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  • Peter Erskine

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Peter Erskine
  • City/Place: Los Angeles, California
  • Country: United States

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Peter Erskine has played the drums since the age of four and is known for his versatility and love of working in different musical contexts. He appears on 700 albums and film scores, and has won two Grammy Awards, plus an Honorary Doctorate from the Berklee School of Music (1992).

    Fifty albums have been released under his own name or as co-leader. He has played with the Stan Kenton and Maynard Ferguson Big Bands, Weather Report, Steps Ahead, Joni Mitchell, Steely Dan, Diana Krall, Kenny Wheeler, Mary Chapin Carpenter, The Brecker Brothers, The Yellowjackets, Pat Metheny and Gary Burton, John Scofield, et al, and has appeared as a soloist with the London, Los Angeles, Chicago, Frankfurt Radio, Scottish Chamber, Ensemble Intercontemporain, Royal Opera House, BBC Symphony, Oslo and Berlin Philharmonic Orchestras. Peter premièred the double percussion concerto Fractured Lines, composed by Mark-Anthony Turnage, at the BBC Proms with Andrew Davis conducting, and has collaborated frequently with Sir Simon Rattle. He also premiered the Turnage opera “Anna Nicole” at the Royal Opera House in London. Turnage has composed a solo concerto for Peter titled “Erskine,” which received its world premiere in Bonn, Germany in 2013, with a US premiere at the Hollywood Bowl with the LA Philharmonic. Peter has been voted ’Best Jazz Drummer of the Year’ ten times by the readers of Modern Drummer magazine and was elected into the magazine’s Hall of Fame in 2017.

    Peter graduated from the Interlochen Arts Academy in Michigan and studied at Indiana University under George Gaber. In 1972 Peter commenced his pro career playing with the Stan Kenton Orchestra. Four years later, he joined Maynard Ferguson before working with Jaco Pastorius in Weather Report and moving to Los Angeles. Peter recorded five albums with the band. He won his first Grammy Award with their album ’8.30’. During this time in LA, he also worked with Freddie Hubbard, Joe Henderson, Chick Corea, Bobby Hutcherson, Joe Farrell and George Cables. Peter then moved to New York City where he worked for five years with such musicians as Michael Brecker, Mike Mainieri, Eddie Gomez and Eliane Elias in Steps Ahead, John Scofield, Bill Frisell and Marc Johnson in the legendary group Bass Desires, the John Abercrombie Trio plus Bob Mintzer’s Big Band.

    Peter’s lived in LA since 1987 but has been travelling around the world all of that time, working with such artists as Diana Krall, Joni Mitchell, Vince Mendoza, Steely Dan, plus European musicians Jan Garbarek, Kenny Wheeler, Palle Danielsson, John Taylor, Kate Bush, Nguyen Lê, Rita Marcotulli, the Norrbotten Big Band in Sweden plus Sadao Watanabe in Japan. He won his second Grammy Award as the drummer of the WDR big band in Köln along with Michael Brecker, Randy Brecker, Vince Mendoza and others for the “Some Skunk Funk” album. Meanwhile, Peter keeps busy in on the road and in LA with such artists as Seth MacFarlane, Patrick Williams, plus John Beasley, Bob Sheppard and Benjamin Shepherd (all 3 musicians members of his Dr. Um Band), as well as playing in the studios. Films where Peter’s drumming can be heard include “Memoirs of a Geisha,” all three of the Austin Powers movies, “The Secret Life of Pets,” plus the title music of the Steven Spielberg/John Williams collaboration, “The Adventures of Tintin.” He also played the jazz drumming cues on the Academy Award-winning soundtrack for “La La Land,” and can be heard playing on the scores for “Sing,” “Logan” and “House of Cards.”

    Peter produces jazz recordings for his record label, Fuzzy Music, with 4 Grammy nominations to its credit. Peter is also an active author with several books to his credit; titles include “No Beethoven (Autobiography & Chronicle of Weather Report),” “Time Awareness for All Musicians,” “Essential Drum Fills,” and his latest book (co-authored with Dave Black for Alfred Publishing), “The Drummers’ Lifeline.” He is also authoring a series of iOS Play-Along apps suitable for all instruments.

    Peter is Professor of Practice and Director of Drumset Studies at the Thornton School of Music, University of Southern California. Peter plays Tama Drums, Zildjian Cymbals, Vic Firth Sticks, Remo Drum Heads, Meinl Percussion, and uses Shure Microphones and Zoom digital recording devices.

Contact Information

  • Management/Booking: For Clinics, Percussion Festivals, Days Of Percussion or other Drum Industry events, Peter Erskine is represented by John DeChristopher at Viper Representation:

    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://petererskine.com/store/
  • ▶ Book Purchases: http://petererskine.com/books/
  • ▶ Twitter: petererskine
  • ▶ Website: http://petererskine.com
  • ▶ YouTube Channel: http://www.youtube.com/user/erskoman
  • ▶ YouTube Music: http://music.youtube.com/channel/UCDgHjwAKCE6o8HF6-T07WZA
  • ▶ Spotify: http://open.spotify.com/album/1ewZeCccAJFFZdbf7Ve0MU
  • ▶ Spotify 2: http://open.spotify.com/album/2EeIcN2zjIZFJ373GlOdmq
  • ▶ Spotify 3: http://open.spotify.com/album/7779Qmz6ZbdJtvTZSG2qRo
  • ▶ Spotify 4: http://open.spotify.com/album/59fzDaKJg8hkbxGW9b7ufK
  • ▶ Spotify 5: http://open.spotify.com/album/5qgaMCAQQPuMLFFl5pWhl5
  • ▶ Spotify 6: http://open.spotify.com/album/7qIx5OUNdSBpc7PZY0Klux

Clips (more may be added)

  • BRS Quartet BRAZIL Jazz Forms app, by Fuzzy Music
    By Peter Erskine
    354 views
  • VFJams LIVE! - Peter Erskine
    By Peter Erskine
    421 views
  • Peter Erskine - The Return of DR.UM
    By Peter Erskine
    416 views
  • Jaco Pastorius - Peter Erskine: THE CHICKEN - Montreal Jazzfest 1982
    By Peter Erskine
    328 views
Previous
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Peter Erskine Curated

  • 4 Author
  • 4 Drums
  • 4 Jazz
  • 4 Record Producer
  • 4 USC Thornton School of Music Faculty

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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

Pathways from Brazil

THROUGH THE INTEGRATED GLOBAL CREATIVE ECONOMY

(all is closer than we imagine)

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among magisterial colleagues for whom this matrix was originally built, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Created because in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. And Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers...Luê Soares of Belém do Pará behind the mic above. You get to Quincy, you can get to Luê. Direct line.

And by the mathematics of the small world phenomenon, everybody in the matrix will tend to proximity to everybody else, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties for Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer), and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

Caminhos do Brasil

ATRAVÉS DA ECONOMIA CRIATIVA GLOBAL INTEGRADA

(tudo está mais perto do que imaginamos)

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Criado porque em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar de fora de regiões circunscritas, incluido o próprio Brasil...

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos...Luê Soares de Belém do Pará atrás do microfone acima. Você chega em Quincy, pode chegar em Luê. Linha direta.

E pela matemática do fenômeno de mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley), e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente abertom pois há mais no Céu e na Terra...

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Fábio Peron Compositor, Composer
  • Chris Thile Composer
  • Léo Rugero Ethnomusicologist
  • Marisa Monte Record Producer
  • Miguel Atwood-Ferguson Television Scores
  • Molly Tuttle Nashville, Tennessee
  • Capinam Salvador
  • The Bayou Mosquitos Cajun Music
  • Ênio Bernardes Diretor Musical, Music Director
  • David Bragger Mandolin
  • Pedrito Martinez Congas
  • Siphiwe Mhlambi Jazz Photographer
  • Rita Batista Brasil, Brazil
  • Bule Bule Chula
  • Nelson Sargento Rio de Janeiro
  • Tele Novella Psych Pop
  • Ben Monder New York City
  • Bule Bule Bahia
  • Hélio Delmiro Jazz
  • Irmandade da Boa Morte Candomblé
  • Júlio Caldas Salvador
  • Oteil Burbridge Southern Rock
  • Moreno Veloso MPB
  • Bobby Fouther Educator
  • Antonio Adolfo Brasil, Brazil
  • Ana Luisa Barral Brazil
  • Léo Rugero Música Nordestina
  • The Assad Brothers Brazil
  • Richie Pena Writer
  • John Patitucci Jazz
  • Ryuichi Sakamoto Film Scores
  • Jorge Washington Chef
  • Tony Kofi Saxophone
  • Buck Jones Cantor, Singer
  • Branford Marsalis Jazz
  • Cristovão Bastos Rio de Janeiro
  • Mazz Swift Violin
  • Steve Lehman Experimental Music
  • Nabil Ayers Writer
  • Keita Ogawa Percussion
  • Mono/Poly Glitch
  • David Wax Museum Folk Roots Rock
  • Doca 1 Creative Economy Hub
  • Irma Thomas Soul
  • Swami Jr. Guitar
  • Caoimhín Ó Raghallaigh Violin
  • Simon Singh Journalist
  • Carlos Blanco Guitarra, Violão, Guitar
  • Laura Beaubrun Haiti
  • Mestre Nelito Chula
  • Guilherme Kastrup Record Producer
  • Carlos Paiva Brasil, Brazil
  • Filhos da Pitangueira Chula
  • Chris Dave R&B
  • Gustavo Di Dalva Composer
  • André Becker Bahia
  • Richard Galliano Accordion
  • Marcelo Caldi Singer
  • Alma Deutscher Violin
  • Chris McQueen Record Producer
  • Tom Moon Music Critic
  • Moses Boyd Composer
  • Bisa Butler Pan-African Culture
  • Nigel Hall Singer
  • Taj Mahal Multi-Cultural
  • Chick Corea Contemporary Classical Music
  • Heriberto Araujo Photographer
  • June Yamagishi Blues
  • Matias Traut Salvador
  • Luis Perdomo Venezuela
  • Angel Bat Dawid Black American Traditional Music
  • Ivan Bastos Faculdade da UFBA, Federal University of Bahia Faculty
  • Saul Williams Writer
  • José James Singer-Songwriter
  • Elio Villafranca Jazz
  • Fábio Peron Brasil, Brazil
  • Reuben Rogers Bass
  • Leo Genovese New York City
  • Shannon Sims Journalist
  • Virgínia Rodrigues Singer
  • Marcus Rediker Art Curator
  • Andra Day Singer-Songwriter
  • Mahsa Vahdat Composer
  • Jill Scott R&B
  • Betão Aguiar Rio de Janeiro
  • Joe Lovano Author
  • Hendrik Meurkens Composer
  • Luques Curtis Composer
  • David Fiuczynski Berklee College of Music Faculty
  • Ben Monder Composer
  • Richie Barshay Jazz
  • Trombone Shorty Songwriter
  • Yunior Terry Violin
  • Echezonachukwu Nduka Writer
  • Scotty Apex Los Angeles
  • Anthony Hamilton Record Producer
  • Alicia Keys Art Collector
  • Walter Blanding Clarinet
  • Alfredo Del-Penho Rio de Janeiro
  • J. Cunha Brasil, Brazil
  • Celso Fonseca Singer
  • Peter Mulvey Folk & Traditional
  • Sameer Gupta Jazz
  • Giba Gonçalves Candomblé
  • Zara McFarlane Guitar
  • Scott Kettner Maracatu
  • Casa PretaHub Cachoeira Espaço de Coworking, Coworking Space
  • Orlando 'Maraca' Valle Flute
  • Sandi Bachom Visual Journalist
  • John Doyle Irish Traditional Music
  • Anthony Hamilton Soul
  • Andrés Prado Composer
  • Airto Moreira Jazz
  • Barry Harris Educator
  • Monarco Rio de Janeiro
  • Martin Fondse Composer
  • Philip Watson Journalist
  • Dona Dalva Samba de Roda
  • Nooriyah نوريّة London
  • Kevin Hays Jazz
  • John McEuen Singer-Songwriter
  • David Mattingly School of Visual Arts Faculty
  • Joatan Nascimento Brazilian Jazz
  • King Britt Record Producer
  • Cédric Villani Paris
  • Martín Sued Bandoneon
  • John Harle Saxophone
  • André Becker Música Clássica, Classical Music
  • Maurício Massunaga Choro
  • António Zambujo Portugal
  • Grégoire Maret Jazz
  • Martin Koenig Photographer
  • Diego Figueiredo Jazz Brasileiro, Brazilian Jazz
  • Doca 1 Brasil, Brazil
  • Seth Swingle Kora
  • John Archibald Pulitzer Prize
  • Wynton Marsalis New Orleans
  • Gino Sorcinelli Journalist
  • Terrace Martin Jazz
  • Larry Achiampong Ghana
  • Michael Olatuja Composer
  • Eamonn Flynn Irish Traditional Music
  • Alex Conde Jazz
  • Missy Mazolli Composer
  • Reza Filsoofi Iran
  • Donald Vega Composer
  • Ben Wendel New School Faculty
  • Eric Galm Berimbau
  • Brad Mehldau Composer
  • André Muato Brazil
  • Elizabeth LaPrelle Singer-Songwriter
  • Luedji Luna Brazil
  • Will Holshouser Brooklyn College Conservatory of Music Faculty
  • Bob Telson Composer
  • Isaiah J. Thompson Artistic Director
  • Mandisi Dyantyis Composer
  • Ari Hoenig Author
  • Gearóid Ó hAllmhuráin Concertina
  • The Umoza Music Project Multi-Cultural
  • Martin Koenig Liner Notes
  • Chubby Carrier Singer-Songwriter
  • John Archibald Podcaster
  • Sarz Nigeria
  • China Moses Singer
  • Corey Harris Singer-Songwriter
  • Derrick Hodge Hip-Hop
  • Eric Bogle Australia
  • Lula Galvão Classical Guitar
  • Adriano Giffoni Brazilian Jazz
  • A-KILL Graffiti Artist
  • Janine Jansen Utrecht
  • Fred Dantas Bahia
  • Immanuel Wilkins NYU Faculty
  • Nicolas Krassik Composer
  • Cédric Villani France
  • Alyn Shipton Double Bass
  • Adonis Rose Drum Instruction
  • Carla Visi Salvador
  • Andrew Finn Magill Jazz
  • Neo Muyanga Contemporary Classical Music
  • Darren Barrett Composer
  • Woz Kaly Singer-Songwriter
  • Jamael Dean Jazz
  • Nigel Hall Keyboards
  • Sandra de Sá Soul Brasileiro, Brazilian Soul
  • Caetano Veloso MPB
  • Oriente Lopez La Habana, Havana
  • Donna Leon Crime Novels
  • Celsinho Silva Choro
  • Merima Ključo Contemporary Classical Music
  • Duane Benjamin Bass
  • Karla Vasquez Chef
  • David Virelles Composer
  • Roberto Fonseca Jazz
  • Brian Cox Actor
  • Sam Eastmond Jazz, Klezmer, Jewish, World, Downtown
  • Luedji Luna Bahia
  • Toby Gough Director
  • Ethan Iverson Avant-Garde Jazz
  • Brian Q. Torff Composer
  • Edivaldo Bolagi Salvador
  • Oswaldinho do Acordeon Composer
  • MonoNeon Gospel
  • Woody Mann Americana
  • Keshav Batish Multi-Cultural
  • Ajeum da Diáspora AFROBIZ Salvador
  • Edmar Colón Flute
  • Joatan Nascimento Bahia
  • LaTasha Lee Soul
  • Francisco Mela Percussion
  • Arthur L.A. Buckner Gospel
  • Anderson Lacerda Salvador
  • Jamie Dupuis Singer
  • Iara Rennó Produtora Musical, Music Producer
  • Gunter Axt Escritor, Writer
  • Gal Costa MPB
  • Tray Chaney Rapper
  • Dave Jordan Americana
  • Ricardo Bacelar Advogado, Lawyer
  • Guilherme Kastrup Brazil
  • Aderbal Duarte Salvador
  • Marilda Santanna Brasil, Brazil
  • Timothy Jones Violin
  • Léo Brasileiro Violão Clássico, Classical Guitar
  • Darren Barrett Trumpet
  • Jessie Montgomery Chamber Musician
  • Liz Pelly NYU Tisch School of the Arts Faculty
  • Dorian Concept Synthesizer
  • Alan Brain Journalist
  • Isaac Julien Filmmaker
  • Menelaw Sete Pelourinho
  • Sanjay K Roy Film Producer
  • Marc Johnson Jazz
  • Daniel Bennett Saxophone
  • Sandra de Sá Samba
  • Sandra de Sá Violão, Guitar
  • Avishai Cohen Trumpet
  • Avishai Cohen אבישי כה Composer
  • Casa PretaHub Cachoeira Afroempreendedorismo, Afro-Entrepreneurship
  • Bruce Williams Juilliard Faculty
  • Vanessa Moreno MPB
  • Etienne Charles Michigan State University Faculty
  • Lula Moreira Maracatu
  • Olodum Samba Reggae
  • J. Velloso MPB
  • Daniel Jobim Bossa Nova
  • Maria Bethânia MPB
  • James Andrews Second Line
  • Otmaro Ruiz Venezuela
  • John Archibald Alabama
  • Biréli Lagrène Guitar
  • Sérgio Mendes Piano
  • Marcus Miller Bass
  • Tatiana Eva-Marie Singer
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Eric Alper Music Publicist
  • Estação Primeira de Mangueira Brasil, Brazil
  • Raymundo Sodré Bahia
  • Philip Cashian Royal Academy of Music Staff
  • Margaret Renkl Writer
  • Raelis Vasquez Drawings
  • Theo Bleckmann Singer
  • Júlio Lemos Composer
  • Kevin Hays Piano
  • Marcus Teixeira MPB
  • Matt Glaser Author
  • Seu Jorge Samba
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • Karim Ziad Drums
  • Vânia Oliveira Dança Afro
  • Ben Harper Blues
  • Alphonso Johnson Composer
  • Marisa Monte MPB
  • Negrizu Afoxé
  • Corey Ledet Zydeco
  • Anthony Hervey Trumpet Instruction
  • Dave Douglas Jazz
  • Yamandu Costa Guitar
  • Bill T. Jones Choreographer
  • Sharita Towne Stereo Photography
  • Beth Bahia Cohen Berklee College of Music Faculty
  • Carlos Henriquez Latin Jazz
  • Plinio Oyò Viola Machete
  • Harish Raghavan Jazz
  • Raymundo Sodré Samba de Roda
  • Jakub Knera Poland
  • Welson Tremura Choro
  • Jon Faddis Trumpet
  • Jim Lauderdale Nashville, Tennessee
  • Iroko Trio São Paulo
  • Zeca Freitas Maestro, Conductor
  • Deborah Colker Dancer
  • Kyle Poole Jazz
  • Ilya Kaminsky Editor
  • Richard Galliano Bandoneon
  • Victor Wooten Berklee College of Music Faculty
  • Ilya Kaminsky Translator
  • James Brady Arranger
  • Ivan Lins Brazil
  • Marc Ribot Experimental Music
  • Gino Banks Mumbai
  • Adriano Souza Samba
  • Yuja Wang China
  • Tom Oren Jazz
  • Brian Cross aka B+ Brazilian Music
  • Victor Wooten Record Label Owner
  • Frank Beacham Photographer
  • Jim Hoke Arranger
  • Johnathan Blake New York City
  • Sam Yahel Hammond B-3
  • Jazzmeia Horn Singer-Songwriter
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