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  • 小野リサ Lisa Ono

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: 小野リサ Lisa Ono
  • City/Place: Tokyo
  • Country: Japan
  • Hometown: São Paulo, Brazil

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Born in Sao Paulo, Brazil. Lisa Ono spent her childhood in Brazil until she was 10 years old. She started singing and playing the guitar when she was 15, and her debut as a professional Bossa Nova singer was in 1989. Her natural voice, rhythmic guitar playing, and her charming smile led her to a huge success and helped Bossa Nova to be popular in Japan.

    She has performed with many top musicians such as the legendary Antonio Carlos Jobim, the Jazz Samba giant João Donato, and has been performing enthusiastically in New York, Brazil and Asian countries. The album “Dream”, which was released in 1999, sold more than 2 hundred thousand copies in Japan, and since than she has established a determined position in the Japanese Bossa Nova community.

Media | Markets

  • ▶ Website: http://onolisa.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC2WvJnw5FnCfE-ROWuC4TJA
  • ▶ YouTube Music: http://music.youtube.com/channel/UCtIp0bCz1IQLKorWCVCfvVw
  • ▶ Spotify: http://open.spotify.com/album/6x3fHmUUkX81tBX5n6NbJV
  • ▶ Spotify 2: http://open.spotify.com/album/3ZXyPBDeYnCHukX6r50LDh
  • ▶ Spotify 3: http://open.spotify.com/album/0Yty1q1y2EHCP06iMRLFCs
  • ▶ Spotify 4: http://open.spotify.com/album/1WoKUdyZwz5ieAJaTsEff6
  • ▶ Spotify 5: http://open.spotify.com/album/6XSXKJfk1KdcVFZ5axYziE
  • ▶ Spotify 6: http://open.spotify.com/album/4ZAB0E6q1y8BpYm0fSTuft

Clips (more may be added)

  • 4:40
    【Monthly Live June】小野リサ Lisa Ono Mini Live Vol.29〜We're All Alone 〜Boz Scaggs
    By 小野リサ Lisa Ono
    188 views
  • 4:35
    【Monthly Live May】小野リサ Lisa Ono Mini Live Vol.28 〜Stars Fell On Alabama Featuring Vivian〜
    By 小野リサ Lisa Ono
    254 views
  • 0:14:34
    TOUR LISA ONO WITH BRAZILIAN FRIENDS JAPAN 2017
    By 小野リサ Lisa Ono
    258 views
Previous
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小野リサ Lisa Ono Curated
pathways in

  • 1 Bossa Nova
  • 1 Brazil
  • 1 Guitar
  • 1 Japan
  • 1 Jazz
  • 1 MPB
  • 1 Multi-Cultural
  • 1 Singer

What's Been Happening?

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  • 小野リサ  Lisa Ono
    Toninho Horta → Singer has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Toninho Horta → Minas Gerais has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Toninho Horta → Guitar has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Toninho Horta → Composer has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Toninho Horta → Brasil, Brazil has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Toninho Horta → Belo Horizonte has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Romero Lubambo → Samba has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Romero Lubambo → New York City has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Romero Lubambo → MPB has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Romero Lubambo → Jazz has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Romero Lubambo → Guitar has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Romero Lubambo → Choro has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Romero Lubambo → Brazilian Jazz has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    Romero Lubambo → Brasil, Brazil has been recommended via 小野リサ Lisa Ono.
    • July 3, 2021
  • 小野リサ  Lisa Ono
    A category was added to 小野リサ Lisa Ono:
    Jazz
    • July 3, 2021
  • 小野リサ  Lisa Ono
    A video was posted re 小野リサ Lisa Ono:
    【Monthly Live June】小野リサ Lisa Ono Mini Live Vol.29〜We're All Alone 〜Boz Scaggs
    【Monthly Live June】小野リサ Lisa Ono Mini Live Vol.29 〜We're All Alone 〜Boz Scaggs 6月のマンスリーライブは、『We're All Alone 』をお送りいたします。 Mini Liveはご好評につき、来月7月で限定配信終了予定です。次回もどうぞお楽しみに!! ⭐︎Player⭐︎ Keyboard Arrangement / Programing / Audio Mixed / Video Editing : 奥山 勝(...
    • July 3, 2021
  • 小野リサ  Lisa Ono
    A video was posted re 小野リサ Lisa Ono:
    【Monthly Live May】小野リサ Lisa Ono Mini Live Vol.28 〜Stars Fell On Alabama Featuring Vivian〜
    【Monthly Live May】小野リサ Lisa Ono Mini Live Vol.28 〜Stars Fell On Alabama Featuring Vivian〜 Composed by Frank Perkins Lyrics by Mitchell Parish 5月のマンスリーライブは、愛犬Vivian登場の『Stars Fell On Alabama Featuring Vivian』をお送りいたします。Mini Liveは来月6月で限定配信終了予定です。次回もどうぞお楽しみ...
    • July 3, 2021
  • 小野リサ  Lisa Ono
    A video was posted re 小野リサ Lisa Ono:
    TOUR LISA ONO WITH BRAZILIAN FRIENDS JAPAN 2017
    Lisa Ono With Brazilian Friends in Japan 2017 Members: Lisa Ono - Vocal and Guitar Armando Marçal - Percussion Rafael Barata - Drums Jefferson Lescowich - Bass Febian Resa Pane - Piano David Silvah - vocal and guitar The shows took place betwe...
    • July 3, 2021
  • 小野リサ  Lisa Ono
    A category was added to 小野リサ Lisa Ono:
    Multi-Cultural
    • July 3, 2021
  • 小野リサ  Lisa Ono
    A category was added to 小野リサ Lisa Ono:
    Guitar
    • July 3, 2021
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  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

WHO IS INSIDE THIS GLOBAL MATRIX?

Explore above for a complete list of artists and other members of the creative economy.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

QUEM ESTÁ DENTRO DESTE MATRIX?

