CURATION
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from this page:
by Augmented Matrix
Network Node
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Name:
Raynald Colom
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City/Place:
Barcelona
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Country:
Spain
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Hometown:
Vincennes, France
Life & Work
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Bio:
Raynald Colom is one of the most respected trumpeters in the Spanish and international Jazz Community. He has been heard alongside musicians such as David Sanchez, Greg Osby, Mulgrew Miller, Eric Reed, Jesse Davis, Eric McPherson, Omer Avital, Dafnis Prieto, Carles Benavent, Horacio Fumero, Manu Chao, Fermín Muguruza, Luis Salinas and Perico Sambeat, among many others.
Raynald was born in Vincennes (France) in 1978. He started learning music at the Créteil Music Conservatory when he was four years old: he studied violin until age eight, when his parents gave him a trumpet.
In 1988 his family moved to Barcelona (Spain), where he continued his musical studies, and got some private tuition by Wynton Marsalis, Roy Hargrove and Kenny Barron. In 1999, after finishing studies at the Terrassa Municipal Conservatory and the Bellaterra Music School, he obtained a scholarship for the Berklee Music College in Boston, where he learned from teachers such as Bill Pierce and Darren Barrett, among others.
In 2000 he returned to Barcelona, where he started freelancing with musicians like Albert Bover, Randy Becker, Jesse Davis, Robin Eubanks, Horacio Fumero, Chris Higgins, Guillermo McGill, Michael Philip Mossman, Perico Sambeat, Antonio Serrano, or Louis Stewart. He also traveled trough the US and Latin America as part of Manu Chao’s “Clandestino” tour.
In 2001, he joined the European Youth Orchestra. With them, he played some of the top European festivals, like North Sea or Copenhagen, appeared at the famed Ronnie Scott’s Club in London, and performed in Ireland and Germany. He then joined Perico Sambeat’s Sextet, touring Spain, Uruguay and Argentina in 2002 and 2003. In 2005 he performed at the Mas i Mas Music Festival in Barcelona with Mulgrew Miller and José Reinoso.
The Spanish label Fresh Sound New Talent released Raynald’s first CD as a leader, “My 51 Minutes”, in 2005. The album was extremely well received by the press, and got great reviews and accolades.
In 2006, while still enjoying the success of his first record, the famous Flamenco singer Duquende invited Raynald as a guest for the recording of his album “Mi Forma De Vivir”. This was the starting point of Raynald’s love affair with Flamenco music: in only a couple of years he became the premier trumpet player amongst the Flamenco elite, working as a soloist with bands such as those of Chicuelo, Duquende, and harmonica player Antonio Serrano (“Armonitango” – Sony/BMG). Raynald is presently (2008) working with Rosario la Tremendita on her new release “Pinceladas”.
In 2007 Raynald was nominated as a young promise on the EuroDjango Awards. Early in the same year he had traveled to Timbuktu to participate in the Festival au Désert, along with Armand Sabal-Lecco. He also appeared in the movie “Tuya Siempre” directed by Manuel Lombardero.
After frequent stays in New York, Raynald returned to Barcelona in May 2008 to finish his new CD “Sketches of Groove”, released on November 25, 2008, during the 40th Barcelona Jazz Festival.
In 2009 Raynald presented his most ambitious project “Evocacion” which featured a diversity of musicians; the Flamenco guitarist Chicuelo, the Cuban pianist Aruan Ortiz, the Israeli bass player Omer Avital and the American drummer Eric McPherson. This project allowed him to bring together flamenco and contemporary jazz from his own distinctive point of view.
In 2012 Raynald signed with the prestigious label JazzVillage/Harmonia Mundi, releasing his album “Rise”, with heavy praises by the press and public.
The Catalan Jazz and Modern Music Association awarded him as Best Trumpet Player in 2001, 2002, 2004 and 2005. He won the Enderrock Awards “Jazz Record of the Year” in 2005 for “My 51 minutes”, was awarded Best Spanish Jazz Album of 2009 for “Evocacion” by the renowned Spanish Cuadernos de Jazz magazine, and received the prestigious Puig-Porret Award in 2010.
Contact Information
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Email:
[email protected]
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Management/Booking:
GATO NEGRO ARTS PRODUCTIONS
Mercè Porras
[email protected]
Tel: +34 637 439 999
SPECIAL PROJECTS:
JORDI SUÑOL
International JAZZ PRODUCTIONS
http://inter-jazz.com/web/
Tel: +34 932 117 259
Clips (more may be added)
For all roads here lead to Black Rome, and everywhere, but all pathways lead to Bahia.
I created this matrix so the world might discover elemental cultural genius here in Bahia, Brazil: João do Boi (rest in power) and magisterial others... But following the dictates of logic, in order to make these artists discoverable worldwide, the matrix must, to the greatest extent possible, do likewise for all creators across the planet.
Pardal/Sparrow
The Integrated Global Creative Economy: uncoiling from this sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix...
The mathematics of the small world phenomenon transforming the creative universe into a creative village wherein all are connected by short pathways to all...
Tap the grey crosses on somebody's Matrix Page to recommend that person for the categories next to those crosses.
(Crosses visible when you are logged in)
The crosses will turn green.
That person/category will appear in your My Curation & Recommendations.
You will appear in that person's Incoming Curation and Recommendations.
You and the person you are recommending will be pulled by mathematical gravity to within discoverable distance of all other creators inside the Matrix.
In a small world great things are possible.
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
This Matrix was conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Hence A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until...
And hence a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
Kareem Abdul-Jabbar found us (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
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