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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Guilherme Kastrup
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Guilherme Kastrup
  • City/Place: São Paulo
  • Country: Brazil

Life & Work

  • Bio: Guilherme was born in Rio de Janeiro in 1969 and as a kid was interested in the rock music of record at that time (Led Zeppelin et al).

    Contact with jazz took him to Hermeto Pascoal, Naná Vasconcelos and other giant Brazilians working in their own takes on the genre, and in 1985 Guilherme began serious music studies based in percussion, first in Rio and then in São Paulo, concentrating on deeply traditional styles like jongo, congada and tambor de crioula. He began to mix the "languages" of percussion and kit drums in a style he called "percuteria" (kit drums are "bateria" in Portuguese), and moved into experimenting with electronic percussion, recording techniques, etc.

    Out of this Guilherme opened his own recording studio, producing the recordings of a number of top-flight Brazilians, including the latest recording by Brazilian diva/icon Elza Soares: Mulher do Fim do Mundo (Woman from the End of the World).

Contact Information

  • Management/Booking: Produção Executiva
    Cris Rangel (Lyra Records)
    [email protected]

Media | Markets

  • ▶ Website: http://guilhermekastrup.com
  • ▶ YouTube Channel: http://www.youtube.com/user/guilhermekastrup
  • ▶ YouTube Music: http://music.youtube.com/channel/UC_xzJy4o4Mx5vsmqFLOJNcA
  • ▶ Spotify: http://open.spotify.com/album/4O9JbZiEzx6LWRejaZ3lJE
  • ▶ Spotify 2: http://open.spotify.com/album/1vtfcRKA7cM0YL436CMAfO
  • ▶ Spotify 3: http://open.spotify.com/album/0YEgpU61ERc0WiZMmyz6JK
  • ▶ Spotify 4: http://open.spotify.com/album/2G9wCfjdJvrPaeKoj5P7UR
  • ▶ Spotify 5: http://open.spotify.com/album/2otmdsBVYkY1zQuEggiX3g
  • ▶ Spotify 6: http://open.spotify.com/album/55znpnufuOH0WOpwBTzbxP

Clips (more may be added)

  • 0:07:08
    Brasil Pandeiro
    By Guilherme Kastrup
    684 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Guilherme Kastrup:

  • 2 Brazil
  • 2 Drums
  • 2 Percussion
  • 2 Record Producer
  • 2 São Paulo
  • John Harle Film Scores
  • Leon Parker Drums
  • Caoimhín Ó Raghallaigh Ireland
  • Alex Mesquita Brazil
  • Riley Baugus Folk & Traditional
  • Zé Katimba GRES Imperatriz Leopoldinense
  • Dezron Douglas Double Bass
  • Jake Oleson Brooklyn, NY
  • Tonynho dos Santos Jazz
  • Jorge Glem Venezuela
  • Elif Şafak Turkey
  • Ned Sublette New Orleans
  • Damion Reid Drums
  • Tomo Fujita Blues
  • Bill Frisell Composer
  • Intisar Abioto Journalist
  • Ivan Huol Brazil
  • Tshepiso Ledwaba Johannesburg
  • Oscar Peñas Barcelona
  • Celsinho Silva Rio de Janeiro
  • Wouter Kellerman Johannesburg
  • Scotty Apex Singer
  • John Schaefer New York City
  • Brandee Younger New School College of Performing Arts Faculty
  • Tom Zé Singer-Songwriter
  • Alita Moses Singer-Songwriter
  • Gretchen Parlato Composer
  • Anthony Coleman Klezmer
  • Tatiana Eva-Marie Brooklyn, NY
  • João Teoria Jazz Afro-Baiano, Afro-Bahian Jazz
  • Chris Potter Saxophone
  • Otto Recife
  • Tom Schnabel Radio Presenter
  • Silas Farley Dance Teacher
  • Ben Hazleton Composer
  • Shuya Okino Composer
  • Tray Chaney Record Producer
  • Yo La Tengo Film Scores
  • Cristiano Nogueira Travel Writer
  • Angel Deradoorian Music Producer
  • Béco Dranoff Record Label Owner
  • Rumaan Alam New York City
  • Kalani Pe'a Hawaiian Music
  • Chief Xian aTunde Adjuah Jazz
  • Carlos Aguirre Piano
  • Alex Conde Arranger
  • Jovino Santos Neto Piano
  • Mike Marshall Mandolin
  • Judith Hill Soul
  • Gab Ferruz Salvador
  • Loli Molina Singer-Songwriter
  • VJ Gabiru Artista Multimídia, Multimedia Artist
  • Mahsa Vahdat Singer
  • Jimmy Dludlu AfroJazz
  • Henry Cole Jazz
  • Louis Marks Podcaster
  • César Orozco Cuba
  • H.L. Thompson New York City
  • J. Period Hip-Hop
  • Abderrahmane Sissako Film Director
  • Milford Graves New York City
  • Marcela Valdes Latino Culture
  • Casa Preta Teatro, Theater
  • Ben Monder New York City
  • Maciel Salú Pernambuco
  • Alfredo Rodriguez Piano
  • Nic Hard DJ
  • John Patitucci Composer
  • Gilmar Gomes Percussion
  • Emicida São Paulo
  • Varijashree Venugopal Bengaluru
  • Gretchen Parlato New York City
  • Roberto Mendes Bahia
  • Yotam Silberstein New School for Jazz and Contemporary Music Faculty
  • Daniil Trifonov Composer
  • Olivia Trummer Jazz
  • Jessie Montgomery Violin
  • Anthony Hamilton Record Producer
  • Ned Sublette Writer
  • Priscila Castro Cantora-Compositora, Singer-Songwriter
  • Karla Vasquez Journalist
  • Stormzy Singer-Songwriter
  • Yoko Miwa Jazz
  • Matt Garrison Brooklyn, NY
  • Gabriel Geszti Brasil, Brazil
  • Carlinhos 7 Cordas Rio de Janeiro
  • Ray Angry Record Producer
  • Richard Rothstein Author
  • Gabriel Policarpo Repique
  • Jason Marsalis New Orleans
  • Timothy Duffy Folklorist
  • Ronaldo do Bandolim Samba
  • Bule Bule Forró
  • Horácio Reis Brasil, Brazil
  • Orlando Costa Rio de Janeiro
  • Harish Raghavan Brooklyn, NY
  • Jean Rondeau Harpsichord
  • Rosângela Silvestre Salvador
  • 小野リサ Lisa Ono Bossa Nova
  • Yamandu Costa Brazil
  • Saileog Ní Cheannabháin Sean-Nós Singer
  • Donald Vega Juilliard Faculty
  • Kamasi Washington Multi-Cultural
  • Ryan Keberle R&B
  • Nicholas Daniel Guildhall School of Music Staff
  • Philip Cashian Contemporary Classical Music
  • Carlos Lyra Singer-Songwriter
  • Roy Germano Filmmaker
  • Nahre Sol Composer
  • Brady Haran Filmmaker
  • Julian Lloyd Webber Classical Music
  • Deborah Colker Choreographer
  • Doug Wamble Singer-Songwriter
  • Walter Ribeiro, Jr. Salvador
  • Harvey G. Cohen Songwriter
  • Gevorg Dabaghyan Duduk
  • Michael Olatuja New York City
  • Cinho Damatta Guitarra, Guitar
  • Sharay Reed Jazz
  • Leo Nocentelli Guitar
  • Moses Boyd Record Producer
  • Sara Gazarek Los Angeles
  • Sam Harris Composer
  • Elie Afif Dubai
  • Fred Hersch New York Jazz Academy Faculty
  • Echezonachukwu Nduka Nigeria
  • Keyon Harrold Trumpet
  • Juçara Marçal Singer-Songwriter
  • Chris Thile Folk & Traditional
  • Derrick Adams Multidisciplinary Artist
  • Mauro Senise MPB
  • John Francis Flynn Tin Whistle
  • Ayrson Heráclito Bahia
  • Baiba Skride Latvia
  • Joey Alexander Piano
  • Philip Cashian Royal Academy of Music Staff
  • Vânia Oliveira Bahia
  • Damion Reid Drums
  • Anouar Brahem Arabic Music
  • Justin Stanton Brooklyn, NY
  • Miguel Zenón New York City
  • Fábio Zanon Author
  • Celso Fonseca Songwriter
  • Mingus Big Band Jazz
  • Tyshawn Sorey Wesleyan University Faculty
  • Menelaw Sete Pelourinho
  • Afrocidade Brazil
  • Samuel Organ Composer
  • Anna Mieke Irish Folk Music
  • Marcus Miller Film Scores
  • Joey Alexander New York City
  • The Weeknd Singer-Songwriter
  • Cainã Cavalcante Brazil
  • Andrew Huang Multi-Instrumentalist
  • Horácio Reis Bahia
  • Flor Jorge Rio de Janeiro
  • Anna Mieke Multi-Instrumentalist
  • Ofer Mizrahi Israel
  • Jeff Tweedy Poet
  • Regina Carter Violin
  • Anissa Senoussi Matte Painter
  • Ricardo Herz Choro
  • Walmir Lima Bahia
  • Mestrinho Brazil
  • Imani Winds Classical Music
  • David Binney Record Producer
  • Nicholas Gill Writer
  • Chris Cheek Brooklyn, NY
  • Teddy Swims R&B
  • Michael Cuscuna Writer
  • Michael Janisch Avant-Garde Jazz
  • Raelis Vasquez Afro-Latinx Art
  • Tonynho dos Santos Jazz
  • Scott Yanow Liner Notes
  • Francisco Mela Jazz
  • Little Dragon Electronic Music
  • Jeff Tang Brooklyn, NY
  • Jonathon Grasse Guitar
  • Ceumar Coelho MPB
  • Yoko Miwa Piano
  • Hercules Gomes Samba
  • Lolis Eric Elie New Orleans
  • Steve Earle Actor
  • Scotty Barnhart Florida State University College of Music Faculty
  • Mika Mutti Electronic Music
  • Jon Batiste Funk
  • Anders Osborne Americana
  • Orrin Evans Philadelphia, Pennsylvania
  • Shannon Ali Arts Journalist
  • Linda Sikhakhane Saxophone
  • Derrick Adams Sculptor
  • Michael Janisch Soul
  • Michael Formanek Bandleader
  • Eric Bogle Scotland
  • Tonynho dos Santos Bahia
  • Vincent Valdez Mexican-American Art
  • Fernando Brandão Samba
  • Vincent Herring Composer
  • Eric Alexander Saxophone Instruction
  • Cory Wong Guitar
  • Moacyr Luz Singer
  • Paulinho Fagundes Violão Gaúcho
  • Armen Donelian Composer
  • Kiko Freitas Drum Instruction
  • Trombone Shorty Funk
  • MonoNeon Singer-Songwriter
  • Max ZT Dulcimer Instruction
  • Airto Moreira Brazil
  • John McWhorter Columbia University Faculty
  • Kehinde Wiley New York City
  • Marcus Strickland Record Producer
  • Gel Barbosa Salvador
  • Stan Douglas Installation Artist
  • Chris Speed Clarinet
  • Yosvany Terry Jazz
  • Yasushi Nakamura New York City
  • Karim Ziad Jazz
  • Adam Cruz Composer
  • Jack Talty Record Label Owner
  • Johnny Lorenz Brazil
  • Jas Kayser London
  • Paulinho do Reco Songwriter
  • Samba de Lata Bahia
  • Caterina Lichtenberg Hochschule für Musik und Tanz Köln
  • Norah Jones Piano
  • Laura Beaubrun Haitian Dance Instruction
  • Robert Glasper Jazz
  • J. Cunha Cenógrafo, Scenographer
  • The Brain Cloud Western Swing
  • Asa Branca Federal University of Bahia Faculty
  • John Morrison Sample-Flipper
  • Wayne Krantz Guitar Instruction
  • Alessandro Penezzi Samba
  • Kenny Barron New York City
  • Lilli Lewis New Orleans
  • Inaicyra Falcão Cantora, Singer
  • Billy O'Shea Writer
  • Keith Jarrett Composer
  • Mark Lettieri Ropeadope
  • James Martins Salvador
  • Wouter Kellerman Bass Flute
  • Dhafer Youssef ظافر يوسف Singer
  • Hopkinson Smith Baroque Guitar
  • Bernardo Aguiar Pandeiro
  • Isaias Rabelo Brazil
  • Peter Dasent Film Scores
  • Alfredo Rodriguez Cuba
  • Estrela Brilhante do Recife Brazil
  • Anthony Hamilton R&B
  • João do Boi Samba de Roda
  • Oswaldinho do Acordeon São Paulo
  • Jon Faddis Trumpet
  • Mokhtar Samba Paris
  • Logan Richardson Kansas City, Missouri
  • Mika Mutti MPB
  • John Waters Public Speaker
  • Jurandir Santana Composer
  • Eliane Elias Classical Music
  • Bill Hinchberger Journalist
  • Martyn House
  • Anders Osborne Singer-Songwriter
  • Alphonso Johnson Jazz
  • Marcelinho Oliveira Music Producer
  • Eli Degibri אלי דג'יברי Composer
  • Béco Dranoff Cultural Producer
  • John Medeski Keyboards
  • Marcus Gilmore Composer
  • Phakama Mbonambi Journalist
  • Nêgah Santos Jazz
  • Burhan Öçal Singer
  • Adam Rogers Jazz
  • Andy Kershaw DJ
  • Ivo Perelman Brazil
  • Chris Dave R&B
  • Linda May Han Oh Jazz
  • Cassandra Osei Historian of Latin America & African Diaspora
  • Mauro Senise Flute
  • Karla Vasquez Salvadoran Food
  • Anat Cohen Brazilian Music
  • Gregory Porter Singer
  • James Martin New Orleans
  • Galactic New Orleans
  • Mateus Aleluia Brazil
  • David Mattingly Matte Painter
  • Jane Ira Bloom New School for Jazz and Contemporary Music Faculty
  • Roy Nathanson Brooklyn, NY
  • Linda Sikhakhane South Africa
  • Brentano String Quartet String Quartet
  • Louis Michot Fiddle
  • Theo Bleckmann Jazz
  • Lô Borges Guitarra, Violão, Guitar
  • Jakub Knera Radio Presenter
  • Frank Olinsky Artist
  • Nora Fischer Singer
  • Arturo Sandoval Afro-Cuban Jazz
  • John Patitucci Bass
  • Leigh Alexander Public Speaker
  • Jussara Silveira Bahia
  • Marcus Printup New York City
  • Barlavento Samba
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Ben Okri Poet
  • Nettrice R. Gaskins Digital Artist
  • Andrew Gilbert Berkeley, California
  • Filhos da Pitangueira Bahia
  • Michael Janisch Bass
  • Sam Wasson Los Angeles
  • Azi Schwartz החזן עזי שוורץ Jewish Liturgical Music
  • Gilsons Brazil
  • Ryan Keberle Manhattan School of Music Faculty
  • Marc Ribot Composer
  • Lakecia Benjamin R&B
  • Jen Shyu Vocalist
  • Edward P. Jones Short Stories
  • Nicholas Payton Trumpet
  • Taylor McFerrin Brooklyn, NY
  • Pierre Onassis Música AFRO
  • Osvaldo Golijov Composer
  • Jon Cowherd Jazz
  • Larry Achiampong London
  • Las Cafeteras Son Jarocho
  • Craig Ross Songwriter
  • Natan Drubi Salvador
  • Omar Sosa Afro-Cuban Jazz
  • Ari Rosenschein Seattle
  • Ken Avis Washington, D.C.
  • Philip Cashian London
  • Loli Molina Piano
  • João Luiz Brooklyn, NY
  • Ivan Huol Percussion
  • Beats Antique World Fusion
  • Rita Batista Podcaster
  • Musa Okwonga Writer
  • Veronica Swift Jazz
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • Noam Pikelny Bluegrass
  • Leon Parker Multi-Cultural
  • Brian Blade Louisiana
  • Luíz Paixão Brazil
  • Bombino Multi-Cultural
  • Ron Carter Educator
  • Shankar Mahadevan Film Scores
  • Gregory Tardy University of Tennessee Knoxville School of Music Faculty
  • Richard Galliano Musette
  • Lula Moreira Brazil
  • Rudy Royston Classical Music
  • Paulo César Pinheiro Brazil
  • Wolfgang Muthspiel Composer
  • Casey Benjamin Saxophone
  • Tray Chaney Rapper

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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