Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Ben Monder
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Ben Monder
  • City/Place: New York City
  • Country: United States

Life & Work

  • Bio: A musician in the New York City area for over 30 years, Ben Monder has performed with a wide variety of artists, including Jack McDuff, Marc Johnson, Lee Konitz, Billy Childs, Andrew Cyrille, George Garzone, Paul Motian, Maria Schneider, Louis Cole, Marshall Crenshaw and Jandek. He also contributed guitar parts to the last David Bowie album, “Blackstar”.

    Ben conducts clinics and workshops around the world, and has served on the faculties of the New England Conservatory and the New School. He was the recipient of a Doris Duke Impact Award in 2014, and a Shifting Foundation grant in 2013.

    Ben continues to perform original music internationally in solo and trio settings, and in a long standing duo project with vocalist Theo Bleckmann. He has appeared on over 200 CDs as a sideman, and has released 7 as a leader: Day After Day (Sunnyside, 2019) Amorphae (ECM, 2015), Hydra (Sunnyside, 2013), Oceana (Sunnyside, 2005), Excavation (Arabesque, 2000), Dust (Arabesque, 1997), and Flux (Songlines,1995).

Contact Information

  • Email: ben(at)benmonder.com

Media | Markets

  • ▶ Book Purchases: http://www.c-marek.de/xmonder/?cat=13
  • ▶ Website: http://www.c-marek.de/xmonder/
  • ▶ YouTube Music: http://music.youtube.com/channel/UCcxHHi3RjzBFDS7uJAoxKpw
  • ▶ Spotify: http://open.spotify.com/album/4CdfhCXT7I0uvRMssXrKd4?si=3a8158fe28be46f1
  • ▶ Spotify 2: http://open.spotify.com/album/3S1slAMTdjb2ydqGlLWGSG?si=421b2b75a90f4a4a
  • ▶ Spotify 3: http://open.spotify.com/album/5Mrw3EctDiyar08vqX9rq8?si=905f3e8dd006479b
  • ▶ Spotify 4: http://open.spotify.com/album/0kQgyBMFcU4VE2umPXls0D?si=6576f587d24b42ec
  • ▶ Spotify 5: http://open.spotify.com/album/3zgf0Ueset6P4HY80dazKd?si=d3fdedbae8b24377
  • ▶ Spotify 6: http://open.spotify.com/album/6K7SVhPWFkGaMKYScsOJyF?si=b0de4cb9d3b547c8

Clips (more may be added)

  • 3:42
    BEN MONDER - My One And Only Love 1 of 4 / Jazz Artist In Residence
    By Ben Monder
    126 views
  • 0:09:59
    Rale Micic & Ben Monder - Alone Together
    By Ben Monder
    139 views
  • 4:11
    Artstar with Ben Monder
    By Ben Monder
    131 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Ben Monder:

  • 1 Composer
  • 1 Guitar
  • 1 Jazz
  • 1 New York City

Nodes below are randomly generated. Reload for a different stack.

  • Victor Gama Experimental Music
  • Hélio Delmiro Brazil
  • Mohamed Diab Screenwriter
  • Urânia Munzanzu Jornalista, Journalist
  • Gel Barbosa Bahia
  • Harvey G. Cohen Writer
  • Itamar Borochov New York City
  • Cainã Cavalcante Brazil
  • Peter Dasent Piano
  • David Virelles Jazz
  • Fred Hersch New York Jazz Academy Faculty
  • Inon Barnatan Piano
  • Jen Shyu Multi-Cultural
  • Samba de Lata Samba de Roda
  • Chris Dave Hip-Hop
  • Brentano String Quartet Yale School of Music
  • Fabiana Cozza Brazil
  • David Sacks Washington, D.C.
  • Steve Lehman Saxophone
  • Marquis Hill R&B
  • Pretinho da Serrinha Rio de Janeiro
  • Arifan Junior Brasil, Brazil
  • Cara Stacey Composer
  • Keita Ogawa Percussion Samples
  • Irmandade da Boa Morte Brasil, Brazil
  • Brian Stoltz Songwriter
  • Mou Brasil Salvador
  • Swami Jr. Forró
  • Nabihah Iqbal London
  • Daru Jones Record Label Owner
  • Mauro Diniz Cavaquinho
  • Miho Hazama Composer
  • Tommaso Zillio Edmonton
  • Woody Mann Guitar Instruction
  • Gord Sheard Toronto
  • Bobby Fouther Multidisciplinary Artist
  • Alyn Shipton Double Bass
  • Horacio Hernández Percussion
  • China Moses Singer
  • Shez Raja Composer
  • Dani Deahl Writer
  • Dwandalyn Reece Singer
  • Edsel Gomez New York City
  • Ed Roth Los Angeles
  • Shannon Sims Rio de Janeiro
  • Mário Pam Bloco Afro
  • Ravi Coltrane Saxophone
  • Bule Bule Repente
  • Virgínia Rodrigues Brazil
  • Burhan Öçal Kudüm
  • Ibrahim Maalouf Paris, France
  • Antonio García Singer
  • Alphonso Johnson Bass
  • Rowney Scott Saxophone
  • Ajeum da Diáspora Restaurant
  • John Francis Flynn Irish Traditional Music
  • Lolis Eric Elie New Orleans
  • Joshua Redman Saxophone
  • Alphonso Johnson CalArts Music Faculty
  • Nilze Carvalho Cavaquinho
  • Molly Tuttle Singer-Songwriter
  • Los Muñequitos de Matanzas Santeria
  • Stephanie Foden Bahia
  • Lula Moreira Pernambuco
  • Dani Deahl Record Producer
  • Arthur Jafa Sculptor
  • Tom Moon Music Critic
  • Catherine Bent Choro
  • Wouter Kellerman African Music
  • Roy Ayers Vibraphone
  • Barry Harris Jazz
  • Joe Chambers Drums
  • Joe Newberry Banjo
  • Siba Veloso Maracatu
  • Terence Blanchard Educator
  • Tom Moon MPB
  • Gilmar Gomes Guitar
  • Tom Zé Bahia
  • Rudy Royston Jazz
  • Oscar Bolão Percussion
  • Fidelis Melo Assessor de Comunicação, Public Relations
  • Martyn Techno
  • Adriene Cruz Tapestry Crochet
  • Brian Q. Torff Composer
  • Jason Treuting Percussion
  • Ari Rosenschein Indie Pop
  • Mulatu Astatke Ethiopia
  • Rumaan Alam New York City
  • Spider Stacy New Orleans
  • Jessie Montgomery New York City
  • Chico César Singer-Songwriter
  • Horácio Reis Salvador
  • Marcus J. Moore Pundit
  • Celino dos Santos Chula
  • Giveton Gelin Bahamas
  • Carlinhos Brown Percussion
  • Yazz Ahmed Flugelhorn
  • Al Kooper Singer-Songwriter
  • Henry Cole Manhattan School of Music Faculty
  • Harvey G. Cohen Songwriter
  • Cristiano Nogueira Brazil Specialist
  • Roots Manuva Record Producer
  • Immanuel Wilkins New York City
  • Bill T. Jones Choreographer
  • Yacouba Sissoko New York City
  • Natalia Contesse Santiago
  • Alex Cuadros Author
  • Arturo O'Farrill Latin Jazz
  • Chico Buarque Rio de Janeiro
  • Hopkinson Smith Baroque Guitar
  • Kiko Freitas Rio de Janeiro
  • Luciano Calazans MPB
  • Dan Trueman New Instrument Creator
  • 小野リサ Lisa Ono Guitar
  • Kim Hill Songwriter
  • Martin Koenig Folk & Traditional
  • Ben Williams Composer
  • Tony Austin Television Scores
  • Matthew Guerrieri Music Writer
  • Muireann Nic Amhlaoibh Celtic
  • Amitava Kumar Journalist
  • Virgínia Rodrigues Salvador
  • Ethan Iverson Composer
  • Yotam Silberstein Multi-Cultural
  • BIGYUKI Jazz, Electronic, R&B, Soul
  • Benoit Fader Keita Bedik
  • Trombone Shorty Second Line
  • Walter Blanding Composer
  • Bebê Kramer Choro
  • Terreon Gully Drums
  • Tommaso Zillio Metal
  • Oded Lev-Ari Piano
  • Jared Sims Ropeadope
  • Nelson Sargento Singer-Songwriter
  • Nels Cline Guitar
  • Jura Margulis Classical Music
  • Stefon Harris Marimba
  • Mika Mutti Los Angeles
  • Calypso Rose Singer-Songwriter
  • Arifan Junior Portela
  • Rick Beato Atlanta, Georgia
  • Greg Kot Writer
  • Masao Fukuda Choro
  • Nublu Jazz
  • Pedro Martins Guitar
  • Tony Trischka Bluegrass
  • Django Bates Composer
  • Kiko Loureiro Jazz Fusion
  • João Teoria Bandlíder, Bandleader
  • Oswaldo Amorim Bass
  • Endea Owens Double Bass
  • Trilok Gurtu Jazz
  • Nêgah Santos Jazz
  • Adriano Giffoni Bass
  • Edward P. Jones Short Stories
  • Nego Álvaro Brazil
  • Janine Jansen Netherlands
  • Caridad De La Luz Puerto Rico
  • Sarah Jarosz Guitar
  • Riley Baugus Old-Time Music
  • Garth Cartwright Journalist
  • Mestre Barachinha Pernambuco
  • Ibrahim Maalouf Trumpet
  • Michael Doucet Cajun Music
  • Onisajé Candomblé
  • Jamael Dean Los Angeles
  • Nicholas Gill Photographer
  • Alexandre Vieira Jazz Brasileiro, Brazilian Jazz
  • Laura Beaubrun Haiti
  • Matthew F Fisher Collaborative Artist
  • Orquestra Afrosinfônica Música Clássica Contemporânia, Contemporary Classical Music
  • Joe Lovano Composer
  • Maria Rita Samba
  • Peter Evans Trumpet
  • Taylor Ashton Brooklyn, NY
  • Jay Mazza New Orleans
  • Tommy Peoples Fiddle
  • Wynton Marsalis Jazz
  • Flora Purim Guitar
  • Gonzalo Rubalcaba Havana
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Tonynho dos Santos Brasil, Brazil
  • Mariene de Castro Brazil
  • Gian Correa São Paulo
  • Mário Santana Candomblé
  • Celino dos Santos Brazil
  • Khruangbin Multi-Cultural
  • Burhan Öçal Divan-Saz
  • Liron Meyuhas Percussion Instruction
  • Paddy Groenland World Music
  • Duane Benjamin Arranger
  • Pierre Onassis Singer-Songwriter
  • Bebê Kramer Brazilian Jazz
  • Priscila Castro Cantora-Compositora, Singer-Songwriter
  • Helado Negro Multi-Instrumentalist
  • PATRICKTOR4 Produtor Musical, Music Producer
  • Victor Gama Angola
  • Babau Santana Brasil, Brazil
  • Kathy Chiavola Country
  • Lula Moreira Maracatu
  • Danilo Caymmi Samba
  • Plamen Karadonev Balkan Music
  • Greg Ruby Composer
  • Felipe Guedes Guitar
  • Walter Pinheiro Brazilian Jazz
  • Turíbio Santos Composer
  • Guinga Rio de Janeiro
  • Matt Ulery Loyola University Faculty
  • Tom Bergeron Composer
  • João Bosco Samba
  • Eduardo Kobra Grafiteiro, Graffiti Artist
  • Aubrey Johnson New York City
  • Roberto Fonseca Havana
  • Missy Mazolli Classical Music
  • Milton Primo Samba
  • Kris Davis Piano
  • Spok Frevo Orquestra Pernambuco
  • Safy-Hallan Farah Writer
  • Gary Clark Jr. Singer-Songwriter
  • John Patrick Murphy Pernambuco
  • Sunna Gunnlaugs Piano
  • Walmir Lima Singer
  • John Medeski Funk
  • Daru Jones Nashville, TN
  • Guinha Ramires Composer
  • Robert Randolph Singer-Songwriter
  • Johnathan Blake Composer
  • Edgar Meyer Classical Music
  • Paulinho da Viola Brazil
  • Michael Pipoquinha Composer
  • Tommy Peoples Donegal Fiddle
  • Caridad De La Luz Actor
  • Thiago Espírito Santo Jazz
  • Amaro Freitas Jazz
  • Márcia Short Cantora, Singer
  • Diana Fuentes Singer-Songwriter
  • Fred Dantas Ethnomusicologist
  • Simon Brook Director
  • Ned Sublette Cuba
  • Gregory Tardy Saxophone
  • Ricky (Dirty Red) Gordon Washboard
  • Caoimhín Ó Raghallaigh Dublin
  • Rhiannon Giddens Fiddle
  • André Becker Flauta, Flute
  • Andrew Finn Magill Choro
  • Philip Watson Cork
  • Olga Mieleszczuk Yiddish Folk Songs
  • Sam Yahel Piano Instruction
  • Arthur Jafa Filmmaker
  • Robby Krieger Jazz
  • David Sedaris Writer
  • Victor Wooten Bass
  • Catherine Russell Singer
  • Isaias Rabelo Piano
  • Jane Ira Bloom Contemporary Classical Music
  • Tommaso Zillio Guitar Instruction
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Paulo Aragão Choro
  • Samba de Lata Brazil
  • Asali Solomon Writer
  • Caroline Keane Educator
  • Bing Futch Mountain Dulcimer
  • Stormzy UK
  • David Chesky Record Producer
  • Kareem Abdul-Jabbar Essayist
  • Garvia Bailey Radio Producer
  • David Castillo New Orleans
  • Byron Thomas Keyboards
  • Chico César Poet
  • Frank Olinsky Parson's School of Design Faculty
  • Giorgi Mikadze გიორგი მიქაძე Classical Music
  • Samuca do Acordeon Composer
  • Jaques Morelenbaum Brazilian Jazz
  • Derrick Hodge Record Producer
  • Kurt Rosenwinkel Record Label Owner
  • Branford Marsalis Saxophone
  • Peter Slevin Chicago, Illinois
  • Henrique Araújo Composer
  • William Parker Bass
  • Thiago Trad Música Experimental, Experimental Music
  • Paulinho do Reco Candomblé
  • Laura Beaubrun Haitian Dance Instruction
  • Nathan Amaral Salzburg
  • Abderrahmane Sissako Film Director
  • Gevorg Dabaghyan Yerevan
  • Jurandir Santana Composer
  • June Yamagishi Blues
  • Stan Douglas Vancouver
  • Armandinho Macêdo Mandolin
  • Jim Hoke Saxophone
  • Cássio Nobre Brazil
  • Lionel Loueke Composer
  • Horácio Reis Choro
  • Şener Özmen Writer
  • Casey Benjamin Keyboards
  • Alan Brain Washington, D.C.
  • Sparrow Roberts Bahia
  • Rez Abbasi Composer
  • Manassés de Souza Ceará
  • Jeff Tang Composer
  • Richard Galliano Tango
  • Magary Lord Bahia
  • Carlos Malta Clarinet
  • Capinam Brasil, Brazil
  • William Skeen Early Music
  • Nahre Sol Canada
  • Robertinho Silva Choro
  • Paul Anthony Smith Picotage
  • Beth Bahia Cohen Balkan Music
  • Shoshana Zuboff Social Psychology
  • Alana Gabriela Brasil, Brazil
  • Estrela Brilhante do Recife Recife
  • Mika Mutti Salvador
  • Nancy Ruth Composer
  • Gel Barbosa Produtor Musical, Music Producer
  • Devin Naar University of Washington Faculty
  • Sergio Krakowski Pandeiro
  • Márcia Short Brazil
  • John Patrick Murphy Brazilian Music
  • Tito Jackson Soul
  • Raymundo Sodré Ropeadope
  • Johnny Vidacovich Second Line
  • Richie Barshay Jazz
  • Courtney Pine Jazz
  • Mateus Alves Recife
  • Toninho Nascimento Belém do Pará
  • Rogério Caetano Composer
  • Mateus Aleluia Bahia
  • Cory Wong Guitar
  • Ron Mader Communications Catalyst
  • Jason Moran Film Scores
  • PATRICKTOR4 Tropical Hardcore
  • Tom Green Contemporary Classical Music
  • Yasmin Williams Alexandria, Virginia
  • Yazhi Guo 郭雅志 Microtonal
  • Herlin Riley Tambourine
  • Thomas Àdes Opera
  • Lucía Fumero Spain
  • Maladitso Band Lilongwe
  • Tray Chaney Songwriter
  • Makaya McCraven Jazz
  • Tiganá Santana Cantor-Compositor, Singer-Songwriter
  • Alicia Keys Actor
  • Aperio Texas
  • Bonerama Brass Band
  • Jura Margulis Piano
  • Psoy Korolenko Псой Короленко Moscow
  • Adonis Rose Jazz
  • Simon Brook Writer
  • Brad Mehldau Piano

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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