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  • Sergio Krakowski

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Sergio Krakowski
  • City/Place: New York City
  • Country: United States
  • Hometown: Rio de Janeiro, Brazil

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Sergio Krakowski is a NY-based Brazilian artist and computer scientist who chose the pandeiro as his main medium of physical/artistic expression.

    Born and raised in Rio de Janeiro, Sergio has shared the stage with Gonzalo Rubalcaba, Maria Bethânia, Lionel Loueke, Tigran Hamasian, Andrea Motis, Edmar Castañeda, and Anat Cohen, among others.

Contact Information

  • Contact by Webpage: http://www.onlinepandeiro.com/about

Media | Markets

  • ▶ Twitter: skrako
  • ▶ Instagram: skrako_
  • ▶ Website: http://www.onlinepandeiro.com
  • ▶ YouTube Channel: http://www.youtube.com/user/sergiokrakowski
  • ▶ YouTube Music: http://music.youtube.com/channel/UCY9fkzLv-7O6ZrxsVBOpBYw
  • ▶ Spotify: http://open.spotify.com/album/5SBPRBnMECwqtM5m7bOQEF
  • ▶ Spotify 2: http://open.spotify.com/album/4iHLstiV53Kok0fqCEaowp

My Instruction

  • Lessons/Workshops: I never understood exactly how I chose the Pandeiro. I believe it was the opposite, I was chosen by it. Since then, I never could stop playing this instrument. Very soon I understood that was what I wanted to do in my life although it took me a while to believe that was actually possible. During this process sometimes painful, sometimes astonishing, always beautiful, I gathered several insights. Some of them more technical, some metaphysical I would say, but all of them focused on this little circular instrument. After playing professionally for three years, percussionists all over the world started to reach out to me and ask if I could teach them what I was doing. I realized there was a lot to be explored and very little documented.

    After 25 years playing Pandeiro, this series of lessons is very important to me from all points of view, including a personal one. This is what I developed in my life (until now!) and I want to be able to share with you in the best possible way.

    I decided to record all the lessons in high definition video at Studio 42 Brooklyn using three cameras including one above my head so you can understand exactly what I'm seeing.
  • Instruction: http://www.onlinepandeiro.com

Clips (more may be added)

  • 0:10:20
    Dica de Pandeiro do Krakowski #7 - Avamunha (em Português)
    By Sergio Krakowski
    667 views
  • 0:09:52
    Pandeiro Tip by Krakowski #7 - Avamunha (in English)
    By Sergio Krakowski
    254 views
  • 5:12
    Hearing Brazil's Choro, Part One
    By Sergio Krakowski
    252 views
  • 4:49
    Gregoire Maret, Lionel Loueke and Sergio Krakowski - Jazz in the Park
    By Sergio Krakowski
    270 views
Previous
Next

Sergio Krakowski Curated

  • 4 Brazil
  • 4 Choro
  • 4 Experimental Music
  • 4 Jazz
  • 4 MPB
  • 4 New York City
  • 4 Pandeiro
  • 4 Pandeiro Instruction
  • 4 Rio de Janeiro

What's Been Happening?

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  • Sergio Krakowski
    Hamilton de Holanda → Rio de Janeiro has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Hamilton de Holanda → Mandolin has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Hamilton de Holanda → Choro has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Hamilton de Holanda → Brazilian Jazz has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Hamilton de Holanda → Bandolim has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Hamilton de Holanda → Brazil has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Yamandu Costa → Violão de Sete has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Yamandu Costa → Samba has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Yamandu Costa → Guitar has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Yamandu Costa → Composer has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Yamandu Costa → Choro has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Yamandu Costa → Brazil has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Anat Cohen → Tel Aviv has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Anat Cohen → New York City has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Anat Cohen → Jazz has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Anat Cohen → Israel has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Anat Cohen → Clarinet has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Anat Cohen → Choro has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Anat Cohen → Brazilian Music has been recommended via Sergio Krakowski.
    • September 10, 2020
  • Sergio Krakowski
    Hermeto Pascoal → Multi-Instrumentalist has been recommended via Sergio Krakowski.
    • September 10, 2020
View More
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX

Quincy Jones pode indicar Gilberto Gil. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone abaixo. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Ben Harper Soul
  • Cleber Augusto Guitar
  • Dudu Reis Choro
  • Calypso Rose Singer-Songwriter
  • Tonho Matéria Samba Reggae
  • Larisa Wiegant Illustrator
  • Caoimhín Ó Raghallaigh Composer
  • Nabihah Iqbal Guitar
  • Walter Ribeiro, Jr. Guitar
  • Ray Angry Brooklyn, NY
  • Jim Hoke Composer
  • Marcello Gonçalves Samba
  • Melvin Gibbs Brooklyn, NY
  • Ben Harper Funk
  • Marcelinho Oliveira Songwriter
  • Alexa Tarantino Saxophone
  • Guinga Brazil
  • Lucía Fumero Singer
  • Woz Kaly African Music
  • Mauro Diniz Rio de Janeiro
  • David Braid Classical Music
  • Nação Zumbi Pernambuco
  • Tom Oren Piano
  • Jon Faddis Composer
  • Capinam Poeta, Poet
  • Jeremy Danneman Ropeadope
  • Horácio Reis Brasil, Brazil
  • Alegre Corrêa MPB
  • Mary Halvorson Brooklyn, NY
  • Pierre Onassis Salvador
  • Arany Santana Salvador
  • Seckou Keita Senegal
  • Kurt Andersen Essayist
  • Ronaldo do Bandolim Samba
  • Christian McBride Jazz
  • Silas Farley Ballet
  • Bebê Kramer Accordion
  • Nate Chinen Jazz
  • Isaak Bransah Bahia
  • Ajurinã Zwarg Drums
  • Fred P Record Producer
  • Aaron Diehl Piano
  • Leela James R&B
  • Ron Miles Trumpet
  • Dafnis Prieto Author
  • Stuart Duncan Banjo
  • Ronaldo do Bandolim Mandolin
  • Jacob Collier Composer
  • Tom Piazza New Orleans
  • Jeff Spitzer-Resnick Radio Presenter
  • Cláudia Leitão Brasil, Brazil
  • Donald Harrison Jazz
  • Wajahat Ali Public Speaker
  • Forrest Hylton Ethnohistorian: Latin America & the Caribbean
  • Tatiana Campêlo Bahia
  • Nguyên Lê Record Producer
  • Romulo Fróes Samba
  • Zeca Baleiro Escritor, Writer
  • Lazzo Matumbi Singer-Songwriter
  • Jonga Cunha Record Producer
  • Eduardo Kobra Ativista da Paz, Peace Activist
  • Nelson Latif Viola Caipira
  • James Grime University of Cambridge Faculty
  • Robert Everest Percussion
  • Louis Michot Record Label Owner
  • Di Freitas Brazil
  • Awadagin Pratt Classical Music
  • Bejun Mehta Countertenor
  • Jimmy Cliff Jamaica
  • Camilla A. Hawthorne Critical Human Geographer
  • Frank Olinsky Graphic Designer
  • João Rabello Choro
  • Fapy Lafertin Guitar
  • John Medeski Experimental Music
  • Nicholas Daniel Trossingen Musikhochschule Staff
  • Rissi Palmer Americana
  • Danilo Caymmi Flute
  • Leon Bridges Fort Worth, Texas
  • James Poyser Film Scores
  • Keith Jarrett Multi-Instrumentalist
  • Walter Pinheiro São Paulo
  • Art Rosenbaum Folklorist
  • Alicia Keys Singer-Songwriter
  • Samuel Organ Synthesizers
  • Garvia Bailey Arts Journalist
  • Derrick Hodge Hip-Hop
  • David Byrne Painter
  • Wayne Escoffery Yale Faculty
  • Elie Afif Bass
  • Dan Weiss Drumming Instruction
  • Sanjay K Roy New Delhi
  • Chris Acquavella Mainz
  • Nilze Carvalho Mandolin
  • Elio Villafranca Juilliard Faculty
  • Tom Bergeron Brazilian Jazz
  • Samba de Lata Samba de Roda
  • Cyro Baptista Percussion
  • Nana Nkweti University of Alabama Faculty
  • Iara Rennó Atriz, Actor
  • Mona Lisa Saloy Folklorist
  • Arto Tunçboyacıyan Percussion
  • Steve Abbott Guitar
  • Flying Lotus Record Producer
  • Paulão 7 Cordas Guitar
  • Nonesuch Records Movie Soundtracks
  • Barlavento Samba de Roda
  • Dale Barlow Saxophone
  • Oswaldinho do Acordeon São Paulo
  • Laura Marling London
  • Carlos Malta Flute
  • Júlio Caldas Compositor, Songwriter
  • Dan Trueman Princeton University Faculty
  • Plinio Oyò Bahia
  • Omar Sosa Piano
  • Abhijith P. S. Nair Violin
  • Walter Mariano Desenho, Design
  • Woz Kaly Africa
  • Stephanie Soileau Louisiana
  • Alex Cuadros Author
  • Tarus Mateen Record Producer
  • Del McCoury Bluegrass
  • Tam-Ky Asian-African Foods
  • Adriano Souza MPB
  • Rowney Scott Compositor, Composer
  • Archie Shepp Singer
  • Negra Jhô Tranças, Braids
  • Zisl Slepovitch Belarus
  • Matt Glaser Jazz
  • Cedric Watson Cajun Music
  • Cara Stacey South Africa
  • Nubya Garcia Jazz
  • Gonzalo Rubalcaba Havana
  • Tony Trischka Country
  • JD Allen Composer
  • Chris Dave Drums
  • OVANA Angola
  • Thomas Àdes Piano
  • Biréli Lagrène Composer
  • Elodie Bouny Venezuela
  • Dona Dalva Samba de Roda
  • Maladitso Band African Music
  • John Harle Guildhall School of Music & Drama Faculty
  • Don Byron Blue Note Records
  • Walter Mariano Brasil, Brazil
  • Weedie Braimah Ghana
  • Arto Tunçboyacıyan Jazz
  • Lilli Lewis Singer-Songwriter
  • Nooriyah نوريّة North African Music
  • Darcy James Argue Big Band
  • Nicholas Payton Writer
  • Meddy Gerville Piano
  • Tonynho dos Santos Salvador
  • Chris Thile Composer
  • Camille Thurman Bass Clarinet
  • Munir Hossn Guitar
  • Ivan Neville Keyboards
  • Paquito D'Rivera Composer
  • Keita Ogawa Drums
  • Sergio Krakowski Choro
  • Sam Eastmond Record Producer
  • Lakecia Benjamin Funk
  • Archie Shepp Jazz
  • Tiganá Santana Bahia
  • Baiba Skride Latvia
  • Reza Filsoofi Iran
  • Onisajé Bahia
  • Rory Marx Anderson Australia
  • Marcus Miller R&B
  • Marcos Portinari Diretor Artístico, Artistic Director
  • Matt Ulery Contemporary Classical Music
  • Ryuichi Sakamoto Japan
  • Diosmar Filho Rio de Janeiro
  • Darren Barrett Composer
  • Keyon Harrold Record Producer
  • Robi Botos Hungary
  • Dónal Lunny Songwriter
  • Christopher Silver McGill University Faculty
  • Luciano Calazans Brazil
  • Morgan Page EDM
  • Bobby Fouther Multidisciplinary Artist
  • Jerry Douglas Dobro
  • Kiya Tabassian كيا طبسيان Iran
  • Booker T. Jones R&B
  • Alisa Weilerstein Cello
  • Lakecia Benjamin Ropeadope
  • Louis Michot Fiddle
  • Ana Tijoux Rapper
  • Woz Kaly Senegal
  • Mohamed Diab Cairo
  • Ben Allison Jazz
  • Thiago Trad Bateria, Drums
  • Vadinho França Salvador
