Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Jimmy Dludlu
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Jimmy Dludlu
  • City/Place: Cape Town
  • Country: South Africa
  • Hometown: Maputo, Mozambique

Life & Work

  • Bio: Jimmy Dludlu is a Maputo, Mozambique-born South African-raised jazz guitar player who also spent years in Ghana and Chicago learning highlife and jazz.

Media | Markets

  • ▶ Instagram: jimmydludlu_official
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC9OTT_V2OMmRYOIEr91AL9A
  • ▶ YouTube Music: http://music.youtube.com/channel/UCS9sRfTfV1nD-Z9hMRhK_4A
  • ▶ Spotify: http://open.spotify.com/album/5IgelzvSarRwpghf9Qo6cH
  • ▶ Spotify 2: http://open.spotify.com/album/0RxkMxRQWHZeBGfiVvWxh3
  • ▶ Spotify 3: http://open.spotify.com/album/1FjWNvJYiLhTZ7IZ1ghgcc
  • ▶ Spotify 4: http://open.spotify.com/album/2YwLpVQpAxzerfCEcOWKon
  • ▶ Spotify 5: http://open.spotify.com/album/0uz0lsKIkvn0fuIGdOmaG3
  • ▶ Spotify 6: http://open.spotify.com/album/29sUIHEb46OZMijyt5UUcS

Clips (more may be added)

  • 4:20
    Jimmy Dludlu - Tara Tara
    By Jimmy Dludlu
    99 views
  • 2:31
    Recording New Album
    By Jimmy Dludlu
    86 views
  • 0:14:48
    Jimmy Dludlu & Norman Brown
    By Jimmy Dludlu
    92 views
  • 5:41
    Jimmy Dludlu - Masseve (In The Groove)
    By Jimmy Dludlu
    82 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Jimmy Dludlu:

  • 1 AfroJazz
  • 1 Cape Town
  • 1 Composer
  • 1 Guitar
  • 1 Highlife
  • 1 Jazz
  • 1 Mozambique
  • 1 South Africa

Nodes below are randomly generated. Reload for a different stack.

