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  • No princípio...
  • In the beginning...

The Birth of the Matrix →

No princípio...

Imagine um Facebook que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem.

 

Imagine uma versão atualizada do antigo Myspace Music, que incluiria não apenas músicos, mas todos da economia criativa global da humanidade.

 

E imagine que ao invés de ter "amigos", recomendaria as pessoas pelo que fazem...

 

E que, por alguma mágica fantástica, todos nessa rede imaginária tenderiam a estar a poucos passos de todos os outros, o que significa que todos em nossa rede seriam potencialmente encontrados por todos os outros na rede, e no planeta.

 

Você está imaginando o Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a Facebook that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did.

 

Imagine an updated version of old Myspace Music, which would include not just musicians but all in humanity's global creative economy.

 

And imagine that rather than having "friends", one would recommend people for what they do...

 

And that by some fantastic magic everybody in this imaginary network would tend to be within scant steps of everybody else, meaning that everybody in our network would be potentially findable by everybody else in the network, and on the planet.

 

You are imagining the Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Alex Conde)
    I RECOMMEND
    You can recommend Alex Conde from below when logged in ←

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Alex Conde
  • City/Place: Madrid
  • Country: Spain
  • Hometown: Valencia, Spain

Life & Work

  • Bio: Flamenco music, with its passionate flourishes and virtuosic improvisation, has long captivated jazz musicians. Miles Davis, Charles Mingus and Chick Corea have all been obsessed with flamenco. Pianist Alex Conde has emerged as one of the most versatile contemporary performers of jazz-flamenco fusion, dazzling audiences and earning rave reviews across the world.

    Conde delivered these performances on the heels of recording his fourth album, “Origins” (2018, Ropeadope) with Marcus Gilmore on drums, Luques Curtis on bass, Dayna Stephens on saxophone, Brian Lynch on trumpet, Conrad Herwig on trombone, John Benitez on electric bass, and gypsy singer Ismael Fernandez.

    The album was released in May 2018 with an official presentation at the legendary Blue Note in NY, Symphony Space on Broadway, and collaboration at the Lehman Performing Arts Center, alongside flamenco singer Diego el Cigala, before a fantastic audience of flamenco and jazz lovers.

    These performances are a mere handful among hundreds in a career that began in Conde’s childhood in Valencia, Spain. A recognized prodigy, Conde demonstrated perfect pitch at the age of four. His parents gave him his first keyboard, and encouraged him as he began taking formal piano instruction. Conde practiced everything he heard from his father, Alejandro Conde, an acclaimed singer with more than 20 albums to his name, and one of the foremost performers of Copla, the flamenco-infused song book of popular works. Conde earned his first bachelor’s degree in Classical from the Jose Iturbi Conservatory of Music in 2001. From there, he went on to study at L’aula de Musica de Barcelona and earned a Diploma of Excellence in 2006.

    In 2006, Conde was offered scholarships to pursue a second bachelor’s degree from Berklee College of Music. During his tenure at Berklee, his playing matured in his melding of musicality and increasing technical proficiency. He began playing professionally alongside jazz musicians and studied with trumpeter Mike Mossman, alto saxophonist Antonio Hart and pianist Jeb Patton.

    In 2009, Conde met producer Fernando Brunet, with whom he released Jazz and Claps, an album featuring Alex original compositions. The album was released with Contraseña Records and opened the path of jazz and flamenco and stamped the music of Alex Conde as a center and as a mature composer and arranger for small ensemble.

    In 2013, Conde self-produced and released his second album, Barrio del Carmen, a collection of music composed and arranged for the flamenco companies for which he has composed music over the years. The album features flamenco stars including gypsy singer Kina Mendez, nephew of the great Paquera de Jerez, and guitarist Jose Luis Rodriguez, long-time musical director for Cristina Hoyos. The album became a classic on TV programs such as Television Castilla la Mancha, presented by Rocío Sañudo, and in flamenco dance classes, where it is prized for its musicality and structure.

    In 2015, Conde recorded an Iberian-inflected tribute to Thelonious Monk, Descarga for Monk (ZOHO), accompanied by seven-time Grammy-nominated percussionist John Santos and bassist Jeff Chambers, earning international recognition.

    Today, Conde has become one of his generation’s pivotal figures in flamenco piano. With a fluid technique, an innovative tonal palette, and an extensive repertoire, he plays with the passion of a young artist and the command of a seasoned veteran, and remains in constant demand as both a studio artist and a performer.

Contact Information

  • Management/Booking: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.alexconde.com/music
  • ▶ Twitter: condejazz
  • ▶ Instagram: alexcondejazz
  • ▶ Website: http://www.alexconde.com
  • ▶ Website 2: http://www.pianoflamencoinstitute.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC92WO_NR5RMcGxb2mXfBwYw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCECAw3DJhkTozaUDti2qSBQ
  • ▶ Spotify: http://open.spotify.com/album/1iDF6rTMpq9xH3PnMPNVMA
  • ▶ Spotify 2: http://open.spotify.com/album/0MQBFRIddorATLGL5XLeqR
  • ▶ Spotify 3: http://open.spotify.com/album/4zzuJ0CWzpjVthjnKHeM4s
  • ▶ Spotify 4: http://open.spotify.com/album/5DZjMfBm42cKpeAwKqVg9K

More

  • Quotes, Notes & Etc. ‘‘... Origins is a tremendous calling card for Alex Conde as composer and pianist. But it’s also a demonstration of the adaptability of Latin jazz, as the genre readily accepts Conde’s flamenco influences. Easily recommended to Latin jazz fans, with the additional spice of a fresh Spanish flavor.”
    — MARK SULLIVAN, ALLABOUTJAZZ

    “... When Alex Conde turns up the power at any given time, he’s like an orchestra all by himself. All of this firepower together with Marcus Gilmore, Conrad Herwig, Dayna Stephens and Luques Curtis makes Origins a very special experience. Mr. Conde is a pianist whose music is sustained by the fecundity of his Spanish roots. Through it all, of course, Mr. Conde is absolutely thrilling.”
    — RAUL DA GAMA, LATIN JAZZ NETWORK

    “... Gifted Spanish pianist Alex Conde, has his way with the high priest of bop in an adventurous all-Monk program.’’
    — JAZZ CRITIC BILL MILKOWSKI

    ‘‘... [Alex’s] Thelonious Monk is rock solid. Its rhapsodic elegance is informed by all of the mystery and majesty of Monkish-ness. The elemental irreverence of Monk-music has been mastered by the young Spaniard. He worships at the altar of originality, as Thelonious Monk did, pouring his twisting duende into molten chords. His phrases make for lines that erupt with volcanic brilliance and a viscosity that is unlike anything that has been sung of Thelonious Monk in a very long time.”
    — RAUL DA GAMA, LATIN JAZZ NETWORK

    “... I have the honor of being part of this wonderful project. If you know Alex, you know what I’m talkin’ about. If not, you need to check him out. He’s a virtuoso pianist from Spain, and has prepared some extremely hip arrangements of classic and off-the-beaten-path Monk compositions — just when you thought you’ve heard Monk every way possible. The intimate setting and the sparkling musicianship of my colleagues is a ripe combination.”
    — SEVEN-TIME GRAMMY-NOMINATED ARTIST JOHN SANTOS

My Instruction

  • Lessons/Workshops: For private or online lessons and music scores please contact: (English and Spanish)
  • Instruction: http://[email protected]

Clips (more may be added)

  • 0:46:23
    Alex Conde & Nino de los Reyes @ "Framed" Berlin
    By Alex Conde
    118 views
  • 5:09
    Piano Flamenco - Alex Conde/Kina Mendez
    By Alex Conde
    111 views
  • 0:10:52
    Alex Conde - Descarga for Monk ''Think of One''
    By Alex Conde
    106 views
Previous
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Do you  recommend Alex Conde?

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 1 Arranger
  • 1 Composer
  • 1 Flamenco
  • 1 Jazz
  • 1 Madrid
  • 1 Piano
  • 1 Piano Instruction
  • 1 Spain

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
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  • Tom Schnabel World Music
  • Joachim Cooder Keyboards
  • Michael Doucet Zydeco
  • Jill Scott Singer-Songwriter
  • Intisar Abioto Journalist
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  • Roots Manuva London
  • Philip Glass Film Scores
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  • Ray Angry Gospel
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  • Caoimhín Ó Raghallaigh Fiddle
  • Lina Lapelytė Multi-Instrumentalist
  • Nigel Hall Soul
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  • Rosa Passos Guitar
  • Glória Bomfim Samba de Roda
  • Trombone Shorty Trumpet
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  • Stephanie Jones Classical Guitar
  • Zakir Hussain Hindustani Classical Music
  • Ana Moura Portugal
  • Darryl Hall Composer
  • Maria Rita Samba
  • Cedric Watson Fiddle
  • Pedro Martins Brazil
  • Billy O'Shea Copenhagen
  • Tommy Orange Short Stories
  • Justin Stanton Sound Design
  • Christopher Wilkinson Movie Director
  • Kaia Kater Singer-Songwriter
  • Natan Drubi Violão, Guitar
  • Luques Curtis Double Bass
  • Gregory Tardy Composer
  • Jau Bahia
  • Frank Negrão Salvador
  • Alessandro Penezzi Multi-Instrumentalist
  • Oriente Lopez Bandas Sonoras de Películas y Televisión, Film & Television Scores
  • NIcholas Casey International Correspondent
  • Stephanie Soileau Short Stories
  • Keshav Batish Santa Cruz, California
  • Yacouba Sissoko Mali
  • Tab Benoit Record Label Owner
  • Jake Webster Painter
  • Capitão Corisco Pífano
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  • Mario Ulloa Federal University of Bahia Faculty
  • Casey Benjamin DJ
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  • Marco Pereira Choro
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  • Shannon Ali Writer
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  • Colm Tóibín Columbia University Faculty
  • Gui Duvignau Composer
  • Lolis Eric Elie Journalist
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  • Hercules Gomes Piano
  • Emmet Cohen Composer
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  • Marvin Dunn Historian
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  • Aruán Ortiz New York City
  • Mono/Poly Glitch
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  • Don Byron Blue Note Records
  • Biréli Lagrène Composer
  • Mauro Senise Composer
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  • Paulo César Figueiredo Produtor Cultural, Cultural Producer
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  • Alan Brain Journalist
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  • Clint Mansell Television Scores
  • Christopher James Musicologist
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  • Rotem Sivan Guitar
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  • Greg Kot Chicago
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  • Joey Baron New York City
  • Léo Rugero Accordion
  • Tiganá Santana Trilhas Sonoras, Film Scores
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  • Larissa Fulana de Tal Bahia
  • Tigran Hamasyan Piano
  • Gabi Guedes Salvador
  • Hercules Gomes Brazil
  • Jacob Collier Composer
  • Eric Coleman Cinematographer
  • Colson Whitehead Short Stories
  • Christian Sands Jazz
  • Gerônimo Santana MPB
  • NEOJIBA Musica Brasileira, Brazilian Music
  • Garvia Bailey Toronto
  • David Kirby Non-Fiction
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  • Rahim AlHaj Composer
  • Pedrito Martinez Singer
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  • Henry Cole Drums
  • Harish Raghavan Jazz
  • Ned Sublette Cuba
  • Olga Mieleszczuk Jerusalem
  • Dan Weiss Avant-Garde Jazz
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  • Rick Beato Educator
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  • Andrew Dickson Art Critic
  • Richard Bona Cameroon
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  • Larisa Wiegant Utrecht
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  • Diosmar Filho Geógrafo, Geographer
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  • Sandro Albert Record Producer
  • Alicia Svigals Klezmer Fiddle
  • Onisajé Diretora Teatral, Theater Director
  • Andrew Finn Magill Composer
  • Rodrigo Amarante Brazil
  • Renee Rosnes New York City
  • Olga Mieleszczuk Yiddish Folk Songs
  • Brentano String Quartet Contemporary Classical Music
  • Ricardo Bacelar Brasil, Brazil
  • João Callado Brazil
  • Jon Madof Bandleader
  • Horácio Reis Choro
  • Mykia Jovan Blues
  • Joanna Majoko Singer-Songwriter
  • Darol Anger Fiddle
  • Carlinhos 7 Cordas Violão de Sete
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  • Flavio Sala Guitar Instruction, Master Classes
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  • Mark Stryker Author
  • Marília Sodré Brasil, Brazil
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  • Vivien Schweitzer Photographer
  • Michael Garnice Reggae
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  • Deesha Philyaw Public Speaker
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  • Raelis Vasquez Sculptor
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  • Vincent Herring Manhattan School of Music Faculty
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  • Chick Corea Jazz
  • Michael Cleveland Fiddle
  • Shankar Mahadevan Film Scores
  • Angel Bat Dawid Composer
  • Otto Singer-Songwriter
  • Cale Glendening Cinematographer
  • Asanda Mqiki Afro-Soul
  • Bob Lanzetti Brooklyn, NY
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  • Marcus Printup Composer
  • Joshua Abrams Film Scores
  • Peter Slevin Journalist
  • César Camargo Mariano Record Producer
  • Donna Leon Venice
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  • Gilson Peranzzetta Piano
  • Jorge Alfredo Cineasta, Filmmaker
  • Tessa Hadley Writer
  • Joshue Ashby Violin
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  • Steve Lehman Experimental Music
  • Guga Stroeter Record Producer
  • Tiganá Santana Bahia
  • Luciano Calazans MPB
  • Gregory Tardy Clarinet
  • Raelis Vasquez Afro-Latinx Art
  • Nelson Faria Brazilian Jazz
  • Alexandre Leão Salvador

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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