Bio:
Raphael Saadiq (born Charlie Ray Wiggins on May 14, 1966 in Oakland, California) is an acclaimed American music artist. He is a singer, songwriter and record producer associated with the neo-soul music movement.
Saadiq has been playing music since the age of six. Back in the 1970s and 1980s, he played bass at church and school. He also enjoyed his on-stage moments at various local events of his hometown.
Saadiq made a name for himself as the lead vocalist in the rhythm and blues and dance trio Tony! Toni! Toné!. He went by his birth name during the beginning of Tony! Toni! Toné!, where he was joined by his brother Dwayne Wiggins, and his cousin Timothy Christian. He adopted the name of Raphael Saadiq in the mid-1990s.
After the 1996 Tony! Toni! Toné! album, House of Music, (when he performed under his current name) Saadiq started his solo career. He produced a few solo tracks, but Saadiq’s next big project became the R&B supergroup Lucy Pearl. He recorded the self-titled album with Dawn Robinson (En Vogue) and Ali Shaheed Muhammad (A Tribe Called Quest). This group only lasted for one album. His solo album Instant Vintage, released in 2002, also earned 5 Grammy nominations.
Saadiq released his third solo album, The Way I See It, on September 16 2008, featuring collaborations with Stevie Wonder and Joss Stone. Saadiq acknowledges the album’s old school soul sound, which he says includes nods to Gladys Knight & The Pips, Al Green, The Four Tops, The Delfonics and The Stylistics.
Various artists have tapped Saadiq to produce their work through the years. Some of Saadiq’s most notable work has been with D’Angelo. The 2000 collaboration “Untitled” won D’Angelo a Grammy award for Best R&B Album. In 2007, Saadiq was called on to produce the whole third album from UK Soul singer Joss Stone. Other artists he has collaborated with include The Roots, Macy Gray, Snoop Dogg, Kelis, Q-Tip and Young Bellz.
In 2002, Saadiq founded his own record label, Pookie Entertainment. Among the artists on the label are Joi and Truth Hurts.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).