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  • Pat Metheny

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Pat Metheny
  • City/Place: Boston
  • Country: United States
  • Hometown: Kansas City, Missouri

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: PAT METHENY was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility - a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. METHENY'S versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich to Ornette Coleman to Herbie Hancock to Jim Hall to Milton Nascimento to David Bowie. Metheny's body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical.

    As well as being an accomplished musician, Metheny has also participated in the academic arena as a music educator. At 18, he was the youngest teacher ever at the University of Miami. At 19, he became the youngest teacher ever at the Berklee College of Music, where he also received an honorary doctorate more than twenty years later (1996). He has also taught music workshops all over the world, from the Dutch Royal Conservatory to the Thelonius Monk Institute of Jazz to clinics in Asia and South America. He has also been a true musical pioneer in the realm of electronic music, and was one of the very first jazz musicians to treat the synthesizer as a serious musical instrument. Years before the invention of MIDI technology, Metheny was using the Synclavier as a composing tool. He has also been instrumental in the development of several new kinds of guitars such as the soprano acoustic guitar, the 42-string Pikasso guitar, Ibanez's PM-100 jazz guitar, and a variety of other custom instruments. He took the whole instrument development process into a different level with his mechanical, solenoid driven Orchestrion.

    It is one thing to attain popularity as a musician, but it is another to receive the kind of acclaim Metheny has garnered from critics and peers. Over the years, Metheny has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for Still Life (Talking), Letter from Home, and Secret Story. He has also won 20 Grammy Awards in 12 different categories including Best Rock Instrumental, Best Contemporary Jazz Recording, Best Jazz Instrumental Solo, Best Instrumental Composition. The Pat Metheny Group won an unprecedented seven consecutive Grammies for seven consecutive albums. Metheny has spent most of his life on tour, averaging between 120-240 shows a year since 1974. At the time of this writing, he continues to be one of the brightest stars of the jazz community, dedicating time to both his own projects and those of emerging artists and established veterans alike, helping them to reach their audience as well as realizing their own artistic visions.

Contact Information

  • Management/Booking: BOOKING:
    Phone: 617.254.0007
    Email: [email protected]
    Web: www.thekurlandagency.com

    MANAGEMENT:
    Phone: 617.254.0007
    Email: [email protected]
    Publishing Requests

    KOBALT MUSIC PUBLISHING
    Grace Plante
    Phone: 212-247-6204
    Email: [email protected]
    Web: www.kobaltmusic.com

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://stores.portmerch.com/patmetheny/music.html
  • ▶ Buy My Music 2: (downloads/CDs/DVDs) http://stores.portmerch.com/patmetheny/videos.html
  • ▶ Buy My Vinyl: http://stores.portmerch.com/patmetheny/music.html
  • ▶ Buy My Merch: http://stores.portmerch.com/patmetheny/apparel.html
  • ▶ Buy My Merch 2: http://stores.portmerch.com/patmetheny/other.html
  • ▶ Charts/Scores: http://stores.portmerch.com/patmetheny/songbooks.html
  • ▶ Book Purchases: http://stores.portmerch.com/patmetheny/songbooks.html
  • ▶ Twitter: patmetheny
  • ▶ Instagram: patmetheny
  • ▶ Website: http://www.patmetheny.com
  • ▶ YouTube Channel: http://www.youtube.com/user/PatMethenyMedia
  • ▶ YouTube Music: http://music.youtube.com/channel/UCFFpzGzXK2Zw8fPher2JObA
  • ▶ Spotify: http://open.spotify.com/album/1PFk7YXdSPenmhnsy85qN0
  • ▶ Spotify 2: http://open.spotify.com/album/4TC69U5HGclykFldzvsIao
  • ▶ Spotify 3: http://open.spotify.com/album/2PULgzT2IHwYzfNxi4n3vY
  • ▶ Spotify 4: http://open.spotify.com/album/5YnUbwAzrorRuvSJ0sCj7n
  • ▶ Spotify 5: http://open.spotify.com/album/6lUW37ehhdAZNF3cJPkSpK
  • ▶ Spotify 6: http://open.spotify.com/album/5PfjsKZLI9whAwPSfNgnES

Clips (more may be added)

  • 0:07:31
    PAT METHENY & CHRISTIAN McBRIDE TOKYO JAZZ 2016 / JAMES
    By Pat Metheny
    364 views
  • The Girl From Ipanema (Antonio Carlos Jobim)
    By Pat Metheny
    506 views
Previous
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Pat Metheny Curated

  • 12 Composer
  • 12 Guitar
  • 12 Jazz

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  • Pat Metheny
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    • January 18, 2022
  • Pat Metheny
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    • October 29, 2021
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    • October 29, 2021
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    • October 29, 2021
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    Antonio Sánchez → Composer has been recommended via Pat Metheny.
    • October 29, 2021
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    • April 19, 2021
  • Pat Metheny
    Nate Smith → Music Producer has been recommended via Pat Metheny.
    • April 19, 2021
  • Pat Metheny
    Nate Smith → Jazz has been recommended via Pat Metheny.
    • April 19, 2021
  • Pat Metheny
    Nate Smith → Drums has been recommended via Pat Metheny.
    • April 19, 2021
  • Pat Metheny
    Nate Smith → Composer has been recommended via Pat Metheny.
    • April 19, 2021
  • Pat Metheny
    Pasquale Grasso → New York City has been recommended via Pat Metheny.
    • April 15, 2021
  • Pat Metheny
    Pasquale Grasso → Jazz has been recommended via Pat Metheny.
    • April 15, 2021
  • Pat Metheny
    Pasquale Grasso → Italy has been recommended via Pat Metheny.
    • April 15, 2021
  • Pat Metheny
    Pasquale Grasso → Guitar Instruction, Master Classes has been recommended via Pat Metheny.
    • April 15, 2021
  • Pat Metheny
    Pasquale Grasso → Guitar has been recommended via Pat Metheny.
    • April 15, 2021
  • Pat Metheny
    Stefano Bollani → Writer has been recommended via Pat Metheny.
    • April 10, 2021
  • Pat Metheny
    Stefano Bollani → Piano has been recommended via Pat Metheny.
    • April 10, 2021
  • Pat Metheny
    Stefano Bollani → Jazz has been recommended via Pat Metheny.
    • April 10, 2021
  • Pat Metheny
    Stefano Bollani → Italy has been recommended via Pat Metheny.
    • April 10, 2021
  • Pat Metheny
    Stefano Bollani → Composer has been recommended via Pat Metheny.
    • April 10, 2021
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Jon Lindsay Brooklyn, NY
  • Doug Wamble Composer
  • Seu Regi de Itapuã Itapuã
  • Nelson Ayres MPB
  • Ilya Kaminsky Poet
  • Daru Jones Record Producer
  • Kamasi Washington Jazz, Funk, R&B, Soul, Hip-Hop
  • Trombone Shorty Trumpet
  • Eric Galm Trinity College Faculty
  • Jason Marsalis Vibraphone
  • Celso Fonseca Songwriter
  • Badi Assad Guitar
  • Courtney Pine Composer
  • Zeca Baleiro Violão, Guitar
  • International Anthem Record Label
  • Snigdha Poonam Journalist
  • Liz Pelly NYU Tisch School of the Arts Faculty
  • Yasmin Williams Multi-Cultural
  • Marilda Santanna Faculdade da UFBA, Federal University of Bahia Faculty
  • McCoy Mrubata Flute
  • Lakecia Benjamin Saxophone
  • Melvin Gibbs Composer
  • Wilson Café Salvador
  • Rita Batista Salvador
  • Pururu Mão no Couro Samba Rock
  • Daniel Jobim Brazilian Jazz
  • Carlos Malta Rio de Janeiro
  • Tierra Whack Philadelphia
  • Eliane Elias Singer-Songwriter
  • Miguel Zenón Composer
  • Gringo Cardia Video Director
  • D.D. Jackson Television Scores
  • Marko Djordjevic Composer
  • Albin Zak Author
  • Frank Negrão Bahia
  • Ivan Huol Drums
  • Adriana L. Dutra Film Festival Director
  • Luiz Santos Brazil
  • Ray Angry Keyboards
  • Atlantic Brass Quintet Classical Music
  • Joshua Abrams Composer
  • Susan Rogers Sound Engineer
  • Dave Holland Composer
  • Muireann Nic Amhlaoibh Celtic
  • Urânia Munzanzu Salvador
  • Matt Ulery Loyola University Faculty
  • Nara Couto Cantora, Singer
  • David Bragger Guitar
  • Issac Delgado Salsa
  • Tonho Matéria Capoeira
  • Anthony Hervey Jazz
  • Lula Moreira Cultural Producer
  • Dave Smith Jazz
  • Teodor Currentzis Conductor
  • Merima Ključo Author
  • Ivo Perelman Brazil
  • Avishai Cohen Trumpet
  • Rolando Herts Singer
  • Kenny Garrett Multi-Cultural
  • Maria Marighella Atriz, Actor
  • Issac Delgado Singer
  • Roberta Sá MPB
  • Nara Couto MPB
  • Robin Eubanks Composer
  • Mou Brasil Guitarra, Guitar
  • Orlando Costa Salvador
  • Yvette Holzwarth Film, Television Recording
  • Vincent Herring Manhattan School of Music Faculty
  • Monk Boudreaux Percussion
  • Tony Allen Paris
  • Peter Serkin Piano
  • Fábio Luna Forró
  • Stephanie Jones Classical Guitar
  • Jaleel Shaw Manhattan School of Music Faculty
  • Danilo Caymmi Film Scores
  • Gabriel Geszti Jazz Brasileiro, Brazilian Jazz
  • Mohamed Diab Screenwriter
  • Monarco Singer-Songwriter
  • David Castillo Opera
  • James Brady Composer
  • TaRon Lockett Singer-Songwriter
  • Peter Dasent Film Scores
  • Alan Bishop Singer-Songwriter
  • Magary Lord AFROBIZ Salvador
  • Carl Allen Music Director
  • Tarus Mateen R&B
  • Christopher Nupen Filmmaker
  • Lenny Kravitz Photographer
  • Piti Canella Bahia
  • Wouter Kellerman Bass Flute
  • Julian Lage Jazz
  • JD Allen Jazz
  • Eric Coleman Documentary Filmmaker
  • Maia Sharp Multi-Instrumentalist
  • Maria Drell Produtora Musical, Music Producer
  • Melissa Aldana Chile
  • Lula Moreira Sculptor
  • Osvaldo Golijov College of the Holy Cross Faculty
  • Edgar Meyer Composer
  • Sandi Bachom New York City
  • Greg Spero Recording Studio Owner
  • Gearóid Ó hAllmhuráin Uilleann Pipes
  • Rodrigo Amarante Rio de Janeiro
  • Pretinho da Serrinha Rio de Janeiro
  • Ben Allison Double Bass
  • Derrick Adams Installation Artist
  • Gerald Albright Flute
  • Gab Ferruz MPB
  • Edivaldo Bolagi Bahia
  • Brian Lynch Jazz
  • Luciana Souza MPB
  • Duane Benjamin UCLA Herb Alpert School of Music Faculty
  • Branford Marsalis Theater Composer
  • Gal Costa Brazil
  • Alita Moses New York City
  • Paulão 7 Cordas Cavaquinho
  • Hanif Abdurraqib Music Critic
  • Inon Barnatan Piano
  • Muireann Nic Amhlaoibh Singer
  • Carl Joe Williams Sculptor
  • Anouar Brahem Tunis
  • Melvin Gibbs Jazz Fusion
  • Roots Manuva Hip-Hop
  • Nara Couto Diretora, Director
  • Patricia Janečková Prague
  • Tony Trischka Banjo Instruction
  • Ben Okri Poet
  • Keyon Harrold Composer
  • J. Cunha Designer Gráfico, Graphic Designer
  • Margareth Menezes Salvador
  • Fred Dantas Composer
  • Dom Flemons Folk & Traditional
  • Zara McFarlane Soul
  • Djuena Tikuna Singer-Songwriter
  • Hopkinson Smith Basel
  • Nádia Taquary Salvador
  • Sunn m'Cheaux Harvard Faculty
  • Gaby Moreno Singer-Songwriter
  • Wadada Leo Smith Jazz
  • Jamz Supernova DJ
  • Terry Hunter Remixer
  • Tony Trischka Author
  • Rita Batista Jornalista, Journalist
  • Nomcebo Zikode House Music
  • Guilherme Kastrup Brazil
  • Bobby Fouther Portland, Oregon
  • Custódio Castelo Portugal
  • Mark Stryker Arts Critic
  • Ammar Kalia Percussion
  • James Poyser Songwriter
  • Kalani Pe'a Singer-Songwriter
  • Jaimie Branch Trumpet
  • Lionel Loueke Singer
  • Antonio Sánchez Jazz
  • Paquito D'Rivera Afro-Cuban Jazz
  • Adam Neely YouTuber
  • Gilmar Gomes Percussion
  • Martyn Techno
  • Christopher Silver Music Curator
  • Scotty Barnhart Author
  • Ashley Pezzotti Jazz
  • Kermit Ruffins Singer
  • A-KILL India
  • Jorge Ben Brazil
  • Marcel Camargo Jazz
  • Dorian Concept Synthesizer
  • Nego Álvaro Brazil
  • Glória Bomfim Chula
  • Alessandro Penezzi Guitar
  • Dan Moretti Saxophone
  • Paul McKenna Irish Traditional Music
  • David Simon Journalist
  • Shabaka Hutchings Saxophone
  • Thalma de Freitas Los Angeles
  • Adriana L. Dutra Documentary Filmmaker
  • Lenna Bahule Mozambique
  • John Edward Hasse Piano
  • Garvia Bailey Radio Producer
  • Brenda Navarrete Havana
  • Jonga Cunha Bahia
  • Ashley Page Music Management
  • Stefan Grossman Guitar Instruction
  • Samuel Organ Electronic Music
  • Inaicyra Falcão Dançarina, Dancer
  • Walter Pinheiro Flute
  • Keshav Batish Santa Cruz, California
  • Jonathon Grasse Capoeira
  • Eduardo Kobra Arte Urbana, Urban Art
  • Ben Wendel New School Faculty
  • Phakama Mbonambi Journalist
  • Alan Bishop Cairo
  • Thundercat Los Angeles
  • Merima Ključo Los Angeles
  • Jelly Green England
  • Jimmy Dludlu Composer
  • Diedrich Diederichsen Academy of Fine Arts Vienna Faculty
  • Wilson Simoninha Brazil
  • Robert Glasper Songwriter
  • Gabrielzinho do Irajá Composer
  • Shez Raja Multi-Cultural
  • Linda May Han Oh Composer
  • Mohamed Diab Cairo
  • Guga Stroeter Brazil
  • Germán Garmendia Los Angeles
  • 小野リサ Lisa Ono Jazz
  • Angel Deradoorian Singer-Songwriter
  • Maria Bethânia Singer
  • Obed Calvaire Drums
  • Myron Walden Piccolo
  • Hisham Mayet Photographer
  • Reena Esmail Composer
  • Michael Sarian Trumpet
  • Martin Koenig Ethnomusicologist
  • Iuri Passos Bahia
  • Yazz Ahmed Audio Manipulation
  • Erika Goldring New Orleans
  • Jon Lindsay Music Director
  • Ronaldo do Bandolim Choro
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • Plínio Fernandes Classical Guitar
  • Horacio Hernández Afro-Cuban Jazz
  • Susana Baca Afro-Peruvian Music
  • Beeple NFTs
  • John Harle Television Scores
  • Sheryl Bailey Guitar
  • Marko Djordjevic Jazz
  • Tommaso Zillio Author
  • Donald Harrison Saxophone
  • Ênio Bernardes Diretor Musical, Music Director
  • The Bayou Mosquitos Tex-Mex
  • João Luiz Jazz
  • Marcus Strickland Composer
  • Mike Marshall Mandocello
  • David Sánchez Saxophone
  • Jon Batiste Multi-Instrumentalist
  • Toninho Nascimento Rio de Janeiro
  • Amaro Freitas Piano
  • Philip Sherburne DJ
  • Júlio Lemos Brazilian Jazz
  • Frank London Multi-Cultural
  • Edward P. Jones Writer
  • Ferenc Nemeth Drums
  • William Skeen Early Music
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  • Luiz Inácio Lula da Silva Presidente do Brasil, President of Brazil
  • Ron Miles Trumpet

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