CURATION
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from this page:
by Augmented Matrix
Network Node
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Name:
Sérgio Mendes
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City/Place:
Los Angeles
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Country:
United States
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Hometown:
Rio da Janeiro, Brazil
Current News
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What's Up?
(February 11, 1941 – September 5, 2024)
Life
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Bio:
Producer, composer, keyboardist and vocalist, Sergio Mendes’ influence on the music industry has spanned five decades and continues to evolve through new collaborations and mediums.
One of the most internationally successful Brazilian artists of all time, Mendes has recorded more than 35 albums, many of which went gold or platinum, and he’s a three-time Grammy® Award winner.
In 2012, Mendes received his first Oscar® nomination in the music category for “Real In Rio” from the animated, 3-D feature film “Rio.” In addition to being the executive music producer for the blockbuster film, he also contributed five songs to the movie. The soundtrack, Rio: Music from the Motion Picture, featured re-recorded versions of his hits “Mas Que Nada” and “Valsa Carioca.” Mendes, once again, was responsible for bringing the distinctive rhythms of Brazil to a global audience.
Sergio Mendes will again provide the music for the upcoming animated feature sequel Rio 2. The movie will also feature new Brazilian artists. The film is directed by Carlos Saldanha who directed the original 2011 film. Rio 2 is set to be released in the U.S. on April 11, 2014 by 20th Century Fox.
Mendes started his career with 1961′s Dance Moderno and the groups Bossa Rio and the Sergio Mendes Trio. From the mid-1960s to the late ’70s, Mendes established his legendary status by taking numerous albums and singles to the top of the charts. But it was Sergio Mendes and Brasil ’66 which sparked global stardom. Performing “The Look of Love” at the 1968 Oscars, their version went top 10, quickly followed by the hits “The Fool on the Hill” and “Scarborough Fair.” Enjoying immense popularity, Mendes added soul and funk to his jazz and pop, but always with a Brazilian rhythm. His earlier single, “Mas Que Nada,” marked the first time that a song sung entirely in Portuguese hit Billboard’s Pop chart in the U.S. Mendes’ signature mix of bossa nova/samba and his distinctive pop instrumentation features melodies with distinct sophistication and alluring sexiness that ultimately came to define Brazilian music for many music enthusiasts around the world.
In the ’80s, he scored with the No. 1 Adult Contemporary and pop top-10 hit “Never Gonna Let You Go.” And in 1992 Mendes was awarded his first Grammy® in the category of Best World Music for his album Brasileiro. Since then, Mendes has gone on to be honored with two Latin Grammy® awards for Best Brazilian Record, Timeless (2006) and Bom Tempo (2010), which was also nominated for a 2010 Grammy® award.
Mendes’ innovation and versatility has enabled him to collaborate with a wide a range of artists. In 2006, his Timeless CD was a collaboration with contemporary pop, rock, urban and hip-hop artists, including Justin Timberlake, John Legend, and Black Eyed Peas—with a re-recording of his early gem “Mas Que Nada” alongside Gracinha Leporace, Mendes’ wife. 2008′s Encanto featured neo-soulster Ledisi and Spanish-language favorite Juanes.
In 2011, Mendes released his 39th album, Celebration: A Musical Journey, which represented his 50 years as a recording artist and included classics from his career as well as new recordings with Ivete Sangalo and Siedah Garrett, among them a remake of “The Fool on the Hill.” He also performed the classic at the 2011 MusiCares Gala Honoring Sir Paul McCartney.
Mendes’ iconic album: HERB ALPERT PRESENTS SERGIO MENDES & BRASIL ’66 was also inducted into the Grammy® Hall of Fame, joining Bruce Springsteen’s Born In The U.S.A., Dr. Martin Luther King Jr’s “I Have A Dream” speech, the Rolling Stones’ Exile On Main St., and others in the 2012 class of historically significant recordings.
Mendes and his cool factor continue to be ever present.
Contact Information
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Management/Booking:
Booking
US & Canada: Kevin Kastrup
kkastrup (at) paradigmagency.com
Europe: James Wright
James.Wright (at) unitedtalent.com
Press
Mendolina66 (at) gmail.com
Asia: Akiko Rogers
ARogers (at) wmeentertainment.com
Other Business Enquiries:
chrispev (at) gmail.com
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
From Salvador, Bahia, Brazil, the unprecedented integration of the creative economy. Creators planet-wide positioned within reach of each other and the entire world by means of technology + small-world theory (see Wolfram above). Bahia was final port-of-call for more enslaved human beings than any other place on earth throughout all of human history. It was refuge for Sephardim fleeing the Inquisition. It is Indigenous both apart and subsumed into a sociocultural matrix which is all of these: a small-world matrix. Neural structures for human memory are small-world. This technological matrix is small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX