CURATION
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from this page:
by Matrix
Network Node
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Name:
King Britt
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City/Place:
San Diego, California
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Country:
United States
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Hometown:
Philadelphia, Pennsylvania
Life
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Bio:
Pew Fellowship recipient, King James Britt (his real name) is a 30+ year, producer, composer and performer in electronic music. His position as Assistant Teaching Professor in Computer Music carries a unique perspective, bringing a non-linear approach and knowledge to the department by focusing on various modern forms of electronic music pedagogy, while continuing to be an active force in the music industry.
As a composer and producer, his practice has lead to collaborations with the likes of De La Soul, Alarm Will Sound Orchestra, Saul Williams, director Michael Mann (Miami Vice) and many others, as well as being called for remixes from an eclectic list of giants, including, Meredith Monk, Solange to Calvin Harris. Most recently collaborating with MacArthur Fellow, Tyshawn Sorey for an upcoming album project. In his role as performer, he has travelled globally playing thousands of venues and festivals, including, AfroPunk (NYC), Berghain (Berlin), MoogFest (Durham), Le Guess Who Festival (Utrecht) and The Kitchen (NYC). King was also the original DJ for the Grammy Award winning Digable Planets.
Blacktronika : Afrofuturism In Electronic Music, is a new UCSD lecture course, created by King, researching and honoring the people of color, who have pioneered groundbreaking genres within the electronic music landscape. Genres span from Chicago House, Detroit Techno and Drum & Bass music. Using his position in the industry, the class has been attended by many, including Questlove, Julian Priester and Goldie.
Contact Information
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Address:
King Britt
800 n 2nd Street
Philadelphia Pa 19123
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Management/Booking:
Management (production, collaboration, curatorial)
Worldwide : [email protected]
Bookings (live shows & dj sets)
USA / Asia : [email protected]
Europe : [email protected]
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Record Company:
Buddy System
More
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Quotes, Notes & Etc.
Take a journey to the world of Afrofuturism—an ever-expansive aesthetic and practice—where music, visual arts, science fiction, and technology intersect to imagine alternate realities and a liberated future viewed through the lens of Black cultures. Immerse yourself in Afrofuturism, Carnegie Hall’s 2022 citywide festival.
Afrofuturism’s boundless sonic essence is celebrated with jazz, funk, R&B, Afrobeat, hip-hop, electronic music, and more. In education and social impact programs created by the Hall’s Weill Music Institute, young musicians, teachers, and people of all ages explore the infinite possibilities of Afrofuturism.
Across New York City, leading cultural organizations present multidisciplinary programming that touches African and African diasporic philosophies, speculative fiction, mythology, comics, quantum physics, cosmology, technology, and more. A diverse range of online offerings also includes film screenings, exhibitions, and talks with some of the leading thinkers and creatives in this multitiered experience.
An introduction for some and a continued quest for others, this trek across space and time will enrich and revitalize our relationship to new futures and futures past. Whether you know Afrofuturism through Alice Coltrane, the literary genius of Octavia E. Butler, the glowing world of comics, or the mythos of Sun Ra and P-Funk, epiphanies will abound in this experiential saga through the realm of Astro-Blackness.
A detailed schedule of Afrofuturism festival events will be announced in fall 2021.
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
This technological matrix originating in Bahia, Brazil and positioning creators around the world within reach of each other and the entire planet is able to do so because it is small-world (see Wolfram above). Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a sociocultural matrix comprised of these three peoples and more, is small-world. Human society, the billions of us, is small-world. Neural structures for human memory are small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX