Are you inside? Should you be?

  • Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Nancy Viégas

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Nancy Viégas
  • City/Place: Salvador, Bahia
  • Country: Brazil

CURATION

  • from this node by: Criador acima/Creator above

Life & Work

  • Bio: Nancy Viégas is a singer/songwriter, audiovisual producer based in Salvador da Bahia, Brazil.

Media | Markets

  • ▶ Instagram: nancy.viegas
  • ▶ YouTube Channel: http://www.youtube.com/c/GRAZZERSTV

Clips (more may be added)

  • 3:42
    ASA BRANCA / No More Trouble feat Nancy Viégas and Tadeu Mascarenhas (Acoustic Rehearsal) Memphis TN
    By Nancy Viégas
    85 views
  • 3:55
    Thiago Trad feat. Nancy Viegas - Piedade (Official)
    By Nancy Viégas
    114 views
  • 5:22
    O Beijo Amargo | Nancy Viégas
    By Nancy Viégas
    115 views
  • 3:12
    Dona Iracema - Tô no CID - Feat. Nancy Viegas (Clipe Oficial)
    By Nancy Viégas
    190 views
Previous
Next

Nancy Viégas Curated
pathways in

  • 4 Bahia
  • 4 Brasil, Brazil
  • 4 Cantora-Compositora, Singer-Songwriter
  • 4 Country
  • 4 Designer Gráfico, Graphic Designer
  • 4 Fotógrafa, Photographer
  • 4 Indie Experimental
  • 4 MPB
  • 4 Produtora Áudiovisual, Audiovisual Producer
  • 4 Salvador

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Nancy Viégas
    John McEuen → Writer has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    John McEuen → Singer-Songwriter has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    John McEuen → Radio Presenter has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    John McEuen → Mandolin has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    John McEuen → Guitar has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    John McEuen → Folk & Traditional has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    John McEuen → Film Scores has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    John McEuen → Fiddle has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    John McEuen → Documentary Filmmaker has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    John McEuen → Banjo has been recommended via Nancy Viégas.
    • August 4, 2022
  • Nancy Viégas
    A category was added to Nancy Viégas:
    Fotógrafa, Photographer
    • May 21, 2022
  • Nancy Viégas
    A category was added to Nancy Viégas:
    Designer Gráfico, Graphic Designer
    • May 21, 2022
  • Nancy Viégas
    A video was posted re Nancy Viégas:
    ASA BRANCA / No More Trouble feat Nancy Viégas and Tadeu Mascarenhas (Acoustic Rehearsal) Memphis TN
    Songs: ASA BRANCA (Luiz Gonzaga) NO MORE TROUBLE (Bob Marley) incidental TRISTE BAHIA (Caetano Veloso) Live performance by Nancy Viegas (vocal) and Tadeu Mascarenhas (guitar) (Brazil) First time rehearsing those songs, Memphis, Tennessee
    • May 20, 2022
  • Nancy Viégas
    A video was posted re Nancy Viégas:
    Thiago Trad feat. Nancy Viegas - Piedade (Official)
    live in Salvador/Ba - 02.10.2018 (Moscote in the Sala do Coro/TCA) Thiago Trad - piano Nancy Viegas - voz Tadeu Mascarenhas - bass Marcos Santos - drums video/edition: Rafa Ramos engineered, mixed & mastered: Caji executive production: Cláudia ...
    • May 20, 2022
  • Nancy Viégas
    A video was posted re Nancy Viégas:
    O Beijo Amargo | Nancy Viégas
    Direção Geral: Carol Ribeiro, Luciana Hyde e Zezaz Monteiro Direção de Fotografia: Petrus Pires Edição Carol Ribeiro Finalização: Germano Mariniello
    • May 20, 2022
  • Nancy Viégas
    A video was posted re Nancy Viégas:
    Dona Iracema - Tô no CID - Feat. Nancy Viegas (Clipe Oficial)
    Dona Iracema - Tô no CID - Feat. Nancy Viegas (Clipe Oficial) Música: Tô no CID Participação: Nancy Viegas Gravado no Studio T, Salvador-Bahia-Brazil Produção, Mixagem e Masterização: André T Álbum: Balbúrdia Ano: 2019 Orangeira Music Vídeo F...
    • May 20, 2022
  • Nancy Viégas
    A category was added to Nancy Viégas:
    Produtora Áudiovisual, Audiovisual Producer
    • May 20, 2022
  • Nancy Viégas
    A category was added to Nancy Viégas:
    Country
    • May 20, 2022
  • Nancy Viégas
    A category was added to Nancy Viégas:
    MPB
    • May 20, 2022
  • Nancy Viégas
    A category was added to Nancy Viégas:
    Indie Experimental
    • May 20, 2022
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

THE MATRIX BEGAN IN AFRICAN BRAZIL BUT NOW ENCOMPASSES THE WORLD

Explore above a complete (and vast) list of artists and other members of the global creative economy interconnected by matrix. If you fit, join them (from the top of any page) and create your own matrix page.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene below — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

O MATRIX COMEÇOU NO BRASIL AFRICANO MAS AGORA ENGLOBA O MUNDO

Explore acima uma lista completa (e vasta) de artistas e outros membros da economia criativa global interconectados por matrix. Se você se encaixar, junte-se a nós (do topo de qualquer página) e cria sua própria página matrix.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Frank Beacham New York City
  • Wilson Simoninha Music Producer
  • Şener Özmen Photographer
  • Walter Blanding Jazz
  • Nelson Ayres Jazz
  • Jacám Manricks Jazz
  • Sarah Jarosz Banjo
  • Paul Mahern Bloomington, Indiana
  • Marcelo Caldi Rio de Janeiro
  • Forrest Hylton Ethnohistorian: Latin America & the Caribbean
  • McClenney Record Producer
  • Alan Bishop Cairo
  • D.D. Jackson Television Scores
  • Ricky (Dirty Red) Gordon Composer
  • Arismar do Espírito Santo São Paulo
  • Eric R. Danton Writer
  • Paulo Dáfilin Composer
  • Patricia Janečková Soprano
  • Thana Alexa Music Producer
  • Amilton Godoy Piano Course Online
  • Jimmy Duck Holmes Singer-Songwriter
  • Paolo Fresu Sardinia
  • J. Pierre Painter
  • Alicia Keys Author
  • Gustavo Caribé Brasil, Brazil
  • Liam Farrell 'Dr L' Ireland
  • Sarah Hanahan New York City
  • Nikki Yeoh Piano
  • Diego Figueiredo Samba
  • Simon Shaheen Composer
  • Danilo Caymmi Film Scores
  • Myles Weinstein Agent
  • Kurt Andersen Short Stories
  • Scott Yanow Liner Notes
  • Chris Thile New York City
  • Gustavo Di Dalva Percussion
  • Itamar Borochov Composer
  • Kurt Andersen Essayist
  • Lenny Kravitz Designer
  • Danilo Brito Mandolin
  • Guga Stroeter Brazil
  • Andrés Prado Peru
  • James Andrews Trumpet
  • Jane Ira Bloom Contemporary Classical Music
  • Imani Winds Classical Music
  • Piti Canella Produtora Cultural, Cultural Producer
  • Echezonachukwu Nduka Writer
  • Avishai Cohen אבישי כה Multi-Cultural
  • Horace Bray Jazz
  • Sergio Krakowski Jazz
  • Alicia Hall Moran Theater
  • Congahead Afro-Cuban Jazz
  • Paulo Aragão Rio de Janeiro
  • Orrin Evans Jazz
  • Jon Otis Percussion
  • Tessa Hadley Short Stories
  • Jaques Morelenbaum Brazil
  • Neo Muyanga Composer
  • Mestre Nelito Capoeira Angola
  • Luíz Paixão Cavalo Marinho
  • Ferenc Nemeth Hungary
  • Jonathon Grasse Capoeira
  • Aneesa Strings Bass
  • Gearóid Ó hAllmhuráin County Clare
  • Alberto Pitta Estampas Afrobaianas, Afro-Bahian Patterns
  • Alex de Mora London
  • Dani Deahl Writer
  • Jack Talty Ireland
  • Glenn Patscha Record Producer
  • Wynton Marsalis Classical Music
  • 小野リサ Lisa Ono Jazz
  • Lavinia Meijer Harp
  • Tatiana Eva-Marie Gypsy Jazz
  • Miles Mosley Television Scores
  • Karla Vasquez Los Angeles
  • Yosvany Terry New York City
  • Georgia Anne Muldrow Hip-Hop
  • Adam Shatz Literary Critic
  • Heriberto Araujo Amazon
  • Kurt Andersen Journalist
  • Şener Özmen Kurdistan
  • Ben Harper Singer-Songwriter
  • DJ Sankofa Pimenta Africana, African Peppers
  • Michael Sarian Buenos Aires
  • China Moses Voiceovers
  • Steve McKeever Los Angeles
  • Greg Ruby Guitar
  • Pedro Martins Guitar
  • Arifan Junior Portela
  • Ahmad Sarmast Ethnomusicologist
  • Ravi Coltrane Composer
  • Eric R. Danton Music Critic
  • César Camargo Mariano Samba
  • Tigran Hamasyan Piano
  • Nora Fischer Singer
  • Nailor Proveta Jazz
  • Daniil Trifonov Piano
  • Dona Dalva Samba
  • Gustavo Caribé Bahia
  • Steve Coleman Multi-Cultural
  • Tonho Matéria Gestor Cultural, Cultural Director
  • Maciel Salú Côco
  • Abderrahmane Sissako Film Director
  • Robert Everest Multi-Cultural
  • H.L. Thompson Brazil
  • Maria Calú Chapada Diamantina
  • Les Thompson Cinema Engineer
  • Hilton Schilder Multi-Instrumentalist
  • Seckou Keita Senegal
  • Gel Barbosa Acordeon, Accordion
  • Robert Glasper Record Producer
  • BIGYUKI Keyboards
  • Cassie Kinoshi Saxophone
  • Daniel Bennett Saxophone
  • Tony Austin Composer
  • Arto Lindsay Brasil, Brazil
  • Daniel Gonzaga Violão, Guitar
  • Márcio Valverde Bahia
  • Turtle Island Quartet Contemporary Classical Music
  • Afrocidade Rap
  • Fernando Brandão Pífano
  • Larissa Luz Bahia
  • Kiko Horta Forró
  • Ivan Bastos Brasil, Brazil
  • PATRICKTOR4 Bahia
  • Robert Everest Percussion
  • Alan Bishop Egypt
  • Jess Gillam London
  • Vincent Herring Manhattan School of Music Faculty
  • Toninho Ferragutti Brazil
  • Reuben Rogers Bass
  • Amaro Freitas Composer
  • João Callado Rio de Janeiro
  • Ellie Kurttz Photographer
  • Del McCoury Country
  • João Camarero Guitar
  • Monk Boudreaux Funk
  • Rosa Passos Salvador
  • Lauranne Bourrachot Television Producer
  • Cyro Baptista Percussion
  • Beth Bahia Cohen Rababa
  • Joshue Ashby Panama
  • Melissa Aldana Composer
  • Yazz Ahmed Flugelhorn
  • Piti Canella Gestor Público, Public Servant
  • Armandinho Macêdo Mandolin
  • Negra Jhô Brazil
  • Jonathon Grasse Brazilian Music
  • Nublu East Village
  • Plínio Fernandes Classical Guitar
  • Nicolas Krassik Violin
  • Yayá Massemba Brasil, Brazil
  • Mestre Barachinha Brazil
  • Walter Blanding Clarinet
  • Elio Villafranca Manhattan School of Music Faculty
  • Ceumar Coelho Minas Gerais
  • Biréli Lagrène Jazz
  • Nabil Ayers Brooklyn, NY
  • Erika Goldring New Orleans
  • Arturo Sandoval Jazz
  • Betsayda Machado Tambor
  • James Brady Arranger
  • Bob Bernotas Writer
  • Rowney Scott Brasil, Brazil
  • Felipe Guedes Brazilian Jazz
  • Jimmy Dludlu Cape Town
  • Jeremy Danneman Jazz
  • Luiz Santos Multi-Cultural
  • Mary Halvorson Brooklyn, NY
  • Nathan Amaral Brazil
  • Jeff Parker Film Scores
  • Celsinho Silva Record Producer
  • Niwel Tsumbu Ireland
  • Nahre Sol Piano
  • Manu Chao Record Producer
  • Anderson Lacerda Maxixe
  • Gal Costa Bahia
  • Maurício Massunaga Choro
  • Jonathan Finlayson New York City
  • Kazemde George Jazz
  • Isaiah Sharkey Guitar
  • Kiko Loureiro Rio de Janeiro
  • Brooklyn Rider Brooklyn, NY
  • Paulo Costa Lima Brasil, Brazil
  • Richard Galliano Classical Music
  • Nilze Carvalho Choro
  • Utar Artun Turkey
  • Kenyon Dixon Los Angeles
  • Cláudio Badega Brasil, Brazil
  • Isaias Rabelo Salvador
  • Wayne Krantz New York City
  • Larry McCray Arkansas
  • Walter Ribeiro, Jr. Forró
  • Maia Sharp Guitar
  • Yilian Cañizares Violin
  • Sameer Gupta Percussion
  • Luciano Salvador Bahia Piano
  • Moses Boyd Record Producer
  • Nelson Cerqueira Bahia
  • Caridad De La Luz Actor
  • Flora Gil Bahia
  • Academia de Música do Sertão Música Clássica Contemporânea, Contemporary Classical Music
  • Kiko Souza Jazz Brasileiro, Brazilian Jazz
  • 9th Wonder Raleigh, North Carolina
  • Sunn m'Cheaux Actor
  • Paulão 7 Cordas Violão de Sete
  • Snigdha Poonam Writer
  • 小野リサ Lisa Ono Bossa Nova
  • Biréli Lagrène France
  • Ed O'Brien Brazil
  • Intisar Abioto Storyteller
  • Sunna Gunnlaugs Composer
  • Matias Traut Salvador
  • Eli Degibri אלי דג'יברי Israel
  • Jonathan Griffin BBC
  • Daru Jones Nashville, TN
  • Jane Ira Bloom New York City
  • Léo Brasileiro Bahia
  • Donald Harrison New Orleans
  • Ajurinã Zwarg Drums
  • Ofer Mizrahi Jazz, Folk, Eastern Music
  • Ballaké Sissoko Bamako
  • Monarco Brazil
  • DJ Sankofa Brasil, Brazil
  • Bill Callahan Austin, Texas
  • VJ Gabiru DJ
  • Joshue Ashby Jazz
  • John Patrick Murphy Jazz
  • Matt Ulery Loyola University Faculty
  • George Porter Jr. Bass
  • Thundercat Los Angeles
  • Jeff Preiss Cinematographer
  • Beth Bahia Cohen Balkan Music
  • Fernando Brandão Composer
  • Peter Dasent Composer
  • Larissa Luz Writer
  • Little Dragon Electronic Music
  • Terry Hunter Chicago
  • Lilli Lewis New Orleans
  • Ben Monder Jazz
  • André Becker Salvador
  • Brian Cox Scotland
  • Carlos Blanco Bahia
  • Rez Abbasi Pakistani Music
  • Nabihah Iqbal Guitar
  • Miguel Zenón Saxophone
  • Theo Bleckmann Jazz
  • Dudu Reis Choro
  • Amanda Tropicana Fotógrafa, Photographer
  • Michael Janisch London
  • Jaimie Branch Trumpet
  • Rez Abbasi Guitar
  • Plínio Fernandes Brazilian Classical Guitar
  • Utar Artun Microtonal
  • Célestin Monga Economist
  • João Jorge Rodrigues Brasil, Brazil
  • Margaret Renkl Nashville, Tennessee
  • Steve Earle Writer
  • Jean-Paul Bourelly Educator
  • Janine Jansen Violin
  • Guiga de Ogum Salvador
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Yoron Israel Drums
  • Philip Ó Ceallaigh Short Stories
  • Betão Aguiar Brazil
  • Stefano Bollani Classical Music
  • Delbert Anderson Trumpet
  • Gino Sorcinelli Educator
  • Tito Jackson Pop
  • Nooriyah نوريّة Arabic Music
  • John Harle Author
  • Andrew Dickson Writer
  • Alex Cuadros Author
  • Julia Alvarez Poet
  • Roy Germano Author
  • Keshav Batish Jazz
  • David Castillo Actor
  • Kurt Andersen Screenwriter
  • Ricardo Herz São Paulo
  • Raynald Colom Barcelona
  • Keyon Harrold Singer
  • Flavio Sala Guitar Instruction, Master Classes
  • Joel Best 3D Artist
  • Bobby Sanabria Composer
  • Manolo Badrena Visual Media
  • King Britt Electronic Music
  • Elio Villafranca Jazz
  • Colson Whitehead Literary Critic
  • Dezron Douglas Double Bass
  • Karsh Kale कर्ष काळे Brooklyn, NY
  • Rita Batista Brasil, Brazil
  • Evgeny Kissin Piano
  • Welson Tremura Bossa Nova
  • Carrtoons Record Producer
  • Booker T. Jones Multi-Instrumentalist
  • Amit Chatterjee Guitar
  • Makaya McCraven Drums
  • Teresa Cristina Singer
  • 9th Wonder Record Producer
  • Nelson Faria Author
  • Yamandu Costa Violão de Sete
  • Egberto Gismonti Guitar
  • Kareem Abdul-Jabbar Writer
  • Dan Nimmer Composer
  • Leo Genovese New York City
  • Linda May Han Oh Jazz
  • Michael W. Twitty Washington, D.C.
  • Horácio Reis Choro
  • Bill Frisell Americana
  • Richard Galliano Jazz
  • Nic Adler Festival Promoter
  • Tobias Meinhart Brooklyn, NY
  • Oksana Zabuzhko Ukraine
  • Zisl Slepovitch Klezmer
  • Yunior Terry Afro-Cuban Jazz
  • Kronos Quartet String Quartet
  • Guillermo Klein Piano
  • Alan Bishop Bass
  • Celso Fonseca Record Producer
  • Zara McFarlane Vocal Coach
  • Abel Selaocoe Contemporary African Classical Music
  • Barlavento Brazil
  • Andra Day Actor
  • Nooriyah نوريّة Middle Eastern Music
  • Trombone Shorty New Orleans
  • Ahmad Sarmast Afghan Music
  • Ariane Astrid Atodji Yaoundé
  • J. Velloso Record Producer
  • Tim Hittle Filmmaker
  • John Francis Flynn Ireland
  • Custódio Castelo Portugal
  • Jon Batiste Jazz
  • Alma Deutscher Composer
  • André Becker Saxophone
  • Chano Domínguez Cádiz
  • Bukassa Kabengele Brazil
  • Lula Moreira Pernambuco
  • PATRICKTOR4 DJ
  • Terell Stafford Temple University Boyer College of Music & Dance Faculty
  • James Gavin Writer
  • Elodie Bouny Venezuela
  • Ayrson Heráclito Brazil
  • Samuca do Acordeon Chamamé
  • Elizabeth LaPrelle Actor
  • Maria Marighella Salvador
  • Mark Bingham Singer-Songwriter
  • Thundercat Composer
  • Mike Compton Old-Time Music
  • Derrick Hodge Jazz
  • Jessie Montgomery Educator
  • Keyon Harrold Record Producer
  • Run the Jewels Rap
  • Nels Cline Jazz, Rock, Country, Experimental
  • Jeff Tweedy Americana
  • Eddie Kadi Congo
  • José James R&B
  • Toninho Horta Minas Gerais
  • Quatuor Ebène Contemporary Classical Music
  • Luizinho do Jêje Candomblé
  • Tiganá Santana Produtor Musical, Music Producer
  • Congahead Photographer
  • Chico Buarque Brasil, Brazil
  • ANNA Techno
  • Giorgi Mikadze გიორგი მიქაძე Jazz
  • Choronas Choro
  • Leonardo Mendes MPB
  • Munir Hossn Brasil, Brazil
  • Ryuichi Sakamoto Experimental Music
  • Martin Hayes Fiddle
  • Yamandu Costa Composer
  • Ben Okri Essayist
  • MARO Portugal
  • Egberto Gismonti Piano
  • Gian Correa Violão de Sete
  • Ron Blake Flute
  • Diosmar Filho Geógrafo, Geographer
  • Angel Deradoorian Los Angeles
  • Mingo Araújo Rio de Janeiro
  • Morten Lauridsen Contemporary Classical Music
  • Manu Chao Singer-Songwriter
  • Deborah Colker Choreographer
  • Fernando César Educator
  • Martin Shore Music Producer
  • Hua Hsu Vassar College Faculty
  • Roy Ayers Singer
  • Michael League Composer
  • Andrew Gilbert Roots Music
  • Nego Álvaro Singer-Songwriter
  • Daniel Owoseni Ajala Ballet School Owner
  • Pururu Mão no Couro Samba
  • Yola Singer-Songwriter
  • Léo Rodrigues Percussion
  • Sandra de Sá Violão, Guitar
  • Molly Jong-Fast Podcaster
  • Paulo Martelli Brasil, Brazil
  • Avishai Cohen Trumpet
  • Zeca Freitas Jazz Brasileiro, Brazilian Jazz
  • Juliana Ribeiro MPB
  • Bukassa Kabengele Congo
  • Gilmar Gomes Salvador
  • Vânia Oliveira Dança Afro
  • Duncan Chisholm Traditional Scottish Music
  • Mike Compton Songwriter
  • Harish Raghavan Jazz
  • David Bragger Banjo Instruction
  • Lucian Ban Composer
  • Alberto Pitta Bloco Afro
  • Iuri Passos Ethnomusicologist
  • George Porter Jr. R&B
  • Rema Namakula Uganda
  • Ariel Reich Director
  • Michael Doucet Zydeco
  • Shannon Alvis Choreographer
  • Nooriyah نوريّة Writer
  • Sammy Britt Artist
  • Shannon Ali Jazz
  • Simone Sou Brazil
  • Miles Mosley Los Angeles
  • Lakecia Benjamin New York City
  • Jorge Aragão Brazil
  • Luciano Calazans Brazil
  • Arto Tunçboyacıyan Percussion
  • Moreno Veloso Brazil
  • Tony Trischka Bluegrass
  • Louis Michot Western Swingbilly Cajun Punk
  • Catherine Bent Boston
  • Adriana L. Dutra Documentary Filmmaker
  • Paul Cebar Multi-Cultural
  • Dr. Lonnie Smith Jazz
  • Gustavo Di Dalva Salvador
  • Richard Bona Bass
  • Donald Vega Piano
  • Forrest Hylton Documentary Filmmaker
  • Roque Ferreira Brasil, Brazil
  • Sandro Albert Guitar
  • Gab Ferruz Brasil, Brazil
  • Ravi Coltrane Brooklyn, NY
  • Fernando Brandão Brazil
  • Martin Koenig Record Producer
  • Carwyn Ellis Rio de Janeiro
  • Dan Tepfer Piano
  • Arthur Verocai Piano
  • Yunior Terry Cuba
  • Alyn Shipton Jazz Historian
  • André Vasconcellos Jazz Brasileiro, Brazilian Jazz
  • Yotam Silberstein Jazz
  • Lula Moreira Maracatu
  • Steve Abbott London
  • Papa Mali Guitar
  • Benoit Fader Keita Afrohouse
  • Manolo Badrena Jazz
  • Nonesuch Records Multi-Cultural
  • Simon McKerrell Bagpipes
  • Kenny Barron New York City
  • Eric Roberson Neo Soul
  • Chau do Pife Pífano
  • Milford Graves Percussion
  • Russell Malone Guitar
  • Carlos Henriquez Bass
  • Mike Moreno Manhattan School of Music Faculty
  • Tommaso Zillio YouTuber
  • Hopkinson Smith Lute
  • Rick Beato Atlanta, Georgia
  • Ricky (Dirty Red) Gordon Zydeco
  • Delbert Anderson Composer
  • Nubya Garcia Saxophone
  • Edmar Colón Piano
  • Gabriel Policarpo Samba
  • Yamandu Costa Choro
  • Taj Mahal Folk & Traditional
  • Arto Tunçboyacıyan Multi-Instrumentalist
  • Meklit Hadero Singer-Songwriter
  • Sarah Jarosz Americana
  • Brad Mehldau Jazz
  • Mandisi Dyantyis South African Jazz
  • Ben Harper Soul
  • Gilad Hekselman Israel
  • Glenn Patscha Folk & Traditional
  • Daru Jones Record Producer
  • Burkard Polster Monash University Faculty
  • Casey Driessen Fiddle
  • Lakecia Benjamin Ropeadope
  • Avishai Cohen אבישי כה Bass
  • Philip Cashian Contemporary Classical Music
  • Richard Galliano Bandoneon
  • Joan Chamorro Spain
  • Marc Ribot Punk
  • Warren Wolf Singer
  • Maracatu Ventos de Ouro Baque Virado
  • Jeff Coffin Author
  • Shabaka Hutchings Clarinet
  • Norah Jones New York City
  • Jeff Spitzer-Resnick Disability Law
  • Brandon Wilner Writer
  • Reza Filsoofi Composer
  • Yoruba Andabo Rumba
  • Itamar Vieira Júnior Brazil
  • Chelsea Kwakye Writer
  • Peter Dasent Songwriter
  • Alan Williams Furniture

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share