CURATION
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from this page:
by Augmented Matrix
Network Node
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Name:
Meddy Gerville
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City/Place:
Saint-Denis
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Country:
Réunion
Life
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Bio:
Born in 1974 in St-Pierre on Réunion Island, Meddy Gerville recorded his first album in 1997 called “Réunion Island” which included some prestigious artists from Paris: Louis Winsberg, Nicolas Folmer, Philippe Sellam and various local Réunionese musicians.
In 2000 Meddy won the Pian’Austral Award for the best pianist in the Indian Ocean (with the acclaimed Alain Jean-Marie as one of the judges). Following that, Meddy released his second album “Jazz’Oya” with guest musicians from the Paris and Réunion: Olivier Louvel (The Barbès National Orchestra), Stéphane Guillaume, (Didier Lockwood and Stéphane Huchard, The National Orchestra of Jazz), Linley Marthe (Joe Zawinul).
In 2003 Meddy released his third album titled “Sobat’ ek Lamour” (Fight with Love “Not with War”), with artists that he previously worked with: Nicolas Folmer, Stéphane Guillaume, Daniel Zimmermann, Olivier Louvel, Louis Winsberg as well as Fabrice Legros.
2006 was a major turning point for this Réunionese pianist. Simultaneously working on two albums; the first was “Jazz Amwin” (Tease Me with Jazz), a fusion of Jazz and Maloya which included collaborations from bassist Dominique Di-Piazza, drummer Horacio “El Negro” Hernandez and guitarist Jean-Marie Ecay. The second focused on a popular local genre of Sega/Maloya, titled “Ti pa ti pa n’alé” (Step by Step we are Going to Save Our Culture) with guest artist Danyèl Waro and various Réunionese musicians from local bands. Both albums were also released simultaneously.
Between 2006 and 2008, Meddy increased his collaborations by working with Pierre Bertrand’s Paris Jazz Big Band, Marc Berthoumieux’s and Nicolas Folmer. He also had the opportunity to perform on stage with the American bassist Matthew Garrison.
Meddy’s sixth album was released in May 2008, titled “Fo kronm la vi” (Enjoy Life) which featured a mix of Maloya Jazz. The highlight of this album was the inclusion of Michel Alibo an expert and mind blowing bassist.
In 2010, Meddy performed on the mythical Parisian stage of the Olympia during the “Carib’in Jazz Festival 2010”. He returned to the Olympia in 2013, sharing the marquee with another Réunion star, Dominique Barret. Meddy was then welcomed to Shanghai and Beijing for the first time in 2010, returning in 2012 to perform at various festivals and other music venues throughout China.
In 2011, Meddy released his seventh album titled “7ème Ciel” (7th Heaven). Which was highly requested and ran on all local radio stations, including the music video being played on all local music television stations. He was also presented with the “Voices of the Indian Ocean” Award in July 2011. He then releases a second single titled “Mon Abri” (My Home), featuring singer Tom Frager and Lady Melody as the guest artist, which was also a huge success, allowing Meddy to be broadcast for the first time on major regional radio stations throughout France. The song was the third most downloaded, reported in the “Francophonie Diffusion” in September 2012 just behind Salif Keita and DJ David Guetta!
Between 2012 and 2014, Meddy Gerville continued to perform on a multitude of stages around the world.
In 2015, he released his eighth album titled “Ek out Lamour” (With Your Love) which was also of the Séga/Maloya genre.
“Tropical Rain” is born in 2017 and already promises to not disappoint, delivering the soulful and sultry music in a style that only Meddy can deliver. The basic formation of this opus consists of Giovanni Hidalgo on percussion, Lionel Louéké on guitar, Michel Alibo, impressing us on the bass and Emmanuel Félicité on the drums. Additional guest musicians include: the great trumpet player Randy Brecker, the bandoline virtuoso Hamilton De Hollanda, guitar genius Nguyen Le, percussionist Stéphane Edouard, the captivating voice Myra Maud, great accordionist Marc Berthoumieux, impressive drummer Damien Schmitt, outstanding bassist Dominique DiPiazza, exceptional Karim Ziad, Bernard Joron, Olivier Araste (Lindigo), Fabrice Legros, young bassist Teddy Sorres, flutist Christophe Zoogonès and guitarist Thomas Manerouck.
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
Bahia was final port-of-call for more enslaved human beings than any other place on earth throughout all of human history...refuge for Sephardim fleeing the Inquisition...Indigenous both apart and subsumed into a sociocultural matrix which is all of these: a small-world matrix (see Wolfram). Human society, the billions of us, is small-world. Neural structures for human memory are small-world. This technological matrix positioning creators around the world within reach of each other and the entire planet is able to do so because it is also small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,

Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL