Salvador Bahia Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Sergio Krakowski
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Sergio Krakowski
  • City/Place: New York City
  • Country: United States
  • Hometown: Rio de Janeiro, Brazil

Life & Work

  • Bio: Sergio Krakowski is a NY-based Brazilian artist and computer scientist who chose the pandeiro as his main medium of physical/artistic expression.

    Born and raised in Rio de Janeiro, Sergio has shared the stage with Gonzalo Rubalcaba, Maria Bethânia, Lionel Loueke, Tigran Hamasian, Andrea Motis, Edmar Castañeda, and Anat Cohen, among others.

Contact Information

  • Contact by Webpage: http://www.onlinepandeiro.com/about

Media | Markets

  • ▶ Twitter: skrako
  • ▶ Instagram: skrako_
  • ▶ Website: http://www.onlinepandeiro.com
  • ▶ YouTube Channel: http://www.youtube.com/user/sergiokrakowski
  • ▶ YouTube Music: http://music.youtube.com/channel/UCY9fkzLv-7O6ZrxsVBOpBYw
  • ▶ Spotify: http://open.spotify.com/album/5SBPRBnMECwqtM5m7bOQEF
  • ▶ Spotify 2: http://open.spotify.com/album/4iHLstiV53Kok0fqCEaowp

My Instruction

  • Lessons/Workshops: I never understood exactly how I chose the Pandeiro. I believe it was the opposite, I was chosen by it. Since then, I never could stop playing this instrument. Very soon I understood that was what I wanted to do in my life although it took me a while to believe that was actually possible. During this process sometimes painful, sometimes astonishing, always beautiful, I gathered several insights. Some of them more technical, some metaphysical I would say, but all of them focused on this little circular instrument. After playing professionally for three years, percussionists all over the world started to reach out to me and ask if I could teach them what I was doing. I realized there was a lot to be explored and very little documented.

    After 25 years playing Pandeiro, this series of lessons is very important to me from all points of view, including a personal one. This is what I developed in my life (until now!) and I want to be able to share with you in the best possible way.

    I decided to record all the lessons in high definition video at Studio 42 Brooklyn using three cameras including one above my head so you can understand exactly what I'm seeing.
  • Instruction: http://www.onlinepandeiro.com

Clips (more may be added)

  • 0:10:20
    Dica de Pandeiro do Krakowski #7 - Avamunha (em Português)
    By Sergio Krakowski
    292 views
  • 0:09:52
    Pandeiro Tip by Krakowski #7 - Avamunha (in English)
    By Sergio Krakowski
    162 views
  • 5:12
    Hearing Brazil's Choro, Part One
    By Sergio Krakowski
    159 views
  • 4:49
    Gregoire Maret, Lionel Loueke and Sergio Krakowski - Jazz in the Park
    By Sergio Krakowski
    140 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Sergio Krakowski:

  • 4 Brazil
  • 4 Choro
  • 4 Experimental Music
  • 4 Jazz
  • 4 MPB
  • 4 New York City
  • 4 Pandeiro
  • 4 Pandeiro Instruction
  • 4 Rio de Janeiro
  • Arturo Sandoval Timbales
  • Noam Pikelny Banjo Instruction
  • Celsinho Silva Samba
  • Nana Nkweti Africa
  • Leon Parker Jazz
  • Mestre Barachinha Caboclo de Lança
  • Abhijith P. S. Nair Violin
  • Corey Henry Trombone
  • Chris Thile Multi-Instrumentalist
  • Karsh Kale कर्ष काळे Multi-Cultural
  • Bill T. Jones Writer
  • Asa Branca Samba
  • Irmandade da Boa Morte Irmandade
  • David Virelles New York City
  • Martin Fondse Amsterdam
  • Wouter Kellerman South Africa
  • Adriana L. Dutra Director
  • Warren Wolf Percussion
  • Luke Daniels Glasgow
  • Ben Monder Jazz
  • Regina Carter Manhattan School of Music Faculty
  • Marisa Monte Rio de Janeiro
  • Terell Stafford Trumpet
  • Mário Pam Brazil
  • Carlos Blanco Guitarra, Violão, Guitar
  • Giorgi Mikadze გიორგი მიქაძე Piano
  • Paulo Martelli São Paulo
  • Guto Wirtti Guitar
  • Brandon Coleman Keyboards
  • Esperanza Spalding Singer
  • Paul Mahern Punk Rock
  • Kyle Poole Drums
  • Guillermo Klein Tango
  • Mestre Nenel Salvador
  • Jake Oleson Filmmaker
  • Yola Americana
  • Paulão 7 Cordas Brazil
  • Phakama Mbonambi Johannesburg
  • Martin Koenig Photographer
  • Estrela Brilhante do Recife Recife
  • Horace Bray Experimental, Electronic Music
  • Steve Earle Singer-Songwriter
  • Cuong Vu Trumpet
  • Nikki Yeoh Piano
  • James Martins Brasil, Brazil
  • Ariane Astrid Atodji African Cinema
  • Randy Lewis Music Critic
  • Munyungo Jackson Los Angeles
  • Gary Clark Jr. Blues
  • Spok Frevo Orquestra Pernambuco
  • Aubrey Johnson Jazz
  • Gilson Peranzzetta Clarinet
  • Anat Cohen Choro
  • Mehdi Rajabian Iran
  • Siba Veloso Pernambuco
  • Owen Williams Software Engineer
  • Tony Kofi London
  • Jeff Ballard New York City
  • Cashmere Cat Norway
  • Ben Okri London
  • J. Period Hip-Hop
  • Flora Purim Guitar
  • Hendrik Meurkens Composer
  • Silas Farley Choreographer
  • Nana Nkweti Cameroon
  • Walter Pinheiro MPB
  • Yotam Silberstein New York City
  • John Harle Saxophone
  • Manolo Badrena Composer
  • David Greely University of Louisiana at Lafayette Faculty
  • Jill Scott Singer-Songwriter
  • Luques Curtis Afro-Latin Dance Music
  • Ronell Johnson Tuba
  • H.L. Thompson Music Consultant
  • Sharita Towne Video Artist
  • Edil Pacheco Salvador
  • Marisa Monte Record Producer
  • David Greely Cajun Fiddle
  • Martyn Record Label Owner
  • Diosmar Filho Cineasta Documentarista, Documentary Filmmaker
  • David Greely Louisiana
  • Shannon Alvis Choreographer
  • Anissa Senoussi Matte Painter
  • Darrell Green Jazz
  • David Wax Museum Mexo-Americana
  • Mauro Refosco Brasil, Brazil
  • Spok Frevo Orquestra Frevo
  • Jamz Supernova London
  • Marc Johnson MPB
  • Fabiana Cozza Poet
  • André Vasconcellos Jazz
  • Rita Batista Podcaster
  • Raynald Colom Flamenco
  • The Umoza Music Project Multi-Cultural
  • Tony Trischka Author
  • Louis Michot Fiddle
  • João Luiz Choro
  • Edivaldo Bolagi Brasil, Brazil
  • Alex Conde Piano Instruction
  • Kiko Freitas Samba
  • Gino Sorcinelli Journalist
  • Manassés de Souza Ceará
  • Robby Krieger Singer-Songwriter
  • Samba de Nicinha Samba de Roda
  • Giorgi Mikadze გიორგი მიქაძე Classical Music
  • Vincent Herring William Paterson University Faculty
  • Roy Ayers Vibraphone
  • Liz Pelly NYU Tisch School of the Arts Faculty
  • João Bosco Guitar
  • Priscila Castro Carimbó
  • Rachael Price Tin Pan Alley
  • Edgar Meyer Curtis Institute of Music Faculty
  • Yazhi Guo 郭雅志 Suona
  • Larry Achiampong Ghana
  • Tom Bergeron Choro
  • Brian Stoltz Funk
  • Logan Richardson Jazz
  • Celso Fonseca Guitar
  • Melanie Charles Jazz
  • James Gavin Journalist
  • Christopher Nupen Filmmaker
  • John Archibald Podcaster
  • Muireann Nic Amhlaoibh County Kerry
  • Ajurinã Zwarg Brazilian Jazz
  • Cécile Fromont Art Historian
  • Jamie Dupuis Canada
  • Jim Lauderdale Singer-Songwriter
  • Samuca do Acordeon Bossa Nova
  • João Rabello Samba
  • Lauranne Bourrachot Movie Producer
  • Fabiana Cozza São Paulo
  • Alexandre Vieira Bahia
  • Shirazee Africa
  • Ivan Sacerdote Composer
  • Sarz Afrobeat
  • Mateus Aleluia Filho Candomblé
  • Luciano Calazans Brazilian Jazz
  • Bertram Drum Set Performance
  • David Greely Songwriter
  • Damion Reid Brooklyn, NY
  • Richard Galliano Jazz
  • Gregory Tardy Composer
  • Danilo Brito Mandolin
  • Angel Deradoorian Music Producer
  • Stuart Duncan Guitar
  • Derrick Hodge Jazz
  • Gustavo Caribé Produtor Musical, Music Producer
  • Glória Bomfim Samba de Roda
  • Toninho Horta Belo Horizonte
  • Ben Street Bass
  • Benoit Fader Keita Electro Music
  • Nancy Ruth Multi-Cultural
  • Zakir Hussain Indian Classical Music
  • Denzel Curry Rapper
  • Casey Driessen Live Looping
  • Jeff Tweedy Poet
  • Myron Walden New York City
  • Gonzalo Rubalcaba University of Miami Frost School of Music Faculty
  • Barlavento Samba
  • Sierra Hull Singer-Songwriter
  • Tomoko Omura Japan
  • Conrad Herwig Jazz
  • Wayne Escoffery Composer
  • Kurt Andersen Journalist
  • Caridad De La Luz Actor
  • Casa da Mãe Chula
  • Tshepiso Ledwaba Clarinet
  • Nublu Turkish Music
  • Wolfgang Muthspiel Guitar
  • Seckou Keita Senegal
  • Mestre Barachinha Nazaré da Mata
  • Marquis Hill Chicago
  • Papa Mali Blues
  • Henry Cole Puerto Rico
  • Snigdha Poonam Writer
  • Willie Jones III Drumming Instruction
  • Sam Reider Composer
  • Hugo Linns Pernambuco
  • Adriano Souza Piano
  • Luizinho Assis Piano
  • Plinio Oyò Bahia
  • Nara Couto Diretora, Director
  • Anthony Hervey Singer
  • Dorian Concept Record Producer
  • Márcio Valverde MPB
  • Astrig Akseralian Cambridge, England
  • Miguel Atwood-Ferguson Music Producer
  • Tambay Obenson Cultural Critic
  • Stacy Dillard R&B
  • Martin Fondse Contemporary Music
  • Gian Correa Guitar
  • Jason Parham Editor
  • Katuka Africanidades Editora de Livros, Book Publisher
  • William Skeen Viola da Gamba
  • Roots Manuva Singer-Songwriter
  • Art Rosenbaum Illustrator
  • Marvin Dunn Miami, Florida
  • Roosevelt Collier Pedal Steel Guitar
  • Dani Deahl Record Producer
  • Bertram Ethnomusicologist
  • David Byrne Painter
  • Moacyr Luz Singer
  • Menelaw Sete Escultor, Sculptor
  • Plamen Karadonev Balkan Music
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Jon Batiste R&B
  • Margareth Menezes Axé
  • Jim Hoke Arranger
  • Bob Bernotas Radio Presenter
  • Dale Barlow Composer
  • Morgan Page House
  • Seu Jorge MPB
  • Myron Walden Composer
  • Adam Neely YouTuber
  • Ronald Bruner Jr. Drums
  • Marcelinho Oliveira Songwriter
  • Michael Cuscuna Record Label Owner
  • Romero Lubambo Brazilian Jazz
  • Martin Fondse Film Scores
  • Ana Luisa Barral Bandolim
  • Nicholas Payton New Orleans
  • Philipp Meyer Writer
  • Joana Choumali Côte d’Ivoire
  • Jimmy Greene Jazz
  • Archie Shepp Pianist
  • Joe Newberry Folk & Traditional
  • Richie Stearns Old-Time Music
  • Rudy Royston Percussion
  • Bobby Sanabria New York City
  • Scott Kettner Maracatu
  • Arthur Jafa Cinematographer
  • Chris Dave Houston
  • Antonio Sánchez Drums
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Matthew Guerrieri Washington, D.C.
  • Seth Swingle Old-Time Music
  • Nelson Latif Brazil
  • Alma Deutscher Composer
  • Raymundo Sodré Samba de Roda
  • Ben Allison New School for Jazz and Contemporary Music Faculty
  • Philip Ó Ceallaigh Ireland
  • Felipe Guedes Salvador
  • Mestre Nelito Chula
  • Seth Swingle Multi-Cultural
  • Bobby Vega San Francisco, California
  • Paulo Costa Lima Bahia
  • Eric R. Danton Reporter
  • Nelson Latif Brazilian Jazz
  • Marcos Suzano Pandeiro
  • Ronaldo do Bandolim Composer
  • Béco Dranoff Record Producer
  • Daru Jones Hip-Hop
  • Tessa Hadley Writer
  • PATRICKTOR4 Recife
  • Adam Rogers New York City
  • J. Velloso Songwriter
  • Jane Ira Bloom Multi-Cultural
  • Darol Anger Composer
  • Ofer Mizrahi Indian Slide Guiter
  • Tomoko Omura Multi-Cultural
  • Nancy Ruth Composer
  • Alexandre Vieira Baixo, Bass
  • Tom Zé Brazil
  • Devin Naar Jewish Studies
  • Rayendra Sunito Record Producer
  • Marisa Monte Samba
  • Yilian Cañizares Classical Music
  • James Martins Jornalista, Journalist
  • Carol Soares Singer
  • Nação Zumbi Manguebeat
  • Trombone Shorty Jazz
  • Mykia Jovan Singer-Songwriter
  • Cristovão Bastos Piano
  • Donald Harrison Mardi Gras Indian
  • Eamonn Flynn Funk
  • Garvia Bailey Toronto
  • Deesha Philyaw Short Stories
  • Nubya Garcia Flute
  • Plínio Fernandes Brazil
  • Kenny Garrett Saxophone
  • Sombrinha Guitar
  • André Vasconcellos Brasil, Brazil
  • Michael Olatuja Afrobeat
  • Otis Brown III Drums
  • Jeff Preiss Producer
  • Cashmere Cat DJ
  • Pat Metheny Composer
  • Xenia França Singer-Songwriter
  • Jonathan Richter Classical Guitar
  • Arismar do Espírito Santo Brazil
  • Gevorg Dabaghyan Yerevan
  • Dale Farmer Appalachian Music
  • Andrew Dickson Radio Presenter
  • Ariane Astrid Atodji Cameroon
  • Isaak Bransah Brazil
  • Eric Galm Berimbau
  • Alê Siqueira Salvador
  • Martin Hayes Irish Traditional Music
  • Susana Baca Ethnomusicologist
  • Hank Roberts Vocalist
  • Natan Drubi Salvador
  • Mokhtar Samba Paris
  • Irma Thomas Singer
  • Otmaro Ruiz Piano Instruction
  • Maciel Salú Fiddle
  • Marcus Printup New York City
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • Capitão Corisco Forró
  • Joana Choumali Photographer
  • Tia Surica Samba
  • John Luther Adams Composer
  • Kurt Andersen Writer
  • Sam Eastmond Bandleader
  • Tshepiso Ledwaba Steinway Piano Technician
  • Nação Zumbi Rock
  • Sting Singer-Songwriter
  • Nikki Yeoh Composer
  • Brett Kern Ceramic Artist
  • Bianca Gismonti Brazil
  • Jill Scott Hip-Hop
  • Ricardo Bacelar Brasil, Brazil
  • Juliana Ribeiro Salvador
  • Stephanie Foden Bahia
  • Ed Roth Songwriter
  • Tank and the Bangas Hip-Hop
  • Marc Johnson Double Bass
  • Jon Cowherd Jazz
  • Jorge Washington Bahia
  • The Brain Cloud Americana
  • Danilo Caymmi Singer-Songwriter
  • Victoria Sur Colombia
  • Bruce Molsky Berklee College of Music Faculty
  • João do Boi Samba de Roda
  • Charles Munka Painter
  • Katuka Africanidades AFROBIZ Salvador
  • Eli Degibri אלי דג'יברי Composer
  • Buck Jones Brasil, Brazil
  • Luizinho do Jêje Candomblé
  • Cécile McLorin Salvant New York City
  • Mário Santana Candomblé
  • Joel Ross Composer
  • Gabriel Grossi Samba
  • Lenna Bahule MPB
  • Billy Strings Singer
  • David Bragger Mandolin
  • Philip Cashian Royal Academy of Music Staff
  • Anoushka Shankar Author
  • VJ Gabiru Artista Multimídia, Multimedia Artist
  • Aaron Parks Brooklyn, NY
  • Sharita Towne Stereo Photography

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share