CURATION
-
from this page:
by Augmented Matrix
Network Node
-
Name:
Sarah Hanahan
-
City/Place:
New York City
-
Country:
United States
-
Hometown:
Marlborough, Massachusetts
Life & Work
-
Bio:
Sarah Hanahan is an up-and-coming jazz saxophonist in New York City and is currently pursuing her Masters Degree in Jazz performance at The Juilliard School. Now a resident of New York City but originally from Marlborough, Massachusetts, Sarah grew up listening to a wide variety of music, but always had a special love for jazz. Her father, who plays drums and percussion, introduced Sarah to music and gave Sarah her first saxophone at the age of 8. Sarah played lead alto sax for the Marlborough High School jazz band. As a high school senior, Sarah was lead alto for the New England Conservatory Prep Jazz Orchestra under the direction of Ken Schaporst, who taught her much about the history and tradition of big band music. She also studied with tenor saxophone great, Jerry Bergonzi.
In 2015, Sarah was awarded a full scholarship to study jazz performance at the Jackie McLean Institute of Jazz within the Hartt School of Music (University of Hartford). Her college professors include well-known jazz saxophone performers Javon Jackson and Abraham Burton. The Jackie McLean Institute has also afforded Sarah the opportunity to receive instruction from and perform with accomplished jazz musicians such as bassist Nat Reeves and trombonist Steve Davis. She recently graduated with her Bachelors of Music in the spring of 2019.
In the fall of 2020, Sarah started pursing her Masters Degree at the prestigious Juilliard School in New York City. She is focusing on Jazz performance and is studying with some of the best musicians in the business including Bruce Williams, Ron Blake, Kenny Washington, Marc Cary and others.
In addition to her heavy gigging schedule, Sarah and her band has had many amazing opportunities over the last few years to play at festivals and clubs such as opening for Helen Sung at the Paul Brown Bushnell Park Monday Night Jazz Series 2018 Finale, debuted at the Side Door Jazz Club, the Walnut Hill Jazz series at the New Britain Museum of Art, Rubber City Jazz Festival and many more venues. Sarah Hanahan Quintet was awarded 2019 Best Jazz Band by CT Now Readers Poll.
Sarah was also awarded the great opportunity to participate in many Jazz programs over the last few summers. These programs have provided Sarah with mentorship from some of the best in the jazz world and have been invaluable experiences. She participated in prestigious programs such as the Betty Carter Jazz Ahead program at the Kennedy Center 2019, Jazz Aspen Snowmass with Christian McBride 2019, Boysie Lowery Living Jazz Residency 2019, Woodshed Network with Dee Dee Bridgewater 2019, and Ravinia Steans Jazz Institute 2018. These programs included working with jazz greats such as Christian McBride, Jason Moran, Gregory Hutchinson, Dee Dee Bridgewater, Rufus Reid, Billy Childs, Tim Hagans, Marcus Printup, Peter Martin, Shelly Berg, Casey Benjamin, and many other greats. Sarah was also a part of Dee Dee Bridgewater’s 2019 inaugural WoodShed Network program which comprised of 8 young women in jazz talking about business and female empowerment in the industry.
Sarah has been working a lot with her band but has also had the privilege to be a side person for many of her heroes and mentors. Recently Sarah has been working with Sherrie Maricle and the Diva Jazz Orchestra playing second alto and touring nationwide. She has also been working with Jason Moran as part of a collaboration with the Kennedy Center in Washington DC. Sarah lives in NYC and can be found playing at various clubs in the city including Birdland, Smalls Jazz Club, Dizzy’s Club and others!
Sarah is currently a Boston Sax Shop Brand Ambassador and plays BSS reeds along with other saxophone accessories. Sarah’s main horn is the Yanagisawa A-991 alto saxophone.
Clips (more may be added)
We use the mathematics of the small world phenomenon to transform the creative universe into a creative village wherein all are connected by short pathways to all... (Wolfram explains how above)
This Integrated Global Creative Economy uncoils from a sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix...
Great culture is great power.
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
Our Matrix was conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Hence A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until...
And hence a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
Kareem Abdul-Jabbar found us (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.comAcross the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
Wolfram MathWorld
Ex Terra Brasilis
Alicia Svigals
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Roberto Mendes
Luciano Calazans
Gustavo Caribé
J Velloso
Lázaro Ramos
Fernando Guerreiro
Maria Marighella
Russell Okung
Bule Bule
Caetano Veloso
RÁDIO MATRIX