Seth Swingle, steps away
Seth Swingle and most of humanity are within 6 degrees of each other. This matrix combines the small-world principle behind this seemingly magical fact with inter-artist recommendations-in-series in order to make all artists potential curators and discoverable within a handful (or two) of steps from everywhere on the planet. It works like this:
I RECOMMEND people (do you?)Seth Swingle & degrees of proximity
Why again is Seth Swingle mere steps away from other artists in here, and by extension, most everybody on the planet?
WHO CURATES "I RECOMMEND" ABOVE?
- Vertex/Edges Out by: The Matrix
Artist & Where
- Name: Seth Swingle
- City/Place: Charlottesville, Virginia
- Country: United States
Life & Work
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Bio:
Seth Swingle is an award-winning musician and scholar. A curious and dedicated practitioner of traditional music, he has studied Southern banjo styles with noted folklorist Mike Seeger, given talks and performances of banjo history at universities throughout the South, and is 2-time Virginia State Banjo Champion. He can pick, strum, pluck, and beat upon the banjo in a half-dozen archaic and modern banjo styles and in over a dozen tunings. His new CD, Solo 5- & 6-String Banjo, features Seth playing everything from intricate Irish reels to 19th century waltzes to fiery Appalachian breakdowns. He explains, “the banjo was once the universal American instrument, played by men and women of every class. People used the banjo as a courting instrument, a dance instrument, a stage instrument, a parlor instrument. We have this image today of the banjo as a rural, Appalachian, white instrument, but it was played almost exclusively by African-Americans until the 1830’s, was hugely popular in the urban North-East as early as the 1840’s, and was a respectable middle-class instrument by the 1890’s.” Seth brings the wide and varied history of the banjo to life on stage with music that stretches across the centuries to the earliest transcriptions of banjo music and even to the banjo’s roots in W. Africa.
One of Seth’s biggest musical influences was the late Mike Seeger. An indefatigable teacher, musician, field recorder and folklorist, Seeger influenced generations of old-time and traditional musicians. Through a year-long Virginia Foundation for the Humanities Folklife Apprenticeship, Seth was able to study many Southern banjo styles with him. This apprenticeship instilled in Seth a deep appreciation for the art of performing while informing.
In his search to understand the banjo’s history, Seth has also studied the n’goni, a banjo ancestor, with griot Cheick Hamala Diabaté. A Mandé griot (a trained member of the hereditary musician class) from Mali, Cheick is one of the foremost representatives of traditional Malian music in America, and has explored banjo/n’goni connections with Bob Carlin on their Grammy-nominated album, From Mali To America. As his apprentice, Seth has performed with Cheick at the Kennedy Center, Merlefest, and the 1st Black Banjo Gathering.
After graduating from the University of Chicago with a Bachelor’s Degree in Middle Eastern History, Seth received a Fulbright Scholarship to study traditional Mandé music in Mali, W. Africa. In addition to the n’goni, Seth became proficient on the kora, a 21-string African harp capable of complex counterpoint and shimmering cascades of notes. His fluency in French and Bambara have allowed him to immerse himself in Malian society and communicate and play with working musicians throughout Mali. He has performed (in Bambara) at the Festival sur le Niger and on Malian national television.
As an academic and musician, Seth has been an invited lecturer and performer at The Banjo Collectors’ Gathering, the Center for the Study of the American South at UNC Chapel Hill, Appalachian State University, and Virginia Wesleyan College. An unabashed frequenter of banjo contests, he has won numerous ribbons including first place in the Mt. Airy Fiddlers Convention and Appalachian String-Band Festival youth category, two consecutive years as Virginia State Banjo Champion, and has been a finalist in the Clifftop banjo contest.
When not touring, Seth divides his time between Central Virginia and Mali, West Africa.
Contact Information
- Email: info@sethswingle.com
- Telephone: 434.242.0864
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Address:
Mailing address:
P.O. Box 111
Earlysville, VA 22936
Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://www.sethswingle.com/store/
- ▶ Website: http://www.sethswingle.com
- ▶ YouTube Channel: http://www.youtube.com/channel/UCrmwuvggUanRtUTxMLiJi3g
Clips (more may be added)
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Seth Swingle Presents "A History of the Banjo" on WTJU's Lambeth Live (Part 1 of 3)
63 views
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Seth Swingle Presents "A History of the Banjo" on WTJU's Lambeth Live (Part 2 of 3)
61 views
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Seth Swingle Presents "A History of the Banjo" on WTJU's Lambeth Live (Part 3 of 3)
65 views
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Mississippi Sawyer
317 views
ABOUT THE MATRIX
This matrix is dedicated to creative artists and non-algorithmic discovery.
It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):
www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world
While the Brazilian musicians I work with now you may not know, I formerly worked (chasing unpaid royalties!) on behalf of Aretha Franklin, Barbra Streisand, Led Zeppelin, Jim Hall, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Wah Wah Watson (Melvin Ragin), Philip Glass, The Cadillacs (Earl Carroll), The Flamingos (Zeke and Jake Carey), and others, including Oscar-winning world-class great-guy Robb Royer. I was interviewed by David Dye for broadcast on U.S. National Public Radio several years ago ... about the Brazilians:
- Randy "Pardal/Sparrow" Roberts
All is more connected than we know.
w/ David Dye for U.S. National Public Radio
The matrix was inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone...
Our logo, per the "spirit" above, is a cortador de cana, a cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.