Explore acima para uma lista completa de artistas e outros membros da economia criativa global.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • João Luiz MPB
  • David Bruce Multi-Cultural
  • Chris Dingman Vibraphone
  • Bejun Mehta New York City
  • Chano Domínguez Cádiz
  • Tia Fuller Composer
  • Run the Jewels Rap
  • Gerald Cleaver Brooklyn, NY
  • Milton Nascimento Singer-Songwriter
  • Nicholas Gill Writer
  • Djamila Ribeiro Ensaísta, Essayist
  • Ivan Bastos Bahia
  • Lazzo Matumbi Bahia
  • Jason Moran Jazz
  • Mou Brasil Música Afro-Baiana, Afro-Bahian Music
  • Wouter Kellerman South Africa
  • Yotam Silberstein Guitar
  • Judy Bady Gospel
  • Mino Cinélu Composer
  • Marcello Gonçalves Choro
  • Paul McKenna Irish Traditional Music
  • Danilo Caymmi Record Producer
  • Anouar Brahem Oud
  • Vanessa Moreno MPB
  • Speech Hip-Hop
  • Richard Galliano Musette
  • Christopher Wilkinson Guitar
  • Justin Kauflin New York City
  • Frank Beacham Videographer
  • Fred Hersch New York Jazz Academy Faculty
  • BIGYUKI Brooklyn, NY
  • Bill Hinchberger Educator
  • NEOJIBA Música Clássica Contemporânia, Contemporary Classical Music
  • Woody Mann Guitar Instruction
  • Hélio Delmiro Brazil
  • Meddy Gerville Composer
  • Amitava Kumar Writer
  • Estrela Brilhante do Recife Pernambuco
  • Taylor McFerrin Record Producer
  • Ben Allison Concert Producer
  • Eddie Palmieri Piano
  • Huey Morgan Songwriter
  • Andrew Huang Canada
  • Edil Pacheco Brazil
  • Jeff Spitzer-Resnick Radio Presenter
  • Maria de Xindó Cantigas de Lavadeira
  • Chau do Pife Brazil
  • Jane Cornwell Liner Notes
  • Gal Costa Brazil
  • Lina Lapelytė Lithuania
  • John Santos Cape Verde
  • Itamar Vieira Júnior Novelist
  • Leo Genovese Jazz
  • Saul Williams Filmmaker
  • Plinio Oyò Samba de Roda
  • Maria de Xindó Salvador
  • Lilli Lewis Americana
  • Shanequa Gay Atlanta, Georgia
  • Maria Calú Violão, Guitar
  • Woz Kaly Singer-Songwriter
  • Etienne Charles Michigan State University Faculty
  • Stefon Harris Jazz
  • Molly Jong-Fast New York City
  • Rowney Scott Jazz
  • Jurandir Santana Composer
  • Joshue Ashby Jazz
  • Echezonachukwu Nduka Poet
  • Berkun Oya Screenwriter
  • Walmir Lima Songwriter
  • Bob Mintzer USC Thornton School of Music Faculty
  • Adam Rogers Composer
  • Albin Zak Author
  • Elie Afif Composer
  • Chris Acquavella Composer
  • Judy Bady Patterson, New Jersey
  • Michael Janisch Funk
  • Larisa Wiegant Utrecht
  • Soweto Kinch Composer
  • Luê Soares Belém do Pará
  • Byron Thomas Programmer
  • Yunior Terry Havana
  • Zeca Baleiro Violão, Guitar
  • Marc Cary Composer
  • Meena Karimi Cello
  • Steve Cropper Soul
  • Hugo Linns Recife
  • Serwah Attafuah Singer
  • Antonio Adolfo Jazz Brasileiro, Brazilian Jazz
  • Áurea Martins Cantora, Singer
  • Marc Johnson Composer
  • Vik Sohonie Writer
  • João Bosco Singer-Songwriter
  • Roy Germano NYU Faculty
  • Carlos Aguirre Argentina
  • Dave Eggers Painter
  • Corey Harris Singer-Songwriter
  • Julian Lloyd Webber Cello
  • Camilla A. Hawthorne University of California, Santa Cruz Faculty
  • Luê Soares Cantora-Compositora, Singer-Songwriter
  • Rose Aféfé Movimento Terra Aféfé
  • Cristiano Nogueira Travel Writer
  • Steve Earle Americana
  • Woz Kaly Africa
  • DJ Sankofa Salvador
  • Anthony Hervey Jazz
  • Ben Monder Guitar
  • Jean Rondeau Harpsichord
  • Roberto Martins Bahia
  • Léo Rodrigues Percussion
  • Isaiah J. Thompson New York City
  • Cara Stacey South Africa
  • Rogê Rio de Janeiro
  • Speech Music Production
  • Henrique Araújo São Paulo
  • Gian Correa Guitar
  • Lakecia Benjamin Funk
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  • Diedrich Diederichsen Cultural Critic
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  • Lynne Arriale University of North Florida Faculty
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  • Priscila Castro Música Afro-Amazônica, Afro-Amazonian Music
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  • NIcholas Casey Madrid
  • Dale Farmer Fiddle
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  • Ayrson Heráclito Federal University of the Recôncavo of Bahia Faculty
  • ANNA EDM
  • João Luiz Composer
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  • Cory Wong Guitar
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  • Guiga de Ogum Ijexá
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  • Gregory Porter Singer
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  • Mou Brasil Brasil, Brazil
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  • Orrin Evans Composer
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  • Vanessa Moreno Brazil
  • Questlove DJ
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  • Jas Kayser London
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  • Bruce Williams Composer
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  • João Teoria Chef
