Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • John Patrick Murphy
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: John Patrick Murphy
  • City/Place: Denton, Texas
  • Country: United States

Life & Work

  • Bio: John Patrick Murphy is a button accordion player, saxophonist, writer & academic, crisscrossing jazz, Irish music, Brazilian music and more.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Book Purchases: http://global.oup.com/academic/product/global-music-cultures-9780190643645
  • ▶ Book Purchases 2: http://global.oup.com/academic/product/music-in-brazil-9780195166842
  • ▶ Website: http://sites.google.com/view/music-in-brazil
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCF6f3Jdya1QklZv8TV6x3fQ

My Writing

  • Publications: My chapter "Music in Brazil: Samba, A Symbol of National Identity," has just been published in Global Music Cultures: An Introduction to World Music, edited by Bonnie C. Wade and Patricia Shehan Campbell (Oxford University Press, 2021).

Clips (more may be added)

  • 0:07:59
    John Murphy sits in with Arlindo dos Oito Baixos May 2001
    By John Patrick Murphy
    84 views
  • 0:41:20
    Cavalo marinho de Mestre Salustiano 24 de junho 1989 1/3
    By John Patrick Murphy
    119 views
  • 0:28:50
    Cavalo marinho de Mestre Salustiano 24 de junho 1989 2/3
    By John Patrick Murphy
    105 views
  • 0:24:39
    Cavalo marinho de Mestre Salustiano 24 de junho 1989 3/3
    By John Patrick Murphy
    99 views
  • 1:50
    Sulcagem manual de cana-de-açúcar 1 julho 1991
    By John Patrick Murphy
    118 views
  • 0:32:20
    Mestre Salustiano com Joaquim Felipe 14 julho 1991 1/3
    By John Patrick Murphy
    91 views
  • 0:27:42
    Mestre Salustiano com Joaquim Felipe 14 julho 1991 2/3
    By John Patrick Murphy
    90 views
  • 0:30:40
    Mestre Salustiano com Joaquim Felipe 14 julho 1991 3/3
    By John Patrick Murphy
    111 views
  • 0:07:18
    Mestre Salustiano com jornalistas 8 jan 1991
    By John Patrick Murphy
    95 views
  • 0:26:38
    Cavalo marinho de Mestre Inácio 6 jan 1991 1/3
    By John Patrick Murphy
    92 views
  • 0:35:24
    Cavalo marinho de Mestre Inácio Lucindo 6 jan 1991 2/3
    By John Patrick Murphy
    93 views
  • 0:37:37
    Cavalo marinho de Mestre Inácio 6 jan 1991 3/3
    By John Patrick Murphy
    104 views
  • 0:10:04
    Bumba-meu-boi de Antonio Ângelo 5 jan 91
    By John Patrick Murphy
    138 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending John Patrick Murphy:

  • 1 Accordion
  • 1 Author
  • 1 Brazilian Music
  • 1 Ethnomusicologist
  • 1 Forró
  • 1 Irish Traditional Music
  • 1 Jazz
  • 1 Pernambuco
  • 1 Sanfona
  • 1 Saxophone

Nodes below are randomly generated. Reload for a different stack.

