach, Perelman began to research the free-jazz saxists who had come before him. In the early 90s he moved to New York, a far more inviting environment for free-jazz experimentation, where he lives to this day. His discography comprises more than 50 recordings, with a dozen of them appearing since 2010, when he entered a remarkable period of artistic growth – and “intense creative frenzy,” in his words. Many of these trace his rewarding long-term relationships with such other new-jazz visionaries as pianist Matthew Shipp, bassists William Parker, guitarist Joe Morris, and drummer Gerald Cleaver.

Critics have lauded Perelman’s no-holds-barred saxophone style, calling him "one of the great colorists of the tenor sax” (Ed Hazell in the Boston Globe); “tremendously lyrical” (Gary Giddins); and “a leather-lunged monster with an expressive rasp, who can rage and spit in violence, yet still leave you feeling heartbroken” (The Wire). Since 2011, he has undertaken an immersive study in the natural trumpet, an instrument popular in the 17th century, before the invention of the valve system used in modern brass instruments; his goal is to achieve even greater control of the tenor saxophone’s altissimo range (of which he is already the world’s most accomplished practitioner).

Perelman is also a prolific and noted visual artist, whose paintings and sketches have been displayed in numerous exhibitions while earning a place in collections around the world.

IVO PERELMAN (VISUAL ARTIST)

The natural affinity of music and visual art has rarely ever been expressed as vividly as in the visual imagery created by noted jazz saxophonist, Ivo Perelman. Born 12/01/1961 in Sao Paulo, Brazil, he came to the United States in 1981 to pursue a musical career. He has performed to great acclaim in jazz festivals and concerts around the world and has recorded 52 CDs. His music, a unique form of free jazz, translates itself into the striking Abstract Expressionism of his painted imagery. Just as his music evolves out of his liberation from musical convention, his imagery dispenses with traditional artistic conventions and expresses the raw energy which creates each painting.

The intense flows and abrupt breaks of sound which emerge from his saxophone are reborn as zigzagging lines of color, splashed on canvas. Some of his paintings are full of agitated energy, while others are more lyrical, creating a visual moment of near silence. Instead of working from a preconceived artistic idea, Perelman lets the flowing, skittering, dancing paint lead him on. Each painting is like a performance, a set of actions in time which can happen in that particular way only once, embodying the sound of his music through the stroke of the paint brush. The notes become vibrant colors and the rhythm transcends into shape. He passionately unravels the most vivid emotions, whether playing the saxophone or approaching the canvas.

There are no limits or restraints as his method of expression relies not on planning but solely on the flow of feelings. His desire for painting stems from the depths of his soul with the ardent yearnings.

Although largely known for his playing of the tenor saxophone, Perelman also plays piano, clarinet, cello and recorder and is a trained classical guitar player. Perelman made an immediate impression with his 1989 debut Ivo, and his subsequent work has continued to justify his critical status as one of the most important and distinctive tenor saxophone voices of recent years. His vigorous performing style has brought comparisons with John Coltrane, Albert Ayler, David Murray and, perhaps inevitably, Gato Barbieri.

An air of invigorating fun surrounds some of Perelman's music, especially when working with Latin-tinged material. Elsewhere, his enthusiasm seems at times to overwhelm his surroundings and it takes equally dominant musicians to contain him and, as a result, raise the standards of performances to sometimes breathtaking heights.

Perelman has worked with players including, Paul Bley, Don Pullen, Joanne Brackeen, Geri Allen, Matthew Shipp, Eliane Elias, Rashied Ali, Billy Hart, Andrew Cyrille, Jay Rosen, Ramon Lopez, Peter Erskine, Airto Moreira, Mino Cinelu, Flora Purim, Nana Vasconcelos, Reggie Workman, Dominic Duval, Paul Rodgers, John Patitucci, William Parker, Louis Sclavis and Elton Dean.

From articles by Eleanor Heartney, New York City based art critic and contributing editor to Art in America, and from www.theiceberg.com

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