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  • Guilherme Varella Servidor Público, Public Servant
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  • Howard Levy Chicago
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  • Arany Santana Atriz, Actor
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  • Chano Domínguez Brooklyn, NY
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  • Shakespeare and Company Bookstore
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  • Walter Mariano Cultura Popular Baiana, Bahian Popular Culture
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  • Carwyn Ellis Rio de Janeiro
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  • Bruce Molsky Guitar
  • Helder Barbosa Economista, Economist
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  • Márcio Valverde Singer-Songwriter
  • Aditya Prakash Singer
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  • Hilton Schilder South Africa
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  • Leci Brandão Singer-Songwriter
  • Bob Bernotas Rutgers Faculty
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  • Hank Roberts Avant-Garde, Folk, Classical
  • Nancy Viégas Designer Gráfico, Graphic Designer
  • Peter Mulvey Guitar
  • Victoria Sur Singer-Songwriter
  • Toninho Nascimento Samba
  • Intisar Abioto Writer
  • Tonho Matéria Brasil, Brazil
  • Bonerama Jazz
  • Liam Farrell 'Dr L' Multi-Cultural
  • Dave Weckl Los Angeles
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  • Willy Schwarz Theater Composer
  • International Anthem Progressive Improvisational Music
  • Gilad Hekselman Israel
  • Mingo Araújo Percussion
  • 9th Wonder DJ
  • Helado Negro Sound Installations
  • Casa da Mãe Brasil, Brazil
  • Clarice Assad Singer
  • Bill Hinchberger Journalist
  • Dale Bernstein Photographer
  • Kazemde George African-American Music
  • Carlos Henriquez Jazz
  • The Umoza Music Project Malawi
  • Herbie Hancock Piano
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  • Antonio Adolfo Brasil, Brazil
  • Toninho Horta Composer
  • Dave Douglas New York City
  • John Harle Television Scores
  • Leo Nocentelli Songwriter
  • Lucio Yanel Guitar Courses
  • Igor Osypov Jazz Fusion
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  • Julie Fowlis Scottish Gaelic
  • Oleg Fateev Amsterdam
  • Tyshawn Sorey Multi-Instrumentalist
  • Gail Ann Dorsey Singer-Songwriter
  • Nelson Ayres Arranger
  • Taj Mahal Folk & Traditional
  • Archie Shepp Record Label Owner
  • John Harle Composer
  • Asma Khalid White House Correspondent
  • Anna Mieke Singer-Songwriter
  • Celino dos Santos Viola Machete
  • Melvin Gibbs Brooklyn, NY
  • Alex Clark Columbia Journalism School Faculty
  • Justin Brown Drums
  • Melanie Charles Beatmaker
  • Thiago Trad Berimbau
  • Celsinho Silva Brazil
  • David Castillo Voiceovers
  • Joel Best 3D Artist
  • Eric Alper Commentator
  • Ronaldo Bastos Composer
  • Orlando 'Maraca' Valle Cuba
  • Asanda Mqiki Jazz
  • Donnchadh Gough Irish Traditional Music
  • Chris Dave Houston
  • Philip Sherburne Photographer
  • Lucas Santtana Cantor-Compositor, Singer-Songwriter
  • Joe Lovano Clarinet
  • Cara Stacey Composer
  • Arthur Jafa Multidisciplinary Artist
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  • Kronos Quartet San Francisco
  • Sharita Towne Printmaker
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  • Jacob Collier Multi-Instrumentalist
  • Carlos Malta Composer
  • Luciano Salvador Bahia Singer-Songwriter
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  • Germán Garmendia YouTuber
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  • Dwayne Dopsie Zydeco
  • Isaac Butler Brooklyn, NY
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  • Ferenc Nemeth Hungary
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  • Taj Mahal Multi-Cultural
  • Vijay Gupta Los Angeles Philharmonic
  • Luiz Antônio Simas Compositor, Composer
  • Hendrik Meurkens Jazz
  • Imani Winds Multi-Cultural
  • David Binney Saxophone
  • Steve Bailey Bass
  • Andrew Huang Toronto
  • Monarco Brazil
  • Celsinho Silva Pandeiro Instruction
  • Román Díaz Percussion
  • Alegre Corrêa Brazil
  • Igor Levit Piano
  • Jurandir Santana Brazilian Jazz
  • Will Holshouser Composer
  • Ari Hoenig New York City
  • Papa Mali Louisiana
  • Bob Mintzer Multi-Instrumentalist
  • Archie Shepp Playwright
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  • Nelson Latif Brazilian Jazz
  • Andrew Gilbert Journalist
  • Alexandre Vieira Brasil, Brazil
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  • Courtney Pine Flute
  • Jessie Reyez Singer-Songwriter
  • Clint Smith Essayist
  • Hercules Gomes Composer
  • Delbert Anderson New Mexico
  • Jovino Santos Neto Brazil
  • Vijay Gupta Contemporary Classical Music
  • Milad Yousufi Composer

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