Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • 小野リサ Lisa Ono
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: 小野リサ Lisa Ono
  • City/Place: Tokyo
  • Country: Japan
  • Hometown: São Paulo, Brazil

Life & Work

  • Bio: Born in Sao Paulo, Brazil. Lisa Ono spent her childhood in Brazil until she was 10 years old. She started singing and playing the guitar when she was 15, and her debut as a professional Bossa Nova singer was in 1989. Her natural voice, rhythmic guitar playing, and her charming smile led her to a huge success and helped Bossa Nova to be popular in Japan.

    She has performed with many top musicians such as the legendary Antonio Carlos Jobim, the Jazz Samba giant João Donato, and has been performing enthusiastically in New York, Brazil and Asian countries. The album “Dream”, which was released in 1999, sold more than 2 hundred thousand copies in Japan, and since than she has established a determined position in the Japanese Bossa Nova community.

Media | Markets

  • ▶ Website: http://onolisa.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC2WvJnw5FnCfE-ROWuC4TJA
  • ▶ YouTube Music: http://music.youtube.com/channel/UCtIp0bCz1IQLKorWCVCfvVw
  • ▶ Spotify: http://open.spotify.com/album/6x3fHmUUkX81tBX5n6NbJV
  • ▶ Spotify 2: http://open.spotify.com/album/3ZXyPBDeYnCHukX6r50LDh
  • ▶ Spotify 3: http://open.spotify.com/album/0Yty1q1y2EHCP06iMRLFCs
  • ▶ Spotify 4: http://open.spotify.com/album/1WoKUdyZwz5ieAJaTsEff6
  • ▶ Spotify 5: http://open.spotify.com/album/6XSXKJfk1KdcVFZ5axYziE
  • ▶ Spotify 6: http://open.spotify.com/album/4ZAB0E6q1y8BpYm0fSTuft

Clips (more may be added)

  • 4:40
    【Monthly Live June】小野リサ Lisa Ono Mini Live Vol.29〜We're All Alone 〜Boz Scaggs
    By 小野リサ Lisa Ono
    89 views
  • 4:35
    【Monthly Live May】小野リサ Lisa Ono Mini Live Vol.28 〜Stars Fell On Alabama Featuring Vivian〜
    By 小野リサ Lisa Ono
    109 views
  • 0:14:34
    TOUR LISA ONO WITH BRAZILIAN FRIENDS JAPAN 2017
    By 小野リサ Lisa Ono
    102 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending 小野リサ Lisa Ono:

  • 1 Bossa Nova
  • 1 Brazil
  • 1 Guitar
  • 1 Japan
  • 1 Jazz
  • 1 MPB
  • 1 Multi-Cultural
  • 1 Singer

Nodes below are randomly generated. Reload for a different stack.

