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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Billy O'Shea
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Billy O'Shea
  • City/Place: Copenhagen
  • Country: Denmark
  • Hometown: Shannon, Co. Clare, Ireland

Current News

  • What's Up? The Kingdom of Clockwork series paperbacks will not be made available through Amazon until conditions for Amazon warehouse employees are greatly improved.

Life & Work

  • Bio: Billy O’Shea is an Irishman who has lived in Scandinavia for more than thirty years. Among his sources of inspiration for Kingdom of Clockwork, he cites Hans Christian Andersen, the Irishman Jonathan Swift and the 17th-century English science fiction writer Francis Godwin.

Contact Information

  • Email: [email protected]
  • Address: Post:
    O’Shea
    Silkeborggade 9, 3tv
    2100 Copenhagen
    Denmark

Media | Markets

  • ▶ Book Purchases: http://blackswan.dk/shop/
  • ▶ Book Purchases 2: http://www.amazon.com/Billy-OShea/e/B00MXS1UYM%3F
  • ▶ Book Purchases 3: http://www.audible.com/author/Billy-OShea/B00MXS1UYM
  • ▶ Website: http://blackswan.dk
  • ▶ Article: http://www.irishtimes.com/business/work/in-denmark-we-pay-high-taxes-and-health-insurance-but-we-get-a-lot-back-1.4350600

My Writing

  • Publications: Kingdom of Clockwork is a series of science fiction/steampunk novels by Billy O’Shea, set in a clockwork world that arises in Scandinavia following the collapse of civilisation. Lacking fossil fuels and knowledge of past technology, the new kingdoms of the northern lands can draw only upon the power of the wind, which they store using clockwork. But the King of Kantarborg has a plan to mine other secrets of the past, and weaves a young court clockmaker into his dangerous schemes.

    The Kingdom of Clockwork series has been described as “alternate history, historical fantasy and steampunk”. The books are quirky, intriguing, humorous tales of reason, magic and human cunning. Real Scandinavian history and locations are combined with flights of fancy, both literal and metaphorical.

    The Kingdom of Clockwork series is available as paperbacks, audiobooks and e-books. The e-books are available from Amazon, and the audiobooks from Audible, Mofibo, and most audiobook publishers. The paperbacks are only available at this site and at a few selected bookshops. They can also be purchased in the gift shop of the Round Tower of Copenhagen.

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Billy O'Shea:

  • 0 Copenhagen
  • 0 Denmark
  • 0 Ireland
  • 0 Novelist
  • 0 Science Fiction
  • 0 Steampunk
  • 0 Writer
  • Gilmar Gomes Guitar
  • Siba Veloso Composer
  • Shuya Okino Music Venue Owner
  • Patricia Janečková Czech Republic
  • Norah Jones New York City
  • Archie Shepp Paris, France
  • Herbie Hancock Jazz
  • Ricardo Herz Rabeca
  • Aloísio Menezes Candomblé
  • Dwandalyn Reece Museum Professional
  • Jerry Douglas Guitar
  • Alain Mabanckou Writer
  • Asanda Mqiki Jazz
  • Jon Cowherd Record Producer
  • Tom Moon Saxophone
  • Azi Schwartz החזן עזי שוורץ Jewish Liturgical Music
  • Derrick Adams Sculptor
  • King Britt Computer Music
  • Trilok Gurtu Tabla
  • Nana Nkweti Writer
  • Julie Fowlis Multi-Instrumentalist
  • Stomu Takeishi New York City
  • José Antonio Escobar Santiago de Chile
  • Pedro Aznar Buenos Aires
  • Moacyr Luz Rio de Janeiro
  • Mino Cinélu Percussion
  • Jaques Morelenbaum Classical Music
  • Andrew Finn Magill Fiddle
  • Mateus Aleluia Filho Brasil, Brazil
  • Ricky (Dirty Red) Gordon Drums
  • Johnathan Blake Jazz
  • Neymar Dias Composer
  • Rosa Cedrón Spain
  • Archie Shepp Playwright
  • Ana Moura Portugal
  • Lina Lapelytė Composer
  • Dani Deahl Public Speaker
  • Shez Raja Indo-Jazz Funk
  • Aruán Ortiz Jazz
  • Stanton Moore Drums
  • Ubiratan Marques Bahia
  • Ben Harper Gospel
  • Ana Luisa Barral Mandolin
  • Ben Wendel New School for Jazz and Contemporary Music Faculty
  • Peter Evans Trumpet
  • Andrés Prado Afro-Peruvian Music
  • Henry Cole Multi-Cultural
  • Alexia Arthurs Short Stories
  • Spider Stacy New Orleans
  • Nêgah Santos Percussion
  • Daru Jones Drums
  • Shaun Martin Hip-Hop
  • Mônica Salmaso MPB
  • Mischa Maisky Classical Music
  • Larnell Lewis Drums
  • João do Boi Samba de Roda
  • Karsh Kale कर्ष काळे Multi-Cultural
  • Joel Guzmán Conjunto
  • Dan Trueman Hardanger Fiddle
  • Juliana Ribeiro Musicologist
  • Taylor McFerrin DJ
  • Vijay Iyer Harvard University Faculty
  • Richard Galliano Classical Music
  • Mike Compton Mandolin
  • Jaimie Branch Brooklyn, NY
  • Henrique Araújo São Paulo
  • Zebrinha Salvador
  • Intisar Abioto Storyteller
  • Thiago Espírito Santo Educador, Educator
  • Alan Bishop Egypt
  • Shamarr Allen New Orleans
  • Afel Bocoum Singer-Songwriter
  • Ana Moura Fado
  • Terell Stafford Trumpet
  • Robert Glasper Songwriter
  • Urânia Munzanzu Cultura Afro-Baiana, Afro-Bahian Culture
  • Case Watkins James Madison University Faculty
  • Germán Garmendia YouTuber
  • Theon Cross Tuba
  • James Gadson Drums
  • Luíz Paixão Pernambuco
  • Cathal McNaughton Street Photography Workshops
  • Hua Hsu Writer
  • Bobby Vega Bass
  • Dona Dalva Brazil
  • Joe Lovano Clarinet
  • Wynton Marsalis Jazz
  • Keola Beamer Hawaiian Music
  • Brandon Seabrook Banjo
  • Miles Okazaki University of Michigan Faculty
  • Mestre Nenel Salvador
  • Brad Ogbonna Photographer
  • Teresa Cristina Singer
  • Miroslav Tadić Contemporary Classical Music
  • Damion Reid Brooklyn, NY
  • Tony Allen Nigeria
  • Joan Chamorro Jazz
  • Tambay Obenson Journalist
  • Jean Rondeau Film Scores
  • Scott Devine Bass Instruction
  • Roy Nathanson Arranger
  • Elie Afif Bass
  • Brandon Wilner DJ
  • Malin Fezehai Africa
  • Alegre Corrêa Guitar
  • Alphonso Johnson Funk
  • Lenine Singer-Songwriter
  • Eli Degibri אלי דג'יברי Composer
  • Merima Ključo Author
  • Swizz Beatz DJ
  • John Francis Flynn Guitar
  • Seckou Keita Percussion
  • Toninho Nascimento Singer-Songwriter
  • Brad Mehldau Contemporary Classical Music
  • Caridad De La Luz New York City
  • Guto Wirtti Guitar
  • Sebastian Notini Produtor Musical, Music Producer
  • Corey Harris Reggae
  • Hot Dougie's Local de Música ao Vivo
  • Cara Stacey Umrhubhe, Uhadi, Makhoyane
  • John McWhorter Columbia University Faculty
  • Vincent Valdez Drawings
  • Marília Sodré Samba
  • Philip Glass Composer
  • Miles Mosley Double Bass
  • Simon Singh YouTuber
  • Alyn Shipton Writer
  • Anthony Coleman New York City
  • Bill Pearis Editor
  • Elisa Goritzki Flute
  • Jimmy Dludlu Composer
  • Thiago Espírito Santo Produtor Musical, Music Producer
  • Nettrice R. Gaskins Digital Artist
  • Zakir Hussain Indian Classical Music
  • Tatiana Eva-Marie Swing
  • Luke Daniels Scottish Traditional Music
  • Gian Correa Guitar
  • Jovino Santos Neto Flute
  • Jan Ramsey New Orleans
  • Raul Midón Songwriter
  • Alex Hargreaves Bluegrass
  • Derek Sivers Entrepreneur
  • Joe Newberry Folk & Traditional
  • Cleber Augusto Samba
  • Mykia Jovan New Orleans
  • Lula Galvão Brasília
  • Alma Deutscher Violin
  • Bertram Recording Artist
  • Ivan Huol Percussion
  • Quincy Jones Arranger
  • Tigran Hamasyan Armenian Folk Music
  • Myles Weinstein Percussion
  • Gal Costa Brazil
  • Betão Aguiar Documentary Filmmaker
  • Shankar Mahadevan Singer
  • Louis Marks Record Label Owner
  • Jakub Józef Orliński Hip-Hop
  • Bhi Bhiman Singer-Songwriter
  • D.D. Jackson Television Scores
  • Banning Eyre Writer
  • Mulatu Astatke Ethio-Jazz
  • Bob Lanzetti Record Producer
  • Leci Brandão Singer-Songwriter
  • MARO Multi-Instrumentalist
  • Denzel Curry Rapper
  • Alex Cuadros Journalist
  • Billy Strings Guitar
  • Peter Erskine USC Thornton School of Music Faculty
  • Ivan Sacerdote Composer
  • Raelis Vasquez Afro-Latinx Art
  • Rob Garland Jazz, Rock
  • Joana Choumali Abidjan
  • Yosvany Terry Saxophone
  • Guto Wirtti Samba
  • Renato Braz Percussion
  • Miguel Atwood-Ferguson Arranger
  • Jon Batiste Funk
  • Gêge Nagô Samba de Roda
  • Luis Perdomo New York City
  • Shabaka Hutchings Clarinet
  • Isaak Bransah Ghana
  • Brett Orrison Record Producer
  • Munyungo Jackson Multi-Cultural
  • Martin Fondse Contemporary Music
  • Paddy Groenland Ireland
  • Nego Álvaro Brazil
  • Sunna Gunnlaugs Reykjavik
  • Pierre Onassis Brazil
  • Rhiannon Giddens Banjo
  • Fantastic Negrito Guitar
  • Henrique Araújo Cavaquinho
  • Orrin Evans Piano
  • Askia Davis Sr. Educational Consultant
  • Nahre Sol YouTuber
  • Giovanni Russonello Journalist
  • Donny McCaslin Saxophone
  • Mauro Refosco Brasil, Brazil
  • Roosevelt Collier Songwriter
  • David Kirby Novelist
  • Gringo Cardia Video Director
  • Tierra Whack Rapper
  • Tigran Hamasyan Jazz
  • Deborah Colker Rio de Janeiro
  • David Braid Composer
  • Justin Kauflin Piano
  • Ricardo Herz Forró
  • Márcio Valverde Samba
  • Joshua Abrams Chicago
  • Questlove Songwriter
  • Andy Romanoff Writer
  • Béco Dranoff Cultural Producer
  • Yasushi Nakamura New York City
  • Kenny Garrett Composer
  • Dieu-Nalio Chery Haiti
  • Kiko Souza Flauta, Flute
  • Nara Couto Cantora, Singer
  • Gabriel Policarpo Samba
  • Orlando Costa Percussion
  • Calida Rawles Painter
  • Betsayda Machado Parranda
  • Roots Manuva Rapper
  • Igor Osypov Germany
  • Shoshana Zuboff Social Psychology
  • Kotringo Singer-Songwriter
  • Chico César Brazil
  • Jean-Paul Bourelly Jazz
  • Margaret Renkl Journalist
  • Joshue Ashby Timba
  • Yasushi Nakamura Tokyo
  • J. Pierre Artist
  • Anna Webber Saxophone
  • David Wax Museum Folk Roots Rock
  • MonoNeon R&B
  • Myron Walden New York City
  • Steve Cropper Guitar
  • David Sacks Washington, D.C.
  • Jon Batiste Bandleader
  • Paulinho Fagundes Brazil
  • Paulo César Pinheiro Poet
  • Miguel Atwood-Ferguson Television Scores
  • Nicholas Daniel Music Director
  • Paulinho da Viola Choro
  • Laura Beaubrun Haitian Dance Instruction
  • Sérgio Pererê Brazil
  • Elisa Goritzki Choro
  • Adam O'Farrill Trumpet
  • Yotam Silberstein New York City
  • João Parahyba Songwriter
  • Alexandre Gismonti Brazil
  • Cashmere Cat Electronic Music
  • Dorian Concept Record Producer
  • Oscar Bolão Samba
  • Cristovão Bastos Rio de Janeiro
  • Estrela Brilhante do Recife Recife
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Arturo Sandoval Cuba
  • Walter Blanding Clarinet
  • Robin Eubanks Composer
  • Manu Chao Multi-Cultural
  • Gilad Hekselman Composer
  • Magda Giannikou New York City
  • Lazzo Matumbi Brazil
  • THE ROOM Shibuya DJs
  • Jason Marsalis Vibraphone
  • Babau Santana Bahia
  • Jimmy Cliff Singer-Songwriter
  • Toninho Ferragutti Accordion
  • André Muato Brazil
  • Jon Cowherd Jazz
  • Plínio Fernandes Classical Guitar
  • Bobby Sanabria New York City
  • Glória Bomfim Singer
  • Mika Mutti Multi-Instrumentalist
  • Matt Garrison Record Producer
  • Luizinho Assis Produtor Musical, Music Producer
  • Hilary Hahn Contemporary Classical Music
  • Gord Sheard Humber College Music Faculty
  • Jon Faddis Purchase College Conservatory of Music Faculty
  • Angel Bat Dawid Jazz
  • Derrick Adams Sculptor
  • Samuel Organ Electronic Music
  • Iuri Passos AFROBIZ Salvador
  • Carwyn Ellis Wales
  • Vânia Oliveira Educadora, Educator
  • Victor Wooten Composer
  • Marvin Dunn African American History
  • Teresa Cristina Rio de Janeiro
  • Gord Sheard Piano
  • Miroslav Tadić Composer
  • Mário Santana Percussion
  • Logan Richardson New York City
  • Fernando Brandão Samba
  • Antonio Sánchez Film Scores
  • Caetano Veloso MPB
  • Laércio de Freitas Actor
  • Edivaldo Bolagi Candomblé
  • Jerry Douglas Dobro
  • Nigel Hall Singer
  • John Waters Ireland
  • Carwyn Ellis Singer-Songwriter
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  • Luciana Souza Brazil
  • Tony Trischka Old-Time Music
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  • Hank Roberts Ithaca, New York
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  • Bebê Kramer Brazilian Jazz
  • Mike Compton Country Blues
  • Hercules Gomes Brazil
  • Ryan Keberle Composer
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  • Michael Olatuja Lagos
  • Ariel Reich New York City
  • Keita Ogawa Multi-Cultural
  • Hendrik Meurkens Samba
  • Rita Batista Podcaster
  • Cláudio Jorge Rio de Janeiro
  • Ry Cooder Multi-Cultural
  • Cassie Kinoshi Jazz
  • Gamelan Sekar Jaya Gamelan
  • Berkun Oya Director
  • Pasquale Grasso Guitar
  • Cécile McLorin Salvant Classical, Baroque Voice
  • Roberta Sá MPB
  • Anat Cohen Clarinet
  • Keyon Harrold Hip-Hop
  • Nath Rodrigues Multi-Instrumentalist
  • Keith Jarrett Multi-Instrumentalist
  • Vanessa Moreno Brazilian Jazz
  • Rogério Caetano Choro
  • Ron Blake Flute
  • Ronaldo Bastos Rio de Janeiro
  • Tonynho dos Santos Música Afro-Baiana, Afro-Bahian Music
  • Ned Sublette Record Producer
  • J. Cunha Designer Gráfico, Graphic Designer
  • Anoushka Shankar Author
  • Fred Dantas Brazil
  • Dale Barlow Saxophone
  • Filhos da Pitangueira Chula
  • Miles Okazaki Composer
  • Karim Ziad Multi-Instrumentalist
  • Gel Barbosa Luthier
  • Rita Batista Salvador
  • Jeremy Danneman Klezmer
  • Stormzy Writer
  • Stormzy Rapper
  • Celino dos Santos Samba de Roda
  • Alan Brain Writer
  • Terell Stafford Jazz
  • Babau Santana Chula

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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