• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Karim Ziad

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Karim Ziad
  • City/Place: Paris
  • Country: France
  • Hometown: Algiers, Algeria

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Karim Ziad is a Paris-based Algerian multi-instrumentalist/percussionist raised with the music of the Maghreb and who folds this music into jazz and electronic music.

    He's been integrated into the Zawinul Syndicate, among much else.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Instagram: karimziad66
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCq-oqg-Ezg23lejCih1uKqA
  • ▶ YouTube Music: http://music.youtube.com/channel/UC5hRolwOzLcw5i-FobSmf0Q
  • ▶ Spotify: http://open.spotify.com/album/4ZxEG0vF1yh3EPoO7BWmUw?si=f406d8f873d14fb4
  • ▶ Spotify 2: http://open.spotify.com/album/5oLpivrVRcriXWROFyIAxb?si=47c4d900f44c42d4
  • ▶ Spotify 3: http://open.spotify.com/album/1OUktF8mbYu7EWWt96v4lI?si=8351984c6a3240c8
  • ▶ Spotify 4: http://open.spotify.com/album/4ZxgjB6kPWiufI6ylFaFIR?si=b435c72b9b6945a7
  • ▶ Spotify 5: http://open.spotify.com/album/736LM4ClZjXDgFhgRXRPP1?si=c0e4b53f1c084bd1
  • ▶ Spotify 6: http://open.spotify.com/album/5jlsoyCGkCSB1YhrUni5DN?si=2263061fc5a14165

Clips (more may be added)

  • 0:10:40
    Karim Ziad, Omri Mor & Mehdi Nassouli trio jazz gnawa, guest Sami Waro @ festival Opus Pocus
    By Karim Ziad
    161 views
Previous
Next

Karim Ziad Curated
pathways in

  • 1 Algeria
  • 1 Composer
  • 1 Drums
  • 1 Jazz
  • 1 Multi-Instrumentalist
  • 1 North African Music
  • 1 Paris, France
  • 1 Percussion

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Karim Ziad
    A video was posted re Karim Ziad:
    Karim Ziad, Omri Mor & Mehdi Nassouli trio jazz gnawa, guest Sami Waro @ festival Opus Pocus
    Karim Ziad, Omri Mor & Mehdi Nassouli trio jazz gnawa, guest Sami Waro @ festival Opus Pocus a l'ile de la Reunion
    • March 25, 2021
  • Karim Ziad
    A category was added to Karim Ziad:
    North African Music
    • March 25, 2021
  • Karim Ziad
    A category was added to Karim Ziad:
    Jazz
    • March 25, 2021
  • Karim Ziad
    A category was added to Karim Ziad:
    Multi-Instrumentalist
    • March 25, 2021
  • Karim Ziad
    A category was added to Karim Ziad:
    Percussion
    • March 25, 2021
  • Karim Ziad
    A category was added to Karim Ziad:
    Drums
    • March 25, 2021
  • Karim Ziad
    A category was added to Karim Ziad:
    Composer
    • March 25, 2021
  • Karim Ziad
    A category was added to Karim Ziad:
    Paris, France
    • March 25, 2021
  • Karim Ziad
    A category was added to Karim Ziad:
    Algeria
    • March 25, 2021
  • Karim Ziad
    Karim Ziad is matrixed!
    • March 25, 2021
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

WHO IS INSIDE THIS GLOBAL MATRIX?

Explore above for a complete list of artists and other members of the creative economy.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

QUEM ESTÁ DENTRO DESTE MATRIX?

