Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Papa Mali
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Papa Mali
  • City/Place: New Orleans, Louisiana
  • Country: United States
  • Hometown: Shreveport, Louisiana

Life & Work

  • Bio: Papa Mali was born Malcolm Welbourne in Vicksburg, Mississippi in 1957. He was raised in Shreveport, Louisiana and later moved to New Orleans. He received his moniker from Burning Spear and his band.

    He formed the band 7 Walkers together with Grateful Dead drummer Bill Kreutzmann, Meters bassist George Porter Jr. (initially with bassist Reed Mathis), and multi-instrumentalist, Matt Hubbard. One of the songs on the record, "King Cotton Blues", featured a duet by Papa Mali and Willie Nelson.

    Papa Mali has recorded with Mardi Gras Indians Monk Boudreaux, Kirk Joseph, and Henry Butler.

Contact Information

  • Management/Booking: 7 Walkers

    Management:
    Ryan Kingsbury
    Red Light Management
    925 W. 7th Ave
    Denver, CO 80204
    303.565.5690
    [email protected]

    Booking:
    Scott Galloway
    APA Vice President
    3010 Poston Avenue Nashville, TN 37203
    P - 615.297.0100 F - 615.297.5434
    www.apa-agency.com
    [email protected]

    Publicity:
    Carrie Lombardi
    Madison House Publicity
    771 Santa Fe Drive, Suite 204
    Denver, CO 80204
    P - 303.413.8308
    F - 303.413.8314
    www.madisonhousepublicity.com

Media | Markets

  • ▶ Twitter: papamali
  • ▶ Instagram: papamali
  • ▶ Website: http://www.7walkers.com
  • ▶ YouTube Channel: http://www.youtube.com/user/papamali1
  • ▶ YouTube Music: http://music.youtube.com/channel/UCNtHnf_LcBc7Yv8hz9YSWYA
  • ▶ Spotify: http://open.spotify.com/album/0z31OCqPPFkV63Af4d8uBO?si=f5b5983bd4324bb5
  • ▶ Spotify 2: http://open.spotify.com/album/1oC7Jpbk0YMkfMbbmqDWUc?si=5d2a1a5f4c8a4c06

Clips (more may be added)

  • 4:01
    In The Pink: Papa Mali
    By Papa Mali
    113 views
  • 1:19:51
    Papa Mali - Full Set - Crescent City Blues & BBQ Festival (2018)
    By Papa Mali
    113 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Papa Mali:

  • 1 Blues
  • 1 Funk
  • 1 Guitar
  • 1 Louisiana
  • 1 New Orleans
  • 1 Record Producer
  • 1 Reggae
  • 1 Singer-Songwriter
Papa Mali is also curatable for ...
  • 0 Swamp

Nodes below are randomly generated. Reload for a different stack.