  • Gavin Marwick Edinburgh
  • Pedro Aznar Singer-Songwriter
  • Amit Chatterjee Guitar
  • Gregory Tardy Clarinet
  • Kareem Abdul-Jabbar Essayist
  • Michael Pipoquinha Bass
  • Isaiah J. Thompson Composer
  • Igor Levit Classical Music
  • Capinam Poeta, Poet
  • Linda May Han Oh Jazz
  • Amit Chatterjee Sitar
  • Carl Allen Jazz Workshops
  • Bill Frisell Americana
  • Ari Rosenschein Writer
  • Esperanza Spalding Bass
  • Lucian Ban Transylvania
  • Theon Cross Composer
  • Courtney Pine Composer
  • Jon Cowherd Jazz
  • BIGYUKI Japan
  • Sunna Gunnlaugs Reykjavik
  • Joey Alexander Piano
  • Ricky (Dirty Red) Gordon Second Line
  • Magary Lord Semba
  • Peter Dasent Composer
  • Susheela Raman London
  • Jacám Manricks UC Davis Faculty
  • Sam Yahel Piano Instruction
  • Azadeh Moussavi Film Director
  • Michael Cleveland Bluegrass
  • Sam Yahel Jazz
  • Fred Hersch Jazz
  • Tito Jackson Guitar
  • Ned Sublette Record Producer
  • Paulão 7 Cordas Music Director
  • Leon Parker Jazz
  • Antonio García Film Scores
  • João Bosco Brazil
  • Rez Abbasi Composer
  • Alexandre Leão Cantor-Compositor, Singer-Songwriter
  • Stephanie Foden Salvador
  • Carlinhos Brown Multi-Instrumentalist
  • Rissi Palmer Country
  • Mestre Nenel AFROBIZ Salvador
  • Rudy Royston Jazz
  • Nancy Ruth Multi-Cultural
  • Sam Yahel Organ Instruction
  • Nelson Ayres MPB
  • Amit Chatterjee Composer
  • Ben Azar Guitar
  • Elif Şafak Novelist
  • Katuka Africanidades Bahia
  • Domingos Preto Samba de Roda
  • Goran Krivokapić Classical Guitar
  • Mariene de Castro Singer
  • Woody Mann Guitar Instruction
  • Martyn Drum and Bass
  • Paulo César Figueiredo Jornalista, Journalist
  • Anthony Coleman Jewish Music
  • Alan Bishop Egypt
  • Shuya Okino Tokyo
  • Inaicyra Falcão Brasil, Brazil
  • Alegre Corrêa MPB
  • Fred Dantas Salvador
  • Stephen Guerra Guitar
  • Joachim Cooder Americana
  • Fred Hersch Piano
  • João Callado Cavaquinho
  • Mou Brasil Música Afro-Baiana, Afro-Bahian Music
  • Ron Wyman Documentary Filmmaker
  • George Porter Jr. R&B
  • Isaias Rabelo Salvador
  • Siba Veloso Ciranda
  • Ivan Bastos Bahia
  • Tiganá Santana Violão, Guitar
  • Lenna Bahule Mozambique
  • Bill Pearis Brooklyn, NY
  • Itamar Borochov Trumpet
  • Filhos da Pitangueira Bahia
  • Larry McCray Blues
  • Meshell Ndegeocello Jazz, Funk, R&B, Soul, Hip-Hop, Reggae
  • Mateus Aleluia Samba
  • Justin Brown Composer
  • Daymé Arocena Singer
  • Philip Glass Composer
  • John Santos Cape Verde
  • Fábio Peron Multi-Cultural
  • Bill Frisell Jazz
  • Abderrahmane Sissako Film Producer
  • Zé Katimba GRES Imperatriz Leopoldinense
  • Scotty Apex Record Producer
  • Philip Ó Ceallaigh Translator
  • Harold López-Nussa Havana
  • Varijashree Venugopal India
  • Richie Barshay Drums
  • Alfredo Del-Penho Samba
  • Egberto Gismonti Rio de Janeiro
  • Pallett Tehran
  • Derrick Adams Installation Artist
  • Jacám Manricks Saxophone
  • Emmet Cohen Composer
  • Masao Fukuda Japan
  • Alicia Hall Moran Theater
  • Felipe Guedes Salvador
  • Mike Compton Folk & Traditional
  • Jurandir Santana Composer
  • Ayrson Heráclito Set Designer
  • Roosevelt Collier Songwriter
  • Jeff Coffin Vanderbilt University Blair School of Music Faculty
  • Isaiah J. Thompson Piano
  • Gilad Hekselman Composer
  • Maia Sharp Guitar
  • Gerson Silva Music Director
  • Jan Ramsey New Orleans
  • Gabrielzinho do Irajá Singer
  • Jaleel Shaw Saxophone
  • Eliane Elias Classical Music
  • João Bosco MPB
  • Tom Green Contemporary Classical Music
  • Marcos Sacramento Rio de Janeiro
