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  • Merima Ključo

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Merima Ključo
  • City/Place: Los Angeles, California
  • Country: United States
  • Hometown: Livno, Bosnia and Herzegovina

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Concert accordionist Merima Ključo imbues a dizzying variety of music with playing that moves with its depth of understanding and experience.

    With a background in contemporary music, she performs internationally as a recitalist and has been guest soloist with many orchestras, including the Scottish Chamber Orchestra, Holland Symphonia, the Netherlands Radio Philharmonic Orchestra and the Citymusic Cleveland. As soloist, she has participated in a number of renowned festivals, including the St. Magnus Festival (Scotland), the City of London Festival, the Gaudeamus Festival (Amsterdam), and the Gubaidulina Festival, which honored one of the greatest composers of our time, Sofia Gubaidulina, in celebration of her 75th birthday.

    She was a member of the Checkpoint KBK with Iva Bittova and David Krakauer, and Serendipity 4 with singers Theodore Bikel and Shura Lipovsky, and pianist Tamara Brooks, and was a frequent guest of MusikFabrik, the Asko/Schönberg Ensemble and the Nederlands Blazers Ensemble.

    Her performances have been broadcast by prominent networks around the globe such as BBC, PBS and PRI.

    She contributed music to the films In the Land of Blood and Honey, written and directed by Angelina Jolie, with a score by the Oscar-winning composer Gabriel Yared, and Jack by Sergej Kreso, among others. She performed in the documentary films Journey 4 Artists, by Michele Noble, and Stories of Sevdah, by Robert Golden.

    Opera and theatre companies with whom Ključo has performed include the National Jewish Theater, Bremer Theater, Nederlandse Kinder Theater, EastWest Theater Company and Zagreb Youth Theater.

    She has collaborated with prize-winning theatre directors Daniel Landau, Derek Goldman, Haris Pašović and Edvin Liverić, among others.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://merimakljuco.com/contact
  • Management/Booking: Booking for USA & Canada
    Bernstein Artists, Inc.
    Sue Renée Bernstein, President
    [email protected]
    John Gasper, Assistant
    [email protected]
    282 Flatbush Avenue, Suite 101
    Brooklyn, NY 11217, USA
    +1 (718) 623-1214
    www.bernsarts.com

    Booking for Europe for project LUME
    CultureWorks
    Sabina Schebrak
    [email protected]
    Albertgasse 13-15/R4, 1080
    Vienna, Austria
    +43-1-5223522
    Mobile: +43-664-5132367
    www.cultureworks.at

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://merimakljuco.com/releases
  • ▶ Buy My Music 2: (downloads/CDs/DVDs) http://merimakljuco.com/shop
  • ▶ Book Purchases: http://merimakljuco.com/releases
  • ▶ Website: http://merimakljuco.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCKc1VUzZkw1WYIEMCMLqpmQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UCZVenXcVCxUqiNZm7IpzIBg
  • ▶ Spotify: http://open.spotify.com/album/3NTS5rNoQYOEnIHvl3QNBA
  • ▶ Spotify 2: http://open.spotify.com/album/3yVGuv59Yt5dcfVx2TMTf7
  • ▶ Spotify 3: http://open.spotify.com/album/3q28RPSZmskPj6kWq3mWN0

My Instruction

  • Lessons/Workshops: Lecture possibilities

    - Accordion lessons
    For musicians at all levels

    - Interpretation lessons
    For professional musicians
    (Suitable for all melodic and harmonic instruments)

    - Improvisation lessons
    For musicians at all levels, who are wishing to learn various improvisation techniques using the traditional and contemporary elements.
    (Suitable for all melodic and harmonic instruments)

    - Eastern European Tunes & Rhythms (including Klezmer and Sephardic music)
    For musicians at all levels, beginners to professionals, wishing to learn about various Eastern European musical styles.
    (Suitable for all melodic and harmonic instruments)

Clips (more may be added)

  • 3:19
    Merima Ključo & Jelena Milušić - Madre Miya Si Mi Muero
    By Merima Ključo
    223 views
  • 0:46
    La Convivencia Premiere! March 17, 2021
    By Merima Ključo
    213 views
  • 3:52
    Merima Ključo: "Ruža"
    By Merima Ključo
    191 views
  • 2:48
    Merima Ključo & Jelena Milušić: M.T.Vera "Veinte Años"
    By Merima Ključo
    225 views
  • 4:25
    Merima Ključo & Jelena Milušić: M Ključo "Snovidjenje" No.1 Kletva (Curse)
    By Merima Ključo
    229 views
  • 3:54
    Merima Ključo & Jelena Milušić: M. Ključo "Snovidjenje" No.3 Adio Kerida
    By Merima Ključo
    202 views
  • 4:14
    Merima Ključo & Jelena Milušić - Noćas mi srce pati
    By Merima Ključo
    218 views
  • 0:53
    Lume in NYC!
    By Merima Ključo
    189 views
  • 3:33
    MERIMA KLJUČO I JELENA MILUŠIĆ - LUME (OFFICIAL VIDEO)
    By Merima Ključo
    219 views
  • 3:22
    Merima Ključo & Miroslav Tadić: "Tamamale & Grandpa Nigun" - live at the Eastman Theatre
    By Merima Ključo
    188 views
  • 4:23
    Merima Ključo & Miroslav Tadić: "Hajd' sad Majka!" - live at the Eastman Theatre
    By Merima Ključo
    147 views
  • 0:09:15
    CMC TV Merima Ključo & Jelena Milušić
    By Merima Ključo
    280 views
Previous
Next

Merima Ključo Curated

  • 1 Accordion
  • 1 Author
  • 1 Balkan Music
  • 1 Composer
  • 1 Contemporary Classical Music
  • 1 Klezmer
  • 1 Los Angeles
  • 1 Sephardic Music
  • 1 Sevdalinka
  • 1 Theater Scores

What's Been Happening?

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  • Merima Ključo
    A video was posted re Merima Ključo:
    Merima Ključo & Jelena Milušić - Madre Miya Si Mi Muero
    The song cycle "Hommage to Flory Jagoda" consists of Ključo’s arrangements of songs composed and written by Flory Jagoda. “My project La Convivencia in collaboration with contralto Jelena Milušić, has a special focus on the songs composed and performe...
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    La Convivencia Premiere! March 17, 2021
    Inspired by the powerful message of coexistence, my new project La Convivencia, in collaboration with - once again - the most incredible Jelena Milušić, will be presented by the Kupferberg Holocaust Center, the Department of Music at Queensborough Communi...
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    Merima Ključo: "Ruža"
    My composition “Ruža”, inspired by a popular song - "Jutros mi je ruža procvetala" - by Serbian composer, Petar Tanasijević (1932 - 2016) Enjoy! Accordion: Merima Ključo Audio recording and mix: Studio MK Photo: Marko Ercegović
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    Merima Ključo & Jelena Milušić: M.T.Vera "Veinte Años"
    @ Morgenland Festival Online Edition 2020 "The grande dame of Cuban music, Maria Teresa Vera was not only the greatest female trova singer of all time, she was also one of the form's greatest singers, period. Vera became a professional musician and songw...
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    Merima Ključo & Jelena Milušić: M Ključo "Snovidjenje" No.1 Kletva (Curse)
    @ Morgenland Festival Online Edition 2020 Snovidjenje (Apparitions) is a song cycle by Merima Ključo based on Romanian, Croatian, Sephardic and Kosovar traditional music. Scored for contemporary accordion and voice, these are songs of love, passion and d...
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    Merima Ključo & Jelena Milušić: M. Ključo "Snovidjenje" No.3 Adio Kerida
    @ Morgenland Festival Online Edition 2020 Snovidjenje (Apparitions) is a song cycle by Merima Ključo based on Romanian, Croatian, Sephardic and Kosovar traditional music. Scored for contemporary accordion and voice, these are songs of love, passion and d...
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    Merima Ključo & Jelena Milušić - Noćas mi srce pati
    T. Zdravković - arr. Merima Ključo Voice: Jelena Milušić Piano, accordion & sound production: M. Ključo Photographed by Miki Olibarri-Powel & Jelena Milušić Video director and editor: Merima Ključo
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    Lume in NYC!
    Elebash Recital Hall
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    MERIMA KLJUČO I JELENA MILUŠIĆ - LUME (OFFICIAL VIDEO)
    Voice: Jelena Milušić Accordion: Merima Ključo Music: from song cycle Snovidjenje, by Merima Ključo, inspired by Romanian song "Lume" Directed and produced by Merima Ključo & Jelena Milušić Camera: Miki Olabarri Powell Video director and editor: Meri...
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    Merima Ključo & Miroslav Tadić: "Tamamale & Grandpa Nigun" - live at the Eastman Theatre
    The Eastman Theatre , Rochester, NY November 15, 2018 From album Aritmia M. Ključo - "Tamamale & Grandpa Nigun" (dedicated to Tamara Brooks & Theodore Bikel)
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    Merima Ključo & Miroslav Tadić: "Hajd' sad Majka!" - live at the Eastman Theatre
    The Eastman Theatre , Rochester, NY November 15, 2018 Album Aritmia Performing: M. Ključo's - "Hajd' sad Majka!" from Sevdah Songs II
    • April 21, 2021
  • Merima Ključo
    A video was posted re Merima Ključo:
    CMC TV Merima Ključo & Jelena Milušić
    Promocija albuma Lume - 18.02.2019 Kulturni Centar Mesnička, Zagreb
    • April 21, 2021
  • Merima Ključo
    A category was added to Merima Ključo:
    Theater Scores
    • April 21, 2021
  • Merima Ključo
    A category was added to Merima Ključo:
    Contemporary Classical Music
    • April 21, 2021
  • Merima Ključo
    A category was added to Merima Ključo:
    Sevdalinka
    • April 21, 2021
  • Merima Ključo
    A category was added to Merima Ključo:
    Author
    • April 21, 2021
  • Merima Ključo
    A category was added to Merima Ključo:
    Klezmer
    • April 21, 2021
  • Merima Ključo
    A category was added to Merima Ključo:
    Sephardic Music
    • April 21, 2021
  • Merima Ključo
    A category was added to Merima Ključo:
    Balkan Music
    • April 21, 2021
  • Merima Ključo
    A category was added to Merima Ključo:
    Composer
    • April 21, 2021
View More
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX

Quincy Jones pode indicar Gilberto Gil. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone abaixo. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Edu Lobo Singer-Songwriter
  • Alexandre Vieira Jazz Brasileiro, Brazilian Jazz
  • Chris Speed Avant-Garde Jazz
  • Mary Halvorson Guitar
  • James Andrews Jazz
  • Lauren Martin New York City
  • Edmar Colón Berklee College of Music Faculty
  • Vânia Oliveira Dança Afro
  • Bodek Janke Berlin
  • Alex Rawls Music Writer
  • Romulo Fróes São Paulo
  • Kenny Garrett Jazz
  • Bill Summers Afro-Cuban Music
  • Julie Fowlis Scotland
  • Kareem Abdul-Jabbar Writer
  • Marquis Hill Jazz
  • The Umoza Music Project Malawi
  • Mestre Nenel Salvador
  • Arson Fahim Piano
  • Mario Ulloa Brazil
  • Amy K. Bormet Piano
  • Bai Kamara Jr. Brussels, Belgium
  • Jelly Green Painter
  • Carlos Aguirre Composer
  • Joanna Majoko Jazz
  • Nicolas Krassik Jazz
  • Antônio Queiroz Bahia
  • Shanequa Gay Poet
  • Romulo Fróes Samba
  • Thomas Àdes Opera
  • Ben Williams Composer
  • Andrew Dickson London
  • Helder Barbosa Consultor Organizacional, Organizational Consultant
  • Shaun Martin Songwriter
  • Terry Hunter House Music
  • Caroline Shaw Contemporary Classical Music
  • Cláudia Leitão Faculdade da UECE, State University of Ceará Faculty
  • Mou Brasil Bahia
  • Elodie Bouny Venezuela
  • Vânia Oliveira Salvador
  • William Parker Poet
  • Delfeayo Marsalis New Orleans
  • Celso Fonseca Brazil
  • Vinnie Colaiuta Session Drummer
  • Nelson Latif São Paulo
  • Marc Johnson Record Producer
  • Kiko Freitas Educator
  • Gilson Peranzzetta Piano
  • Itamar Vieira Júnior Salvador
  • Geraldo Azevedo Forró
  • Aditya Prakash Ropeadope
  • Kiko Freitas Samba
  • Marcus Strickland Brooklyn, NY
  • Les Filles de Illighadad Tende
  • Jerry Douglas Music Director
  • Jimmy Duck Holmes Singer-Songwriter
  • The Umoza Music Project Rap
  • Lakecia Benjamin New York City
  • Malin Fezehai Photographer
  • Egberto Gismonti Brazil
  • Nooriyah نوريّة London
  • Ryuichi Sakamoto Electronic Music
  • Martin Fondse Jazz
  • Lívia Mattos Accordion
  • Manu Chao Record Producer
  • Melanie Charles Flute
  • Ben Okri Poet
  • Marquis Hill African-American Music
  • Gregory Tardy Saxophone
  • Fábio Zanon Brazil
  • Ryuichi Sakamoto Multi-Cultural
  • Jakub Knera Musical Event Producer
  • Rick Beato Atlanta, Georgia
  • Ibrahim Maalouf Classical Music
  • Ryuichi Sakamoto Actor
  • Joyce Moreno Jazz Brasileiro, Brazilian Jazz
  • Steve Bailey Berklee College of Music Faculty
  • Paul Cebar Singer-Songwriter
  • Nilze Carvalho Singer
  • James Andrews Funk
  • Paulinho do Reco Candomblé
  • Carlinhos 7 Cordas Violão de Sete
  • Issa Malluf Daf
  • Antônio Pereira Singer-Songwriter
  • 小野リサ Lisa Ono MPB
  • Jamberê Cerqueira Compositor, Composer
  • Silas Farley Dance Teacher
  • Nora Fischer Amsterdam
  • Dan Moretti Saxophone
  • Fred Dantas Salvador
  • Chief Xian aTunde Adjuah Record Producer
  • Pururu Mão no Couro Sambalanço
  • Case Watkins James Madison University Faculty
  • Carlinhos Brown Painter
  • Marc Cary Composer
  • Paolo Fresu Composer
  • Mauro Diniz Singer-Songwriter
  • Antonio García Jazz
  • Miles Okazaki Jazz
  • Michael Peha Keyboards
  • Tatiana Eva-Marie Manouche
  • Arto Tunçboyacıyan Multi-Cultural
  • Karim Ziad Algeria
  • Ofer Mizrahi Tel Aviv
  • Jovino Santos Neto Rio de Janeiro
  • Luis Perdomo Jazz
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