Bio:
Patrícia Palumbo é uma renomada radialista brasileira, conhecida por sua dedicação à música e ao meio ambiente. Ela iniciou sua carreira na Rádio Cultura como estagiária aos 18 anos, tornou-se programadora musical logo em seguida e deixou a emissora como diretora de programas em 1992.
A apresentadora é conhecida por comandar o programa "Vozes do Brasil", que está prestes a completar 25 anos. Este programa de música brasileira contempla todas as épocas e estilos, com um olhar para o contemporâneo. Em dezembro de 2022, Patrícia retornou à Rádio Cultura Brasil para apresentar o "Vozes do Brasil".
Patrícia Palumbo é formada em jornalismo pela PUC/SP em 1986. Ela foi premiada quatro vezes pela APCA (Associação Paulista de Críticos de Arte) por seu trabalho no rádio. Na década de 90, ela criou o programa Baleia Azul no litoral norte de São Paulo e cobriu a Rio92. Ela também foi pioneira na prestação de serviço de trânsito na cidade de São Paulo com o programa a Hora do Rush, criado por ela e apresentado ao vivo pela Rádio Eldorado FM.
Em 2016, ela fundou a Rádio Vozes, uma rádio digital, um aplicativo e uma plataforma de podcasts. Patrícia possui três livros de entrevistas lançados, Vozes do Brasil vol. 1 e 2 e o mais recente Entrevistas Reunidas pela Edições Sesc. Desde 2020, ela apresenta o podcast Peixe Voador sobre literatura, poesia, música e cotidiano. Em 2021, ela criou o selo Rádio Vozes para o lançamento do projeto Uma Onda Para Tom Zé.
English:
Patrícia Palumbo is a renowned Brazilian radio host, known for her dedication to music and the environment. She began her career at Rádio Cultura as an intern at the age of 18, quickly becoming a music programmer and leaving the station as program director in 1992.
She is the host of the program "Vozes do Brasil," which is about to celebrate its 25th anniversary. This Brazilian music program encompasses all eras and styles, with a focus on the contemporary. In December 2022, Patrícia returned to Rádio Cultura Brasil to host "Vozes do Brasil."
Patrícia Palumbo graduated in journalism from PUC/SP in 1986. She has been awarded four times by APCA (Associação Paulista de Críticos de Arte) for her radio work. In the '90s, she created the Baleia Azul program on the north coast of São Paulo and covered Rio92. She was also a pioneer in traffic service in São Paulo with the program "A Hora do Rush," created and presented live by Rádio Eldorado FM.
In 2016, she founded Rádio Vozes, a digital radio, an app, and a podcast platform. She has three interview books released, "Vozes do Brasil" vol. 1 and 2, and the latest "Entrevistas Reunidas" by Edições Sesc. Since 2020, she has hosted the Peixe Voador podcast about literature, poetry, music, and daily life. In 2021, she created the Rádio Vozes label for the release of the project "Uma Onda Para Tom Zé."
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—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; recorded "Purple Rain", "Sign o' the Times", "Around the World in a Day"
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—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
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All is closer than we imagine.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
Conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Thus A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until Sodré was silenced, threatened with death and forced into exile...
And thus a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (seat of the Integrated Global Creative Economy* and where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
*Darius Mans holds a Ph.D. in Economics from MIT, and lives between Washington D.C. and Salvador da Bahia.
Between 2000 and 2004 he served as the World Bank’s Country Director for Mozambique and Angola. In that capacity, Darius led a team which generated $150 million in annual lending to Mozambique, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment.
Darius was an economist with the Board of Governors of the Federal Reserve System, where he worked closely with the U.S. Treasury and the IMF to establish a framework to avoid debt repudiation and to restructure private commercial debt in Brazil and Chile.
He taught Economics at the University of Maryland and was a consultant to KPMG on infrastructure projects in Latin America.
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
EX TERRA BRASILIS
The Small World Phenomenon
Susan Rogers
Alicia Svigals
Julian Lloyd Webber
Clarice Assad
Sodré
Betão Aguiar
Bule Bule
Caetano Veloso
Darius Mans
Sparrow/Pardal Roberts
RÁDIO MATRIX