CURATION
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from this page:
by Augmented Matrix
Network Node
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Name:
Michael Janisch
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City/Place:
London
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Country:
United Kingdom
Life
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Bio:
Michael Janisch has established himself as a tireless creative force across the developing international spheres of contemporary improvised and experimental music.
Based in London (originally from the USA), he successfully traverses this creative topography as a first-call electric & double bassist, MOBO-Award nominated solo artist, prolific producer, and owner of Whirlwind Recordings, which has become one of the world’s premiere indie labels of the last decade.
Janisch’s previous solo albums have been nominated for multiple industry awards, while getting radio spins on Gilles Peterson, NPR, WDR, BBC, JazzFM shows as well as coverage in Jazzwise, Jazz Thing, Downbeat & Concerto Magazines, The NY Times & Guardian and beyond to international acclaim.
His new album Worlds Collide is an electro-acoustic album of original material recorded at Abbey Road Studios and has been described as combining contemporary jazz heavily influenced by both the London/New York scenes alongside free improvisations and soaring melodies over multi-metered grooves, paying homage to artists such as Feli Kuti & Afro-Beat and the electronic music pioneer Aphex Twin. The album features a cast comprised of some of the world’s most creative improvisers and has already seen Janisch featured as cover star of three major industry magazines: Jazzwise, Jazz in Europe and Concerto.
Contact Information
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Management/Booking:
PUBLICITY
USA / UK
Will Vincent – Prescription PR
+44 (0)7411136593
Mainland Europe
U.K. Promotion
http://www.uk-musikpromotion.de/kontakt.html
Uli Kirchhofer
BOOKINGS
(Worldwide, excluding UK)
Gato Negro Arts Productions
Merce Porras
Email: [email protected]
UK
Nathan Johnson
Email: [email protected]
More
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Quotes, Notes & Etc.
“Awesomely virtuosic double bass”
The Guardian
“Michael Janisch is a commanding bassist, who brings a sinewy thrust to the ensemble with masterful agility.”
Downbeat Magazine
“Janisch leads his quintet on a rip-roaring ride, doling out heavy grooves, tasty walking lines and melody by the bucketful. Like all good bassists, he knows when to sit back and let the lead instruments have their spot.”
Bass Guitar Magazine
“Michael Janisch is a virtuoso on the bass.”
Jazzthetic
“Janisch is one of the few bass players out there who plays both electric and upright with equal facility, passion and musicality.”
Bass Musician Magazine
“Michael Janisch is simply a monster player. His bass skills on both electric and acoustic seem monumental and at the same time, effortless. He obviously loves a groove, though his grooves are more complex than your average funk/R&B bassist. His soloing is thematic and takes in the entire range of the instrument, often contrasting high note melodic statement with low note grooves.”
What’s On
“Janisch seizes the instrument with a blend of speed and energy as if he wants to be melody, harmony and rhythm all at once.”
The Telegraph
“A bassist everyone with ears seems to want.”
The Buffalo News
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
This technological matrix, originating in Bahia, Brazil and positioning creators around the world within reach of each other and the entire planet, is able to do so because it is small-world (see Wolfram).
Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a brilliant sociocultural matrix comprised of these three peoples and more, is small-world.
Human society, the billions of us in all the complexity of our relationships, is small-world. Neural structures for human memory are small-world. Neural structures in artificial intelligence are small-world...
In a small world great things are possible. In a matrix they can be created.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX