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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Yvette Holzwarth
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Yvette Holzwarth
  • City/Place: Los Angeles, California
  • Country: United States

Life & Work

  • Bio: Yvette Cornelia Holzwarth is a violinist, vocalist, composer, and music educator based in Los Angeles. Expanding beyond her Western classical background, her diverse musical interests delve into Eastern European folk, Arabic, Americana, experimental sound-making, popular, jazz and improvised music.

    As a violinist, Yvette performs and records with many independent artists — including Kamasi Washington, Van Dyke Parks, Gaby Moreno, Homayoun Shajarian, Carmen Cusack, Brandon Coleman, Rade Šerbedžija, Dent May, among many others. She regularly performs in Eastern Europe as part of a duo with guitarist Miroslav Tadić. Together, they blend Balkan folkloric music with improvisations from a wide range of styles. She has toured internationally (Egypt, Abu Dhabi, Oman) with Arabic orchestra MESTO. She is also a founding member of the performer-composer collective Desert Quill Quartet and of Bridge to Everywhere, a classical chamber group celebrating cultural diversity through interwoven musical traditions.

    Residing in Los Angeles, Yvette records on numerous film scores as well as appears on camera in film, TV, and commercial work. Her solo viola work can be heard in "Patriot" Season 2 (Amazon Prime) and "Perpetual Grace" (Epix). Other credits include "Glee" (FOX), "The Good Place" (NBC), "Veep" (HBO), and "Arrested Development" (FOX).

    From her home studio, Yvette delivers remote recording services professionally and expediently. She is set up with a sound-treated recording room, equipped with high-quality condenser mics, and works in Ableton Live and Pro Tools. She is experienced in delivering everything from solo lines to orchestral string mixes.

    As a songwriter, Yvette releases original music under the moniker Yvette Cornelia. Her debut EP Open It Up (2013) was recently followed up by a full-length album What Lies Ahead (2018). Featuring her nine-piece ensemble, this latest album explores the cracks between chamber music, folk, experimental rock, and songwriting.

    As a composer, she has had pieces performed by SF Civic Orchestra, Bay Area’s Awesöme Orchestra, CalArts Contemporary Vocal Ensemble, and Desert Quill Quartet. She highly enjoys interdisciplinary work and designs sound for theatre productions (Antigonick and How Little I Know by Scatterstate Theater in San Jose, CA), works with choreographers (Heidi Duckler Dance Theater) and visual artists (Dean Liao, NOH/WAVE), and scores projects for filmmakers and animators. She is also a frequent collaborator with LA-based theater company Four Larks. In 2019, she performed in katabasis, their immersive site-specific exploration of the Greek underworld at the Getty Villa; and in 2020, she premiered in their "thrillingly realized" (LA Times) take on Shelley's Frankenstein at The Wallis Center.

    From 2017-2018, Yvette curated an adventurous monthly chamber music series called Hear Sunday in collaboration with the arts nonprofit Clockshop in Frogtown, Los Angeles. In 2013, she lived and worked at the Occidental Arts and Ecology Center, a permaculture retreat center and small organic farm in West Sonoma County. She holds an M.F.A. in Performance and Composition from the California Institute of the Arts and a Bachelor's in American Literature from UCLA.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.yvetteholzwarth.com/contact

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.yvetteholzwarth.com/discography
  • ▶ Twitter: holzwarthy
  • ▶ Instagram: yvette.cornelia
  • ▶ Website: http://www.yvetteholzwarth.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCLmpGNpJZCAb6tchpKfctYw
  • ▶ Spotify: http://open.spotify.com/album/5QFrWgwvrWrhyR8el7jmpY
  • ▶ Spotify 2: http://open.spotify.com/album/0n2c03o4UjNlijyHcpGhGR

Clips (more may be added)

  • 1:00:29
    Nikšić Guitar Festival, Montenegro 2020 ©️ - Miroslav Tadić & Yvette Holzwarth - living room concert
    By Yvette Holzwarth
    119 views
  • 0:06:48
    We are the Desert Quill Quartet!
    By Yvette Holzwarth
    109 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Yvette Holzwarth:

  • 2 Composer
  • 2 Contemporary Classical Music
  • 2 Film Scores
  • 2 Film, Television Recording
  • 2 Los Angeles
  • 2 Multi-Cultural
  • 2 Singer
  • 2 Theater Sound Design
  • 2 Violin
  • Nduduzo Makhathini Piano
  • João Bosco Brazil
  • Michael Cleveland Fiddle
  • Victor Gama Experimental Music
  • Jen Shyu Multi-Cultural
  • Brian Lynch Record Label Owner
  • Nelson Faria Brazilian Jazz
  • Daniil Trifonov Classical Music
  • Jacám Manricks Saxophone
  • Chris McQueen App Developer
  • Arturo Sandoval Composer
  • Dr. Lonnie Smith R&B
  • Ayrson Heráclito Set Designer
  • Guga Stroeter Brazil
  • John Schaefer New York City
  • Marcus Printup Composer
  • Louis Michot Western Swingbilly Cajun Punk
  • Tomo Fujita Jazz
  • Alan Bishop Bass
  • Dale Farmer Fiddle
  • Rudy Royston Composer
  • Hugues Mbenda Chef
  • Sheryl Bailey Composer
  • César Camargo Mariano MPB
  • Moreno Veloso Singer-Songwriter
  • Mateus Aleluia Filho Brasil, Brazil
  • Tomo Fujita Author
  • Moacyr Luz Songwriter
  • Jakub Knera Writer
  • Sérgio Mendes Piano
  • Magda Giannikou New York City
  • Miles Mosley Bass
  • André Becker Jazz
  • Colson Whitehead Writer
  • Mona Lisa Saloy Louisiana
  • Lokua Kanza Singer-Songwriter
  • Adam Rogers Classical Guitar
  • Eric Galm Samba
  • Sam Wasson Cultural Historian
  • Adriana L. Dutra Brazil
  • Beeple Concert Visuals
  • Loli Molina Buenos Aires
  • Mauro Senise Composer
  • Thana Alexa New York City
  • Nate Chinen Writer
  • Scott Devine YouTuber
  • Omar Sosa Vibraphone
  • Jessie Montgomery Chamber Musician
  • Catherine Bent Composer
  • Diana Fuentes Havana
  • Yoron Israel Berklee College of Music Faculty
  • Bisa Butler Quilts
  • Magary Lord Salvador
  • Bodek Janke Percussion
  • James Carter Contemporary Classical Music
  • Rowney Scott Salvador
  • Gabriel Geszti Compositor, Composer
  • Immanuel Wilkins Jazz
  • Archie Shepp Paris, France
  • OVANA Angola
  • Chano Domínguez Cádiz
  • Rogê Samba
  • Bodek Janke Contemporary Classical Music
  • Lakecia Benjamin Saxophone
  • Jen Shyu Multi-Instrumentalist
  • Edivaldo Bolagi Produtor Cultural, Cultural Producer
  • Dorian Concept Composer
  • VJ Gabiru Brasil, Brazil
  • Ibram X. Kendi Essayist
  • Bob Lanzetti Brooklyn, NY
  • Sharay Reed Jazz
  • Jas Kayser Drums
  • Alegre Corrêa Composer
  • Dan Moretti Composer
  • Fred Hersch Rutgers University Faculty
  • Tank and the Bangas Hip-Hop
  • Roy Germano Author
  • Zebrinha Salvador
  • Francisco Mela Drums
  • Tom Green Composer
  • Joel Best 3D Artist
  • Susana Baca Ethnomusicologist
  • Dorian Concept Synthesizer
  • Bill Hinchberger Communications Consultant
  • Edu Lobo Rio de Janeiro
  • Janine Jansen Violin
  • Pretinho da Serrinha Percussion
  • Neo Muyanga South Africa
  • Ellie Kurttz England
  • Sam Eastmond Record Producer
  • Alex Rawls Music Writer
  • Cássio Nobre Chula
  • Edsel Gomez Jazz
  • Gonzalo Rubalcaba Cuba
  • Rahim AlHaj Baghdad
  • Peter Evans Avant-Garde Jazz
  • Alex Cuadros Journalist
  • Alex Clark Cinematographer
  • Echezonachukwu Nduka Singer
  • Tony Kofi London
  • Mino Cinélu Drums
  • Cassandra Osei Brazilianist
  • Jocelyn Ramirez Chef
  • Ian Hubert Filmmaker
  • Yotam Silberstein Guitar Instruction
  • Garvia Bailey Jamaica
  • Courtney Pine Flute
  • Antibalas Pan-Africana
  • Matthew Guerrieri Music Journalist
  • David Simon Journalist
  • Sarah Jarosz Guitar
  • Angel Bat Dawid Singer
  • Munyungo Jackson Percussion
  • Catherine Bent Boston
  • Tray Chaney Actor
  • Gilad Hekselman Jazz
  • LaTasha Lee Soul