  • Jared Sims Ropeadope
  • Iroko Trio Brazil
  • Arto Tunçboyacıyan Armenian Folk Music
  • Juçara Marçal Brazil
  • Gabriel Grossi Choro
  • Damion Reid R&B
  • Wayne Krantz Guitar Instruction
  • Garvia Bailey Arts Journalist
  • Masao Fukuda Yokahama
  • Mestre Nenel Bahia
  • Quatuor Ebène Classical Music
  • Marquis Hill Composer
  • Munir Hossn Composer
  • Kotringo Singer-Songwriter
  • Quincy Jones Composer
  • Cut Worms Brooklyn, NY
  • Leandro Afonso Screenwriter
  • Alicia Svigals New York City
  • Giveton Gelin Bahamas
  • Curly Strings Estonia
  • Merima Ključo Balkan Music
  • Dan Weiss Drums
  • Ann Hallenberg Sweden
  • Jason Marsalis New Orleans
  • Johnathan Blake New York City
  • Gabriel Grossi Samba
  • Flying Lotus Songwriter
  • Ashley Page Music Management
  • Mykia Jovan Blues
  • Rob Garland Guitar
  • Marvin Dunn Documentary Filmmaker
  • David Ritz Liner Notes
  • Dafnis Prieto Jazz
  • Ben Allison Film Scores
  • Restaurante Axego Salvador
  • Kenyon Dixon Los Angeles
  • Matt Parker Author
  • Nação Zumbi Maracatu
  • Eric Harland Composer
  • J. Cunha Brasil, Brazil
  • Cristiano Nogueira Travel Writer
  • Paquito D'Rivera Havana
  • Neymar Dias Classical Music
  • Carwyn Ellis Alternative Indie
  • Tiganá Santana Violão, Guitar
  • Amilton Godoy Brazil
  • Priscila Castro Música Afro-Amazônica, Afro-Amazonian Music
  • Terell Stafford Classical Music
  • Luiz Santos Multi-Cultural
  • Itamar Vieira Júnior Novelist
  • Alex Rawls Music, Culture Website Owner, Editor
  • Fapy Lafertin Gypsy Jazz
  • Bob Bernotas Jazz Historian
  • Pururu Mão no Couro Brasil, Brazil
  • Greg Kot Chicago
  • Edivaldo Bolagi Brasil, Brazil
  • Ryuichi Sakamoto Japan
  • Rodrigo Amarante Los Angeles
  • Ta-Nehisi Coates Writer
  • Aruán Ortiz Contemporary Classical Music
  • Jerry Douglas Music Director
  • Del McCoury Bluegrass
  • Anna Mieke Multi-Instrumentalist
  • Psoy Korolenko Псой Короленко Songwriter
  • King Britt Live Producer
  • Perumal Murugan Novelist
  • Shirazee Benin
  • Beth Bahia Cohen Balkan Music
  • Camille Thurman Bass Clarinet
  • Aneesa Strings Singer
  • Jeff Ballard New York City
  • Ajurinã Zwarg Universal Music
  • Dave Jordan New Orleans
  • Kiko Souza Bahia
  • David Binney Saxophone
  • Brandee Younger New School College of Performing Arts Faculty
  • Chris Speed Saxophone
  • Luciano Salvador Bahia Record Producer
  • Ibrahim Maalouf Flugelhorn
  • Musa Okwonga Uganda
  • Ricardo Herz Choro
  • Theon Cross London
  • Mika Mutti Bahia
  • Ronaldo do Bandolim Samba
  • David Castillo Actor
  • Andrés Prado Lima
  • Kiya Tabassian كيا طبسيان Iran
  • Adenor Gondim Brazil
  • Third Coast Percussion Contemporary Classical Music
  • Ben Okri Essayist
  • Jake Oleson Brooklyn, NY
  • Maria Drell Brasil, Brazil
  • Becca Stevens Brooklyn, NY
  • Miles Mosley Bass
  • Raelis Vasquez Dominican Republic
  • Philip Ó Ceallaigh Translator
  • Guga Stroeter Brazil
  • Ellie Kurttz Photographer
  • Moses Boyd Electronic Music
  • Taylor Eigsti Piano
  • Meddy Gerville Composer
  • Bill Hinchberger Educator
  • Luíz Paixão Pernambuco
  • Marc Ribot Free Jazz
  • G. Thomas Allen Singer-Songwriter
  • John Waters Songwriter
  • Horace Bray Experimental, Electronic Music
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • Nelson Ayres São Paulo
  • David Binney Composer
  • Ken Coleman Detroit, Michigan
  • Joanna Majoko Germany
  • Fábio Peron Choro
  • James Gavin New York City
  • David Bruce Multi-Cultural
  • Kiko Souza Salvador
  • João Teoria Ska
  • Willy Schwarz Jewish Music
  • Samba de Lata Samba
  • Paddy Groenland Jazz
  • Nomcebo Zikode House Music
  • Robi Botos Jazz
  • Wilson Simoninha Singer-Songwriter
  • James Martin New Orleans
  • Guga Stroeter Record Producer
  • Ken Coleman Black American Culture & History
  • Isaac Julien Filmmaker
  • Alain Pérez Cuba
  • Jura Margulis Musik und Kunst Privatuniversität der Stadt Wien Faculty
  • Renata Flores Rapper
  • Brandon Seabrook New York City
  • Stuart Duncan Bluegrass
  • Edsel Gomez Puerto Rico
  • OVANA Homemade Instruments
  • Shabaka Hutchings Composer
  • Shuya Okino DJ
  • Oscar Peñas Multi-Cultural
  • Jakub Knera Musical Event Producer
  • Joachim Cooder Keyboards
  • Guinha Ramires Rio Grande do Sul
  • Evgeny Kissin Poet
  • John Santos Puerto Rico
  • Philip Sherburne DJ
  • Zé Katimba Cavaquinho
  • Gui Duvignau Brooklyn, NY
  • Alexandre Leão Brasil, Brazil
  • Michel Camilo Piano
  • Alita Moses New York City
  • Lenna Bahule Singer-Songwriter
  • Luciana Souza Singer
  • Béla Fleck Multi-Cultural
  • Papa Grows Funk New Orleans
  • Darrell Green Drums
  • Dafnis Prieto Afro-Latin Music
  • Jau Salvador
  • Michael Janisch London
  • Nduduzo Makhathini Fort Hare University Faculty
  • Arthur Jafa Sculptor
  • Taylor McFerrin Brooklyn, NY
  • Thiago Espírito Santo Jazz Brasileiro, Brazilian Jazz
  • Mulatu Astatke Ethiopia
  • Uli Geissendoerfer Composer
  • Sandro Albert Record Producer
  • Beeple VR / AR
  • Maria Bethânia Bahia
  • Eamonn Flynn Funk
  • João Luiz Jazz
  • Martin Fondse Film Scores
  • Shuya Okino Music Producer
  • Sérgio Pererê Brazil
  • Dave Douglas Festival Director
  • Alan Bishop Singer-Songwriter
  • Forrest Hylton Writer
  • James Elkington Guitar
  • Steve Coleman Jazz
  • João Camarero Violão de Sete
  • VJ Gabiru Videógrafo, Videographer
  • Berkun Oya Turkey
  • John Donohue New York City
  • Andrew Dickson Essayist
  • Lenny Kravitz Record Producer
  • Philip Sherburne Menorca
  • Papa Mali Guitar
  • Liron Meyuhas Israel
  • Muri Assunção Journalist
  • James Andrews Funk
  • Hermeto Pascoal Composer
  • Los Muñequitos de Matanzas Cuba
  • Arifan Junior Diretor Musical, Music Director
  • Jaimie Branch Composer
  • Mary Halvorson Guitar
  • David Braid Classical Music
  • Wolfgang Muthspiel Record Label Owner
  • Richard Galliano Bandoneon
  • Nahre Sol YouTuber
  • Larissa Luz MPB
  • Adam Rogers Composer
  • Adonis Rose Record Producer
  • Mykia Jovan New Orleans
  • Colson Whitehead Writer
  • Kurt Andersen Essayist
  • Wayne Escoffery Yale Faculty
  • Thundercat Los Angeles
  • Jack Talty Ireland
  • Maria Drell Salvador
  • Moses Boyd Composer
  • Cory Wong R&B
  • Lucio Yanel Singer
  • Corey Henry Tremé
  • Nação Zumbi Rap
  • Chief Xian aTunde Adjuah Ropeadope
  • Tom Bergeron Brazilian Jazz
  • 小野リサ Lisa Ono Jazz
  • Andrés Prado Latin Jazz
  • Masao Fukuda Japan
  • Albin Zak Record Producer
  • Perumal Murugan India
  • Oswaldinho do Acordeon Brazil
  • Emicida Rapper
  • Igor Levit Berlin
  • Paulo Paulelli Brazil
  • André Vasconcellos Baixo, Bass
  • Teddy Swims Soul
  • Elie Afif Beirut
  • Raphael Saadiq Singer-Songwriter
  • Walter Pinheiro Saxophone
  • Willy Schwarz Songwriter
  • Julian Lage San Francisco Conservatory of Music Faculty
  • Juliana Ribeiro Salvador
  • Seckou Keita Multi-Cultural
  • William Parker Composer
  • David Binney New York City
  • Utar Artun Piano
  • Edgar Meyer Double Bass
  • James Carter New York City
  • Renato Braz MPB
  • Lenine Pernambuco
  • Darren Barrett Record Producer
  • Luiz Santos Brazil
  • Fred P Electronic Music
  • Tom Oren Israel
  • Ben Williams Jazz
  • Yoruba Andabo Cuba
  • Khruangbin Multi-Cultural
  • Keola Beamer Composer
  • Jess Gillam Classical Music
  • Nikki Yeoh London
  • Chris Acquavella Mainz
  • José Antonio Escobar Santiago de Chile
  • Keita Ogawa Brooklyn, NY
  • Shankar Mahadevan Singer
  • Horácio Reis Brasil, Brazil
  • Dan Trueman Hardanger Fiddle
  • Ari Hoenig Drums
  • Mateus Asato Songwriter
  • John Medeski Experimental Music
  • Courtney Pine Composer
  • Gringo Cardia Rio de Janeiro
  • Emily Elbert Singer-Songwriter
  • Omar Sosa Piano
  • Edil Pacheco Record Producer
  • Eric Bogle Singer-Songwriter
  • Isaias Rabelo Brazilian Jazz
  • Jahi Sundance DJ
  • Susana Baca Multi-Cultural
  • Marcus Miller Singer
  • Alfredo Del-Penho Brazil
  • Negra Jhô Turbantes, Turbans
  • Rudy Royston Classical Music
  • Chris Cheek New School for Jazz and Contemporary Music Faculty
  • Fabiana Cozza São Paulo
  • Andrew Dickson Writer
  • Wouter Kellerman Bass Flute
  • Ênio Bernardes Cantor-Compositor, Singer-Songwriter
  • Mou Brasil Jazz
  • Bernardo Aguiar Brazil
  • Martin Fondse Contemporary Music
  • Pururu Mão no Couro Chula
  • Kendrick Scott New York City
  • Arifan Junior Cantor-Compositor, Singer-Songwriter
  • Nahre Sol Canada
  • Shoshana Zuboff Social Psychology
  • Steve Lehman Saxophone Instructor
  • Nancy Viégas Bahia
  • Barney McAll Australia
  • Fabian Almazan Film Scores
  • Gabriel Geszti Rio de Janeiro
  • Bianca Gismonti Rio de Janeiro
  • Dadá do Trombone Samba
  • Paulo Costa Lima Bahia
  • Danilo Caymmi Samba
  • Şener Özmen Multimedia Art
  • Yvette Holzwarth Los Angeles
  • Babau Santana Pandeiro
  • Jan Ramsey Jazz
  • Lucian Ban Composer
  • Roque Ferreira Salvador
  • Toumani Diabaté Multi-Cultural
  • Mariana Zwarg Saxophone
  • Rachael Price Singer-Songwriter
  • Márcio Bahia Samba
  • Stefon Harris Marimba
  • Barlavento Brazil
  • Adriana L. Dutra Film Festival Director
  • Moses Boyd Drums
  • Dave Smith Multi-Cultural
  • Gêge Nagô Samba
  • Chucho Valdés Cuba
  • Ariane Astrid Atodji African Cinema
  • Arturo Sandoval Trumpet
  • Avishai Cohen אבישי כה Folk Jazz
  • Donald Vega Piano Instruction
  • Mário Pam Brazil
  • Dafnis Prieto Drums
  • Marc Ribot Punk
  • Susana Baca Peru
  • Kiko Horta Accordion
  • Edu Lobo Multi-Instrumentalist
  • Sunna Gunnlaugs Piano
  • Robert Randolph Singer-Songwriter
  • Alicia Keys Piano
  • Jason Moran Composer
  • Ethan Iverson Avant-Garde Jazz
  • Mateus Alves Bass
  • Andrew Huang Video Producer
  • Maladitso Band Malawi
  • Jurandir Santana Composer
  • Mohamed Diab Cairo
  • Michael Garnice Writer
  • Taylor Ashton Banjo
  • Alyn Shipton Music Critic
  • Demond Melancon Young Seminole Hunters
  • Nabihah Iqbal London
  • Tom Moon Writer
  • Johnny Lorenz Translator
  • Omari Jazz Music Producer
  • Babau Santana Samba
  • Scott Kettner Jazz
  • Christone 'Kingfish' Ingram Guitar
  • Carlinhos Brown Brazil
  • Igor Osypov Berlin
  • Aurino de Jesus Chula
  • Katuka Africanidades Salvador
  • Flying Lotus Hip-Hop
  • Banning Eyre Guitar
  • André Vasconcellos Produtor Musical, Music Producer
  • Rissi Palmer Country
  • Larry McCray Guitar
  • Gearóid Ó hAllmhuráin Irish Traditional Music
  • Marília Sodré Salvador

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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