  • Vânia Oliveira Brasil, Brazil
  • Robb Royer R&B
  • Chad Taylor Drums
  • Alexandre Vieira Contrabaixo, Double Bass
  • Mark Stryker Arts Critic
  • Geovanna Costa Pandeiro
  • Sérgio Pererê Composer
  • Ben Hazleton Bass
  • Henrique Araújo Choro
  • Ana Luisa Barral Bahia
  • Weedie Braimah Drums
  • Michel Camilo Latin Music
  • Lô Borges Cantor-Compositor, Singer-Songwriter
  • Guinga Composer
  • Nego Álvaro Brazil
  • James Elkington Singer-Songwriter
  • Catherine Bent Cello
  • Paulo César Pinheiro MPB
  • James Brandon Lewis New York City
  • Bill Pearis Brooklyn, NY
  • Ofer Mizrahi Singer-Songwriter
  • Kiko Souza Samba
  • Brett Kern Ceramic Artist
  • Benny Benack III Pittsburgh
  • Saileog Ní Cheannabháin Piano
  • Dadi Carvalho Bass
  • Bai Kamara Jr. Singer-Songwriter
  • Betão Aguiar Brazil
  • 小野リサ Lisa Ono Brazil
  • MonoNeon Funk
  • J. Cunha Artista Plástico, Artist
  • Jay Blakesberg San Francisco
  • Yvette Holzwarth Multi-Cultural
  • Ashley Pezzotti Singer-Songwriter
  • Makaya McCraven Chicago, Illinois
  • Patrice Quinn Los Angeles
  • Sameer Gupta Jazz
  • Oscar Peñas Composer
  • Cory Wong Guitar
  • Bob Mintzer Multi-Instrumentalist
  • Anthony Hamilton Los Angeles
  • Imani Winds Classical Music
  • Monarco Rio de Janeiro
  • Ammar Kalia Percussion
  • Johnathan Blake Composer
  • Sarah Jarosz Mandolin
  • Michael Garnice Writer
  • Milton Nascimento Brazil
  • Danilo Pérez Jazz
  • Shaun Martin Jazz
  • Robb Royer Pop
  • Giovanni Russonello Magazine Founder, Editor
  • Stephanie Soileau Writer
  • Julian Lage Jazz
  • Milford Graves Composer
  • Neo Muyanga South Africa
  • Dudu Reis Samba
  • Simon McKerrell Glasgow Caledonian University Staff
  • Toumani Diabaté Bamako
  • Julie Fowlis Traditional Scottish Music
  • Congahead Latin Jazz
  • Vivien Schweitzer Photographer
  • Gabriel Policarpo Ritmista
  • Dorothy Berry Folklorist
  • Scott Kettner Maracatu
  • Angelique Kidjo Multi-Cultural
  • Sparrow Roberts Bahia
  • Jorge Alfredo Brasil, Brazil
  • Rachel Aroesti Writer
  • Jimmy Greene Western Connecticut State University Faculty
  • Paulo Aragão Violão
  • Lizz Wright Jazz
  • Nailor Proveta Jazz
  • Ken Avis Singer-Songwriter
  • Fabrício Mota Historiador, Historian
  • Justin Stanton Keyboards
  • The Brain Cloud Americana
  • Keshav Batish Drums
  • Norah Jones New York City
  • Matthew Guerrieri Composer
  • Jonathan Scales Multi-Cultural
  • Mart'nália Rio de Janeiro
  • Yasmin Williams Kalimba
  • Yazhi Guo 郭雅志 Jazz
  • Rebeca Omordia London
  • Antonio Adolfo Brasil, Brazil
  • Demond Melancon Big Chief
  • Jill Scott Neo Soul
  • Amit Chatterjee Guitar
  • Gunter Axt Escritor, Writer
  • Pretinho da Serrinha Cavaquinho
  • Arifan Junior Percussão, Percussion
  • Jim Beard Piano
  • Oleg Fateev Composer
  • Marcos Suzano Brazil
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