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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Chano Domínguez
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Chano Domínguez
  • City/Place: Brooklyn, NY
  • Country: United States
  • Hometown: Cádiz, Spain

Life & Work

  • Bio: Chano Domínguez is one of the most celebrated of jazz pianists and composers. His singular work is defined by his flamenco origins.

    In more than 40 years of his career, he has dazzled all kinds of audiences, including other musicians spanning both worlds of jazz and flamenco.

    His interpretive talents are highly sought after for his authentic integration of both jazz and flamenco traditions, working with an extensive range of colleagues such as Paco de Lucía, Enrique Morente, Jorge Pardo, Carles Benavent, Martirio, Wynton Marsalis, Paquito d’Rivera, Jack DeJohnette, Herbie Hancock, Jerry Gonzalez, Gonzalo Rubalcaba, Michel Camino, Chucho Valdés, Joe Lovano, and George Mraz, among others.

    Chano has achieved an unusual integration between the rhythms and languages of jazz and flamenco, creating a unique style that places him among the top musicians practicing this artform. Internationally acclaimed, he has influenced and changed the history of flamenco-jazz.

    His music has been played by many different ensembles and orchestras such as the Lincoln Center Jazz Orchestra, WDR Cologne Big Band, Orquesta Nacional de España, Orquesta Nacional de Latvia, Orquesta de Cámara del Vallés, and the Orquesta Nacional de Costa Rica.

    In 2016 he’s been nominated for his fourth Grammy, this one a Latin Grammy for his latest release «Bendito». This recording features Chano as producer, composer and pianist with his preferred ‘cantaor’ (flamenco singer) Blas Cordoba aka «El Kejio».

    Chano is also a seasoned educator, available for master classes, workshops and residencies. He has previously taught at Taller de Músics in Barcelona, The Music Conservatory of Bogotá, the Julliard School in New York and at the School of Music at the University of Washington, among others.

    Chano is currently living in New York, where Sunnyside Records has just released his new piano solo album Over the Rainbow.

Contact Information

  • Contact by Webpage: http://www.chanodominguez.info/contact/
  • Management/Booking: GENERAL BOOKING MANAGER
    Massimo Di Stefano
    ESOUND Music&Arts
    [email protected]
    +34 622 700 332

    US BOOKING
    Mexico & North America
    Asia & South Pacific
    Alison Loerke
    ALIA PRODUCTIONS
    [email protected]
    +1 206-525-2425
  • Record Company: Blue Note
    Sunnyside

Media | Markets

  • ▶ Twitter: chanodominguez
  • ▶ Website: http://www.chanodominguez.info
  • ▶ YouTube Music: http://music.youtube.com/channel/UCEFZazJaa7g9DdRQ83MP5rA
  • ▶ Spotify: http://open.spotify.com/album/3ZUwqgf7bZ7uyLvLy7PLTN
  • ▶ Spotify 2: http://open.spotify.com/album/6EEonf5FMsI1EBdUMgduDT
  • ▶ Spotify 3: http://open.spotify.com/album/1VUdsgwh9tgYdTKX7LHYcS
  • ▶ Spotify 4: http://open.spotify.com/album/7bbWztaocnJFEsSezYuRZE
  • ▶ Spotify 5: http://open.spotify.com/album/5CJICg5Ah9bisQTU5Mdhca
  • ▶ Spotify 6: http://open.spotify.com/album/64KdUbNvMf1OLjQGu8CW5p

Clips (more may be added)

  • 0:47:26
    Chano Dominguez
    By Chano Domínguez
    166 views
  • 3:12
    Chano Domínguez - Mixing Flamenco and Jazz on the Piano
    By Chano Domínguez
    148 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Chano Domínguez:

