Hercules Gomes
This Brazilian cultural matrix positions Hercules Gomes globally...
Curation
CURATION
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from this page:
by Augmented Matrix
The Integrated Global Creative Economy
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Name:
Hercules Gomes
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City/Place:
São Paulo
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Country:
Brazil
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Hometown:
Vitória, Espírito Santo
Life & Work
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Bio:
Natural de Vitória (ES), Hercules iniciou seus estudos aos 13 anos como autodidata e pouco tempo depois já tocava em bandas do cenário musical capixaba. Estudou na Escola de Música do Espírito Santo (a então EMES) e posteriormente ingressou no curso de Música Popular na Universidade Estadual de Campinas (UNICAMP), onde se formou bacharel.
Apresentou-se em alguns dos mais importantes festivais de música no Brasil e no exterior como a MIMO, em Ouro Preto (MG); o Savassi Festival em Belo Horizonte (MG); o Festival de Inverno de Campos do Jordão, em Campos do Jordão (SP); o Festival Internacional Jazz Plaza, em Havana (Cuba); o Festival Piano, Piano, no Centro Cultural Kirchner, em Buenos Aires (Argentina) e o Brazilian Music Institute, em Miami (EUA).
Em 2012 foi o vencedor do 11º Prêmio Nabor Pires de Camargo – Instrumentista promovido pela Fundação Pró-Memória de Indaiatuba em homenagem ao importante compositor natural da cidade.
E em decorrência do Prêmio Nabor, em 2013 recebeu a Outorga do Colar do Centenário pelo Instituto Histórico e Geográfico de São Paulo. Em 2014 foi vencedor do I Prêmio MIMO Instrumental promovido pelo maior festival de música instrumental do Brasil (MIMO) com o objetivo de revelar novos talentos.
Já participou de trabalhos ao lado de músicos de renome como Arismar do Espirito Santo, Letieres Leite, Alessandro Penezzi, Wilson das Neves e Banda Mantiqueira, dentre outros.
Em 2014 participou do projeto GOMA-LACA – Afrobrasilidades em 78 RPM ao lado do maestro baiano Letieres Leite, projeto que resgatou músicas do candomblé, capoeira, jongo, maracatu, embolada e choro originalmente gravadas entre as décadas de 1920 e 1950.
E em 2015 participou da gravação do CD Radamés Gnattali – Concertos Cariocas no qual interpretou o Concerto Carioca nº 2 com a Orquestra Sinfônica de Campinas. Como solista da mesma orquestra se apresentou no 48º Festival de Inverno de Campos do Jordão onde interpretou a Segunda Rapsódia de George Gershwin no Auditório Cláudio Santoro. Em 2018, a convite do Ministério das Relações Exteriores, se apresentou como solista com a Jerusalem Symphony Orchestra na cidade de Jerusalém. Em 2019 Orquestra Filarmônica de Montevidéu e Orquestra Sinfônica da USP (OSUSP).
Participou como professor ministrando palestras, oficinas e workshops em importantes festivais como a 32ª Oficina de Música de Curitiba, o II Festival de Piano de Natal, o Savassi Festival 2016, o VIII Festival Internacional de Música de Campina Grande (FIMUS) e o 18th Annual Brazilian Music Institute, em Miami (EUA).
Em 2013, lançou seu primeiro trabalho solo no qual demonstra suas fortes influências de ritmos brasileiros, jazz e da música erudita aliadas a uma técnica refinada traduzindo ao piano seu universo sonoro. Com 6 composições próprias e 6 arranjos para músicas de compositores como Edu Lobo, Hermeto Pascoal e Ernesto Nazareth, o CD Pianismo traz fotografias panorâmicas do piano brasileiro com muito ritmo e lirismo. E em 2018 lançou seu segundo álbum intitulado “No tempo da Chiquinha” em comemoração aos 170 anos da pianista e compositora Chiquinha Gonzaga. E em 2020 o álbum “Tia Amélia para Sempre” que homenageia a pianista Amélia Brandão Nery (1897-1983), a Tia Amélia.
Hercules é considerado um dos mais representativos pianistas brasileiros da atualidade não somente por suas habilidades técnicas mas também pela escolha do seu expressivo repertório.
Clips (more may be added)
The Integrated Global Creative Economy (we invented the concept) uncoils from Brazil's sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix... concatenating branches of a virtual rainforest tree rooted in Bahia, canopy spreading to embrace the entire planet...
Ex Terra Brasilis
A starting point for this project was the culture born in Brazil's quilombos (in Angola a "quilombo" is a village; in Brazil it is a village either founded by Africans or Afro-Brazilians who had escaped slavery, or — as in the case of São Francisco do Paraguaçu above — occupied by such after abandonment by the ruling class). Below Milton Nascimento sings "Ony Saruê" for the deity Oxalá, from his Misso dos Quilombos (Mass for the Quilombos)...
...theme music for this Brazilian Matrix, from an Afro-Brazilian Mass by
From inside this Matrix, all creators-creative entities everywhere — empowered by the mathematics of network theory — become potentially discoverable by all people worldwide. Go straight to one of the (randomly selected) creators-creative entities below to see how their Matrix Page — information and media, outgoing and incoming curation — works (reload to feature other artists/creators), or find out below the black line below what unsung (metaphorically only) brilliance this is all about:
More on these profound incubators of Afro-Brazilian culture at:
Os Quilombos da Bahia
The Quilombos of Bahia
There are certain countries, the names of which fire the popular imagination. Brazil is one of them; an amalgam of primitive and sophisticated, jungle and elegance, luscious jazz harmonics — there’s no other place like it in the world. And while Rio de Janeiro, or its fame anyway, tends toward the sophisticated end of the spectrum, Bahia bends toward the atavistic…
It’s like a trick of the mind’s light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there (and here; the Bahian Recôncavo was final port-of-call for more enslaved human beings than any other place throughout the entirety of mankind’s existence on this planet ... in the past it extended into what is now urban Salvador), one must be led to the inevitable conclusion that one is in a place unique to history, and to the present:
Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.
Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil’s national music — the pandeiro — was almost certainly brought to Brazil by these people).
Across the parched savannas of the interior of Brazil’s culturally fecund nordeste/northeast (where wizard Hermeto Pascoal was born in Lagoa da Canoa — Lagoon of the Canoe — and raised in Olho d’Águia — Eye of the Eagle), much of Brazil’s aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.
Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof.
That's where this Matrix begins:
Wolfram MathWorld
The idea is simple, powerful, and egalitarian: To propagate for them, the Matrix must propagate for all. Most in the world are within six degrees of us. The concept of a "small world" network (see Wolfram above) applies here, placing artists from the Recôncavo and the sertão, from Salvador... from Brooklyn, Berlin and Mombassa... musicians, writers, filmmakers... clicks (recommendations) away from their peers worldwide.
Recent Visitors Map
Great culture is great power.
And in a small world great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX