Bio:
Growing up in England I worked in a diverse array of bands and performed on the London college circuit. Later I played hundreds of gigs at festivals (The Big Muddy Blues Festival, Blues In The District, Washington Blues, etc). and at clubs around the U.S. with my group, Rob Garland & The Blue Monks, opening for artists such as B.B. King, Chuck Berry and Booker T. The band attained airplay on international radio and T.V. stations.
I graduated from Christ Church College in the U.K. with a Bachelor’s degree in Music/Radio Film & Television. After moving to the U.S. I studied with jazz great Jimmy Bruno.
Since being featured in guitar magazines, (Guitarist, Guitar One, Premier Guitar, etc), my first instructional book was published by Cherry Lane in 2007 which led to a wonderful relationship with TrueFire where currently I run an artist channel (Babylon), write articles for RIFF Journal, host live YouTube sessions and create instructional courses, such as the best selling Chord Navigator: CAGED series.
I've been a guitar teacher for over 25 years and am very proud to be part of the faculty at Musicians Institute, in Hollywood, CA. I also teach private lessons from my home in L.A. via Zoom/Skype.
Currently I play gigs with jazz/funk band Catatonic and my jazz rock group Rob Garland's Eclectic Trio at venues such as The Baked Potato, Vitello's, Alva's Showroom and The Mint. I've performed sessions at Los Angeles studios such as Revolver and The Village Recorder and co-written music for Bad Robot.
I love writing, recording and releasing my original music ranging in genre from jazz/rock instrumental to acoustic vocal folk, which can be streamed on Spotify or downloaded on iTunes as well as numerous other digital platforms.
In September 2018 I was honoured to perform and jam with legendary guitarist Steve Vai at the 'Big Mama-Jama Jamathon' in Hollywood, CA.
Some of the amazing musicians I've worked with include Jimmy Haslip (The Yellowjackets), Andy Sanesi (Scott Henderson), Tony Newton (Gary Moore), Mick Stevens (Brand X) and Gus Thornton (Albert King).
Endorsements include the wonderful folks at Bogner amplification, Xotic guitars, Curt Mangan strings, Chicken Picks and Moody Leather Straps.
I love all different genres of music and am influenced by everyone from Joni Mitchell to Frank Zappa, via Prince and Black Sabbath! My favourite guitar players growing up were Gary Moore, Brian May and Steve Lukather.
Blimey that was a bit long!
If you made it this far, thanks for reading,
Rob
Lessons/Workshops:
"I studied guitar under Rob's guidance for a little over three years, covering a wide range of styles. After studying guitar for 20+ years with nearly as many instructors, Rob clearly stands out to me as the best guitar teacher I have ever had. There are three things that set Rob and his teaching apart:
1) Incredible depth of knowledge on his instrument that he can apply musically to any style-We covered techniques and musical approaches to rock, jazz, blues, country, pop, fusion and everything in between- Rob's one of those players who not only plays nearly any style, but can teach them too and will have new information integrated quickly into your playing in a very musical way.
2) A kind, patient and positive teaching approach-Rob seems to know just when to push you, when to encourage you, and has an ability to quickly see where you playing needs improvement and lays out a clear plan to take you to the next level.
3) A teaching method that emphasizes applying what he teaches you to your own music so you are using it to express your music with the new concepts as quickly as possible- In my opinion, this is the key characteristic of Rob's teaching that truly separates him from the very good instructors and puts him on another level. Whether the idea is basic and fundamental, or a heady advanced concept, Rob always gives you a clear plan to integrate the concepts into your playing and has you applying them in very musical context immediately. My studies with Rob have done more to advance my playing than most instructors efforts combined."
- Manley Feinberg II, Motivational Speaker, Vertical Horizons
"I have hired and fired A LOT of guitar instructors. Signing up for Rob's classroom was, in my opinion, going to be another waste of time where the instructor had this long drawn out method designed to impact your wallet more than your playing skill. The TrueFire risk-free guarantee made me at least want to try it. Within the 1st two lessons, I was hooked. Rob is taking a two pronged approach - rhythm and lead.
The first rhythm question began to tighten up my comping and understanding of rhythm, while the approach to playing lead has helped me develop my style. At the end of the day, I don't sound like Rob, I sound like the player I want to be. Robs responses always incorporate what I'm trying to do, and some ideas on how to get there.
I highly recommend this class. Rob's passion for music, desire to teach, and encouraging attitude has really helped me grow in a short time... I can't wait to see where I will be a year from now!"
- Dwane Woodard · Alabama Agricultural and Mechanical University
"Rob is an excellent teacher and is very strength based in his approach. He identifies the things you are doing well and gives easy to understand suggestions for improvement. He really encourages and helps you to grow as a player. I've made more progress in the few months I have been with Rob than in the year and a half spent trying to do it alone buying instructional DVD's and using YouTube. Rob is very accessible and I feel I am getting much more than if I was taking weekly lessons.
I highly recommend Rob as a teacher, he is very knowledgeable and can play all styles of music. I gave Rob a "test drive" by taking his Beyond the Pentatonic Scales workshop and couldn't wait to sign up for his class. Do it you won't regret it!"
- Ray Gallagher · Retired. Northern California
"Rob is great. He did a great job of quickly analyzing where I was on my playing, and developing a Lesson Plan specifically for me. It is incredible that I can actually understand why I am learning something instead of just learning it. Each lesson builds on the prior and you can really see your progress. And, if you have taken face to face lessons in the past and were wondering if this method works.
I can tell you that it is the only way. Instead of once a week, this goes at your pace. I have actually gotten responses to my video submissions within a couple hours. Other times, I have been busy, and can make progress on my lesson after a few days of not reviewing. Rob is a great talent, and a great teacher. And...he is a great guy. Sign up now."
- Scott Marx · James Madison University
"I studied with Rob Garland for approximately 2 years. Rob’s lesson plans are organized and formatted to first present the student to music theory and second, apply the theory using songs or backing tracks. His well rounded approach gives the student real world application and allows them to not only develop improvisation skills, but also understand song structure and provide ideas for being a better rhythm guitar player. Rob focuses on the student’s goals and plans future lessons to develop the student’s musical ability and skills.
My previous teachers only wanted to teach me songs and did not have a plan to help me achieve my goals. The teacher’s role should be guiding, instructing, developing and challenging the student, and that is what I found when taking lessons from Rob. Rob has the rare blend of not only being an exceptional, patient teacher, but a talented working musician who likes to share his knowledge.
I highly recommend studying with him if you get the opportunity."
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).