  • 2 Brooklyn, NY
  • 2 Cádiz
  • 2 Composer
  • 2 Flamenco
  • 2 Jazz
  • 2 Piano
  • 2 Spain
  • Cleber Augusto Guitar
  • Amitava Kumar Screenwriter
  • Reena Esmail Hindustani Classical Music
  • Eli Teplin Guitar
  • Woody Mann Writer
  • Larry Grenadier Basel Music Academy Faculty
  • Ayrson Heráclito Bahia
  • Ken Dossar Educator
  • Joel Best Character Artist
  • Tiganá Santana Salvador
  • OVANA Angola
  • Rogério Caetano Guitar
  • Jeff Tweedy Chicago, Illinois
  • Kaveh Rastegar Songwriter
  • Jonga Cunha Author
  • Billy O'Shea Ireland
  • Ben Paris Salvador
  • Toumani Diabaté Bamako
  • Beth Bahia Cohen Berklee College of Music Faculty
  • Muri Assunção Writer
  • Soweto Kinch Jazz
  • Sérgio Mendes Rio de Janeiro
  • Guto Wirtti Multi-Instrumentalist
  • María Grand New York City
  • Jon Batiste Jazz
  • Shez Raja Indo-Jazz Funk
  • Jakub Knera Musical Event Producer
  • Dave Douglas New York City
  • Lakecia Benjamin Ropeadope
  • Daniil Trifonov Piano
  • Victor Gama Multimedia Opera
  • Laura Beaubrun Art Therapist
  • Christopher Nupen Classical Music
  • David Greely University of Louisiana at Lafayette Faculty
  • James Martin R&B
  • Laércio de Freitas Composer
  • Wynton Marsalis Jazz
  • Dan Nimmer Jazz
  • Luizinho Assis Jazz Brasileiro, Brazilian Jazz
  • Jonathan Griffin Radio Presenter
  • Jan Ramsey Creole Music
  • Chris Dave Gospel
  • Leela James Singer-Songwriter
  • Tom Schnabel DJ
  • Oswaldinho do Acordeon Forró
  • Casa Preta Teatro, Theater
  • Gonzalo Rubalcaba Composer
  • Rhiannon Giddens Banjo
  • Third Coast Percussion Chicago, Illinois
  • Scott Kettner Second Line
  • Susheela Raman London
  • Louis Michot Cajun Music
  • Lavinia Meijer Classical Music
  • Stephan Crump Brooklyn, NY
  • Flor Jorge MPB
  • Glória Bomfim Afoxé
  • Ron Blake Juilliard Faculty
  • Wayne Krantz Guitar Instruction
  • Wayne Krantz Guitar
  • Bongo Joe Records Café
  • Daniil Trifonov Composer
  • Las Cafeteras East Los Angeles
  • Tal Wilkenfeld Singer-Songwriter
  • David Binney Composer
  • Logan Richardson Jazz
  • Jau Brazil
  • Leci Brandão Surdo
  • Frank Negrão Music Director
  • Ben Harper Soul
  • Geraldo Azevedo Singer-Songwriter
  • Iroko Trio Brazil
  • Joel Best 3D Artist
  • Varijashree Venugopal Singer
  • Scott Devine Bass
  • Egberto Gismonti Composer
  • Garth Cartwright Music Critic
  • Utar Artun Turkey
  • Marcelinho Oliveira Salvador
  • Glória Bomfim Bahia
  • Nicholas Gill Writer
  • Susana Baca Singer-Songwriter
  • Bodek Janke Contemporary Classical Music
  • D.D. Jackson Film Scores
  • Quatuor Ebène String Quartet
  • James Shapiro Writer
  • Shuya Okino Composer
  • Capinam Poeta, Poet
  • Bruce Molsky Fiddle Instruction
  • Tedy Santana Brazil
  • Jovino Santos Neto Brazilian Jazz
  • Yvette Holzwarth Film, Television Recording
  • Nelson Latif Brazil
  • Negra Jhô Bahia
  • Ronell Johnson New Orleans
  • Rayendra Sunito Songwriter
  • Gui Duvignau Brazilian Jazz
  • Tom Schnabel Radio Presenter
  • Thomas Àdes Contemporary Classical Music
  • James Martins Brasil, Brazil
  • Philip Glass Composer
  • Jim Hoke Saxophone
  • Andy Kershaw DJ
  • Hopkinson Smith Baroque Guitar
  • Jahi Sundance Record Producer
  • Fábio Peron Samba
  • Booker T. Jones Songwriter
  • Chief Xian aTunde Adjuah New Orleans
  • Marisa Monte Rio de Janeiro
  • Dudu Reis Brasil, Brazil
  • Musa Okwonga Poet
  • Abel Selaocoe Multi-Cultural
  • Jaleel Shaw Saxophone
  • Tomoko Omura Japan
  • Adriano Giffoni Rio de Janeiro
  • Vinson Cunningham Writer
  • Tessa Hadley Non-Fiction
  • Bebê Kramer Choro
  • Mateus Aleluia Samba
  • JD Allen Jazz
  • Joachim Cooder Record Producer
  • Neo Muyanga Writer
  • Welson Tremura Latin American Classical Guitar
  • Wayne Krantz New York City
  • Cinho Damatta MPB
  • John Doyle Dublin
  • Steve McKeever Record Label Owner
  • Walter Pinheiro Frevo
  • Ricky (Dirty Red) Gordon New Orleans
  • Guto Wirtti Rio de Janeiro
  • MonoNeon Singer-Songwriter
  • Gel Barbosa Salvador
  • Berkun Oya Playwright
  • Kareem Abdul-Jabbar Basketball
  • Olivia Trummer Composer
  • Darrell Green Drums
  • Jimmy Cliff Ska
  • Léo Rugero Forró
  • Laura Marling Singer-Songwriter
  • Zachary Richard Cajun Music
  • Jamie Dupuis Singer
  • Shalom Adonai Salvador
  • Gabriel Policarpo Repique
  • Varijashree Venugopal Flute
  • Massimo Biolcati Brooklyn, NY
  • Jan Ramsey Culture Journalist
  • Jonga Cunha Bahia
  • Edmar Colón Composer
  • Mike Marshall Violin
  • Samuca do Acordeon Accordion
  • Saul Williams Multi-Instrumentalist
  • Ron Miles Jazz
  • Dale Barlow Composer
  • Herlin Riley Drums
  • Randy Lewis Writer
  • Nikki Yeoh London
  • Nicholas Payton Record Label Owner
  • Alicia Svigals Composer
  • Ben Cox Cinematographer
  • Yazz Ahmed London
  • Natan Drubi Brasil, Brazil
  • Kiko Freitas Drum Instruction
  • Marilda Santanna Samba
  • Cleber Augusto Brazil
  • Leela James Blues
  • Carlos Henriquez Latin Jazz
  • Diana Fuentes Havana
  • Robi Botos Piano
  • Henry Cole Drumming Instruction
  • Dudu Reis Bahia
  • Brooklyn Rider String Quartet
  • Zebrinha Brasil, Brazil
  • Ann Hallenberg Mezzo-Soprano
  • Bob Mintzer Saxophone
  • Seu Jorge Brazil
  • Jonathan Scales New York City
  • Sheryl Bailey Jazz
  • Archie Shepp Record Label Owner
  • Donna Leon Venice
  • Chris Dave Drums
  • Azadeh Moussavi Tehran
  • Chris Thile Multi-Instrumentalist
  • Lucio Yanel Singer
  • Zigaboo Modeliste Drums
  • Mariana Zwarg Samba
  • Marcello Gonçalves Violão de Sete
  • Chico César Brazil
  • Marisa Monte Singer-Songwriter
  • Nduduzo Makhathini South Africa
  • MonoNeon Composer
  • Tyshawn Sorey New York City
  • Cristiano Nogueira Rio de Janeiro
  • Ron Carter Author
  • Ry Cooder Multi-Cultural
  • Regina Carter Americana
  • Marcus Miller Jazz
  • Gel Barbosa Bahia
  • Júlio Caldas Violão, Guitar
  • Damon Albarn Singer-Songwriter
  • Mou Brasil Brasil, Brazil
  • André Becker Jazz Brasileiro, Brazilian Jazz
  • Nara Couto Brasil, Brazil
  • Marcus Printup New York City
  • Rolando Herts Delta State University Faculty
  • Johnny Lorenz Brazil
  • Thiago Espírito Santo Produtor Musical, Music Producer
  • Tom Green Contemporary Classical Music
  • Brandon Seabrook Guitar
  • Saileog Ní Cheannabháin Piano
  • Branford Marsalis New Orleans
  • Bhi Bhiman Singer-Songwriter
  • Greg Osby Record Label Owner
  • Omer Avital Middle Eastern Music
  • Mauro Diniz Violão de Sete
  • Maria Bethânia Samba de Roda
  • Giba Gonçalves Paris
  • Flying Lotus Songwriter
  • Mick Goodrick Author
  • Richie Pena Writer
  • Pasquale Grasso Guitar Instruction, Master Classes
  • Fidelis Melo Assessor de Comunicação, Public Relations
  • Vincent Herring Composer
  • Guga Stroeter Candomblé
  • Edmar Colón Jazz
  • Jonathon Grasse Capoeira
  • Courtney Pine Composer
  • Linda Sikhakhane Saxophone
  • Munyungo Jackson Percussion
  • Nigel Hall R&B
  • Curtis Hasselbring Brooklyn, NY
  • Ron Miles Composer
  • Adam Rogers New York City
  • Alain Pérez Cuba
  • Matt Dievendorf Washington, D.C.
  • Zara McFarlane Vocal Coach
  • Vanessa Moreno Samba
  • Augustin Hadelich New York City
  • Joe Lovano Berklee College of Music Faculty
  • David Sacks Washington, D.C.
  • Welson Tremura Choro
  • Arto Tunçboyacıyan Multi-Cultural
  • Ben Azar Guitar
  • Joey Baron Composer
  • Ibram X. Kendi Writer
  • Jam no MAM Bahia
  • Muhsinah Washington, D.C.
  • Noam Pikelny Banjo Instruction
  • Giba Gonçalves Candomblé
  • Olivia Trummer Jazz
  • Muireann Nic Amhlaoibh Irish Traditional Music
  • Hanif Abdurraqib Poet
  • Igor Osypov Jazz Fusion
  • João Camarero Brazil
  • Marc Johnson Jazz
  • Peter Dasent Film Scores
  • Mark Stryker Author
  • Ivo Perelman Brazilian Jazz
  • Gabrielzinho do Irajá Versador
  • Samuca do Acordeon Milonga
  • Otmaro Ruiz Piano Instruction
  • Gregory Porter Jazz
  • César Orozco New York City
  • Giovanni Russonello Journalist
  • Caterina Lichtenberg Soprano Lute
  • Marisa Monte Brazil
  • Lizz Wright Gospel
  • Pharoah Sanders Composer
  • Luis Paez-Pumar Writer
  • Fernando César Violão de Sete
  • Mou Brasil Bahia
  • Aderbal Duarte Guitar
  • Owen Williams Marketer
  • Ofer Mizrahi Tel Aviv
  • Julian Lage Americana
  • China Moses Jazz
  • Filhos da Pitangueira Bahia
  • Marquis Hill Jazz
  • Sarz Contemporary R&B
  • Victor Wooten Author
  • Darrell Green New York City
  • Seckou Keita Senegal
  • Ivan Huol Drums
  • Cashmere Cat Electronic Music
  • Biréli Lagrène Manouche
  • Papa Grows Funk Funk
  • Keita Ogawa Pandeiro
  • Flying Lotus Record Producer
  • Cedric Watson Zydeco
  • Celso Fonseca Singer
  • Plínio Fernandes Brazil
  • Gail Ann Dorsey Bass
  • Banning Eyre Photographer
  • Tonynho dos Santos Música Afro-Baiana, Afro-Bahian Music
  • Joan Chamorro Clarinets
  • Robert Randolph Funk
  • Jaques Morelenbaum Brazil
  • Michael Cuscuna Jazz
  • Donald Vega Piano Instruction
  • The Weeknd Hip-Hop
  • Bright Red Dog Albany, New York
  • The Weeknd Actor
  • Seth Rogovoy Writer
  • Chico César São Paulo
  • James Elkington Singer-Songwriter
  • Ben Allison Double Bass
  • Isaias Rabelo Piano
  • Jonathon Grasse Ethnomusicologist
  • Ben Allison Television Scores
  • Michel Camilo Latin Music
  • Ari Hoenig Author
  • Bai Kamara Jr. Brussels, Belgium
  • Dónal Lunny Multi-Instrumentalist
  • Jason Reynolds Young People's Literature
  • Arthur Jafa Filmmaker
  • Carrtoons Brooklyn, NY
  • Shannon Sims Writer
  • Mayra Andrade Lisbon
  • Roberta Sá Brazil
  • Jas Kayser London
  • Ênio Bernardes Diretor Musical, Music Director
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Alessandro Penezzi São Paulo
  • Amit Chatterjee Vocalist
  • Paulo Aragão MPB
  • Keita Ogawa Multi-Cultural
  • Charles Munka Drawings
  • Jill Scott Singer-Songwriter
  • Issa Malluf Percussion
  • Tigran Hamasyan Piano
  • Daniil Trifonov Piano
  • Michelle Mercer Music Critic
  • Terence Blanchard New Orleans
  • Célestin Monga Author
  • Sérgio Mendes Singer-Songwriter
  • Tim Hittle Director
  • Nahre Sol Composer
  • Fantastic Negrito Oakland, California
  • Tom Oren Jazz
  • Stuart Duncan Bluegrass
  • Anna Webber Saxophone
  • Romero Lubambo Brazil
  • Nelson Cerqueira Escritor, Writer
  • Gregory Tardy Jazz
  • Marc Ribot Brooklyn, NY
  • Isaias Rabelo Composer
  • Marilda Santanna Cantora, Singer
  • Tiganá Santana Cantor-Compositor, Singer-Songwriter
  • Logan Richardson Composer
  • Susheela Raman Multi-Cultural
  • Christone 'Kingfish' Ingram Singer
  • Negra Jhô Brazil

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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