  • Clarice Assad Brazil
  • Andra Day Pop
  • Negrizu Brasil, Brazil
  • Hélio Delmiro Samba
  • Carla Visi Singer
  • Casa da Mãe MPB
  • Ibram X. Kendi Boston University Faculty
  • Magary Lord Salvador
  • Adriano Giffoni Rio de Janeiro
  • Mingo Araújo Composer
  • Stephanie Foden Salvador
  • Ricky (Dirty Red) Gordon Louisiana
  • Di Freitas Composer
  • Richard Galliano Choro
  • Adam Rogers New York City
  • João Luiz Choro
  • Gerald Cleaver Jazz
  • Obed Calvaire New York City
  • Noam Pikelny Nashville, Tennessee
  • Omari Jazz Electronic Futurism
  • Marcos Suzano Brazil
  • Arto Tunçboyacıyan Multi-Cultural
  • Paulo Martelli São Paulo
  • Darol Anger Record Producer
  • Domingos Preto Chula
  • Louis Marks Ropeadope Sur
  • Lazzo Matumbi Brazil
  • Kiko Loureiro Guitar Instruction
  • Brenda Navarrete Havana
  • George Garzone Author
  • James Martins Jornalista, Journalist
  • Edmar Colón Puerto Rico
  • Carlos Lyra Rio de Janeiro
  • Celino dos Santos Bahia
  • NIcholas Casey New York Times
  • Orlando Costa Percussion
  • Urânia Munzanzu Escritora, Writer
  • Jamie Dupuis Harp Guitar
  • Michael Pipoquinha Brazilian Jazz
  • Jon Batiste Multi-Instrumentalist
  • Cécile McLorin Salvant Illustrator
  • Fred Dantas Euphonium
  • Matt Glaser Fiddle
  • Maria Bethânia Salvador
  • Derek Sivers Entrepreneur
  • JD Allen New York City
  • Dudu Reis Samba
  • Itamar Borochov Jaffa
  • Mestrinho Sergipe
  • Christopher James Piano
  • Tommaso Zillio Canada
  • Sandro Albert Guitar
  • Afrocidade Brazil
  • Tia Surica Samba
  • Rotem Sivan Jazz
  • Marcello Gonçalves Violão de Sete
  • Marcos Portinari Diretor Artístico, Artistic Director
  • Veronica Swift Jazz
  • Ken Coleman Detroit, Michigan
  • Ibram X. Kendi Essayist
  • Issac Delgado Cuba
  • Mokhtar Samba Paris
  • Dhafer Youssef ظافر يوسف Oud
  • Ronald Bruner Jr. Record Producer
  • Vincent Herring Saxophone
  • Alfredo Rodriguez New York City
  • Paquito D'Rivera Havana
  • Dave Jordan Roots Rock
  • Sérgio Pererê Singer
  • Joe Lovano Flute
  • Carla Visi Salvador
  • Oswaldo Amorim Escola de Música de Brasília Faculty
  • Amit Chatterjee Indian Classical Music
  • Greg Kot Journalist
  • Vijay Gupta Los Angeles Philharmonic
  • Mauro Senise Brazilian Jazz
  • Sérgio Pererê Composer
  • Guga Stroeter Brazil
  • Vivien Schweitzer Culture Journalist
  • Yayá Massemba Samba de Roda
  • Weedie Braimah Folk & Traditional
  • Marília Sodré Salvador
  • Roque Ferreira Chula
  • Ranky Tanky South Carolina
  • Henrique Cazes Samba
  • Di Freitas Rabeca
  • Aruán Ortiz Jazz
  • David Hepworth Music Journalist
  • Andrew Huang Multi-Instrumentalist
  • Gerônimo Santana Salvador
  • Robb Royer Screenwriter
  • James Andrews Songwriter
  • Virgínia Rodrigues Bahia
  • Jorge Pita Percussion
  • Jaques Morelenbaum Arranger
  • Aneesa Strings Los Angeles
  • Ariel Reich Dance for PD®
  • Toumani Diabaté Multi-Cultural
  • Jaques Morelenbaum Brazilian Jazz
  • Michael Peha Talent Management
  • Lucian Ban Jazz
  • Ronaldo do Bandolim Composer
  • Ivan Huol Drums
  • Camille Thurman Singer
  • Fábio Luna Violão, Guitar
  • Rodrigo Caçapa Record Producer
  • John Francis Flynn Tin Whistle
  • Jazzmeia Horn Singer-Songwriter
  • Karim Ziad Paris, France
  • Carlinhos 7 Cordas Samba
  • Julian Lage Jazz
  • José James New York City
  • Gerald Cleaver Brooklyn, NY
  • Shabaka Hutchings Saxophone
