Leonard Pitts, Jr
This Brazilian cultural matrix positions Leonard Pitts, Jr globally...
Curation
CURATION
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from this page:
by Matrix
The Integrated Global Creative Economy
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Name:
Leonard Pitts, Jr
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City/Place:
Bowie, Maryland
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Country:
United States
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Hometown:
Los Angeles
Life & Work
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Bio:
You know how kids go through phases? You know how the average little boy or girl wants to be a doctor this week, a video game designer next week? Leonard Pitts, Jr. never did that.
He says that from the tender age of five years old – little more than a “fetus with pretensions,” as he puts it – he knew what wanted to do. Indeed, he knew what he was put here to do. We are talking about a very long time ago: when Leonard Pitts was five, John F. Kennedy was still in the White House, “Whites Only” signs were still on the walls, and the Beatles had not yet invaded America.
The world has changed a great deal since then. But one thing never did.
In a career that now spans 43 years, Leonard Pitts, Jr. has worked as a columnist, a college professor, a radio producer and a lecturer. But those are just the job titles. If you ask him what he does – what he is – he’ll tell you now what he would have told you then.
He is a writer.
Millions of people are glad he is. They read him every week in one of the most popular newspaper columns in the country. Many more have come to know him through a series of critically-acclaimed books, including his latest, a novel of race, faith and World War II called The Last Thing You Surrender.
Pitts’ stubborn devotion to the art and craft of words has yielded many awards, chief among them the 2004 Pulitzer Prize for commentary.
But that was only the capstone of a career filled with prizes for literary excellence. In 1997, Pitts took first place for commentary in division four (newspapers with a circulation of over 300,000) in the American Association of Sunday and Feature Editors' Ninth Annual Writing Awards competition. He is a three-time recipient of the National Association of Black Journalists’ Award of Excellence, and was chosen NABJ’s 2008 Journalist of the Year. He is a five-time recipient of the Atlantic City Press Club’s National Headliners Award and a seven-time recipient of the Society of Professional Journalists’ Green Eyeshade Award. In 2001, he received the American Society of Newspaper Editors prestigious Award For Commentary Writing and was named Feature of the Year in the column writing division by Editor and Publisher magazine. In 2002, the National Society of Newspaper Columnists awarded Pitts its inaugural Columnist of the Year award; in 2016, it named him to its Hall of Fame. In 2002 and in 2009, GLAAD Media awarded Pitts the Outstanding Newspaper Columnist award. In 2017, he was awarded the prestigious Missouri Honor Medal for “distinguished service to journalism.” He has received four honorary doctorates.
Pitts’ work has made him an in-demand lecturer. He maintains a rigorous speaking schedule that has taken him to colleges, civic groups and professional associations all over the country. He has also taught at a number of institutions of higher learning, including Hampton University, Ohio University, the University of Maryland, and Virginia Commonwealth University. In the fall of 2011, he was a visiting professor at Princeton, teaching a course in writing about race.
Twice each week, millions of newspaper readers around the country seek out his rich and uncommonly resonant voice. In a word, he connects with them. Nowhere was this demonstrated more forcefully than in the response to his initial column on the Sept. 11, 2001 attacks. Pitts' column, "We'll Go Forward From This Moment," an angry and defiant open letter to the terrorists, circulated the globe via the Internet. It generated upwards of 30,000 emails, and has since been set to music, reprinted in poster form, read on television by Regis Philbin and quoted by Congressman Richard Gephardt as part of the Democratic Party's weekly radio address.
Tavis Smiley called Leonard Pitts “the most insightful and inspiring columnist of his generation.”
And when Pitts won his Pulitzer, Bob Costas wondered, “What took them so long?”
Leonard Pitts was born and raised in Southern California. He was awarded a degree in English from the University of Southern California at the age of 19, having entered school at 15 on a special honors program. Since 1995, he and his wife have lived in Bowie, Maryland, a suburb of Washington, D. C.
Contact Information
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Email:
[email protected]
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Management/Booking:
For speaking engagements, contact:
www.apbspeakers.com
www.booksincommon.org
Clips (more may be added)
There are certain countries, the names of which fire the popular imagination. Brazil is one of them; an amalgam of primitive and sophisticated, jungle and elegance, luscious jazz harmonics — there’s no other place like it in the world. And while Rio de Janeiro, or its fame anyway, tends toward the sophisticated end of the spectrum, Bahia bends toward the atavistic…
It’s like a trick of the mind’s light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there (and here; the Bahian Recôncavo was final port-of-call for more enslaved human beings than any other place throughout the entirety of mankind’s existence on this planet, and in the past it extended into what is now urban Salvador), one must be led to the inevitable conclusion that one is in a place unique to history, and to the present:
Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.
Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil’s national music — the pandeiro — was almost certainly brought to Brazil by these people).
Across the parched savannas of the interior of Brazil’s culturally fecund nordeste/northeast (where wizard Hermeto Pascoal was born in Lagoa da Canoa — Lagoon of the Canoe — and raised in Olho d’Águia — Eye of the Eagle), much of Brazil’s aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.
Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof.
That's where this Matrix begins:
Wolfram MathWorld
The idea is simple, powerful, and egalitarian: To propagate for them, the Matrix must propagate for all. Most in the world are within six degrees of us. The concept of a "small world" network (see Wolfram above) applies here, placing artists from the Recôncavo and the sertão, from Salvador... from Brooklyn, Berlin and Mombassa... musicians, writers, filmmakers... clicks (recommendations) away from their peers all over the planet.
This Integrated Global Creative Economy (we invented the concept) uncoils from Brazil's sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix... expanding like the canopy of a rainforest tree rooted in Bahia, branches spreading to embrace the entire world...
Recent Visitors Map
Great culture is great power.
And in a small world great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Ex Terra Brasilis
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX