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  • Hercules Gomes

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Hercules Gomes
  • City/Place: São Paulo
  • Country: Brazil
  • Hometown: Vitória, Espírito Santo

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Natural de Vitória (ES), Hercules iniciou seus estudos aos 13 anos como autodidata e pouco tempo depois já tocava em bandas do cenário musical capixaba. Estudou na Escola de Música do Espírito Santo (a então EMES) e posteriormente ingressou no curso de Música Popular na Universidade Estadual de Campinas (UNICAMP), onde se formou bacharel.

    Apresentou-se em alguns dos mais importantes festivais de música no Brasil e no exterior como a MIMO, em Ouro Preto (MG); o Savassi Festival em Belo Horizonte (MG); o Festival de Inverno de Campos do Jordão, em Campos do Jordão (SP); o Festival Internacional Jazz Plaza, em Havana (Cuba); o Festival Piano, Piano, no Centro Cultural Kirchner, em Buenos Aires (Argentina) e o Brazilian Music Institute, em Miami (EUA).

    Em 2012 foi o vencedor do 11º Prêmio Nabor Pires de Camargo – Instrumentista promovido pela Fundação Pró-Memória de Indaiatuba em homenagem ao importante compositor natural da cidade.
E em decorrência do Prêmio Nabor, em 2013 recebeu a Outorga do Colar do Centenário pelo Instituto Histórico e Geográfico de São Paulo. Em 2014 foi vencedor do I Prêmio MIMO Instrumental promovido pelo maior festival de música instrumental do Brasil (MIMO) com o objetivo de revelar novos talentos.

    Já participou de trabalhos ao lado de músicos de renome como Arismar do Espirito Santo, Letieres Leite, Alessandro Penezzi, Wilson das Neves e Banda Mantiqueira, dentre outros.

    Em 2014 participou do projeto GOMA-LACA – Afrobrasilidades em 78 RPM ao lado do maestro baiano Letieres Leite, projeto que resgatou músicas do candomblé, capoeira, jongo, maracatu, embolada e choro originalmente gravadas entre as décadas de 1920 e 1950.

    E em 2015 participou da gravação do CD Radamés Gnattali – Concertos Cariocas no qual interpretou o Concerto Carioca nº 2 com a Orquestra Sinfônica de Campinas. Como solista da mesma orquestra se apresentou no 48º Festival de Inverno de Campos do Jordão onde interpretou a Segunda Rapsódia de George Gershwin no Auditório Cláudio Santoro. Em 2018, a convite do Ministério das Relações Exteriores, se apresentou como solista com a Jerusalem Symphony Orchestra na cidade de Jerusalém. Em 2019 Orquestra Filarmônica de Montevidéu e Orquestra Sinfônica da USP (OSUSP).

    Participou como professor ministrando palestras, oficinas e workshops em importantes festivais como a 32ª Oficina de Música de Curitiba, o II Festival de Piano de Natal, o Savassi Festival 2016, o VIII Festival Internacional de Música de Campina Grande (FIMUS) e o 18th Annual Brazilian Music Institute, em Miami (EUA).

    Em 2013, lançou seu primeiro trabalho solo no qual demonstra suas fortes influências de ritmos brasileiros, jazz e da música erudita aliadas a uma técnica refinada traduzindo ao piano seu universo sonoro. Com 6 composições próprias e 6 arranjos para músicas de compositores como Edu Lobo, Hermeto Pascoal e Ernesto Nazareth, o CD Pianismo traz fotografias panorâmicas do piano brasileiro com muito ritmo e lirismo. E em 2018 lançou seu segundo álbum intitulado “No tempo da Chiquinha” em comemoração aos 170 anos da pianista e compositora Chiquinha Gonzaga. E em 2020 o álbum “Tia Amélia para Sempre” que homenageia a pianista Amélia Brandão Nery (1897-1983), a Tia Amélia.

    Hercules é considerado um dos mais representativos pianistas brasileiros da atualidade não somente por suas habilidades técnicas mas também pela escolha do seu expressivo repertório.

Contact Information

  • Email: [email protected]
  • Telephone: +55 11 99551-3507
  • Whatsapp: +55 11 99551-3507

Media | Markets

  • ▶ Charts/Scores: http://www.herculesgomes.com.br/partituras/
  • ▶ Instagram: herculesgomesofficial
  • ▶ Website: http://www.herculesgomes.com.br
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCA7S2i4wnP90vxURdn2J9Jw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCZL9lF1FTFxXcFqgPv2d89g

Clips (more may be added)

  • 0:52:15
    Hercules Gomes | Programa Instrumental Sesc Brasil
    By Hercules Gomes
    449 views
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Hercules Gomes Curated

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  • 2 MPB
  • 2 Piano
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  • Hercules Gomes
    Hermeto Pascoal → Multi-Instrumentalist has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    Hermeto Pascoal → Composer has been recommended via Hercules Gomes.
    • March 23, 2021
    • Hercules Gomes
      Sparrow Roberts O Mago!
      • March 11, 2022
  • Hercules Gomes
    Hermeto Pascoal → Brazil has been recommended via Hercules Gomes.
    • March 23, 2021
    • Hercules Gomes
      Sparrow Roberts In Brazil he's known as "O Bruxo", "The Sorcerer".
      • October 23, 2019
  • Hercules Gomes
    Hermeto Pascoal → Alagoas has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    Laércio de Freitas → Piano has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    Laércio de Freitas → MPB has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    Laércio de Freitas → Composer has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    Laércio de Freitas → Choro has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    Laércio de Freitas → Brazilian Jazz has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    Laércio de Freitas → Brazil has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    Laércio de Freitas → Arranger has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    Laércio de Freitas → Actor has been recommended via Hercules Gomes.
    • March 23, 2021
  • Hercules Gomes
    A category was added to Hercules Gomes:
    MPB
    • March 23, 2021
  • Hercules Gomes
    A category was added to Hercules Gomes:
    Samba
    • March 23, 2021
  • Hercules Gomes
    A category was added to Hercules Gomes:
    São Paulo
    • March 23, 2021
  • Hercules Gomes
    A video was posted re Hercules Gomes:
    Hercules Gomes | Programa Instrumental Sesc Brasil
    Considerado um dos mais representativos pianistas brasileiros da atualidade, Hercules Gomes lança o álbum: “Tia Amélia para sempre”, uma homenagem e ao mesmo tempo um resgate da música de Amélia Brandão Nery (1897- 1983), a Tia Amélia, uma das maiores art...
    • March 23, 2021
  • Hercules Gomes
    A category was added to Hercules Gomes:
    Choro
    • March 23, 2021
  • Hercules Gomes
    A category was added to Hercules Gomes:
    Brazil
    • March 23, 2021
  • Hercules Gomes
    A category was added to Hercules Gomes:
    Composer
    • March 23, 2021
  • Hercules Gomes
    A category was added to Hercules Gomes:
    Piano
    • March 23, 2021
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Vincent Herring Manhattan School of Music Faculty
  • Fabiana Cozza São Paulo
  • Bobby Sanabria New School Faculty
  • Michael League Bass
  • George Porter Jr. Funk
  • Isaak Bransah Brazil
  • Nelson Ayres MPB
  • Jeremy Danneman Film Scores
  • Oscar Bolão Photographer
  • Raymundo Sodré Ropeadope
  • Cory Wong Funk
  • John Edward Hasse Author
  • John Medeski Keyboards
  • Damion Reid Drums
  • Jorge Pita Brazil
