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In this matrix it's not which pill you take, it's which pathways you take, pathways originating in the sprawling cultural matrix of Brazil: Indigenous, African, Sephardic and then Ashkenazic, European, Asian... Ground Zero is the Recôncavo, delineated by the Bay of All Saints, earthly center of gravity for the disembarkation of enslaved human beings — and the sublimity they created — presided over by the ineffable Black Rome of Brazil: Salvador da Bahia.
("Black Rome" is an appellation per Caetano Veloso, son of the Recôncavo, via Mãe Aninha of Ilê Axé Opô Afonjá.)
What's Up?
“Go back to where you came from, you terrorist!”
This is just one of the many warm, lovely, and helpful tips that Wajahat Ali and other children of immigrants receive on a daily basis. Go back where exactly? His hometown in the San Francisco Bay Area, where he can’t afford rent?
Awkward, left-handed, suffering from OCD, and wearing Husky pants, Ali grew up on the margins of the American mainstream, devoid of Brown superheroes, where people like him were portrayed as goofy sidekicks, shop owners with funny accents, sweaty terrorists, or aspiring sweaty terrorists. Driven by his desire to expand the American narrative to include protagonists who look like him, he became a writer, and in the aftermath of the 9/11 terror attacks, an accidental activist and ambassador of all things Muslim-y. He uses his pen with turmeric-stained fingernails to fill in missing narratives, challenge the powerful, and booby trap racist stereotypes. In his bold, hopeful and hilarious memoir, Ali offers indispensable lessons and strategies to help cultivate a more compassionate America.
Life & Work
Bio:
Wajahat Ali is a Daily Beast columnist, public speaker, recovering attorney, and tired dad of three cute kids. He is currently working on his first book Go Back To Where You Came From: And, Other Helpful Recommendations on Becoming American which will be published in January 2022 by Norton. He believes in sharing stories that are by us, for everyone: universal narratives told through a culturally specific lens to entertain, educate and bridge the global divides.
He also enjoys writing about himself in the third person. He frequently appears on television and podcasts for his brilliant, incisive, and witty political commentary. Born in the Bay Area, California to Pakistani immigrant parents, Ali went to school wearing Husky pants and knowing only three words of English. He graduated from UC Berkeley with an English major and became a licensed attorney. He knows what it feels like to be the token minority in the classroom and the darkest person in a boardroom. Like Spiderman, he’s often had the power and responsibility of being the cultural ambassador of an entire group of people, those who are often marginalized, silenced, or reduced to stereotypes. His essays, interviews, and reporting have appeared in The New York Times, The Atlantic, The Washington Post, The Guardian, and New York Review of Books. Ali has spoken at many organizations, from Google to Walmart-Jet to Princeton University to the United Nations to the Chandni Indian-Pakistani Restaurant in Newark, California, and his living room in front of his three kids.
Quotes, Notes & Etc.
“This is the book I’ve been hoping Wajahat Ali would write for ten years—hilarious, stylistically fearless, deeply humane.”
—DAVE EGGERS, author of The Every
“Wajahat Ali’s deeply personal and keenly perceptive memoir is a clear-eyed account of his American immigrant experience—an experience that is both unique and universal. We are all fortunate to be on the receiving end of not only his intellect, but his humanity and heart.”
—KATIE COURIC, Emmy Award–winning journalist
"This powerful and moving book is, at its heart, a love story. The beloved, flawed and tragic -- so flawed, so tragic -- is America. The lover's hope is always undermined. And yet his hope somehow endures."
—MOHSIN HAMID, author of Exit West
"Find a place on your bookshelf between Mark Twain and James Baldwin. Read this book before putting it there."
—TIMOTHY SNYDER, author of On Tyranny
“A tender-knife sharp analysis of racism, America, the wick of power, language and culture — personal, painful, familial and global.”
—JUAN FELIPE HERRERA, United States Poet Laureate Emeritus
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"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
MATRIX MUSICAL
I built the Matrix below (I'm below left, with David Dye & Kim Junod for U.S. National Public Radio) among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).