  • Don Byron Jazz
  • Imanuel Marcus Berlin
  • Sam Dagher The Middle East
  • Inon Barnatan New York City
  • Tatiana Campêlo Bahia
  • Armen Donelian Record Producer
  • Keita Ogawa Pandeiro
  • Marco Pereira Classical Guitar
  • Muireann Nic Amhlaoibh Flute
  • Sparrow Roberts Bahia
  • Casa da Mãe Espaço Cultural/Cultural Space
  • Shamarr Allen Singer-Songwriter
  • Zigaboo Modeliste New Orleans
  • Alex Clark Columbia Journalism School Faculty
  • Shabaka Hutchings Saxophone
  • Caroline Keane Concertina
  • Academia de Música do Sertão Música Clássica Contemporânea, Contemporary Classical Music
  • Ray Angry Brooklyn, NY
  • Tiganá Santana Brasil, Brazil
  • Psoy Korolenko Псой Короленко Jewish Music
  • Tomo Fujita Blues
  • Leci Brandão Surdo
  • Robertinho Silva Samba
  • Issac Delgado Timba
  • Victor Gama Multimedia Opera
  • Ben Harper Soul
  • Ivan Sacerdote Brazil
  • Yotam Silberstein Guitar Instruction
  • Gustavo Di Dalva Bahia
  • Siphiwe Mhlambi South Africa
  • Anat Cohen Israel
  • Varijashree Venugopal India
  • George Porter Jr. Funk
  • Mário Santana São Braz
  • Merima Ključo Klezmer
  • Bob Reynolds Saxophone
  • Vincent Valdez Painter
  • Simone Sou Brazil
  • Ray Angry Piano
  • Paulo Paulelli MPB
  • Munir Hossn Multi-Instrumentalist
  • Snigdha Poonam Journalist
  • Iuri Passos Brazil
  • Sérgio Pererê Percussion
  • Mika Mutti Composer
  • Matt Glaser Folk & Traditional
  • Ned Sublette Record Producer
  • Negrizu Candomblé
  • Donald Harrison Composer
  • Eric Coleman Los Angeles
  • Gilberto Gil Brazil
  • Aaron Parks Brooklyn, NY
  • Carwyn Ellis Record Producer
  • Alex Clark Director
  • Ivan Bastos Compositor, Composer
  • Marc Johnson Composer
  • Ta-Nehisi Coates Black American Culture & History
  • Luíz Paixão Pernambuco
  • The Rheingans Sisters Folk & Traditional
  • Alicia Svigals New York City
  • Júlio Lemos San Francisco
  • Ron Blake Juilliard Faculty
  • Joana Choumali Multimedia Artist
  • Corey Ledet Accordion
  • Tim Hittle Animator
  • Scott Yanow Music Critic
  • Kiya Tabassian كيا طبسيان Film Scores
  • Dónal Lunny Record Producer
  • Riley Baugus Old-Time Music
  • Stefon Harris Vibraphone
  • Patty Kiss Salvador
  • Sebastian Notini Bateria, Drums
  • David Castillo Theatrical Producer
  • Hilton Schilder Multi-Instrumentalist
  • James Andrews New Orleans
  • Nana Nkweti University of Alabama Faculty
  • Jill Scott Model
  • Alê Siqueira Composer
  • Irmandade da Boa Morte Candomblé
  • Leandro Afonso Film Editor
  • Richie Barshay Jazz
  • Mike Marshall Mandocello
  • Jeremy Danneman Clarinet
  • Yosvany Terry Jazz
  • Lilli Lewis Americana
  • Thomas Àdes Opera
  • Wouter Kellerman Alto Flute
  • Giba Conceição Brazil
  • Lucio Yanel Guitar
  • Albin Zak Singer-Songwriter
  • Turíbio Santos Brazil
  • Laércio de Freitas Composer
  • Luciano Calazans Composer
  • Gui Duvignau Contemporary Classical Music
  • Tomoko Omura Jazz
  • Ajurinã Zwarg Choro
  • Ronell Johnson Brass Band
  • Arifan Junior Portela
  • Flying Lotus Songwriter
  • Mauro Refosco Marimba
  • Cassie Kinoshi Saxophone
  • Glória Bomfim Bahia
  • Jerry Douglas Lap Steel Guitar
  • Margaret Renkl Nashville, Tennessee
  • Benjamin Grosvenor London
  • Donnchadh Gough Ireland
  • Ivo Perelman Multi-Instrumentalist
  • Fred P Berlin
  • Tobias Meinhart Brooklyn, NY
  • Marcel Camargo Brazil
  • Arturo Sandoval Jazz
  • Anat Cohen Tel Aviv
  • Brian Jackson Piano
  • Nikki Yeoh Jazz
  • Courtney Pine Radio Presenter
  • Karla Vasquez Los Angeles
  • Taylor Ashton Drawings
  • Monarco Singer-Songwriter
  • Stephen Guerra Samba
  • Bob Reynolds Los Angeles
  • Billy Strings Singer
  • Ryuichi Sakamoto Film Scores
  • Catherine Bent Composer
  • Marisa Monte Rio de Janeiro
  • Roberto Fonseca Cuba
  • Nate Smith Drums
  • Robert Glasper Composer
  • André Becker Orquestra Sinfônica da Bahia
  • Liberty Ellman Audio Engineer
  • TaRon Lockett Singer-Songwriter
  • Arto Lindsay Record Producer
  • Ballaké Sissoko Mali
  • Hugues Mbenda African Cuisine
  • Ivan Neville R&B
  • Isaiah J. Thompson Piano
  • James Martins Brasil, Brazil
  • Melanie Charles R&B
  • Jonathon Grasse Ethnomusicologist
  • Rez Abbasi Composer
  • Edil Pacheco Brazil
  • Luis Paez-Pumar Journalist
  • Derrick Adams Installation Artist
  • Mart'nália Rio de Janeiro
  • Mike Marshall Author
  • Gerônimo Santana Trombone
  • Abderrahmane Sissako Screenwriter
  • Gregory Hutchinson R&B
  • Leonardo Mendes Violão, Guitar
  • Christian McBride Composer
  • Doug Wamble Jazz
  • Ênio Bernardes Cantor-Compositor, Singer-Songwriter
  • Andrew Finn Magill Jazz
  • Ethan Iverson Music Critic
  • Joachim Cooder Percussion
  • Beth Bahia Cohen Balkan Music
  • Kareem Abdul-Jabbar Black American Culture & History
  • Bright Red Dog Jazz, Electronica, Hip-Hop, Psychedelia, Noise
  • Marisa Monte MPB
  • Moreno Veloso Rio de Janeiro
  • Ilê Aiyê Salvador
  • Muireann Nic Amhlaoibh Celtic
  • Hopkinson Smith Switzerland
  • Rez Abbasi Pakistani Music
  • Billy O'Shea Steampunk
  • Casey Benjamin Keyboards
  • Teresa Cristina Rio de Janeiro
  • Utar Artun Jazz
  • Bukassa Kabengele Brazil
  • Shirazee Singer-Songwriter
  • Saileog Ní Cheannabháin Irish Traditional Music
  • João Callado Brazil
  • OVANA Xangongo
  • Jahi Sundance DJ
  • Utar Artun Composer
  • Mavis Staples Gospel
  • John Harle Guildhall School of Music & Drama Faculty
  • David Bragger Record Label Owner
  • Nduduzo Makhathini Composer
  • Larisa Wiegant Utrecht
  • Robertinho Silva Drums
  • Jeremy Danneman Ropeadope
  • Shabaka Hutchings Composer
  • Shankar Mahadevan Mumbai
  • Varijashree Venugopal Multi-Cultural
  • Paulinho do Reco Candomblé
  • Tiganá Santana Violão, Guitar
  • Peter Mulvey Singer-Songwriter
  • Rosa Cedrón Spain
  • Charlie Bolden Jazz
  • Jurandir Santana Guitar
  • Inon Barnatan Piano
  • Gustavo Di Dalva New York City
  • Shannon Sims Writer
  • Darryl Hall Jazz
  • Paulo Dáfilin Brazil
  • Kotringo Piano
  • Stanton Moore R&B
  • Celino dos Santos Viola Machete
  • Joan Chamorro Composer
  • Shankar Mahadevan Film Scores
  • Logan Richardson Composer
  • Willie Jones III Drumming Instruction
  • Julia Alvarez Poet
  • H.L. Thompson Brazil
  • Angelique Kidjo Benin
  • Nath Rodrigues Minas Gerais
  • Utar Artun Microtonal
  • Guga Stroeter Samba
  • Lina Lapelytė Installation Artist
  • Roots Manuva Record Producer
  • Bob Mintzer Jazz
  • Mario Caldato Jr. Bass
  • Wolfgang Muthspiel Contemporary Classical Music
  • Carlos Malta Flute
  • Dale Barlow Flute
  • NIcholas Casey Madrid
  • J. Period Record Producer
  • Janine Jansen Netherlands
  • Don Byron Blue Note Records
  • Questlove Multi-Instrumentalist
  • Joatan Nascimento Trumpet
  • Leonardo Mendes Santo Amaro
  • Jocelyn Ramirez Plant-Based Mexican Cooking
  • Beth Bahia Cohen Kabak Kemane
  • John Luther Adams Composer
  • Lalah Hathaway Singer-Songwriter
  • Gearóid Ó hAllmhuráin Concertina
  • Miguel Atwood-Ferguson Violin
  • Charles Munka Painter
  • Pierre Onassis Música AFRO
  • Mona Lisa Saloy Storyteller
  • Brandon Seabrook Banjo
  • Dan Nimmer Composer
  • Leo Nocentelli Songwriter
  • Edward P. Jones Short Stories
  • Zakir Hussain Multi-Cultural
  • Arthur Verocai MPB
  • Tom Moon MPB
  • Zakir Hussain Percussion
  • Mingo Araújo Brazil
  • Dave Smith Alternative, Improv
  • Justin Kauflin Composer
  • Brenda Navarrete Percussion
  • Nelson Cerqueira Salvador
  • Hugues Mbenda Chef
  • Hercules Gomes Choro
  • Julia Alvarez Middlebury College Faculty
  • Dave Weckl Drums
  • Wayne Escoffery Saxophone Instruction / Online Classes
  • Luiz Santos Brazil
  • William Parker Multi-Instrumentalist
  • Chris McQueen Guitar
  • Larisa Wiegant Graphic Design
  • Justin Brown Drums
  • Andy Kershaw Journalist
  • Terri Lyne Carrington Jazz
  • Sheryl Bailey Jazz
  • Roosevelt Collier Lap Steel Guitar
  • Cleber Augusto Songwriter
  • Mou Brasil Salvador
  • Biréli Lagrène Manouche
  • Mestre Nenel Capoeira
  • Daniel Jobim MPB
  • Gearóid Ó hAllmhuráin Ethnomusicologist
  • June Yamagishi New Orleans
  • Danilo Caymmi Singer-Songwriter
  • Fabian Almazan New York City
  • Emicida Rapper
  • Pasquale Grasso New York City
  • Mary Stallings Jazz
  • Gabrielzinho do Irajá Composer
  • Isaiah J. Thompson Jazz
  • Gearóid Ó hAllmhuráin Uilleann Pipes
  • Lucio Yanel Singer
  • Utar Artun Turkey
  • João Bosco Samba
  • Sérgio Pererê Composer
  • Tessa Hadley Non-Fiction
  • Brian Q. Torff Jazz
  • André Muato 8 String Guitar
  • Little Simz London
  • Jerry Douglas Music Director
  • Carlos Blanco Flamenco
  • Rogério Caetano Composer
  • Ivo Perelman Saxophone
  • Perumal Murugan Novelist
  • Louis Michot Western Swingbilly Cajun Punk
  • Samba de Lata Samba de Roda
  • Nelson Ayres Composer
  • Marcelo Caldi Rio de Janeiro
  • Ricardo Herz São Paulo
  • Rudresh Mahanthappa Multi-Cultural
  • Charles Munka Hong Kong
  • Paddy Groenland Jazz
  • Don Byron Clarinet
  • Giovanni Russonello Magazine Founder, Editor
  • Gêge Nagô Brazil
  • Greg Osby Jazz
  • Questlove Rapper
  • Caroline Shaw Composer
  • King Britt Record Producer
  • Abel Selaocoe Classical Music
  • John Doyle Ireland
  • Kim André Arnesen Choral Works
  • Rob Garland Los Angeles
  • Tatiana Campêlo Salvador
  • Mateus Aleluia Filho Flugelhorn
  • Katuka Africanidades Editora de Livros, Book Publisher
  • Celso Fonseca Rio de Janeiro
  • Joe Newberry Folk & Traditional
  • Arthur Jafa Sculptor
  • Maia Sharp Nashville, Tennessee
  • Ben Allison Bass
  • Ênio Bernardes Bahia
  • Melissa Aldana New York City
  • Simon Shaheen Arabic Music
  • Saul Williams Poet
  • Cara Stacey Mbabane
  • Paulo Martelli São Paulo
  • Bonerama R&B
  • Frank Beacham Storyteller
  • Jeff Tweedy Chicago, Illinois
  • Karim Ziad Composer
  • Frank London Jewish Music
  • José Antonio Escobar Chile
  • Terreon Gully Drums
  • Horácio Reis Violão Clássico Brasileiro, Brazilian Classical Guitar
  • Gringo Cardia Graphic Design
  • João Parahyba Drums
  • Babau Santana Bahia
  • Fabiana Cozza Brazil
  • Egberto Gismonti Guitar
  • Michael Kiwanuka Record Producer
  • Tonynho dos Santos Guitarra, Violão, Guitar
  • Manolo Badrena Puerto Rico
  • John Francis Flynn Tin Whistle
  • Nana Nkweti Fiction
  • Issa Malluf Doumbek
  • Dwandalyn Reece Washington, D.C.
  • Yasushi Nakamura Composer
  • Jan Ramsey Louisiana
  • Shaun Martin R&B
  • Joe Newberry Old-Time Music
  • Daru Jones Hip-Hop
  • Ferenc Nemeth Drums
  • Linda May Han Oh Composer
  • Sarz Africa
  • Joel Guzmán Accordion
  • Dudu Reis Brasil, Brazil
  • Pedrito Martinez Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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