  • Ry Cooder Writer
  • Merima Ključo Los Angeles
  • Giorgi Mikadze გიორგი მიქაძე New York City
  • Donnchadh Gough Ireland
  • Billy Strings Bluegrass
  • Jakub Knera Writer
  • Congahead Jazz
  • Lenna Bahule MPB
  • Anthony Hamilton R&B
  • Tal Wilkenfeld Bass
  • Kaia Kater Banjo
  • Isaiah J. Thompson Composer
  • John Zorn Film Scores
  • Pedro Aznar Guitar
  • David Simon Journalist
  • Robby Krieger Jazz
  • Capitão Corisco Salvador
  • Asa Branca Bahia
  • Ben Okri Essayist
  • Thana Alexa New York City
  • João Camarero Brazil
  • Yacouba Sissoko Kora
  • Sophia Deboick England
  • Marcos Suzano Pandeiro
  • Yasmin Williams Multi-Cultural
  • VJ Gabiru Fotógrafo, Photographer
  • Bernardo Aguiar Percussion
  • Eric Bogle Singer-Songwriter
  • Isaiah Sharkey Guitar
  • Matt Glaser Berklee College of Music Faculty
  • Kevin Burke Fiddle
  • Chris McQueen Austin, Texas
  • Ryuichi Sakamoto Electronic Music
  • Alain Mabanckou Writer
  • Júlio Caldas Guitarra Baiana
  • Shannon Ali Liner Notes
  • Serwah Attafuah Australia
  • Shamarr Allen Trumpet
  • Lazzo Matumbi Bahia
  • Vanessa Moreno Guitar
  • Peter Erskine Jazz
  • Isaak Bransah Bahia
  • Esperanza Spalding Composer
  • Bebel Gilberto Bossa Nova
  • Joana Choumali Visual Artist
  • Mariene de Castro Bahia
  • H.L. Thompson DJ
  • Adam Cruz Jazz
  • John McLaughlin Jazz Fusion
  • James Gadson R&B
  • David Bragger Old-Time Music
  • Chico César São Paulo
  • Gringo Cardia Video Director
  • Iroko Trio Brazil
  • Missy Mazolli Opera
  • Don Moyer Graphic Design
  • Hanif Abdurraqib Music Critic
  • Nelson Faria Guitar Instruction, Master Classes
  • Sammy Britt Delta State University Faculty
  • James Shapiro Writer
  • Donald Vega Nicaragua
  • Marco Pereira Classical Guitar
  • Louis Michot Singer-Songwriter
  • Tommy Orange Short Stories
  • John Santos Cape Verde
  • James Brandon Lewis Poet
  • Matt Ulery Multi-Instrumentalist
  • David Chesky Jazz
  • Antonio García Film Scores
  • Mehdi Rajabian Iran
  • Brian Q. Torff Composer
  • Sarah Jarosz New York City
  • Jacob Collier Singer
  • Bobby Vega R&B
  • Anissa Senoussi VFX Artist
  • Corey Ledet Zydeco
  • Eddie Kadi London
  • Oswaldinho do Acordeon São Paulo
  • Áurea Martins Brasil, Brazil
  • Nicholas Gill Photographer
  • Edmar Colón Saxophone
  • Shalom Adonai Salvador
  • Ana Luisa Barral Brazil
  • Jean Rondeau Film Scores
  • Shaun Martin Gospel
  • Mulatu Astatke Ethiopia
  • Asali Solomon Writer
  • Dave Smith Drums
  • Chris Dave R&B
  • Perumal Murugan Writer
  • Germán Garmendia Singer
  • Mestrinho Forró
  • Wilson Simoninha MPB
  • Mou Brasil Compositor, Composer
  • Gabriel Grossi Brazil
  • Noam Pikelny Banjo Instruction
  • Joe Chambers Jazz
  • Seckou Keita Senegal
  • Stephen Guerra Arranger
  • Martin Koenig Balkan Dance
  • Robb Royer Country
  • Ron Carter Educator
  • Elif Şafak Turkey
  • María Grand Jazz
  • Luizinho Assis Piano
  • Isaak Bransah Singer-Songwriter
  • Gêge Nagô Cachoeira
  • Henry Cole Puerto Rico
  • Simon Singh Author
  • Stacy Dillard Jazz
  • McCoy Mrubata Cape Town
  • Alessandro Penezzi Violão de Sete
  • Cainã Cavalcante MPB
  • Africania Samba de Roda
  • Aneesa Strings Composer
  • Mateus Alves Composer
  • Nelson Faria YouTuber
  • Lazzo Matumbi Salvador
  • James Carter Composer
  • Robi Botos Ropeadope
  • David Simon Baltimore, Maryland
  • Fantastic Negrito Singer-Songwriter
  • 小野リサ Lisa Ono Japan
  • OVANA Homemade Instruments
  • Ben Harper Multi-Instrumentalist
  • Gregory Tardy Saxophone
  • Charlie Bolden Jazz
  • Joshua Abrams Bass
  • Arturo Sandoval Cuba
  • Etienne Charles Cuatro
  • Anat Cohen Tel Aviv
  • Pedro Abib Salvador
  • Milford Graves Percussion
  • Roberta Sá MPB
  • Matt Glaser Folk & Traditional
  • Mario Ulloa Brazil
  • Shanequa Gay Atlanta, Georgia
  • Lokua Kanza Singer-Songwriter
  • Celso Fonseca Singer
  • Swami Jr. Samba
  • Paquito D'Rivera Saxophone
  • Jared Sims Saxophone
  • Julia Alvarez Poet
  • Steve Earle Writer
  • The Brain Cloud Americana
  • Jimmy Duck Holmes Blues
  • Afrocidade Rap
  • Wayne Krantz Guitar
  • Catherine Bent Boston
  • Logan Richardson Saxophone
  • Aloísio Menezes Samba
  • Ryan Keberle Manhattan School of Music Faculty
  • Gel Barbosa Brasil, Brazil
  • Jonga Cunha Radio Presenter
  • Robi Botos Composer
  • Toninho Horta Singer
  • Kalani Pe'a Hawaii
  • Guillermo Klein Composer
  • Raphael Saadiq Neo Soul
  • Caterina Lichtenberg Author
  • Jonathan Griffin Manchester
  • Chico Buarque MPB
  • André Muato Brazil
  • Mateus Aleluia Filho Cachoeira
  • André Mehmari São Paulo
  • Issa Malluf Percussion
  • The Weeknd Hip-Hop
  • Romero Lubambo Jazz
  • Sarah Jarosz Singer-Songwriter
  • Jon Faddis Manhattan School of Music Faculty
  • Alain Pérez Bass
  • John Patrick Murphy Brazilian Music
  • Lionel Loueke Composer
  • Issac Delgado Composer
  • Aindrias de Staic Television Presenter
  • Cécile Fromont Art Historian
  • Gabrielzinho do Irajá Singer
  • Jill Scott Jazz
  • Bejun Mehta Berlin
  • Shanequa Gay Poet
  • Paulo Dáfilin Arranger
  • Aaron Parks Piano
  • Jeremy Danneman Ropeadope
  • Caoimhín Ó Raghallaigh Hardanger d'Amoré 10-string Fiddle
  • J. Pierre Illustrator
  • Jill Scott Spoken Word
  • Ore Ogunbiyi UK
  • Yotam Silberstein Guitar
  • Musa Okwonga Football Journalist
  • Abderrahmane Sissako Screenwriter
  • Eric Galm Caribbean Studies
  • Peter Erskine Record Producer
  • Lô Borges MPB
  • Raelis Vasquez Afro-Latinx Art
  • Woody Mann Writer
  • Matt Garrison Jazz
  • 小野リサ Lisa Ono Singer
  • Cássio Nobre Bahia
  • Tyler Gordon Artist
  • Mary Norris Writer
  • Sarz Record Producer
  • Danilo Caymmi MPB
  • Samuel Organ Experimental Rock
  • Sam Reider Composer
  • Gringo Cardia Rio de Janeiro
  • Simone Sou Record Producer
  • Perumal Murugan Tamil Literature
  • William Parker Multi-Instrumentalist
  • Michael Doucet Zydeco
  • Jaimie Branch Trumpet
  • Turíbio Santos Composer
  • Django Bates Composer
  • Asma Khalid White House Correspondent
  • João Teoria Bahia
  • Swami Jr. Choro
  • Léo Rodrigues São Paulo
  • Michael League Bass
  • Gabriel Geszti Multi-Cultural
  • Jeff 'Tain' Watts Composer
  • Guto Wirtti Multi-Instrumentalist
  • Jon Otis Singer-Songwriter
  • Alexandre Leão Bahia
  • Kaveh Rastegar Los Angeles
  • Lilli Lewis Louisiana Red Hot Records
  • Miguel Atwood-Ferguson Violin
  • Steve Lehman Composer
  • Fred Dantas Bahia
  • Cassandra Osei University of Illinois PhD Candidate
  • Arifan Junior Portela
  • Ceumar Coelho Brazil
  • David Castillo Moorpark College Faculty
  • Pierre Onassis Bahia
  • Dwandalyn Reece Singer
  • André Becker Bahia
  • Richie Stearns Americana
  • Burhan Öçal Singer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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