  • Danilo Pérez Jazz
  • Alma Deutscher Classical Music
  • Doug Adair Americana
  • Frank Olinsky Illustrator
  • Sierra Hull Bluegrass
  • Irmandade da Boa Morte Bahia
  • Amilton Godoy Composer
  • Augustin Hadelich New York City
  • Sérgio Pererê Composer
  • Rhiannon Giddens Fiddle
  • Gerald Cleaver Brooklyn, NY
  • James Brandon Lewis Jazz
  • Corey Ledet Singer-Songwriter
  • Miguel Atwood-Ferguson DJ
  • Lula Galvão Bossa Nova
  • Glória Bomfim Brazil
  • Marcus Strickland Jazz
  • Oded Lev-Ari Music Producer
  • Conrad Herwig New York City
  • OVANA Angola
  • J. Pierre New Orleans
  • Lynn Nottage Pulitzer Prize
  • Hopkinson Smith Lute
  • Maciel Salú Maracatu
  • Bule Bule Repente
  • Kurt Andersen Novelist
  • Caroline Shaw Record Producer
  • Jill Scott Hip-Hop
  • Stormzy Rapper
  • Eric Alexander Saxophone Instruction
  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • Célestin Monga Harvard University Faculty
  • Dadá do Trombone Jazz Brasileiro, Brazilian Jazz
  • Elisa Goritzki Brazil
  • Alain Pérez Singer
  • Giba Gonçalves Percussion
  • Henry Cole New York City
  • Yosvany Terry Saxophone
  • Marcelo Caldi Composer
  • Ben Allison Multi-Cultural
  • Jorge Alfredo Cantor-Compositor, Singer-Songwriter
  • Neo Muyanga Writer
  • Hugo Rivas Tango
  • Horacio Hernández Drums
  • Derek Sivers Entrepreneur
  • Alexandre Vieira Bahia
  • Spider Stacy Tin Whistle
  • Iuri Passos Ethnomusicologist
  • Arturo Sandoval Timbales
  • Luiz Santos Percussion
  • Rayendra Sunito Record Producer
  • Otto Drums
  • Kevin Hays Jazz
  • Beth Bahia Cohen Lyras
  • Neymar Dias Multi-Instrumentalist
  • Echezonachukwu Nduka Writer
  • Vanessa Moreno Brazil
  • Moses Boyd Jazz
  • Ravi Coltrane Brooklyn, NY
  • Chad Taylor Jazz
  • Ivan Sacerdote Bahia
  • Isaak Bransah Dancer
  • Kirk Whalum Saxophone
  • Cássio Nobre Guitarra Baiana
  • Jonathon Grasse Composer
  • Bhi Bhiman R&B
  • Edmar Colón Saxophone
  • Caoimhín Ó Raghallaigh Hardanger d'Amoré 10-string Fiddle
  • Chad Taylor Drums
  • Saileog Ní Cheannabháin Sean-Nós Singer
  • Jeremy Pelt Composer
  • Jen Shyu Multi-Instrumentalist
  • Manolo Badrena Puerto Rico
  • Gel Barbosa Cantor-Compositor, Singer-Songwriter
  • Jeff Tweedy Singer-Songwriter
  • Roberto Fonseca Cuba
  • Bodek Janke Contemporary Classical Music
  • Şener Özmen Video Artist
  • Brett Orrison Record Producer
  • Lívia Mattos Accordion
  • Brandee Younger Harp
  • King Britt Electronic Music
  • Jason Parham Editor
  • Nelson Ayres Brazilian Jazz
  • Carlos Blanco Salvador
  • Casey Driessen Composer
  • Yoko Miwa Piano
  • Hisham Mayet Photographer
  • Shemekia Copeland Blues
  • Victoria Sur Colombia
  • Patty Kiss Guitarra Baiana
  • Jason Reynolds Writer
  • Célestin Monga Cameroon
  • Welson Tremura Guitar
  • Alisa Weilerstein Berlin
  • Chris Boardman Film Scores
  • Elie Afif Dubai
  • Kamasi Washington Jazz, Funk, R&B, Soul, Hip-Hop
  • João Camarero Guitar
  • Samuca do Acordeon Chamamé
  • Michael Peha Keyboards
  • Papa Mali Swamp
  • Nelson Faria Composer
  • Ben Street New York City
  • Andrew Finn Magill Samba
  • Emily Elbert Folk Funk Jazz Blues
  • Leon Bridges Record Producer
  • Guillermo Klein Argentina
  • Gilad Hekselman Guitar
  • Jovino Santos Neto Brazil
  • Manassés de Souza Brazil
  • James Gadson Jazz
  • Marisa Monte Rio de Janeiro
  • Dave Holland Jazz
  • Sam Yahel Piano
  • Tigran Hamasyan Jazz
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Jim Hoke Saxophone
  • Louis Marks Apparel & Fashion
  • Ricardo Herz Jazz
  • Casey Driessen Bluegrass
  • Jimmy Duck Holmes Mississippi
  • Thiago Espírito Santo Produtor Musical, Music Producer
  • Sérgio Mendes MPB
  • Paul Anthony Smith Painter
  • Laura Cole Singer-Songwriter
  • Thiago Espírito Santo Compositor, Composer
  • Orlando Costa Salvador
  • Cássio Nobre Salvador
  • Rita Batista Podcaster
  • Cashmere Cat Hip-Hop
  • Will Vinson New York City
  • Eamonn Flynn Soul
  • David Fiuczynski Guitar
  • Gilberto Gil Salvador
  • Nicholas Daniel Guildhall School of Music Staff
  • Casa Preta Local de Música ao Vivo, Live Music Venue
  • David Byrne Writer
  • Luiz Santos Multi-Instrumentalist
  • Hendrik Meurkens Composer
  • Danilo Brito São Paulo
  • Luciana Souza Brazilian Jazz
  • Ranky Tanky South Carolina
  • Rob Garland Los Angeles
  • Leo Nocentelli R&B
  • Tero Saarinen Choreographer
  • David Ngwerume Africa
  • Benoit Fader Keita Mënik
  • Stefon Harris Manhattan School of Music Faculty
  • Zoran Orlić Photographer
  • Luke Daniels Glasgow
  • Lucía Fumero Composer
  • Pierre Onassis Singer-Songwriter
  • Samba de Nicinha Maculelê
  • Dónal Lunny Record Producer
  • Mauro Refosco Compositor de Filmes, Film Scores
  • Horacio Hernández Percussion
  • Ben Harper Soul
  • Márcio Bahia Brazilian Jazz
  • Rodrigo Caçapa Composer
  • Matt Glaser Author
  • Jorge Washington Bahia
  • Third Coast Percussion Contemporary Classical Music
  • John Donohue Journalist
  • Negra Jhô Turbantes, Turbans
  • Gonzalo Rubalcaba University of Miami Frost School of Music Faculty
  • Papa Mali Record Producer
  • Gearóid Ó hAllmhuráin Irish Traditional Music
  • Samba de Nicinha Chula
  • Imanuel Marcus Journalist
  • Geraldo Azevedo Guitar
  • Huey Morgan Songwriter
  • Catherine Russell Singer
  • Tia Fuller Berklee College of Music Faculty
  • Dave Douglas Composer
  • Taylor Eigsti Piano
  • Ben Okri Short Stories
  • Moreno Veloso Rio de Janeiro
  • Tony Trischka Composer
  • Badi Assad Guitar
  • Hendrik Meurkens Samba
  • Júlio Caldas Brasil, Brazil
  • Yazhi Guo 郭雅志 Multi-Instrumentalist
  • The Assad Brothers Brazil
  • Irmandade da Boa Morte Brasil, Brazil
  • Miguel Atwood-Ferguson Composer
  • Kenny Barron Composer
  • John McLaughlin Multi-Cultural
  • Sammy Britt Mississippi
  • Musa Okwonga Podcaster
  • James Andrews Trumpet
  • Welson Tremura Composer
  • Michael Doucet Cajun Music
  • Cedric Watson Fiddle
  • Ned Sublette Musicologist
  • Jamz Supernova DJ
  • Ken Dossar Philadelphia
  • Thiago Espírito Santo Guitarra, Guitar
  • Bertram Recording Artist
  • Moacyr Luz Samba
  • David Sedaris Essayist
  • Deesha Philyaw Essayist
  • Adam Cruz New York City
  • Ricky (Dirty Red) Gordon Zydeco
  • Otto Recife
  • Simon Brook Director
  • Mulatu Astatke Vibraphone
  • Ben Wolfe Juilliard Faculty
  • Alphonso Johnson USC Thornton School of Music Faculty
  • VJ Gabiru DJ
  • Adam Rogers Jazz
  • Luciano Calazans Bass
  • Philip Sherburne Music & Culture Writer
  • Jack Talty Ireland
  • Louis Marks Music Producer
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Horácio Reis Bahia
  • Horácio Reis Violão Clássico Brasileiro, Brazilian Classical Guitar
  • Neymar Dias Brazil
  • Sharita Towne Stereo Photography
  • Asa Branca Brazil
  • Plamen Karadonev Accordion
  • Thiago Amud Singer-Songwriter
  • John Schaefer Radio Presenter
  • Fred Hersch Composer
  • Emicida Rapper
  • Ivo Perelman Jazz
  • Del McCoury Guitar
  • Yoko Miwa Jazz
  • Kiko Loureiro Finland

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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