  • Kalani Pe'a Hawaiian Music
  • Nana Nkweti Africa
  • Damon Albarn Record Producer
  • Jon Madof Bandleader
  • Marc-André Hamelin Piano
  • Capinam Bahia
  • Fabrício Mota Historiador, Historian
  • Joatan Nascimento Trumpet
  • Steve McKeever Los Angeles
  • Lianne La Havas London
  • John Edward Hasse Record Producer
  • Regina Carter Jazz
  • Greg Kurstin Film Scores
  • James Elkington Chicago, Illinois
  • Kiko Freitas Drums
  • Zeca Pagodinho Rio de Janeiro
  • Ariane Astrid Atodji Filmmaker
  • Bill Hinchberger Brazil Expert
  • Guilherme Kastrup Brazil
  • Marcos Sacramento Samba
  • Duane Benjamin Bass
  • Tom Bergeron Saxophone
  • Gêge Nagô Bahia
  • Samuca do Acordeon Milonga
  • Marcelo Caldi Brazil
  • Bill Laurance Jazz
  • Casa da Mãe Música ao Vivo, Live Music
  • Emmet Cohen Jazz
  • Tony Allen Drums
  • Fred P DJ
  • Flora Purim Singer-Songwriter
  • Warren Wolf Composer
  • Cristovão Bastos Rio de Janeiro
  • Zachary Richard Cajun Music
  • Dave Eggers Writer
  • David Hepworth Podcaster
  • Marcus Strickland Record Producer
  • David Chesky Record Label Owner
  • Ronald Bruner Jr. Composer
  • MonoNeon Memphis, Tennessee
  • Ceumar Coelho Singer-Songwriter
  • Ivan Lins Singer-Songwriter
  • Bruce Molsky Appalachian Music
  • Inaicyra Falcão Dançarina, Dancer
  • Ron Carter Jazz
  • Eder Muniz Grafiteiro, Graffiti Artist
  • Şener Özmen Kurdistan
  • Larnell Lewis Composer
  • Ricardo Herz Forró
  • Lavinia Meijer Harp
  • Armandinho Macêdo Guitarra Baiana
  • Thiago Espírito Santo Brasil, Brazil
  • Cédric Villani France
  • Luques Curtis New York City
  • Ben Paris New York City
  • Shannon Alvis Choreographer
  • Caoimhín Ó Raghallaigh Tin Whistle
  • Tutwiler Quilters Quilts
  • Tobias Meinhart Brooklyn, NY
  • Yoron Israel Multi-Cultural
  • Brian Cox Writer
  • Janine Jansen Utrecht
  • Swizz Beatz Record Producer
  • Joshua White San Diego, California
  • Marcus J. Moore DJ
  • Wajahat Ali Journalist
  • Merima Ključo Author
  • Eddie Palmieri Afro-Latin Dance Music
  • Raymundo Sodré Forró
  • Thundercat Record Producer
  • Yosvany Terry Composer
  • Gail Ann Dorsey Multi-Instrumentalist
  • Frank London Klezmer
  • Sebastião Salgado Fotógrafo, Photographer
  • Ana Moura Fado
  • Miguel Atwood-Ferguson Multi-Instrumentalist
  • Mandisi Dyantyis South Africa
  • Clarice Assad Singer
  • Paulo Aragão Brazil
  • Susana Baca Ethnomusicologist
  • Miroslav Tadić Contemporary Classical Music
  • Julian Lage Guitar
  • Nelson Latif Cavaquinho
  • Léo Rugero Film Scores
  • Mokhtar Samba Paris
  • Brad Mehldau Composer
  • Samuel Organ Guitar
  • Jon Batiste New Orleans
  • Mestre Barachinha Caboclo de Lança
  • Bob Reynolds Jazz
  • Seth Swingle Multi-Cultural
  • Sarah Hanahan Saxophone
  • Congahead Afro-Cuban Jazz
  • Ben Okri Short Stories
  • Alexa Tarantino Composer
  • Alessandro Penezzi Violão de Sete
  • Alana Gabriela Brasil, Brazil
  • James Martins Brasil, Brazil
  • Andy Kershaw DJ
  • Stephen Guerra Guitar
  • Mark Turner New York City
  • Vivien Schweitzer Writer
  • James Strauss Flute
  • Nick Douglas Writer
  • Lynne Arriale Piano
  • Nardis Jazz Club Turkey
  • Rosa Passos Guitar
  • King Britt University of San Diego Faculty
  • Louis Marks Record Label Owner
  • Camilla A. Hawthorne Writer
  • Jam no MAM Jazz
  • Capitão Corisco Bahia
  • Conrad Herwig Composer
  • Tia Fuller Saxophone
  • Francisco Mela Cuba
  • Luiz Antônio Simas Samba
  • Fernando César Choro
  • Miroslav Tadić CalArts Music Faculty
  • Mário Pam Bahia
  • Linda May Han Oh New York City
  • Teresa Cristina Rio de Janeiro
  • Alex Hargreaves Brooklyn, NY
  • Terence Blanchard Film Scores
  • Arany Santana Atriz, Actor
  • Anders Osborne New Orleans
  • Nelson Cerqueira Escritor, Writer
  • Edsel Gomez Latin Jazz
  • Jamz Supernova Record Label Owner
  • Speech Music Production
  • Catherine Russell Jazz
  • Michael Pipoquinha Bass
  • Jim Beard Piano
  • Gregory Tardy Saxophone
  • Eddie Kadi Comedian
  • Patrice Quinn Singer
  • Bill Laurance Classical Music
  • João Rabello Samba
  • Eddie Kadi Pan-African Culture
  • Michelle Burford Writer
  • Peter Evans Trumpet
  • Esteban Sinisterra Paz Colombia
  • Cristiano Nogueira Travel Marketer
  • Eric Galm Caribbean Studies
  • Johnathan Blake Composer
  • Jocelyn Ramirez Plant-Based Mexican Cooking
  • Nublu Record Label
  • Stephanie Foden Montreal
  • Gabriel Geszti Brasil, Brazil
  • Nate Smith Drums
  • Frank Olinsky Illustrator
  • Cécile McLorin Salvant Jazz
  • Yasushi Nakamura Jazz
  • Myron Walden Saxophone
  • Burkard Polster Author
  • Jon Madof Record Label Owner
  • Taylor McFerrin DJ
  • Danilo Brito Choro
  • Allen Morrison Jazz
  • Andrés Beeuwsaert Argentina
  • Sara Gazarek Vocal Instruction
  • Mark Bingham Record Producer
  • Henry Cole Drumming Instruction
  • Adonis Rose Composer
  • Ivo Perelman Painter
  • Yasmin Williams Multi-Cultural
  • Joatan Nascimento Choro
  • Tiganá Santana Bahia
  • Deesha Philyaw Short Stories
  • Tom Oren Composer
  • John Medeski Experimental Music
  • Chris Speed Jazz
  • Nonesuch Records Americana
  • Rez Abbasi Pakistani Music
  • Chico César Singer-Songwriter
  • Sandra de Sá Cantora-Compositora, Singer-Songwriter
  • Neymar Dias Classical Music
  • Adonis Rose Drums
  • Danilo Brito Bandolim
  • Dan Weiss Drums
  • Thiago Trad Salvador
  • Collins Omondi Okello Pencil Artist
  • David Sánchez Composer
  • Ore Ogunbiyi UK
  • Eli Saslow Writer
  • Burhan Öçal Turkey
  • Brian Jackson Soul
  • Steven Isserlis Educator
  • Caetano Veloso Singer-Songwriter
  • Sam Yahel Organ Instruction
  • Felipe Guedes Brazil
  • Guilherme Kastrup São Paulo
  • Paquito D'Rivera Cuba
  • Stormzy Singer-Songwriter
  • David Hoffman YouTuber
  • Stormzy UK
  • Jack Talty Composer
  • Anderson Lacerda Maxixe
  • Eder Muniz Salvador
  • Noam Pikelny Bluegrass
  • Jim Lauderdale Bluegrass
  • John McWhorter Columbia University Faculty
  • Cara Stacey Mbabane
  • Yilian Cañizares Lausanne, Switzerland
  • Şener Özmen Poet
  • Jen Shyu Vocalist
  • Michael Pipoquinha Composer
  • Lô Borges Brasil, Brazil
  • D.D. Jackson Television Scores
  • Lenny Kravitz Multi-Instrumentalist
  • Bertram Hand Percussion Performance
  • Monarco Cavaquinho
  • David Sedaris Humor
  • Steve Lehman CalArts Music Faculty
  • Turtle Island Quartet San Francisco, California
  • Luciano Salvador Bahia Bahia
  • Damon Krukowski Dream Pop
  • Itiberê Zwarg Composer
  • Ry Cooder Multi-Instrumentalist
  • Kiko Souza Flauta, Flute
  • Magda Giannikou Composer
  • Christopher Wilkinson Guitar
  • Aneesa Strings Bass
  • Arturo Sandoval Jazz
  • ANNA DJ
  • Jeremy Pelt Composer
  • Caterina Lichtenberg Mandolin
  • Fred Dantas Composer
  • Lynn Nottage Brooklyn, NY
  • John Archibald Pulitzer Prize
  • Kermit Ruffins Composer
  • Inon Barnatan Piano
  • Otis Brown III Jazz
  • Guinha Ramires Brazil
  • Amitava Kumar Screenwriter
  • Pururu Mão no Couro Salvador
  • Marcello Gonçalves Brazil
  • Tedy Santana Drums
  • Ann Hallenberg Sweden
  • Maciel Salú Composer
  • Susan Rogers Record Producer
  • Dale Farmer Folk & Traditional
  • Shanequa Gay Poet
  • Angel Bat Dawid Clarinet
  • Oteil Burbridge Funk
  • David Fiuczynski Multi-Cultural
  • H.L. Thompson Rio de Janeiro
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