  • Paul McKenna Singer-Songwriter
  • José Antonio Escobar Barcelona
  • Jack Talty County Clare
  • JD Allen Saxophone
  • Jonathan Scales Jazz Fusion
  • Kendrick Scott Drums
  • Caoimhín Ó Raghallaigh Irish Traditional Music
  • Jamz Supernova Record Label Owner
  • Tero Saarinen Helsinki
  • Susana Baca Peru
  • Guillermo Klein Argentina
  • Steve Cropper R&B
  • Serginho Meriti Rio de Janeiro
  • Pedrito Martinez Santeria
  • Luis Perdomo Venezuela
  • Serginho Meriti Composer
  • Dezron Douglas New York City
  • Lalah Hathaway Record Producer
  • Danilo Pérez Piano
  • John Francis Flynn Singer-Songwriter
  • Di Freitas Viola Caipira
  • Dale Farmer Old-Time Music
  • Peter Mulvey Americana
  • Ray Angry Jazz
  • Yuja Wang Classical Music
  • Omer Avital Brooklyn, NY
  • Leon Bridges Record Producer
  • Beth Bahia Cohen Kabak Kemane
  • Las Cafeteras Afro-Mexican Music
  • MonoNeon Bass
  • Mike Moreno Composer
  • Kiko Souza R&B
  • Gel Barbosa Sanfona
  • Isaias Rabelo Bahia
  • Domingos Preto Bahia
  • Sérgio Mendes Rio de Janeiro
  • Azadeh Moussavi Tehran
  • Elio Villafranca Cuba
  • Oteil Burbridge Bass
  • Milton Primo Samba
  • Woody Mann Blues
  • Robby Krieger Los Angeles
  • Kevin Hays Jazz
  • Herlin Riley Second Line
  • Dona Dalva Samba de Roda
  • Tigran Hamasyan Armenia
  • Bobby Vega San Francisco, California
  • Ari Rosenschein Journalist
  • Walter Ribeiro, Jr. Bahia
  • Grégoire Maret Composer
  • Marcelinho Oliveira Keyboards
  • Lucio Yanel Composer
  • Nikki Yeoh Piano
  • Dan Tyminski Singer-Songwriter
  • Philip Sherburne Essayist
  • Bebê Kramer Tango
  • Mestre Barachinha Caboclo de Lança
  • Madhuri Vijay Novelist
  • Dermot Hussey Jamaica
  • Kiya Tabassian كيا طبسيان Iran
  • Zara McFarlane London
  • Warren Wolf Composer
  • Weedie Braimah Djembefola
  • Lakecia Benjamin Funk
  • Nardis Jazz Club Jazz Club
  • James Shapiro Writer
  • Hilary Hahn Contemporary Classical Music
  • Ênio Bernardes Brasil, Brazil
  • The Assad Brothers Classical Guitar
  • Giveton Gelin Trumpet
  • Michael W. Twitty Washington, D.C.
  • Louis Michot Cajun Music
  • Capitão Corisco Folk & Traditional
  • Paul Anthony Smith Picotage
  • Custódio Castelo Portugal
  • Loli Molina Guitar
  • Marcel Camargo Arranger, Orchestrator
  • Alan Brain Filmmaker
  • Brian Stoltz R&B
  • Daniil Trifonov Classical Music
  • A-KILL Building Art
  • Marcello Gonçalves Violão de Sete
  • Ana Tijoux Santiago
  • Molly Tuttle Americana
  • Sebastian Notini Salvador
  • Vijay Gupta Social Justice Advocate
  • Meddy Gerville Singer
  • Dale Farmer Fiddle
  • Fábio Peron Compositor, Composer
  • Hilary Hahn Violin
  • Philip Cashian Contemporary Classical Music
  • Kurt Rosenwinkel Jazz
  • Andrew Finn Magill Irish Traditional Music
  • Egberto Gismonti Piano
  • Dale Bernstein Photographer
  • Brandon Wilner Writer
  • Michael Pipoquinha Brazilian Jazz
  • Carl Allen Educator
  • Adriano Giffoni Rio de Janeiro
  • Jeremy Danneman Jazz
  • Sam Eastmond Bandleader
  • Tiganá Santana Brasil, Brazil
  • Marta Sánchez New York City
  • Ofer Mizrahi Israel
  • Sergio Krakowski Jazz
  • Bill Frisell Guitar
  • Jonathon Grasse Guitar
  • Francisco Mela Percussion
  • Mou Brasil Salvador
  • Paulinho do Reco Brazil
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Joel Guzmán Austin, Texas
  • Vincent Valdez Drawings
  • Otto Singer-Songwriter
  • Matthew Guerrieri Music Writer
  • Negra Jhô African Hairstyles
  • Cyro Baptista Percussion
  • Peter Dasent Composer
  • Stomu Takeishi Jazz
  • Billy Strings Guitar
  • Moreno Veloso Singer-Songwriter
  • Jon Otis Drums
  • Luciana Souza MPB
  • Bright Red Dog Ropeadope
  • Julian Lage Americana
  • Bejun Mehta New York City
  • Negra Jhô Brazil
  • Mavis Staples Singer-Songwriter
  • Cássio Nobre Salvador
  • Hendrik Meurkens Samba
  • Roberto Mendes Brazil
  • Michael League Multi-Cultural
  • Ethan Iverson Piano
  • Chubby Carrier Singer-Songwriter
  • Rick Beato YouTuber
  • Parker Ighile Singer-Songwriter
  • Jovino Santos Neto Cornish College of the Arts Faculty
  • Maria Drell Salvador
  • Joel Guzmán Accordion
  • Musa Okwonga Podcaster
  • Victor Gama Luanda
  • Caroline Shaw Contemporary Classical Music
  • Aneesa Strings Jazz
  • Philip Glass Film Scores
  • Anoushka Shankar Film Scores
  • Anouar Brahem Tunisia
  • Moacyr Luz Samba
  • Victor Gama Experimental Music
  • Calypso Rose Singer-Songwriter
  • Merima Ključo Sephardic Music
  • Grégoire Maret Harmonica
  • Stefon Harris Vibraphone
  • Gabriel Geszti Jazz Brasileiro, Brazilian Jazz
  • Jared Sims Classical Music
  • Philip Glass Composer
  • Alma Deutscher Violin
  • Ben Okri Essayist
  • Mokhtar Samba Paris
  • Nelson Sargento Rio de Janeiro
  • Victor Gama Multimedia Opera
  • Alex Mesquita Federal University of Bahia Faculty
  • Fernando Brandão Choro
  • The Umoza Music Project Rap
  • Philip Cashian Royal Academy of Music Staff
  • Geovanna Costa Brasil, Brazil
  • Lucía Fumero Composer
  • Richie Pena New York City
  • Andrés Beeuwsaert Jazz
  • Marilda Santanna Salvador
  • Harvey G. Cohen Cultural Historian
  • Gilsons Salvador
  • Bodek Janke Jazz
  • Al Kooper Record Producer
  • Itamar Vieira Júnior Brazil
  • Chris Speed New York City
  • Mariana Zwarg Brazil
  • Beats Antique World Fusion
  • Márcio Valverde Samba
  • Giba Conceição Salvador
  • Zé Luíz Nascimento Salvador
  • Thomas Àdes Conductor
  • Mike Compton Folk & Traditional
  • Paulo César Figueiredo Brasil, Brazil
  • Michael Doucet Mandolin
  • Frank Olinsky Graphic Designer
  • Dieu-Nalio Chery Photojournalist
  • George Garzone Berklee College of Music Faculty
  • Taylor Ashton Visual Artist
  • Jazzmeia Horn Jazz
  • Alfredo Del-Penho Singer-Songwriter
  • Samuel Organ Experimental Rock
  • Cécile McLorin Salvant Composer
  • Shannon Alvis Chicago
  • Matthew Guerrieri Composer
  • Dan Tepfer Composer
  • Keith Jarrett Classical Music
  • Raphael Saadiq Record Producer
  • Hugues Mbenda African Cuisine
  • Gevorg Dabaghyan Duduk
  • Afel Bocoum Singer-Songwriter
  • Nelson Ayres Jazz
  • Jas Kayser London
  • Ricky (Dirty Red) Gordon Percussion
  • Yola Country
  • The Umoza Music Project Multi-Cultural
  • Leo Genovese Jazz
  • Gerald Cleaver Drums
  • Elio Villafranca Piano
  • Aloísio Menezes Bahia
  • Nancy Viégas Country
  • Manolo Badrena Berimbau
  • Siphiwe Mhlambi Visual Story Teller
  • Chris Dave R&B
  • Marcos Portinari Produtor Multimídea, Multimedia Producer
  • Sergio Krakowski Pandeiro Instruction
  • Sombrinha Singer-Songwriter
  • Léo Rugero Forró
  • Eduardo Kobra Muralista, Muralist
  • Şener Özmen Video Artist
  • Omer Avital North African Music
  • Tom Green Glasgow
  • Paulo Costa Lima Academía Brasileira de Música, Brazilian Academy of Music
  • David Sánchez Jazz
  • Tomo Fujita Blues
  • Peter Dasent Sydney
  • Di Freitas Cello
  • Bombino Guitar
  • Howard Levy Keyboards
  • Chucho Valdés Piano
  • Kiya Tabassian كيا طبسيان Montreal
  • Taj Mahal Folk & Traditional
  • Merima Ključo Sevdalinka
  • Seu Jorge Brazil

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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