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Victor Gama via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...

  • Steps from Victor Gama:
    I'LL TAKE YOU THERE! ▶
Steps to Victor Gama:
  • 2 Angola
  • 2 Composer
  • 2 Contemporary Musical Instrument Design
  • 2 Experimental Music
  • 2 Luanda
  • 2 Multi-Cultural
  • 2 Multimedia Opera

'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!

I'LL TAKE YOU THERE! ▶

  • Steps forward by: The Matrix via ↴

Who I Am & Where I Live

  • Name: Victor Gama
  • City: Luanda
  • Country: Angola

My Life & Work

  • Bio: Victor Gama was born in Angola and currently lives between Luanda, Lisbon and Bogota. His work of musical composition intersects areas as diverse as music, image, field recording, audio-video installation and the design of contemporary musical instruments. Gama has been commissioned work by ensembles and institutions such as the Chicago Symphony Orchestra, the Kronos Performing Arts Association, the National Museums of Scotland, the Tenement Museum in New York, Prince Claus Fonds, the Amsterdam Fonds for the Arts, the Royal Opera House of London or the Kennedy Center in Washington DC.

    A graduate in Electronics Engineering and a Master's degree in Organology and Music Technology from the Sir John Cass College of Art, Architecture and Design at London Metropolitan University, he was recently guest artist at the Stanford University Center for Computer Research in Music and Acoustics in California and the MIT Center for Arts Science and Technology. He composed for the Kronos Quartet, who premiered his piece 'Rio Cunene' at Carnegie Hall in New York with a European premiere at the Centro Cultural de Belém in Lisbon. The multimedia piece 'Vela 6911'premiered at the Harris Theater in Chicago commissioned by the Chicago Symphony Orchestra/MusicNOW and the support of the Calouste Gulbenkian Foundation. Vela6911 was further presented at the Dinkelspiel Auditorium in Stanford and at the Hous der Kultur der Welt in Berlin. Gama's multimedia opera '3 thousand RIVERS' commissioned by the Prince Claus Fund and the Gulbenkian Foundation premiered in Lisbon in 2016 and in Bogota in 2017. 'Aisa Tanaf: the Book of Winds' premiered in February 2017 at the Kennedy Center with musicians from the National Symphony Orchestra directed by Edwin Outwater.

    Gama has been at the origin of projects such as Berimbau-Ungu with Naná Vasconcelos and Kituxitouring in Southern Africa, the Folk Songs Trio with New York musicians William Parker and Guillermo E. Brown, Odantalan with Barbararo Martinez-Ruiz and Hugo Candelario, and the Makakata Exchange in South Africa with Diso Platges and the Kalahary Surfers.

    In 1997 he started Tsikaya, an online platform of musicians from the interior of Angola. Among several works, Pangeia Instruments was released by Aphex Twin on Rephlex Records, Naloga, Oceanites Erraticus and Quatro Momentos were released by his own label PangeiArt.

Contact Information

  • Email: victorgama@pangeiart.org

My Media & Markets

  • ▶ Twitter: victorgama
  • ▶ Website: http://www.victorgama.org
  • ▶ Website 2: http://www.tsikaya.org
  • ▶ Website 3: http://www.pangeiart.org
  • ▶ YouTube Channel: http://www.youtube.com/user/pangeiainstrumentos
  • ▶ YouTube Music: http://music.youtube.com/channel/UCwbK3DhIDWm-04s0NmSDkww
  • ▶ Vimeo Channel: http://vimeo.com/victorgamamusic
  • ▶ Spotify: http://open.spotify.com/album/1kzJn72t3RKD9ETzSnb7VJ
  • ▶ Spotify 2: http://open.spotify.com/album/3sVG2QQ5YTj3jqqulqVXRw
  • ▶ Spotify 3: http://open.spotify.com/album/0pAyn8uvcUOSm1Way33qQ4

More

  • Quotes, Notes & Etc. Gama's meditative solo pieces for the metallic acrux evoked both the Balinese gamelan and Cage's prepared piano, while his studies for the gleaming toha had the sophisticated simplicity of Howard Skempton or Ludovico Einaudi...
    - John L. Walters, The Guardian

    Fantastic desert music from radical experimentalist Victor Gama on Naloga album ...
    - Louise Gray, New Internationalist

    Victor Gama is a composer whose process begins with the creation of an entirely new instrument, one whose design is steeped in symbolic meaning. Concept design, the selection of materials, fabrication, and scoring is all part of the rigorous way Gama creates new music for the 21st century, blending current fabrication technologies with ideas, materials, and traditions inspired by the natural world. "The post-digital world has circled back to the object. The same technology that has dematerialized the object is working to rematerialize it,” Gama said in his lecture/demonstration at MIT. "Innovations like 3D printing, digital CAD modeling and Finite Element Analysis have brought the potential to free the instrument from the fixed design paradigm and move beyond pre-sampled digital sound libraries with controller interfaces."
    - Ania Ventura, Arts Research Writer at MIT

Clips (more may be added)

  • 5:23
    3 thousand RIVERS - La Reina | Victor Gama
    By Victor Gama
    25 views
  • 4:50
    VICTOR GAMA - VELA 6911 - Alive Again part2, second movement.
    By Victor Gama
    21 views
  • 5:46
    Kronos Quartet play Victor Gama's 'Rio Cunene'
    By Victor Gama
    32 views
  • 0:08:00
    Victor Gama: INSTRUMENTOS exhibition at the Royal Opera House
    By Victor Gama
    19 views
  • 5:12
    Victor Gama: GigantikArpz concert
    By Victor Gama
    25 views
  • 4:33
    Victor Gama - Pieces for Acrux & Toha
    By Victor Gama
    24 views
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The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

 

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

 

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also  may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

 

IF YOU CAN'T STAND THE HEAT

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

 

But!

 

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

 

A pandeirista on the roof. And it's not just music. And it's not just Brazil.

 

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