Explore acima para uma lista completa de artistas e outros membros da economia criativa global.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Tab Benoit Blues
  • Derrick Hodge R&B
  • John Edward Hasse Curator
  • Daymé Arocena Singer
  • MonoNeon Experimental Music
  • Mario Ulloa Federal University of Bahia Faculty
  • John Morrison Music Journalist
  • Ron McCurdy Composer
  • Steve Lehman Experimental Music
  • Wynton Marsalis Bandleader
  • Dan Tepfer Piano
  • Cayenna Ponchione-Bailey Composer
  • Becca Stevens Multi-Instrumentalist
  • Lula Gazineu Compositor, Composer
  • Nancy Viégas Salvador
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Speech Music Production
  • Dadá do Trombone Bahia
  • Nelson Ayres Composer
  • Aubrey Johnson Singer
  • Nicholas Daniel Music Director
  • Barney McAll Jazz
  • Avner Dorman Composer
  • Ron Carter Bass
  • Lenna Bahule MPB
  • Egberto Gismonti Composer
  • Robert Everest Minneapolis, Minnesota
  • Danilo Caymmi Flute
  • Simon McKerrell Scotland
  • Herbie Hancock Piano
  • Pierre Onassis Bahia
  • Ryan Keberle Composer
  • Amit Chatterjee Guitar
  • Uli Geissendoerfer Piano
  • William Skeen Viola da Gamba
  • Burhan Öçal Turkey
  • Kurt Andersen Journalist
  • Luis Paez-Pumar New York City
  • Edil Pacheco Bahia
  • Eric Roberson Drum Machine
  • Bobby Vega Funk
  • Carlos Malta Rio de Janeiro
  • Vadinho França Brasil, Brazil
  • Donna Leon Writer
  • Berta Rojas Classical Guitar
  • Maria Calú Violão, Guitar
  • Brian Stoltz Songwriter
  • Jeff 'Tain' Watts Composer
  • Doug Adair Singer-Songwriter
  • Ron McCurdy Writer
  • John Waters Writer
  • Tommy Peoples Irish Traditional Music
  • Karla Vasquez Chef
  • Gerald Clayton Jazz
  • Hélio Delmiro Samba
  • Woz Kaly Singer-Songwriter
  • Tom Bergeron Brazilian Jazz
  • Frank Olinsky Graphic Designer
  • Jonathon Grasse Contemporary Music
  • Carlos Lyra Rio de Janeiro
  • Tom Wilcox Accountant
  • Nublu New York City
  • Renell Medrano Photographer
  • Will Holshouser Brooklyn College Conservatory of Music Faculty
  • Lucas Santtana Cantor-Compositor, Singer-Songwriter
  • Saileog Ní Cheannabháin Sean-Nós Singer
  • H.L. Thompson Festival Producer
  • Brooklyn Rider Brooklyn, NY
  • Paquito D'Rivera Afro-Cuban Jazz
  • Chris Boardman Producer
  • Marília Sodré Violão, Guitar
  • Mino Cinélu Composer
  • Kimberlé Crenshaw Author
  • Sombrinha Banjo
  • Christopher Silver Music Curator
  • Leonardo Mendes Santo Amaro
  • Robertinho Silva Percussion
  • Carlinhos 7 Cordas Samba
  • Christone 'Kingfish' Ingram Singer
  • Scotty Apex Rapper
  • Shaun Martin Gospel
  • Badi Assad Brazil
  • Mateus Alves Pernambuco
  • Teresa Cristina Brasil, Brazil
  • Mino Cinélu Multi-Instrumentalist
  • Negrizu Afoxé
  • The Assad Brothers Classical Guitar
  • Otmaro Ruiz Los Angeles
  • Terell Stafford Temple University Boyer College of Music & Dance Faculty
  • Stan Douglas Photographer
  • Pedrão Abib Samba
  • Steve Bailey Berklee College of Music Faculty
  • Milton Nascimento MPB
  • Terell Stafford Classical Music
  • Cathal McNaughton Photojournalist
  • Kazemde George African-American Music
  • Shemekia Copeland R&B
  • Filhos de Nagô Bahia
  • Oded Lev-Ari Composer
  • Eivør Pálsdóttir Singer-Songwriter
  • Fidelis Melo Assessor de Comunicação, Public Relations
  • Marcus Rediker Writer
  • Martín Sued Buenos Aires
  • Mino Cinélu New York City
  • Leigh Alexander Short Stories
  • Shannon Ali Arts Journalist
  • Alexandre Vieira Compositor, Composer
  • Bodek Janke Contemporary Classical Music
  • Anthony Coleman Klezmer
  • Emicida São Paulo
  • James Strauss Contemporary Classical Music
  • Mário Pam Bloco Afro
  • Richard Bona Multi-Cultural
  • As Ganhadeiras de Itapuã Brazil
  • Philip Glass Piano
  • John Harle Author
  • Jonga Cunha Record Producer
  • Lorna Simpson Painter
  • Magary Lord Singer-Songwriter
  • Kermit Ruffins Singer
  • Adam Shatz Music Critic
  • D.D. Jackson Piano
  • Joachim Cooder Americana
  • Lauranne Bourrachot Movie Producer
  • Peter Evans Avant-Garde Jazz
  • Berta Rojas Berklee College of Music Faculty
  • Terell Stafford Jazz
  • Ilya Kaminsky Editor
  • Kazemde George Beatmaker
  • Nic Hard Audio Engineer
  • Garvia Bailey Radio Producer
  • Tom Schnabel Music Salon
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • Ivan Bastos Música Afro-Baiana, Afro-Bahian Music
  • Elza Soares Singer
  • Aditya Prakash Los Angeles
  • Jamie Dupuis Banjo
  • Maciel Salú Pernambuco
  • Sunn m'Cheaux Binya
  • Reza Filsoofi Tehran
  • Dadi Carvalho Multi-Instrumentalist
  • Angel Deradoorian Multi-Instrumentalist
  • Abel Selaocoe Johannesburg
  • Colm Tóibín Novelist
  • Ben Wendel Composer
  • Aloísio Menezes Salvador
  • Tommaso Zillio Guitar Instruction
  • TaRon Lockett Los Angeles
  • Luques Curtis Bass
  • Jau Brazil
  • Varijashree Venugopal Multi-Cultural
  • Milad Yousufi Composer
  • Philip Ó Ceallaigh Short Stories
  • Pat Metheny Guitar
  • Walmir Lima Songwriter
  • Gab Ferruz Bahia
  • Eder Muniz Arte da Rua, Street Art
  • Leandro Afonso Film Editor
  • Tarus Mateen Record Producer
  • Paul Cebar R&B
  • Samuca do Acordeon Choro
  • John Patrick Murphy Pernambuco
  • Marília Sodré MPB
  • OVANA Xangongo
  • Ben Monder New York City
  • Steve Earle Country
  • Ronaldo Bastos Brazil
  • Jaques Morelenbaum Arranger
  • Manassés de Souza 12 String Guitar
  • Eder Muniz Bahia
  • Kareem Abdul-Jabbar Television Producer
  • Deesha Philyaw Short Stories
  • John McWhorter Author
  • Jorge Glem Composer
  • Miho Hazama Big Band Leader
  • Ayrson Heráclito Brazil
  • Paulinho do Reco Percussion
  • Stacy Dillard New York City
  • Carlinhos Pandeiro de Ouro Percussion
  • Terell Stafford Trumpet
  • Stephan Crump Jazz
  • Yvette Holzwarth Los Angeles
  • Anoushka Shankar Piano
  • Derrick Hodge Composer
  • Jeff Spitzer-Resnick Civil Rights Law
  • Joan Chamorro Double Bass
  • Walmir Lima Singer
  • Armen Donelian Piano
  • Michael Sarian Jazz
  • Júlio Caldas Bandolim, Mandolin
  • Ed Roth Music Producer
  • James Brandon Lewis Composer
  • Leela James Blues
  • Beth Bahia Cohen Kabak Kemane
  • Brian Q. Torff Fairfield University Faculty
  • John Donohue Artist
  • Rosa Cedrón Cello
  • Ricardo Bacelar Ceará
  • Nduduzo Makhathini Piano
  • Oswaldo Amorim Brazil
  • Sam Yahel Piano Instruction
  • Herbie Hancock Keyboards
  • Lianne La Havas Singer-Songwriter
  • D.D. Jackson Television Scores
  • Tarus Mateen New York City
  • Eric Harland Composer
  • Mayra Andrade Singer
  • Antônio Pereira Singer-Songwriter
  • Jan Ramsey Jazz
  • Igor Osypov Composer
  • Jonga Lima Bahia
  • Sebastian Notini Salvador
  • Africania Brazil
  • Sahba Aminikia Composer
  • James Martin Saxophone
  • Kimberlé Crenshaw Critical Race Theory
  • Paulão 7 Cordas Rio de Janeiro
  • Danilo Caymmi Brasil, Brazil
  • Terell Stafford Composer
  • Kiko Horta Brazil
  • Adenor Gondim Bahia
  • Toby Gough Producer
  • Fred P DJ
  • Casa Preta Brasil, Brazil
  • João Callado Brazilian Jazz
  • Anthony Coleman Jewish Music
  • Manu Chao Multi-Cultural
  • Nana Nkweti Cameroon
  • Aditya Prakash Composer
  • Omer Avital Middle Eastern Music
  • Charlie Bolden Composer
  • David Byrne Writer
  • Django Bates Bern University of the Arts Faculty
  • Lakecia Benjamin Composer
  • Julia Alvarez Writer
  • Fabrício Mota Produtora Musical, Music Producer
  • Felipe Guedes Brazilian Jazz
  • Ronell Johnson New Orleans
  • Howard Levy Multi-Cultural
  • Asali Solomon Writer
  • Mestrinho Singer-Songwriter
  • Jon Madof Educator
  • Mestre Barachinha Pernambuco
  • Anderson Lacerda Bahia
  • Kotringo Japan
  • Jon Lindsay Record Producer
  • Nancy Viégas Bahia
  • Ronell Johnson Tuba
  • Inaicyra Falcão Brasil, Brazil
  • Kiko Souza Jazz Brasileiro, Brazilian Jazz
  • Allen Morrison Jazz
  • Matt Glaser Bluegrass
  • John McLaughlin Jazz Fusion
  • Karim Ziad Composer
  • Jane Cornwell Music Critic
  • Shanequa Gay Poet
  • Zeca Freitas Saxophone
  • Guilherme Varella Advogado, Lawyer
  • Bill Summers Latin Jazz
  • Jeff Parker Los Angeles, California
  • Chico Buarque Singer-Songwriter
  • Terence Blanchard Trumpet
  • Ron Mader Travel Specialist
  • Ana Luisa Barral Bandolim
  • Khruangbin Multi-Cultural
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Lenny Kravitz Songwriter
  • Luedji Luna Brazil
  • David Sacks Washington, D.C.
  • Michael League Record Producer
  • Stormzy Writer
  • Shez Raja Bass
  • Djamila Ribeiro YouTuber
  • Brian Cross aka B+ Hip-Hop
  • Arto Lindsay Brasil, Brazil
  • Diedrich Diederichsen Writer
  • Jane Cornwell Journalist
  • Bonerama New Orleans
  • João Bosco Singer-Songwriter
  • Gabriel Policarpo Samba
  • Barlavento Brazil
  • Marc Cary Composer
  • Questlove Songwriter
  • Liberty Ellman Jazz
  • Christopher Nupen Filmmaker
  • Guilherme Varella Pesquisador, Researcher
  • Michael League Brooklyn, NY
  • Milad Yousufi Brooklyn Conservatory of Music Faculty
  • Casey Driessen Fiddle
  • Mingo Araújo Percussion
  • Ron Carter Jazz
  • Darol Anger Americana
  • Maracatu Ventos de Ouro Baque Virado
  • Otto Recife
  • Cedric Watson Fiddle
  • André Brock Author
  • JD Allen Composer
  • Celino dos Santos Bahia
  • Onisajé Brasil, Brazil
  • Gustavo Di Dalva Salvador
  • Jeff Preiss Producer
  • Anat Cohen Choro
  • David Virelles Jazz
  • John Luther Adams Writer
  • Tom Piazza Screenwriter
  • Robert Randolph Funk
  • Ken Coleman Black American Culture & History
  • Wouter Kellerman Bansuri
  • Piti Canella Gestor Público, Public Servant
  • Kermit Ruffins New Orleans
  • Steve Abbott Singer-Songwriter
  • Anthony Hamilton Soul
  • Albin Zak Record Producer
  • Muireann Nic Amhlaoibh Piano
  • Swami Jr. Violão de Sete
  • Tyshawn Sorey New York City
  • Anouar Brahem Tunis
  • Helen Shaw Writer
  • Alberto Pitta Salvador
  • Bianca Gismonti Singer
  • Rez Abbasi Multi-Cultural
  • Jimmy Dludlu Jazz
  • Adam O'Farrill Composer
  • Béco Dranoff Record Label Owner
  • Emmet Cohen Jazz
  • Bebê Kramer Rio Grande do Sul
  • Ivan Sacerdote Clarinet
  • Sérgio Pererê Composer
  • Sam Reider Singer-Songwriter
  • Amit Chatterjee Sitar
  • Afel Bocoum Singer-Songwriter
  • Jessie Reyez Canada
  • Madhuri Vijay Novelist
  • Steve Coleman Jazz
  • Glória Bomfim Candomblé
  • Fred P Techno
  • Howard Levy Keyboards
  • Oksana Zabuzhko Novelist
  • João Bosco Brasil, Brazil
  • Rez Abbasi Guitar
  • Oded Lev-Ari Arranger
  • Matt Garrison Brooklyn, NY
  • Steven Isserlis London
  • Miroslav Tadić CalArts Music Faculty
  • Alex Mesquita Brazil
  • Intisar Abioto Storyteller
  • Bob Bernotas Writer
  • Jaleel Shaw Jazz
  • Frank London Trumpet
  • Barbara Paris Painter
  • Sheryl Bailey Guitar
  • Tal Wilkenfeld Singer-Songwriter
  • Michael Garnice New York City
  • Anthony Hervey Jazz
  • Estação Primeira de Mangueira Brasil, Brazil
  • Patricia Janečková Prague
  • Robb Royer Songwriter
  • Rachael Price Americana
  • Gonzalo Rubalcaba Piano
  • Alexia Arthurs Short Stories
  • Susana Baca Ethnomusicologist
  • Fred Hersch Rutgers University Faculty
  • Tatiana Campêlo Brazil
  • Joyce Moreno Bossa Nova
  • Shakespeare and Company Bookstore
  • Walter Pinheiro Brazilian Jazz
  • Carl Allen Jazz Workshops
  • William Parker Composer
  • Jonathon Grasse Gamelan
  • Robby Krieger R&B
  • Vijay Gupta Contemporary Classical Music
  • Jam no MAM Jam Sessions
  • Gustavo Di Dalva Singer
  • John Francis Flynn Tin Whistle
  • Ken Avis Singer-Songwriter
  • Leandro Afonso Screenwriter
  • Los Muñequitos de Matanzas Santeria
  • Mariene de Castro Samba de Roda
  • Roberto Fonseca Jazz
  • Marko Djordjevic Jazz
  • Zeca Baleiro MPB
  • Tomoko Omura Composer
  • Steve Abbott Festival Promoter
  • Carrtoons Multi-Instrumentalist
  • André Mehmari MPB
  • Alisa Weilerstein Contemporary Classical Music
  • Iara Rennó São Paulo
  • Keshav Batish Multi-Cultural
  • Thiago Trad Bateria, Drums
  • Anna Webber Contemporary Classical Music
  • Caetano Veloso Brasil, Brazil
  • Maia Sharp Nashville, Tennessee
  • NEOJIBA Musica Brasileira, Brazilian Music
  • Alan Brain Journalist
  • Keola Beamer Composer
  • A-KILL Building Art
  • Andrés Beeuwsaert Piano
  • Gavin Marwick Scottish Traditional Music
  • King Britt Live Producer
  • Michael Peha Guitar
  • Choronas Baião
  • Stanton Moore Drums
  • Nabihah Iqbal Electronic, Experimental, Alternative Music
  • Neymar Dias Viola Caipira
  • Lucian Ban Romania
  • Mestre Nenel Salvador
  • Christopher James New York City
  • Eric Galm Percussion
  • Brian Stoltz Guitar
  • Gilson Peranzzetta Record Producer
  • Alicia Svigals Composer
  • David Castillo Trumpet
  • Anders Osborne R&B
  • Brigit Katz Writer
  • Maria de Xindó Cantora, Singer
  • Stephanie Soileau Writer
  • Lucía Fumero Spain
  • Clint Smith Writer
  • Ajeum da Diáspora Afro-Bahian Cuisine
  • Djamila Ribeiro São Paulo
  • Jane Cornwell Liner Notes
  • Reza Filsoofi Tonbak
  • Jorge Washington Brazil
  • Guilherme Varella Autor, Author
  • Bernardo Aguiar Rio de Janeiro
  • Bule Bule Salvador
  • Toninho Horta Singer
  • Wilson Café Salvador
  • Sunna Gunnlaugs Reykjavik
  • Marcus Miller Los Angeles
  • Nicolas Krassik Jazz
  • James Carter New York City
  • David Bruce Opera
  • Sanjay K Roy Television Director
  • Caridad De La Luz Puerto Rico
  • Jon Batiste R&B
  • Walmir Lima Salvador
  • Hot Dougie's Bar Restaurante
  • Jonathan Finlayson Jazz
  • Áurea Martins Cantora, Singer
  • Muhsinah R&B
  • Aaron Parks Composer
  • Luiz Antônio Simas Rio de Janeiro
  • PATRICKTOR4 Tropical Hardcore
  • César Orozco Cuba
  • Liam Farrell 'Dr L' Multi-Cultural
  • MonoNeon Funk
  • Peter Mulvey Americana
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Oscar Peñas Composer
  • Shana Redmond Writer
  • Marcus Miller Composer
  • Musa Okwonga Podcaster
  • Swizz Beatz New York City
  • Natalia Contesse Singer-Songwriter
  • Jon Faddis Purchase College Conservatory of Music Faculty
  • Nduduzo Makhathini Jazz
  • Ricardo Markis Diretor Musical, Music Director
  • Dom Flemons Multi-Instrumentalist
  • JD Allen New York City
  • Hugues Mbenda Experimental French, African Cuisine
  • Justin Brown Drums
  • Alyn Shipton Radio Presenter
  • Júlio Lemos Choro
  • Miles Mosley Multi-Instrumentalist
  • Shuya Okino Music Venue Owner
  • Chick Corea Contemporary Classical Music
  • Ahmad Sarmast Afghanistan
  • Fred Hersch Piano
  • Michael League Record Label Owner
  • Jeff Parker Experimental Music
  • Casa da Mãe Choro
  • Juca Ferreira Bahia
  • Oscar Peñas Multi-Cultural
  • Tray Chaney Record Producer
  • Gunter Axt Produtor Cultural, Cultural Producer
  • Trilok Gurtu Tabla
  • Yacoce Simões Acordeon, Accordion
  • Musa Okwonga Writer
  • Missy Mazolli Opera
  • Hopkinson Smith Switzerland
  • Maria Calú Igatu
  • Terri Lyne Carrington Composer
  • Tonho Matéria Salvador
  • Adanya Dunn Canada
  • Hua Hsu Vassar College Faculty
  • Jorge Washington Salvador
  • Sandro Albert Composer
  • Tiganá Santana Violão, Guitar
  • Natalia Contesse Chile
  • Léo Rodrigues Pandeiro Instruction Online
  • Lavinia Meijer Contemporary Classical Music
  • Darcy James Argue Conductor
  • Antônio Pereira Manaus
  • Avner Dorman Contemporary Classical Music
  • James Strauss Flute
  • Laura Marling Singer-Songwriter
  • Cara Stacey Mbabane
  • Stefon Harris Composer
  • Joe Newberry Folk & Traditional

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share